Psychedelic Prog Rock Pandemonium With Riff Junks GRAMPFATHER

14 March 2022


Who: An eclectic rock band based out of Kingston NY,
whose material traverses a variety of rock genres, such
as indie, garage, punk, psych, chill, and thrash.

The group’s 5th longplayer

Grampfather: “Gramppappies, our fifth album, is our most realized album yet in that it encapsulates our range of sounds, wavering between abrasive rockers and indie chillers.
While our last album, Magnum Grampus, was fueled by the anger and frustration conjured
by the countless tragedies of 2020, Gramppappies offers more hope for the future, a weighted, contemplative hope that’s informed by past experiences and events, and not a naive, starry-eyed one. A main theme that’s threaded throughout the album is our appreciation of music, the role it plays in our lives, and how it keeps us going despite the many miseries we’ll endure in this life. It’s too easy to just give up and resolve that it’s all hopeless. The contrary seems like a much better and brighter path. Here’s to hoping for hope.”

Turn Up The Volume: These riff-crazy motherrockers know a thing or two and so
much more about psychedelic prog-rock’s history, from the 60s all the way to today.

At times they go mental the way Aussie gang King Gizzard & The Lizard Wizard go
mental (Murder Hornets / The Myspace Continuum / Large Garbage), at times (when
they slow down) they do it the way Canadian legends Rush did it and still do it with
guitar solos packed jams (Weeding / Dead Ends), with Poppies you get a sticky pop
tune to whistle to, on Thad B. Radd they storm like hungry punks, and droning
closer The Grampening brings Black Sabbath to mind.

Get the sonic picture? Yep, this is a flaming-hot top record.

Singles: Poppies / Murder Hornets



Stream/buy the album here…

GRAMPFATHER: Bandcamp – Website – Facebook

Frenetic Brit Force DITZ Flabbergasts With Baffling Debut Album ‘THE GREAT REGRESSION’

7 March 2022

Band: DITZ
Who: Post-punk gang from Brighton (UK)
that hit the scene back in 2015
References: Gilla Band, Shame, Metz, Crows, Lice

Released: CD/digital on 4 March 2022, vinyl
on 29th July, all via Alcopop! Records
Order facilities: here

“Themes of insecurity and gender pop up a lot over the course of the album, as well as lots of references to the human body breaking and being harmed in unnatural ways, although there’s no one overarching concept, simply because the songs have come together over such a long period of time. The title is not so much a reference to society going backwards, but more the band’s penchant for childish jokes. “Sitting in a van all day can get silly,” laughs Cal (frontman)”.

More info about this special vinyl edition on Dinked

Louder Than War says: “The Great Regression is about as strong as debut records get. Channelling all of its rage, sarcasm and scorn into a taut, well-honed package it’s both a
brutal assault on the senses and a window into the raw talent and unique worldview that makes Ditz one of the most interesting bands on the current UK punk scene.”

Full review here. Score: 8/10.

Turn Up The Volume: After playing opener Clocks to the max, with its Blitzkrieg grinta, it feels like the band and I are already out of breath as you can hear on the post-explosion outro. I felt wrong, as several KO Killers (Ded Würst / The Warden / I Am Kate Moss and the JAWDROPPING missile closer No Thanks, I’m Full) follow and do your head in. Ditz is a mean manic post-punk machine. The first minutes of the slower pieces (Three / Instinct / Teeth) are misleading, halfway they explode like grenades. No rest for the wicked, no rest for Ditz, no rest for your ears.

Keywords: Frenetic forcefulness, blistering British bluster, fuck Brexit fierceness,
exorcistic vocality, 10 KO killers. One of the best 2022 albums (so far)? You betcha!

Joe Talbot (Idles): “DITZ are the best band in Brighton, if not the world”.

Singles/videos: I Am Kate Moss / Ded Würst / the Warden


“About the separation between your visual and personal identities,
particularly within the context of masculinity and femininity”.


“A ferocious mix of Gilla Band, Foals and a lyric bemoaning
the moral quandary of minimum-wage employment.”


“A song all about being too intense, ironically set to an intense
backing somewhere between Deftones and Mogwai.

Stream/buy The Great Regression here…

DITZ: Facebook

(Ghent, Belgium – 2021 – photo by Turn Up the Volume)