Punk Squad IDLES Shares New Clip For Latest Single ‘MERCEDES MARXIST’…

Clips that will have an impact on your eyes and your ears…

2 August 2019

Bristol punks IDLES who hit big time last year with their second full length cannonball
Joy As An Act Of Resistance shared a new fiery cut called ‘MERCEDES MARXIST‘ last May. Now here’s the fresh video clip…

The single is physically & digitally out today. You can purchase it here.
The B-side is the crazily titled ‘I DREAM GUILLOTINE‘. Here’s the audio clip…

IDLES: Facebook

Bristol’s Pitbull Punks IDLES Drop New Pounding Punch ‘MERCEDES MARXIST’…

Daily fuel to load your sonic batteries…

7 May 2019

After becoming massively famous with the release of last’ year’s second album Joy As An Act Of Resistance and touring the world right now Bristol‘s pit bull punks IDLES still found some time to drop a brand new smack called ‘MERCEDES MARXIST‘. Another characteristic power punch for all pogo fanatics out there. A hitting hammer, both maniacally muscular and madly melodic.

Singer Joe Talbot said in a press statement: “You can see the progression and regression in some ways. It’s us, but a year older. We got bored of certain things and excited by others. We want to write more techno, we want to write more noise, we want to write more pop, and we want to write more country. We’ll just write it until it sounds like something we love, then we’ll put the words on top.”

Unleash the beast here…

IDLES: Facebook

(pics on top and here above by Turn Up the Volume!)

Bristol Punks IDLES Perform Surprising And Crushing Mashup Of THE STREETS…

Today infamous punk combo IDLES played some songs live for BBC’s Radio 1 Live Lounge Session series. One of the performances was entirely surprising. It was a mash-up of songs by rapper Mike Skinner aka THE STREETS. The Bristol band made a collage of the following The Streets tunes: Turn the Page, Has it Come to This?, Geezers Need Excitement and Don’t Mug Yourself. Check it out right here…


Why Outspoken Blitzkrieg Punk Gang IDLES Is The Best Fucking Band Right Now On Our Troubled Planet…

IDLES – De Zwerver, Leffinge, Belgium – 2 November 2018

Soon, at the end of the year, Bristol‘s steamrollin’ punks IDLES will be in countless 2018
lists in two categories: best album and best live act. Second longplayer JOY AS AN ACT
catapulted the band into the highest regions of alternative music. It’s an awesome red-hot-blooded record capable of bringing your speakers down, but also, and actually most of all, this socially committed combo looks, acts and plays like HUMANS – very exciting ones, that is – they write about ALL HUMANS and they do it for us, HUMANS. Read the gripping interview NME had a couple of months ago with blazing frontman Joe Talbot right here and you’ll learn that this dynamite squad has a very BIG HONEST HEART!

And then there are their smashing live shows. On a podium, this down-to-earth quintet becomes a blitzkrieg machine blowing your minds unstoppably with emotional force and relentless panache. Yesterday was my fourth live encounter. Another oh-yeah-fucking-hell experience. Explosive every-nerve-in-his-body-is-alive-and-kicking frontman Joe Talbot leads the hair-raising troops but all of his remarkable teammates assist him brilliantly to make the crowd go totally gaga. Everybody’s screaming, yelling, jumping, cheering, clapping and sweating with the greater part of the crazed crowd involved in the boiling mosh-pit in the middle of the fired-up venue and at one point many of us, including myself, hit the stage
to hop around madly like a bunch of wild kids. Yes, folks, this is what ENTERTAINMENT is all about. Having the time of your life on a night out and returning home, voiceless, with a large smile on your face. Great bands make people feel BLOODY HAPPY! This hot clan is not only great, right now, right here IDLES id the best fucking band on this troubled planet…

If you never heard of them , check this cooking BBC TV performance and
you’ll realize why I’m in a euphoric state during and after an Idles gig…

Some shots from yesterday’s steamy party

L-o-u-d and intens joy as an act of resistance

Blitzkrieg electricity

By the people for the people

Creating a deafening Black Sabbath like finale…

See you next time



IDLES: Website – Facebook

(all concert pics by Turn Up The Volume!)

IDLES Go Nuts On BRITISH TV Show With Live Rendition Of ‘DANNY NEDELKO’…


26 September 2018

(photo: BBC)

Bristol‘s red-boiling punk gang IDLES made a spectacular appearance yesterday on British, near legendary, TV show ‘Later… with Jools Holland’. Their pumped-up live rendition of ‘Danny Nedelko‘, one of the scream-along moshpit outbursts from their new album, was just awesome. At one point cameramen had no clue what was going on. Brilliant! Watch the tumultuous performance right here…

IDLES: Website – Facebook

New album JOY AS AN ACT OF RESISTANCE out now – stream here

IDLES’ New Ace Album ‘JOY AS AN ACT OF RESISTANCE’ – Track By Track…

18 September 2018


Bristol’s loud and clear punks IDLES formed in 2011. After storming the indie scene in
2016 with red-hot-blooded debut LP Brutalism the band returned a couple of weeks
ago with boiling album number two. JOY AS AN ACT OF RESISTANCE will be on top
of countless end-of-the-year lists, except on the list of the Theresa May‘s of this world.
It’s an awesome record, from the burning start to the reflective, slow savage finish.
A terrifically cracking masterslam in rip-roaring sound and social vision. Hell yeah!

Here’s thanks to npr music, its writer Bob Boilen and, of course Idles‘ energetic
frontman Joe Talbot a closer look into the awesome longplayer, track-by-track…

Here’s the music...

Here are the stories

This song was written purposely as the opener to the album; we always try and write records as an entity in itself with a brief. We wanted the first track to be cinematic and ominous, as a way of capturing the pressures of performance and grief. We wrote the
first crescendo part in about 10 minutes and fell in love. We knew we wanted to throw
in a grandiose red herring that would contrast with our more regular bosh of garagey blabbersmash. The lyrics came swift and it all wrote itself, so to speak.

This song came about when I said the album needed a knife to cut through the macabre timbre of the album’s arch; as soon as I mentioned “knife,” Bobo [guitarist Mark Bowen] shat the riff out like he knew the album wanted it also. I wanted the song to be an exploration of the horrid corners of my past; the bit I felt shame from. I think of my art as a way of being vulnerable, an exercise in catharsis, and a reflection of my ugliness that can exalt shame. Here it manifested into something beautiful, as all catharsis should be.

This was a song built on pace. We wanted to slow the record down and force the listener to march to our beat. The notion of a parade came to mind as soon as we came up with the beat. I wanted it to be a celebration, a defiant parade of all the things. This was a song that we all wrote in unison, and it really gave us a surge. It allowed each individual to breathe. This song helped me come to accept that I am whatever people say, and that’s OK. There was an instant feeling of relief once I realized that.

This song came about in the belly of the album. We were in full swing of Joy and the momentum of this song summed up the spirit of our union. I promised Danny [Nedelko, member of Bristol band Heavy Lungs and a Ukrainian immigrant] I’d write a song for him and him me; the tone comes from Danny, and the lyrics came as I thought of his exuberance and how important people like Danny are. I think of this one more as a humane portrait than a political song, but I wanted the two notions to be inseparable.

We wrote this track as a techno-type tune and I loved it, I wanted to use the dark tone as a vehicle to carry a message of unadulterated love for my partner and embody the strength of vulnerability and compassion. Plus, I love Dirty Dancing.

I wrote this song for me. It’s the only song where I’ve ever written the lyrics first and will probably remain so. I struggled to see where it would fit on the album because it was so personal, but after hearing the riff Lee [Kiernan, guitarist] wrote, I realized that I did want to show my pain. I wanted to illuminate the importance of grieving parents’ right to call themselves mothers and fathers. I’m not sure I’ll ever be able to play that song live.

I’m not sure where the music came from for this one; I think I was absent when it came together, but when I heard it for the first time I wrote the lyrics on the spot. I’d just read The Descent Of Man and Grayson Perry’s words struck me with such vigor that it all just came out immediately. I’m very grateful to Perry and other artists who encapsulate such complexity with a sledge-hammer.

I wrote this as a song to my daughter. I wanted to write about the new sense of self-belief I’ve found in celebrating my flaws, but also to motivate my future children in a subversive text.

Brexit. This song is confused and scared, but offers a withered gesture of reassurance that we are all capable of love. The music was based on a jungle bassline I wrote, we then just f***** around with it. The pure celebration of what we love led me to talk about something I don’t.

We wrote this as a concept song: we said yes to every idea proposed musically and then applied that to the subject of two coked-up bankers at a funeral. Yes.

I’ve always been infatuated by this song. I f****** love it. I thought it’d be a magic b-side to the “Samaritans” single, and one night the instrumentation came whilst listening to Grinderman. Plus, I love Dirty Dancing.

This is the oldest song on the album and the perfect closer for an album of self-realization. It’s a war cry where I wash my hands of the torrid hateful tabloid press and put my reading glasses on.

(photo by Turn Up The Volume! Belgium 2017)


Thanks to npr music and Idles