One of them is a cover of 1979 folk-pop classicHammond Song by The Roches, with backing vocals from Julia Cumming (of Sunflower Bean)
and Canadian songstress Bria Salmena.
It raised funds and awareness for victims of
famine and war in the South Asian country.
It took place at New York’s Madison Square Garden with 40,000 attendees.
It marked the very first benefit event. Big names joined Harrison on stage. Ravi Shankar, Leon Russell, Eric Clapton, Bob Dylan, Billy Preston, members
of Badfinger, former bandmate Ringo Starr and more.
Seasoned blues luminary SEASICK STEVE (born Steven Gene Leach 75 years ago
in Oakland, California) will launch his 14th longplayer, baptized The Last Season
Of America on September 18.
He just dropped a new taster, already the 4th, named BOOTRAPS.
SS: “You can’t really pick yourself up by your
bootstraps, but you can sure as hell try.”
The B-side of the 12″ is a spoken word piece by Waits, called The Fly.
It’s on all streaming platforms, and the proceeds will go to migrants
in the US.
Artwork on top.
Waits: “Today, as in all of mankind’s yesterdays, guarantees this type of
song will never go out of style. Man’s folly of fiascos is a feast for the flies.
‘The Fly’ features my appreciation for the winged nuisance.”
New Zealand‘s guitar pop legends CROWDED HOUSE (1985–1996, 2006–2011,
2019–present) featuring the Finn brothers, released their self-titled debut LP
on 1 August 1986, today 40 years ago.
The name Crowded House was adopted after they flew to Los Angeles to
record the album and were provided with a very cramped apartment
to live in.
It topped the charts in Australia, and peaked
at #3 in New Zealand and #12 in the US.
Crowded House was certified platinum in four countries.
Every day of this summer we go back to the same summer day somewhere in history
31 July 2026
On 31 July 1969, eternal rock icon ELVIS PRESLEYplayed his first live show since
1961 when he appeared on stage before 2000 people in the showroom of the newly
built Las Vegas International Hotel. His month-long stint in Sin City reportedly
earned him $1.5m and played a crucial role in reviving his career.
Band: GARBAGEBARBIE Who: 4-piece that has carved a space for themselves in Los Angeles’ DIY scene, gaining a reputation for hosting rowdy and oftentimes free, themed shows. Combining elements of Britpop, glam, punk, French disco, and garage rock, garbagebarbie’s confrontational racket refuses to be confined by genre.
Dan Karasev (drummer): “The song holds up a mirror to ourselves. It pokes fun at the LA bar scene which even though we can make fun of, it doesn’t change the fact that we are still in that scene. “
Single artwork
TUTV: Prepare your eardrums for a punked-up motherrocker, a savage haymaker,
a sped-up barnstormer. The unyielding harshness increases with every second and
every time the clamorous chorus kicks in, it’s all hands on deck.
Band: TRÄŠHBAG Who: Hefty Irish duo from Dublin (where everyone seems to in a band lately).
They spent time playing in numerous bands together or standing in for each
other in various bands. They produce a volatile blend of visceral punk rock
and post-punk.
TUTV: OMG! These two nice-looking guys aren’t that nice on record.
They smash, clash and trash with their white van. All hell breaks loose from the outset.
This noxious sledgehammer does your poor head in with non-stop industrial-punk slams.
Wham bloody wham bam! Throw some agitated vocals in the mix and
the volcanic eruption is complete. By far, best debut single of June.
Peter Zaremba (frontman): “It’s about ‘wet-blankets’ in situations
where people should be enjoying life. Basically a positive message
behind the snarky tone. Have some fun. And Goa was great.”
TUTV: Expect a sassy slice of heavy-duty knock-out rock ‘n’ garage roll.
These vivid vets still know all the revved-up tricks to set your speakers
on fire.
Band: TV PINS Who: Indie five-piece based across London and the West Midlands.
They blend prog-pop, new wave, and Americana influences with a
distinctly British alt-rock songwriting sensibility – pairing 70s-inspired
vocal harmonies with a sharp, 90s-influenced energy.
They released their debut album Aircutter in 2024.
Track: VERSION OF LOVE
Cut from their forthcoming
self-released EP.
Grace Hinks (LGBTQ+ vocalist): “To me, it’s about accepting and standing up to
those who don’t embrace all forms of love – romantic, aromantic, and especially
queer joy. It’s about celebrating that openly.”
TUTV: Version Of Love is a perky pop pearl that promptly activates your dance-hungry
body. A sparkling guitar riff, summery vibes, warm-hearted melodiousness, bright-eyed and bushy-tailed vocals, and an infectious tunefulness come together to soundtrack an
all-inclusive love gathering.
John Lennon was right all along ‘All You Need Is Love’.
This way for cloud-nine, people, next to that vibrant
rainbow.
Band: BRICKHOUSE Who: Fresh hit team from Manchester that evokes the uncompromising static
of The Jesus and Mary Chain and the measured rebellion of The Velvet Underground.
Sharp (vocalist/guitarist/songwriter): “Angel Eyes is, at its core, about being haunted.
Not in the supernatural sense, but rather the persistent melancholy. The lingering of
memories after losing a lover and being unsure as to how to help yourself let go and
be released from the curse of seeing someone in everybody else you meet.”
TUTV: Welcome to Brickhouse‘s remarkable debut belter. Angel Eyes is a psych-infused steamroller, going back-and-forth, motorized by alarming guitars, a pounding beat, jittery vocals, and a trenchant chorus that keeps coming back to haunt you with force – think The Velvet Underground ripper ‘Run Run Run‘, but slower.
“‘Go Out’ is essentially from the perspective of an anti-social individual in
a relationship with a social butterfly. Basically, the older we get the more we
enjoy staying home and we’re tired of apologizing for it.”
TUTV: Full of vim and vigour guitar pop at its riveting best. Big intro, big sound, big melody, very big chorus. Got up this morning with the wrong leg? Put this enlivening tune on your headphones (on repeat), go out and embrace the day.
Track: SEEING IN THE DARK
2nd single from their debut album, named Electric Pleasure, out October 30.
“Originally inspired by a dream melody that arrived complete with the phrase “We The Ugly People,” recalling the classic Leonard Cohen line, “we are ugly but we have the music” as well as Pulp’s “Common People,” the chorus lyric drew from this sly sense of solidarity.
Drawing influence from the spiritual yearning and melodic immediacy of classic mid-’70s power pop, particularly Dwight Twilley Band’s “Looking for the Magic,” “Seeing In The Dark” emerged as a celebration of collective connection and shared resilience.”
TUTV: From the kick-off, with its thudding drum/bass beat intro, your eager ears know that Seeing In The Dark is a vivacious and vigorous guitar pop feat. Brisk duet vocals intensify the kicky vibe. A sonic trill for common people like you and me.
TUTV: Full blast forward from square one. It Gets Worse fires on all riff-charging cylinders. Vivid vocals lead the compulsive troops who’re bucked up by about a hundred guitars and a choleric drummer.
Think Blink-182 fronted by supercool rock chick Avril Lavigne. And when the
terrifically catchy chorus comes on like a comet without brakes, it’s all getting
better.
TUTV: Courtney Love is back with her band Hole. Well, not really, but
there’s definitely a sonic and attitude connection with this roasting Irish
engine. Constance rocks you off your socks in just under 3 minutes.
They race with high-voltage speed from the blitz start on, gas-powered by furious
guitars, a raving mad drummer and Chelsea Andrews‘s spiteful vocals. WTF! Fasten
your seatbelts. Gush turns you upside down with this torrid turbocharger.
“Now is all we have. The present is slipping away, the
future isn’t guaranteed, so what are we waiting for?”
TUTV: Expect a brisklt paced and jangly earworm electrified by a flood of jangly riffs, with melancholic vocals floating all over it. Think The Drums and Tame Impala teaming up in the studio together. No brakes, no breaks. We all know we live in chaotic, bodeful times, so
I propose we play this bracing gem on repeat and extend the careless, summer feel.
Homme: “It’s kind of a funny song. It’s like hitting your funny bone, where it’s funny because
it hurts and it hurts because it’s funny. You’re serious, but it’s funny. We made it the way you’d make a demo. No click track, mistakes left in. It speeds up, it slows down, the claps aren’t great, but they’re not bad, and a bad clap adds this human thing you can’t fake.”
TUTV: Certainly another kind of feel-good summer hit than the one from 2000. No bragging about taking a ton of drugs here. No macho riffs. No astronomic power speed. Easy Street is an acoustic pop nugget. Infectiously melodic, spiced with duet vocals here and there. Let the freaks and the birds sing.
Band: ELEPHANT STONE Who: Acclaimed psych outfit fronted by Rishi Dhir, a songwriter and sitarist who
has spent twenty years blurring the lines between Western psych-pop and Indian
classical.
Track: I GOT A PILL
Single from the band’s new upcoming LP, baptized Asha.
It’ll come our way on August 26th.
Album cover
TUTV: Weird intro, weird end. But in between we get an organ-flavoured and lively guitar psych-pop gem. An energizing and hopped-up foot stomper. Elephant Stone know, for a long time, how to groove and move exhaustively, how to please your aural appetite for galvanizing gems. Take this pill three times per day and shake your booty.
“The song introduces us to a possibly unreliable narrator who is nearing the end of the road and is saying goodbye. The song was recorded live at Black Mountain Studios in Co. Louth and captures the energy of the band’s live performances.”
TUTV: Eels have a new album out soon. This is one of the instantly recognisable tracks. Well, it easily could be. Carry On Without Me‘s funky flow, lazy vocals, relaxing ambiance, breezy sparkling guitar glow and perky duet vocals on the contagious chorus lift this song
to E’s magnetic level.
Band: THE DURUTTI COLUMN Who: Post-punk project of Manchester-born, experimental singer-songwriter-guitarist Vincent Gerard “Vini” Reilly (now 72). The band’s name refers to the Durruti Column,
an anarchist military unit in the Spanish Civil War, named after Buenaventura Durruti.
Track: SCAMMER
New piece from their upcoming 28th full-length,
called Renascent, out on July 31st. Order infohere.
TUTV:Reilly‘s vulnerable voice carries this both melancholic and spellbinding musing designed with warm background synths and shiny guitar sparks. Just beautiful, really beautiful. Can’t wait to hear the comeback album.