PEEPING DREXELS – Spend Some Bad Time With A New Fat White Family

3 November 2021

Band: PEEPING DREXELS
Who: Post-punk misfits from South London who announced their past UK gigs with this message: “Come through to the show of your liking to witness the degradation of our already poor physical and mental health in musical form.” Say no more.

EP: BAD TIME

This amazeballs extended play came out back in April, but before last Saturday night, I had never heard of this London gang of outcasts. But seeing them turning up the heat in the historic Paradiso Club in Amsterdam as part of the yearly (actually 2 editions per year) London Calling Festival, a showcase for up and coming bands (mostly from the UK), was pretty fucktastic and made them the talk of the night.

Why? If you start with some early Talking Heads‘ mania, followed by crashing Apocalypse drones, then you switch to some casual piano touches and 60s echoing guitars, and you end in a depressive lullaby way and you do all of this in one song with a flabbergasting resonance you’ll understand why the whole venue went apeshit and left their sweat on
the beer-drained floor for the whole wall-of-barbwire-sledgehammer-beats and post-punk orgasms filled gig.

Need a reference? Last Saturday Peeping Drexels made me feel what I felt so many times when seeing their mates Fat White Family slash and trash stages. You know, that feeling of pumped-up confidence to go out in the street and kick some fascists’ asses. Hell bloody hell yeah!

Enough talking. Do your miserable post-lockdown state of
mind a favour and buy yourself some more BAD TIME.

Right here, right now…


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PEEPING DREXELS: Facebook


Well, my camera went apeshit too, last Saturday night

TURN UP THE VOLUME’s 5 Best EPS Of 2021

The 5 best extended plays of the past 12 months to Turn Up The Volume’s ears

1. ‘American Cockroach’ by DEAP VALLY

Talking about being productive. The two charismatic rock queens
Lindsey Troy and Julie Edwards from the city of angels, Los Angeles
released two EPs and their 3rd LP titled Marriage (with some of
the EP songs on it) this year.

Extended Play American Cockroach is the one I listened to the most
with its two steamrollers (I Like Crime / American Cockroach) and two
slower beauties (Give Me A Sign / Better Off With Nothing).

First-rate score!

Stream/buy here…


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2. ‘Body Electric’ by ULTRA SUNN (Belgium)

This cool black leather duo turns darkness into a stroboscopic
disco place where you can shadow dance yourself dizzy.

Their electro electricity, doomed drones, Goth echoes, eerie
baritone vocals, and synth riffs that stick as first-class glue
have both a mind-intoxicating impact and a sensual feel.

Thunder and lighting beats for the twilight hours.

Their brisk 6-track EP is a fitting soundtrack
to kick another virus year into oblivion.

Stream/buy Body Electric here…


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3. ‘Bad Time’ by PEEPING DREXELS (UK)

I discovered these London misfits last October in Amsterdam playing there
as part of an indoor festival at the legendary Paradiso club. What I felt was
what felt so many times when seeing their mates Fat White Family slash and
trash stages.

You know, that feeling of pumped-up confidence to go out in
the street and kick some fascists’ asses. Hell bloody hell yeah!

Bad Time will tell you all about it…


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4. ‘This Sceptic Isle’ by SHATTERCONES (London, UK)

Who: Politically outspoken rock outfit from London.

Opener Ghoul Driver sets the tremendously torrid tone of this jaw-dropping
extended play. An ominous outburst that threatens to explode any second.
Say Goodbye both surprises and impresses with its longing Mexican tango
melodiousness.

Fulminating stroke Butterly Room is an acrimonious reflection on the state
of chaotic Brexit England and closer The Man Who Ate Capitalism progresses
at a funeral pace, lamenting and dolesome. Throughout, ill-omened vocals
cause goosebumps.

Awesome stuff!

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5. ‘The Space In Between, Part 1 by TMCF (UK)

TMCF is a British pop/rock duo unafraid to blend ambience
with indie hooks to create a psychedelic experience. Formed
in a time of hopelessness.

Expect an instrumental synth/guitar opener (The Space In Between), a shadowy
prog-roller-coaster with twists and turns, and a magnetic bass riff (Thaumaturgy),
darkwavish pop-scapes (From Green To Grey / Collapse), a sparkling dreamtune
(The Lions Den ) and a euphonic, vocal symphony with mellow piano touches
(Soon The World Goes Black). Top!

Stream EP here…

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A Sexy Kiss And A Sultry Trick With Brand New Single ‘THOUGHT I KNEW YOU’ By SPiN…

11 December 2020

Steamy Philadelphia quartet SPiN have a brand new red-hot jackhammer out called
THOUGHT I KNEW YOU. A break-up-blast, groovin’ and movin’ to a hellish beat.

Imagine metal-glam legends Kiss and Rock and Roll Hall of Fame stars Cheap Trick
having a kick-ass jam while watching 1960’s sexy and sultry horror film Peeping Tom.

I Thought I Knew You pumps up your stream of adrenalin when the bang-your-head chorus kicks in. It’s an offer you can’t refuse. Hop ‘n’ pop around like a stoned monkey,
it’ll help you to fight your lockdown blues. C’mon get out of your lazy bed, look the Devil
in the eyes and start a fire.

Please to meet you, hope you guess my name…

SPiN: Facebook

Turn Up The Volume’s 20 KNOCKOUT TRACKS Of The Month – NOVEMBER 2021

Turn Up The Volume‘s 20 Knockout Tracks for November 2021!
A stream of rattling rippers, jagged jams and romantic reveries.

All together on Spotify

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Knockout by knockout…

1. ‘Miami Lounge’ by PEEPING DREXELS (London, UK)

I discovered this brilliant post-punk turbo last month at an indoor festival in Amsterdam. The whole crowd went bananas. These motherrockers slash and trash with a burning vehemence and a flabbergasting fervency. Miami Lounge is the crackerjack opener of this year’s released 5-track EP Bad Time.

Now it’s your turn to discover this awesome London squad.

Right here, right now…


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2. ‘Ded Würst’ by DITZ (Brighton, UK)

Earlier this month this dynamite hit team blew all punters away with their jaw-dropping gig in my hometown Ghent (Belgium). They razzled and dazzled with ebullient exertion, blistering British bluster, and a fuck Brexit fierceness. The roof went off.

Ded Würst, their newest single, is nothing less
than a nasty and filthy sledgehammer. Das super!

Here’s why…


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3. ‘Traps’ by BLOC PARTY (London, UK)

Kele Okereke‘s band returns next year – 29 April 2022 – with
new LP Alpha Games, the first in 5 years.

Talking about a comeback! Traps is a stunning stormer, a killer
single, a whopping whirlwind. Supercalifragilisticexpialidocious!

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4. ‘Against The Blade’ by THE HORRORS (Southend-on-Sea, UK)

After dropping one of the best knockout blows of 2021 with Lout
The Horrors followed it up this month with new EP Against The Blade.

The title track is brutal, rough, and rowdy. Like Nine Inch Nails on acid.

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5. ‘Tsunami’ by DEAP VALLY

The Los Angeles sisters in rock crime just launched
their new LP Marriage, celebrating their 10 years of
rockin’ out together.

Tsunami is one of my favorites. A glam wham-bam
banger with a feverish impact.

Play it loud…

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6. ‘His Ilk’ by BRONSON ARM (Kalamazoo, Michigan, US)

From Michigan here come 2 Pc Noisey Slacker Psychedelic Sludge Punks.
They joined Canada-based indie label Off White House Records
this year with a big bang.

Their newest outburst is a riffin’ rollercoaster that makes the hair in
your neck stand up with its metallic resonance and relentless bass
frenzy. Add nightmarish vocals and I’m sure Santa Claus will run
away in fear.

Turn up the jingle bells here…

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7. ‘Never Ready’ by WÏLDERMAN

The alias of British singer-songwriter of Bobby Anderson.

Never Ready is a vicious droning blast. Wïlderman rankles,
rages, and has a bad taste in his mouth. Never ready for
her look and her voice. 133 seconds of sonic sex.

Hot groove, hot intensity, hot slam dunk. Fucktastic!

Get ready here…

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8. I Don’t’ Love You Anymore’ by CHATEAU CHATEAU (Tucson, Arizona, US)

Glam and glitter riot tattoo grrl Blue attracts all attention,
sonically as well as visually. She swirls and scintillates on this
new kick while cursing idiots who hate the LGBTQ+ community,
who hate tattoos, and who hate anybody who doesn’t live by
their ultra-conservative rules.

To hell with all these idiots.

Meanwhile, enjoy this jangly earworm that sticks as
first-class glue and reaches an aural orgasm every
time the chorus pops up.

Get up, stand up and move…

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9. ‘Absent Transient’ by IT’S KARMA IT’S COOL (Lincoln, UK)

One of the highlights from the group’s excellent new album
Homesick for our Future Destinations. Check TUTV’s raving
review here.

With Absent Transient they show their masterly skills of writing ear-and-mind
pleasing pop tunes charged-up with rotating riffs and dreamy vocal harmonies.

Press play here…


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10. ‘Better Than Life’ by GLASS SANDS (London, UK)

Here’s the title track of TUTV’s best album of last month.
Read the review here.

A guitar-driven ripsnorter that gets more intense along its way.
This one-man band slips under your skin without asking and
you’ll love it big time.

Roll along…


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11. ‘Let’s Stick Around’ by DJ RITON and JARVIS COCKER (UK)

When an old skool DJ teams up with Pulp’s Jarvis Cocker you
get a sizzling acid house corker to start and end all upcoming
New Year’s Eve parties with.

Hallelujah! Holy Mary!

C’mon, Jarvis

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12. ‘The Magic’ by EELS (Los Feliz, Los Angeles, California)

Mark Oliver Everett and his Eels mates plan to release their
new album Extreme Witchcraft on 28th January 2022.

Ahead of it comes this magic groover.
Eels are alive and kick with a dash.

Roll the dice here…

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13. ‘What You Keep Telling Yourself’ by DOWN WITH SPACE (Montreal, Canada)

The motorik and magnetic rhythm of this electronic exploit makes your head
turn 360°. The catching combination of near whispering vocals, scintillating David
Gilmour
guitar vibrance and cybernated elegance create an overall ear-ecstatic
vibe culminating in a dynamic finale.

Dive here into space…

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14. ‘Dissonance’ by VEDA RAYS (Brooklyn, NY)

From the Brooklyn duo’s new Crucial Fictions LP. TUTV’s review here.

Expect flashy echoes of the 80s British New Romantics movement with
this instant catching pop spark, fueled with glimmering guitar/play,
impassioned vocals, and a non-stop drum beat.

Touchdown!

Stand up and shake your pelvis…

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15. ‘Still’ by TINY DYNO (Bristol, UK)

This sugary pop bliss feels good at first, better the second time,
and the best with all other spins. Great pop-ular music is about
lifting up the listener’s mood to a euphoric level for about
3/4 minutes. Easier said than done, but not here.

Still is a glorious harmonious touchy-feely gem that appeals from
the kick-off with Gardiner‘s tantalising voice and Kuras‘ vitalizing
guitar ravishment. Add a delirious chorus and you have yourself
a 24-Carat top thrill.

Play it here…

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16. ‘Knight Of Cups’ by ODAWIN. (Italy)

This Italian singer-songwriter, born Patrizio Ottavianiiter,
produces a blend of psychedelic rock and Arabic harmonies.

Knight Of Cups is the latest single in a series of monthly releases this year.
Electric dream-pop at its tempting best. Sparkling, spirited, and seductive.

An orchestral triumph. Score!

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17. ‘Monterey’ by OCEANOGRAPHY (US)

Oceanography is the solo project of Oakland-based singer,
songwriter, and multi-instrumentalist Brian Kelly.

This sweet little pearl comes from his new album
Thirteen Songs About Driving Nowhere
in Alphabetical Order
(awesome title).

“A tribute to my big sister who I lost last year. I hope you enjoy
it and it provides some comfort for any loss you’ve experienced.”

Monterey is a heartfelt ode to a beloved one that passed away,
evoking recognizable, universal feelings of loss, mourning, and
tristesse.

Listen and watch the touching video clip…

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18. ‘The Ship Song’ by NELL SMITH and THE FLAMING LIPS (US)

Nell Smith is a 13-year old fan of Oklahoma’s eccentric stargazers Flaming Lips
(one of my all-time fav bands). Frontman Wayne Coyne spotted her at one point
as she attended several gigs with her father. They got in touch and after Coyne
found out that she’s a singer he proposed her to work with the band on a Nick
Cave
tribute album he already had in mind for some time.

They got all in the studio and the result is a 9-song Nick Cave
covers album baptized Where The Viaduct Looms with
the nightingale voice of Nell as the heroine in the middle.
You can stream the brand new record on Spotify

One of the standouts is her version of
the heart and soul ballad The Ship Song.

Special, wonderful, lovey-dovey.

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19. ‘Always Together With You’ by SPIRITUALIZED (Rugby, UK)

Jason Pierce and his orchestra have a new LP,
called Everything Was Beautiful coming on
25 February 2022

With this spellbinding symphony, he does what he does so splendidly for so long. This
first new piece is another soulful spiritual growing slowly into a gospel-like trance. Epic!

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20. ‘We Are Not Alone’ by NICK CAVE and WARREN ELLIS (Australia)

Last June mega-star-crooner Cave and his bad seed friend Warren Ellis
signed for one of the best LPs of 2021 with their astonishing Carnage opus.

And they’re not done yet. The duo releases the soundtrack they wrote for the French nature documentary Panthère Des Neiges (The Snow Leopard) on 17 December.

Here’s the magnificent taster We Are Not Alone.
A characteristic Cave humdinger. Tender and gripping.

Watch the magic, hear the magic…

See/hear you next month with the best 20 knockouts of 2021

TURN UP THE VOLUME’s 20 Best Knockouts Of 2021

Simply the best

Turn Up The Volume‘s 20 best
of all the best knockouts of 2021.

All together on Spotify…

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Knockout by knockout right here…

1. ‘Stay’ by ONISM E (San Antonio, Texas)

This impassioned stunner kept growing on me the past few months. Why?

Because frontwoman Angeline Chavez‘s voice balances somewhere between
the ones of a young Tina Turner and a flaming Aretha Franklin, because the
guitar play is overwhelming and because Stay is a superb tune.

The glorious 2021 No 1 hit in my book.

The opener of this year’s excellent debut album Survivors. Wanna learn more
about this Texan 4-piece? Read the interview with Turn Up The Volume here.

Don’t go away, stay …


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2.’Lout’ by THE HORRORS (Southend-On-Sea, UK)

A stand-alone single from the (lazy) synths driven post-punks that
shocks and rocks with bulldozing force. An industrial slam dunk all
the way.

Play this lout, folks…

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3. ‘Miami Lounge’ by PEEPING DREXELS (London, UK)

I saw this amazeballs post-punk turbo in action for the first
time at an indoor festival in Amsterdam, last November.

Holy smoke!

These motherrockers slash and trash with a burning vehemence and
a flabbergasting fervency. Miami Lounge (from their Bad Time EP) is
a perfect example of their mind-blowing mania.

Go for it, ladies and gents…


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4. ‘Ded Würst’ by DITZ (Brighton, UK)

Early last month I discovered this dynamite hit team from Brighton
when they blew all punters away with their blistering performance
in my hometown Ghent (Belgium).

They razzled and dazzled with ebullient exertion,
bewildered British bluster, and a fuck Brexit fierceness.

Their newest cut Ded Würst is nothing less than
a nasty and filthy sledgehammer. Hallelujah!

Release the bats…


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5. ‘And This Next Song’ by THE IRRATIONAL LIBRARY (The Netherlands)

A sharp-cutting stonker from this Dutch collective’s
ace debut longplayer We… Are Doomed .

It rattles like crazy around a rip-roaring-riff while frontman
Joshua Baumgarten raps and rips and tells us who the song
is for.

Find out here if you’re in the song too…

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6. ‘The Prophet’ by THE CHRONICLES OF MANIMAL AND SAMARA (UK)

Samara and Manimal already scored Turn Up The Volume’s
best debut LP of 2021 with Full Spectrum.

This raw rollercoaster single came afterward. A slow-burning torch with
hellish flare-ups of Rammstein‘s Götterdämmerung hysterics and manic Manimal
riffage combined with Samara‘s spoken-word ode to the legendary American
confessional poet/writer Sylvia Plath hypnotizes and magnetizes.

Welcome to the terrordome…

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7. ‘Hertz’ by AMYL AND THE SNIFFERS (Australia)

A beserk blast from the Aussies second smoking LP Comfort To Me with
peppy punked-up punkette Amyl, as we know her, on an adrenalin rush.

Mamma mia!

Join Amyl’s wild ride…

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8. ‘Night Is Mine’ by ULTRA SUNN (Bruxelles, Belgium)

This Belgian body-activating rave duo causes an instant flush of excitement with
booming beats, nightmarish resonance, murky dynamics, and ominous vocals.

When you mix D.A.F.‘s industrial vibes, Sisters Of Mercy‘s gloom and doom and
Depeche Mode‘s pop-noir thrills, the final result is a dancefloor hit.

Turn it up…

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9. ‘Soap And Cigarettes’ by NUN HABIT

This queer five-piece from London dropped a notable full-length this year with
their brisk Hedge Fun LP where pop, rock and garage meet for a vitalizing feast.

My absolute favorite track is this energising earworm with phenomenal vocals
that make the hair in the back of my neck stand up. Just irresistible!

Go bananas here…


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10. ‘La Novia’ by RICH GIRLS (New York City)

What can I say? Sad or happy song, Rich Girls make me always feel good
when they come on. Luisa Black‘s mesmerizing midnight vox is totally
glamorous and sensual and the band’s pop-noir melancholia is soul-stirring.

All New York City’s night bars without a Rich Girls track
on their Wurlitzer Jukebox should be closed. Immediately.

Get seduced here…


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11. ‘New Fragility’ by CLAP YOUR HANDS SAY YEAH (Brooklyn, NY)

Mastermind Alec Ounsworth released CYHSY’s
best album since their self-titled debut in 2005.

And the title track accentuates Ounsworth’s outlandish voice again.
Add sparkling guitar lines and you sense a touch of magic.

Magnificent


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12. ‘Wherever It Takes Us’ by JAMES (Manchester, UK)

Remember them? Remember their massive hit ‘Sit Down’? James has never been really away since they hit the scene 40 years ago. And with this year’s All the Colours Of You album they prove why they still deserve attention. It’s an all ecstatic-pop killers, no silly fillers longplayer.

This is one of the highlights

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13. ‘Nike Soldier’ by ALAN VEGA (USA)

From the late great Suicide hero’s Mutator lost album that comes from a very dark place, from the deepest corners of Vega‘s soul, creating a pitch black and Kafkaesque chill-out atmosphere.

Enter the darkness here…


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14. ‘Magic Medicine’ by DEAP VALLY (Los Angeles)

From these utterly cool L.A. Amazons’ third album, called
Marriage celebrating the duo’s 10-year blues-rock
journey.

Single Magic Medicine is a full-on-sound mid-tempo jackhammer
with an intense impact. Always love you, ladies.

Oh yeah

Marriage album.

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15. Not Alone But Not With You’ by ARXX (Brighton, UK)

A rollicking rocker from start to finish. These two frisky Brighton popsters know
how to make your head spin 360°. Fire your shrink, listen to this crackerjack two
times in the morning, twice in the evening, and on repeat in between and you’ll
feel euphoric. So much cheaper than therapy.

Touchdown.

Get heated here…

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16. ‘Better Than Life’ by GLASS SANDS (London, UK)

The title track of one-man-London-band’s debut longplayer
(one of TUTV’s 2021 favorites) is a guitar-driven riff-hook-and-lick
belter. A swirling bang-on stroke. Absobloodylutely.

Catch the fire here…


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17. ‘Traps’ by BLOC PARTY (London, UK)

Talking about a comeback! Holy Moses! Traps is a steaming
stormer, a whopping whirlwind. New album Alpha Games
out in April 2022.

Sing it, Kele…

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18. ‘I Don’t Love You Anymore’ by CHATEAU CHATEAU (Tucson, Arizona)

Charismatic front queen Bleu sparkles on this jangly jive that sticks as first-class glue and reaches an aural orgasm every time the chorus pops up. Her vox adrenalizes and vitalizes. Her vivaciousness is contagious. This pumped-up pop gem is contagious. You don’t need vaccination against this castle of a song.

Get up, stand up and fight for your right to dance yourself dizzy…


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19. ‘Faze Out’ by JAMES DOMESTIC (UK)

Faze Out is a slash and smash rant. An angry spit and sneer storm, a Sturm und Drang firestarter, 143 seconds of furious frustration is what you get. Retro organs clatter like if Doomsday is just around the corner, but Domestic sizzles like he’s a determined survivor who will not go down just like that.

‘Sucked into the vortex / it’s a Faze out /
you feel just like you’ll fade out …

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20. ‘His Ilk’ by BRONSOM ARM (Kalamazoo, Michigan)

This rumbling steamroller bulldozes its way in slow motion, forth and back, while
a haunting vocal brouhaha causes a creepy noise experience. Whatever the song’s protagonist’s ilk is, it doesn’t sound like you want to be friends.

Hit the start button here…

Have all a pumped-up end of 2021 and a turned-up-volume 2022, music junkies!