5 Imposing Albums Turning 10 in 2020…

The best of the past

Here are 5 Imposing Albums, selected by
Turn Up The Volume, turning 10 in 2020!

1. ‘Grinderman’ by GRINDERMAN


Play here..

2. ‘Postcards From A Young Man’ by MANIC STREET PREACHERS

Play here…

3.’ Wake Up The Nation’ by PAUL WELLER

4. ‘Suburbs’ by ARCADE FIRE

Play here…

5. ‘Contra’ by VAMPIRE WEEKEND

Play here…


British Indie Duo SMOKE FAIRIES Launched New Cut From Their Upcoming Album – Here’s ‘ELEVATOR’…

New sonic impulses

9 December 2019

London’s indie duo SMOKE FAIRIES has already five albums under their belt. And
number six, titled ‘DARKNESS BRINGS THE WONDERS HOME’, is planned to hit the
streets on 31 January 2020. So far the pair shared two tracks, the reflective ‘Out Of
The Woods’
and stomper ‘Disconnect’.

And here’s another new cut called ‘ELEVATOR’. A solid and firm rocker that “is set in Hollywood. How many weird exchanges, miscommunications and career breaks and falls
must have taken place inside of Hollywood elevators?”

Listen right here…


London’s Garage Punks NOTHINGHEADS Produce Elephantic Noise On New Slam ‘TOPSY’…

Daily fuel to load your sonic batteries…

9 December 2019


Who: Fresh group of noiseniks out of London

Track: TOPSY – new single about “an elephant being electrocuted for public amusement
in 1903. “Topsy” was executed on Coney Island during a publicity stunt claiming to be part
of a scientific demonstration by Thomas Edison, but later revealed to be because she’d killed
a spectator who stubbed a cigar out on her trunk.”

Score: This new garage punk unit produces a distorted and turbulent Hawkind-like
groove fed by dueling guitars and relentless percussion with murky vocals rolling all
over it. Its hectic and manic rush will have a trembling impact on your speakers and
your hungry ears and its elephantic disturbance will leave you behind in a confused
state of sonic commotion. Experience the droning tumult right here…


Discover Debut Album ‘EVERYTHING SOLVED AT ONCE’ By Flaming Welsh Foursome SILENT FORUM Track By Track…

9 December 2019

SILENT FORUM is a fascinating Welsh alt-rock band. It’s hard to pin their sound down.
The past year they released several tracks from their debut LP and what I heard was a kaleidoscopic variety of most inspiring influences from P.I.L to Big Country, from Talking Heads to The Gang Of Four and several other absorbing echoes from the past and the present. They produce a most riveting and multi-faceted guitar sonorousness that goes from infectious to haunting, from funky to punky, from groovy to hypnotizing. Lyrically they tackle social issues, they speak out about daily life’s inconveniences and the fragile state of humankind. Finally, their debut album has arrived. And it’s pretty cool to have vocalist Richard Wiggins here to guide us through it, track by track…

Here’s the music

Here’s the track by track guide

1. Robot
“This one’s a little freak-rocker about an office worker who has too much coffee in his bloodstream. The guitar ‘solo’ is a lot of fun, it’s a schizoid line of escape – any kid could plug in a guitar and do something in that space, it’s just a feeling. From the moment we jammed out the beat break we wanted something snappy and poppy. The bass started out as Oli trying to sound like an eighties robot, he went full robot in the studio. The lyrics are a, hopefully, funny take on the perspective of a dissatisfied employee who sees no point in what they are doing. “I feel a shortage of high pressure in my life/ I need the office chair/ I need spreadsheets I hold dear/I love coffee I hate beer.

The video

2. How I Faked The Moon Landing
“This was written in response to a radio DJ telling us that we were too serious. It is a six minute pop song that reshaped us as a band. It has received a surprising amount of radio play considering the lyrics “we’re destined to be/ a local band/ not on the local radio.” We worked out early on that it was crying out for an anthemic chorus. Elliot withheld the
snare in the verses to try to keep things simple and punchy in order to lift the chorus.
Oli’s bass riff adds a playful and hypnotic edge in between the beginning and end of what is otherwise a fairly straightforward pop structure. The B section/coda is what happens when a band who doesn’t listen to much disco tries to write a 3-minute disco outro. Whilst we do a lot of things that aren’t close to Moon Landing, this song is the pure essence of the band we were when we wrote it.”

3. Safety in Numbers
“This is a walk in the woods. Drawing from underrated British Folk sources such as Nick Drake’s guitar playing – he always managed to elevate the guitar’s timbral ‘woodishness’- and Nic Jones’ singing (particularly his 1980 LP Penguin Eggs). We then chuck in some lightly Nu Jazz-influenced drumming. There was a short while where playing this song would a couple of us cry, it reminds us of spending time with each other: big bowls of pesto pasta, tirades about difficult bosses and trying to express our gratitude to the people we love for their presence.”

4. A Great Success
“This song was the most joy to structure and went through several iterations to get to where it is. In a weird way it is our sexiest song, the lyrics, if you can make them out, are surprisingly explicit. The pre-chorus guitar parts are a bit of a Malkmusian trick. It’s a very melodic song. Dario has always been first and foremost a melodic guitarist, even when he is being anti-melodic. Transitioning from Safety in Numbers straight into this was one of Elliot’s many editorial ideas that helped shape the record.”

5. Kind of Blue
Richard wrote the core of the lyrics for this song when he was 18 (8 years ago) he repurposed words written about leaving school and applied them to moving cities. He
is very sentimental and doesn’t like to throw anything away. Dario sees his main guitar
part in this song as the skeleton of an extremely psychedelic guitar part. We have no idea what chords he is playing in the chorus but they sound good. That outro is somewhat an extension of what he is doing in the Robot solo. It’s just a big deterritorialized flow. Oli plays around with some ambient delay textures on the bass which adds a spooky ethereal quality to the verses. Elliot wrote most of this song with one hand whilst his left hand was in a cast following surgery. All he could do to spice things up slightly was put the accents in places he wouldn’t usually. When he got his hand back it was a real joy to add a little jazzy inspiration at the end and be a little more subtle with the dynamics.”

6. Everything Solved at Once
Dario has very weak synesthesia. It wouldn’t be worth mentioning but for the fact that to him this song is the exact same colour as ‘Under the Bushes Under the Stars‘ by Guided by Voices. It is a deliberately poppy song that features a samba-like breakdown which adds nicely to the light and summery feel. It is about finally moving on and trying something new, lyrically Richard had enough to write about to fuel fantastically fun vocal runs. “I have some trouble with processing change that’s why I resist it until/ I’m bored same streets; cyclical living.” We get to be a samba band in the middle of this song which is pretty cool.”

7. Spin
“This is another one that manages to be quite punky without at all really being a punk song. It is also the second song on the LP written from the perspective of a totally stressed out corporate office worker. “Welcome to my bland contribution to the world of work/ I’m here to make an impact and some other buzzwords.” The chorus seems to fold over itself nicely before the verse breaks out into and tightly bound chaos. Oli plays the same note over and over with copious delay, it gets into a simple and repetitive groove which really takes hold. Dario’s guitar riff is punky in a vaguely Gang of Four way, it is surreal absurd to mix this jagged performance in with a song about corporate life. After the second chorus, we just unfold into this expansive plateau. It sounds kinda apocalyptic if apocalypses could be low-key.”

The video

8. Outmoded
“Our most searing song, if we’ve ever written a ‘face-melter‘ it is this one. It was
written to be the antithesis of every other one of our songs. It is slow, has an unusual structure, uses a different set of pedals and it has a wild key change towards the end. There’s a live version of ‘Echoes‘ (it may be at Pompeii) where David Gilmour becomes a noise rock guitarist, this is something like that.”

9. Credit to Mark Sinker
Mark Sinker always feels like it’s going to fall apart at the edges. The seams are about to give way: out will fall trumpets, discordant guitar lines, flamenco patterns, and a sleazy bass. Oli and Elliot teamed up to create something messy and dark, this still pervades through the whole track and it is a blast to play live. We needed to be a bit jagged with the structure of this one too and I think the beginning of the song does all the hard work with an eerie build-up and a peculiar dynamic rise before the chorus to make things all the more unsettling. It propels itself on by some freaky energy that could never be the result of careful planning. It is dedicated to the music journalist Mark Sinker who wrote a very beautiful, yet not particularly complementary, review of Richard’s favourite Felt album in the NME in the 1980s. A couple of the lyrics draw from this review. There is also an apology for the band previously having been overly moody. “Obscure equals good equals fascinating/ I’d like to apologise for pitching sadness as an aspiration”.

10. A Pop Act
“This was the second song written in response to that DJ – it is slightly less accessible. It is funny hearing Richard insisting at the top of his voice, and the top of his range, that Silent Forum is nothing if not a pop act before the track breaks down into a deep, dark groove. Why is it that the sexiest songs are always the darkest ones? Elliot’s single drum pattern was so much fun at the time he decided to play it for a whole song. The beginning and ends are very tightly structures but then we get to let loose a little in the middle We find playing and listening to this track empowering – a satisfying way to end the record.”

The video

Thank you for guiding us through the album, Richard.
May the road rise with Silent Forum!

Album is available on iTunes and Bandcamp


CHIC Scored Monster Hit In The US With Classic Single ‘LE FREAK’ 41 Years Ago…

Knockouts from the past

9 December 2019

Band: Chic
Song: Le Freak 
B-sides: You Can Get By and Savoir Faire
Note 1: The song was written by band members Bernard Edwards and main
man Nile Rodgers who’s still active as producer, songwriter and live performer.
Note: The funky disco hit started a seven-week run at No.1 on the US Singles
Chart this day in 1978, 41 years ago. It peaked at #7 in the UK and sold over
more than 7 million copies worldwide.

Watch the original video clip right here…


‘LOW’ By THE SLOW SHOW Featuring Manchester’s Hallé Youth Choir…

Reveries for the laziest day of the week

Manchester’s romantics THE SLOW SHOW released this year their third LP called 
Lust And Learn. A heartfelt and moody record for the midnight hours. One of the highlights is the emotive and gripping ballad ‘LOW‘. Watch a special stripped-down
version featuring Manchester’s Hallé Youth Choir here…


Their newest album ‘LUST AND LEARN‘. You can stream it here.

Australian Shoegaze Trio FRAGILE ANIMALS Enthralls With New Single ‘WAITING’…

8 December 2019

(photo: Jeff Andersen Jnr).

After two notable EPs Australian dreamy shoegaze trio FRAGILE ANIMALS released
their new single ‘WAITING‘ a few weeks ago. A melodious and enthralling guitar pop
tune with an electrifying touch midway and Victoria Jenkins‘ near whispering voice adding
a sensuous vibe to the mixed emotions song. Scintillating sonority with a sparkly effect.

Tune in and enjoy right here…


THE POLICE Scored A No 1 UK Hit With ‘WALKING ON THE MOON’ 40 Years Ago

Knockouts from the past

8 December 2019

This week, 40 years ago, THE POLICE topped the UK Singles Chart with ‘WALKING ON
. It was their second No 1 hit in their home country, written by Sting and
taken from their second album Reggatta De Blanc

Sting later revealed in an interview when and how he wrote the song: “I was drunk in a hotel room in Munich, slumped on the bed with the whirling pit when this riff came into my head. I got up and started walking around the room, singing ‘Walking round the room, ya, ya, walking round the room’. That was all. In the cool light of morning I remembered what had happened and I wrote the riff down. But ‘Walking Round the Room’ was a stupid title so I thought of something even more stupid which was ‘Walking on the Moon’.”

Watch the 40-year-old clip right here…

THE POLICE: Facebook