The board of the German city of Frankfurt has canceled an upcoming concert by former Pink Floyd maestro Roger Waters (78 now). The show was planned for May 28 on the spot of what was a Jewish detention camp during WWII, where 3,000 Jewish men were held on the devastating Kristallnacht (Night of the Broken Glass) in November 1938 before being sent to their deaths.
The Frankfurt Official City Portal stated in a press message they decide to do it due to “persistent anti-Israel behavior from ‘one of the most widely spread anti-Semites in the world.’The magistrate therefore feels called upon to set a clear signal against anti-Semitism that is supported by society as a whole. Against this background, the individual case decision made due to the special scope is not to be seen as a precedent.”
Waters did some controversial statements in the past year, like naming
US President Joe Biden a war criminal for helping Ukraine in their fierce
battle with Russia.
He also blamed Europe: “This war is basically about the action and reaction of NATO pushing right up to the Russian border, which they promised they wouldn’t do when [former Soviet leader Mikhail] Gorbachev negotiated the withdraw of the USSR from the whole of Eastern Europe.”
Recently he spoke at the UN Security Council at Moscow’s request, where he condemned Russia’s invasion of Ukraine, saying that it was “not unprovoked” but it was also “illegal.”
He also called on “President Biden, President Putin, President Zelenskyy, USA, NATO, Russia,
the EU, all of you” to “agree to a ceasefire in Ukraine.” He also conjured the image of an international celebration and “John Lennon pumping the air with his fist from the grave” if that ceasefire were to happen.
Time to go home, Roger. Build a wall around it and leave the kids alone.
Clamorous frontman Alex Edkins of Canadian noise engine Metz and Graham Walsh, keyboardist of dance punks Holy Fuck, got together for a project of their own, named, Noble Rot. They have their debut ‘Heavenly Bodies, Repetition, Control.‘ out next month.
They just dropped first single Casting No Light. A motorik Krautrock-like mindfucker that circles around like forever, pushed by a pumping synth/drum/guitar riff-boom-beat that grows in hypnotic intensity along the way. Fucktastic!
This Scottish dance-funk-punk trio is on an unstoppable roll. Their new, 3rd LP Heavy Heavy is a total triumph (Turn Up The Volume‘s Album of the Month) and their swirling concert in Antwerp (Belgium) blew the roof off the building.
One of the standout tracks on the album isDrum.
A flamboyant, head-over-heels stormer.
The Belgian Gods released their new longplayer How To Replace It?,
their first in 10 years, a couple of weeks ago.
The title song is a phenomenal piece. A mid-tempo stunner, driven by big
drums and frontman Tom Barman‘s bewitching vocality. It advances with
swelling orchestration toward the grand symphonic climax.
The amazing Los Angeles Amazons delivered their
best album (so far) Islands In The Sky only last Friday.
The title track is a blissful guitar-pop earworm that sticks from the get-go
with Bonnie Bloomgarden‘s spell-binding vocals inviting you to her island of joy.
I’m on my way. Join me.
You’re in charge of your perception of your life
You can choose what you keep
And what you leave behind
This Seattle-based Cyberpunk duo – Wesley and Jewels Foster – nailed it with this arousing mid-tempo, electro-drum-beat-driven knockout from their upcoming full length World’s End. It’s sexy, catchy, trippy, and makes your blood pumping through your heart.
Newest single Scatterbrain is a riff-roaring rocker that grows on your ears
with every spin. It has a moody, shoegazy resonance annex reflective vocals.
Striking stroke. Bring on the album.
This fresh high-energetic trio features members from Shudder To Think, Guided By Voices and The Dambuilders.
Their self-titled debut LP will see the day of light on 17 March.
What If? is a freaked-out, riff-drunk sucker punch that could
easily come from a Hüsker Dü LP. Herky-jerky electricity with
a steamrollin’ sticky chorus. Wowzers.
This dark-Goth-wave duo from the City of Angels look like vampires,
they sound like vampires and they fabricate vampirish stuff.
The torrid tandem unleash their
new album KRYPT on 28 April.
Ahead of the release, to get us in the right make-up mood, they hit us
with first single I Expire. A punked-up electro uppercut to set batcaves
on fire with. One listen and the brisk beats will haunt you all day long.
In the accompanying video, Male Tears get straight in
your scared face and suck you into their wicked world.
His new song is a groovy love-drunk gem featuring the sensuous voice
of his ex-partner. It gets under your skin from the kick-off. Two spins and
you’re hooked.
NECRØ is the latest project of Portuguese musician João Vairinhos
featuring idiosyncratic singer and keyboard player Sara Inglês,.
The title track of their 6-track EPDeath Beats
is Turn Up The Volume‘s favorite.
A dark-techno-wave rumbling that stomps and whomps with intense
impetus doing your head in from the get-go. Doomed beats for twilight parties.
The tenebrous vibe at play here sends shivers down your spine, while Sara Inglês‘s
ghostly wailing is reminiscent of shadowy Siouxsie Sioux moments.
This Charlotte-based collective seduced my sensitive ears with the title track of
their 3-track EP What A Day. The harbinger for upcoming 7th LP ‘Haunted Organic Machines’.
Feel-good tunes like these are always welcome on my headphones. What A Day is
a breezy synth-scintillating vibration that triggers sensual body moves. Its featherlight tonality causes a dreamy state of mind with trancy tinglings. And when that sweet flute came on, I swear, I saw a Spring bird flutter in the blue sky.
I’ll be a pretty special one as the pair wrote a collection of bilingual duets, with both of them singing in English and Spanish and explore a variety of European music cultures. First single Lonely Town is a sweet, little pop ditty. You can sing/hum/whistle along.
17. ‘I Remember What You Said’ by Artist: DYAN VALDÉS (Cuban-American)
(Photo credit: Petra Valdimardottir)
This Cuban-American singer-songwriter, living in Berlin, played/plays
in several bands and works as a solo artist too and has now a new single
out, named I Remember What You Said.
It follows her last year’s excellent debut album Stand.
The pretty poppy song is about a nightmarish memory of a poisonous
relationship. With its agitated words-flowing drive it feels like Valdés
wants to wash away all the BS and move on. Mission accomplished.
Summit Of The Big Low is the moniker of British musician Toby Uffindell-Phillips,
who was a member of the early 00s folktronica group Sound Sanctuary.
This new piece, from his self-titled album out on 19 May, is an affecting folk-pop reverie that streams as a brisk brook. Sparkling, crystal clear, and glimmering in the sun. Its wistful tone, smooth vocals, and frisky finger-picking guitar play combine for a sweet little pearl.
This 4-piece from Nashville produces a mix of metal, opera & 80’s rock.
Their new single Prisoner is about being captured and trapped by someone’s love.
It’s a mid-tempo power ballad that slowly but surely infiltrates your ears with its
anthemic dynamics, impassioned vocals, and weeping guitars.
This musical project started in Gothenburg, Sweden in 2014 and presents a soundscape based on electronic backgrounds and a more classic rock instrumentation blended with mellotrons, vibraphone, santur, harmonium and other alluring sounding instruments. In short, atmospheric psychedelic darkness with occult undertones.
Daily noise that works faster than a gallon of caffeine
28 February 2023
The lively Amazons of London‘s outfit LOS BITCHOS embark on a tour with
prog-rock gang King Gizzard & The Lizard Wizard in Europe this week and
fly afterward to the US for 11 gigs in their own right.
To celebrate all this live-action the riot grrrls
shared an EP, named PAH! featuring 2 covers.
The first is their take on 1958 saxy tune TEQUILA
by American combo The Champs.
Los Bitchos: “‘Tequila’ has been the joyfully unhinged ending to our set
for the past year. It always feels like it could fall apart at any moment and
we wanted to capture that energy on the recording.”
Big Fun!
And if you had too much tequila you can come down afterward with their
version of KGATLW‘s 2015 track TRAPDOOR. But beware this dreamy, funky
groove goes bananas in the end and invites you to go start all over again with
some tequila.
In order to not miss a beat Turn Up The Volume scans the musical
horizon daily (doing it for years now, actually) to stay in touch with
all new things sonically great and shares the results on a weekly
basis.
Hardcore gangs MATTACHINE (Fredericksburg, Virginia) and MIKAU (Washington D.C.)
share members of fellow demonic screamo-punk bandInfant Island.
Now both bands share space on a new 5-track EP titled EJECT MODERNITY,
ERASE TRADITION. It’s a monstrous, diabolic and Mephistophelian piece of
extended Apocalyptic-bluster play. Test your lungs’ capacity, bang your head
against the wall, exorcise yourself, but alert your neighborhood first before
you press play.
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