Australian blitzkrieg punks AMYL AND THE SNIFFERS joined hard rock
oldtimers as support act on their shows down under. This footage comes
from the concert in Adelaide a couple of days ago.
In order to not miss a beat TURN UP THE VOLUME scans the musical
horizon daily, for 10 years now, to pick ace tracks and add 5 new ones
twice per week, to the one and only JUKEBOX playlist that matters.
ALL TOGETHER
The 5 fresh ones TRACK BY TRACK
Artist: NIGHTMARES ON WAX Who: Moniker of English DJ/producer George Herbert Evelyn.
Track: TRUE
Newest single from his upcoming, 10th LP, called Echo45SoundSystem, which lands on Nov 14th.
It features vocals by songstress Sadie Walker.
Smooth, sultry trip-hop groove.
Move your pelvis to the sexy bass.
Band: THE MOUNTAIN GOATS Who: American indie folk veterans
from Claremont, California.
Track: COLD AT NIGHT
Newest shared piece from their upcoming 23rd album, named Through This Fire Across from Peter Balkan. A concept LP about
shipwreck survivors living on a desert island, and it’s dedicated
to Peter Hughes, the longtime bassist who left the band last year.
Band: THE NEW EVES Who: Must hear/see indies from Brighton (where everybody is in a band).
They cruise from folk to punk, using, besides traditional instruments (guitar,
bass, and drums) also cello, flute, violin, and other classical gear.
Track: RED BRICK
One of the two new tracks that follow the release of their
peculiar and otherworldly debut album, The New Eve Is Rising
released last August.
Jonny Woolnough (songwriter): “It’s a character appropriation offering a lens
into a couple’s day-to-day existence. A protagonist veering off the track is reminded
of his immaterial fortune. It celebrates life, existence, and endless possibility. Columba
is a church on the main road arriving into Headingley, Leeds where the song is set.”
De-stressing fuel for daydreamers.
Columba feels like an Indian summer
sun ray.
We’re on our way, slowly but surely, to the end of 2025.
Instead of starting to think about this year’s best LPs,
let’s go back to 2024 and listen to TUTV’s 20 Best Albums
again and look back on what we wrote about each one
of them.
Pitchfork: “A defensive, chip-on-shoulder tone dominates the Australian punks’
third album, threatening to overshadow their freaky experimental flourishes and
newfound melodic sophistication.”
Turn Up The Volume: Old skool punk ‘n’ roll? Absolutely. Any good? You betcha! Amyl and her loud buddies made another roasting riff-manic-monster of a hell fucking
hell yeah record. Pogo madness is back. Sturm un drang from start to finish. HOLY MOLY!
Unquestionable standout from the Irish indie
stars’ much applauded 4th LP Romance.
TUTV: Intense jam, rollin’ on with a bone-chilling flow and
frontman Grian Chatten raps all over it with his characteristic
uptight parlando and grasping for his breath every time the
refrain comes on.
Part of their upcoming 5-track EP
that’ll land early next year.
“Progress is a song about changing places, people and times.”
TUTV: Epic. Grandiose. Staggering. Amplified guitar-pop at its mind-blowing best.
One of those not-everyday puissant killer tracks overwhelms your emotions
from the first spin.
Piece from their forthcoming second longplayer, baptized Never Exhale. It’ll hit the streets on 25 January 2025.
TUTV: Taximan does your head in the way we, brainbangers, like it.
Bam Bang Boom. No mercy for the wicked. Manic mayhem as usual.
You’d better check out if Robert ‘Travis’ De Niro is behind the wheel
before taking a cab.
The song is about rediscovering old lovers after a night out from disco(theque) to disco(theque), with references to The Pogues’ Shane MacGowan and his excessive
drinking, and a legendary Belgian crooner.
TUTV: Full steam ahead from the get-go. All engines on. Decibels up, amps up.
The breakneck speed and the relentless synth/percussion riff make your head
spin 360°. I dare you to catch up with this missile all the way.
Band: LAMBRINI GIRLS Who: A two-motor punk bulldozer from Brighton, UK who have built
a notorious reputation over the past 2 years, on record and on stage.
Cut from the duo’s upcoming debut LP Who Let The Dogs Out. Out next year, on
January 10.
TUTV: Without a shadow of a loud doubt, one of the grrrlz’s best stormers so far.
An amazeballs wall-of-nasty-guitar/bass hullabaloo, a ruthless octopus drummer
and Phoebe‘s best vocals. Hell-tastic.
‘True love is nothing more than the wrong hill to die on”.
TUTV: The jaw-dropping vitality these volcanic Irish beatniks develop here is off the charts. They build a near-unbearable tension and explode insanely, time after time, along the rough ride. Vocalist/songwriter Karla Chubb knows terrifically well how to double your adrenalin production.
TUTV: Dog Dribble operates somewhere between Yard Act and Sleaford Mods.
Its limbs-activating groove is simply irresistible. Get up, stand up, and fight
for your right to bounce up and down like mad.
Band: FAT DOG Who:South London-based gang that made thousands
and ‘true love is nothing more than the wrong hill to die on”.
thousands of ears go bonkers with their first-rate debut
longplayer Woof.
TUTV: A ballistic disco-punk whopper to end and start all (il)legal
raves with. When the huge orchestral injections blast out of your
vibrating speakers you know that these misfits are your new
favorite dogs. Hallelujah!
One of the stellar singles from their
new, third, album Insight.
TUTV: Drums and bass team up for an incessantly beat that carries
this instantaneously infectiuos trip, along with a magnetizing Cure-esque guitar riff that gets you in a trance.
Truly hypnotizing from start to finish with velvety vocals
and darkwavish synths in the back adding a twilight tone.
TUTV: No, this is not a New Order song but it could easily be one, actually a stellar one. Summer Breeze sparkles from the very start to finish with scintillating guitar riffs, zealous percussion, shiny synths and Gibbard‘s eager vocals. It’s a pure pop pearl for all seasons.
Artists: ARROWS OF ATHENA (Boston, MA) Who: A pandemic project that found its two main players – multi-instrumentalist and producer Scott Lerner and vocalist and lyricist Jac-Lyn Gibson – reuniting after the latter spent some time away from music, Arrows of Athena are crafting a distinct sound on
their own terms, bridging usually disparate ends of the pop and rock spectrum for an illuminated sound of big dance beats, heavy riffs, and melodic intensity.
On this song the duo explores the mental and emotional work required
for a successful marriage, and how we’re often careless with love.
TUTV: I’m quite sure that Arrows Of Athena are huge fans of former Swedish glam and glitter pop duo Roxette. The bliss and blitz at play on Reckless Heart is sonically similar. Sizzling guitars, battering drums/bass grooves, sensuous vocals and a peppy chorus combine here for a power pop pearl that flames lustrously. Orchestral melodiousness, fiery 90s spirit, and musical. An invigorating joyride.
TUTV: This is a psychedelic shoegaze stunner, a multi-layered symphony
propelled by about a thousand guitars, a mindboggling bass riff, and combative
drums, while Rebecca Dow‘s ghostly vocals come from another galaxy.
TUTV: What’s in store for humankind. Nuclear war or peace and free love?
Or will we be just another brick in the wall? Whatever happens, never stop
pirouetting yourself dizzy to Leg Puppy.
We don’t need your education
We don’t need no your thought control
TUTV: The most energetic, exciting, pizzazy band around. Cooking on record and on stage. Sultry garage rock for party animals. This is my absolute favorite of this years Boomerang LP. Chipper tune.
TUTV: Think Cypress Hill fronted by Zack de la Rocha, rattling like
a rapid-fire riot-gun. An avid anthem that celebrates freedom and
invites you to shout along while pumping your fists in the air.
TUTV:Hallelujah rages against the anti-LGBTQ
haters with knives between their teeth and an
unstoppable drive.
“To express oneself, now expressly forbidden/ That’s a spiritual hell, that’s
a new prohibition/ And they’ll boil you down to reproductive function/ When
they see you as a vessel and not as a person!”
Track: Anna Save A Life
. TUTV: A manic motherrocker from a duo who sound as a 4-motor hit-and-run team. Riff-o-rama all the way while bashing drums do your head in. Garage punk ‘n’ roll at its filthy best. Call your own Anna and challenge the anti-decibels police.
TUTV: Wham bloody wham bam. Expect a sharp-splitting punk rock juggernaut. Amps up and full steam ahead. No rest for the wicked with this razor-blade cutting, head over heels bombshell spiced with sneering vocals. Wham bloody wah-wah guitars bam. Scrunched Up Fist hits your face really hard. Hurry-scurry stroke.
Band: SOFT SKIES INC Who: Philadelphia-based identical-twin duo and longtime musical confidants Ryan and Martin Rex, their shared sonic compass draws a straight line from the
classic alternative of their youth to the modern alternative and dream-pop of
today.
A song of hope, riding those tender waves of nostalgia, understanding that a loss of innocence comes with age but that we emerge from the other side with newfound perspective and awareness.
Melodic guitar pop at its Sebadoh best. Uptempo shoe-slacker-gaze
spiced with scintalling synths and ethereal vocals. Start dreaming in
overdrive.
TUTV: Just Like Everybody Else is a glorious, full-orchestrated pop gem, that transfers you in an eye/ear blink to a sonic dreamland with its affecting melodiousness, riveting chorus and warm-hearted vocals. Three highly-entertaining minutes and twenty seconds with Spielmann
Orchestrator Robert Smith about
their supreme new opus.
TUTV: In the past 16 years Robert Smith lost his mother, father, and brother.
All these painful events led to this extraordinarily touching record. It’s one
long, emotionally layered lament that works liberating in the end.
Strong sentiments of heartache, grief, and sadness are omnipresent, but you
hear and feel frequently that Smith has accepted humankind’s inevitable destiny.
Live and die. Life and death.
Sonically, it feels like if you’re part of a funeral march that progresses in slow
motion. Almost every song starts with a long instrumental intro of waves of
mourning synths and weeping guitars, and every time when Smith‘s feverish
voice joins in, the sense of tristesse augments wondrously heavy-hearted.
5-star masterpiece!
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TUTV: Musically, tattoo artist Carter and his accomplices have left their angry punk days behind them and moved closer to classic rock on this surprising and bold longplayer.
And it’s a truly staggering result with several melodramatic power ballads that generate goosebumps, and some stoner rock ebullitions to keep balance. Carter sings his heart out with monumental vivaciousness. A vocal tour de force throughout, dealing with up and down emotions.
Lias Saoudi (voice/face/wordsmith/poet/writer): ‘Forgiveness Is Yours,’ is about life as eternal contingency… about no longer suspecting, but knowing that this shit will never get any easier… in fact, it’s about to get a whole lot worse, your body’s going to go into decay and the people you love will slowly start dropping dead around you… but somehow, you’ve smashed enough
of your expectations thus far in life, you’re sort of fine with it… you accept it.The overarching aesthetic themes at work here are torpor and further torpor still.”
TUTV: Without a shadow of a doubt their most startling, and most creative/inventive accomplishment. Sounds like FWF have written/recorded the bone-chilling soundtrack
for an entertaining Doomsday party. Enigmatic reflections, dark deliberations, distressing vibes, a John Lennon tribute and Saoudi as the foreboding messenger and sinister poet in the middle of it all. It’s the end of the world, as we know it, and it feels like Fat White Family.
Cave: “There’s no fucking around with this record. When it hits, it hits. It lifts you. It moves
you. I love that about it. I hope the album has the effect on listeners that it’s had on me. It bursts out of the speaker, and I get swept up with it.”
TUTV: Cave is the God of cloak-and-dagger balladry. Now here’s a God I can believe in. Again he shows why he’s one of the best ever crooners in the universe. And lyrically it
feels as if, after so many devastating, heart-crushing years, with the loss of two sons,
he lets sparks of light back in his life. God bless Nick Cave.
TUTV: White returns to his punk blues roots of the early days. Swipe after swipe,
blue stripe after blue stripe, kick after kick, clap after clap. A total of 13 thunder
strokes. High-wired electricity. Dope stuff.
TUTV: The charismatic Lia Metcalfe‘s singular voice, both anxious and bewitching,
is all over this new, awe-inspiring full-length. Overall the sound is even more gloomy
and spine-chilling than on their debut from 2022.
It fits Metcalfe‘s introspective reflections on her turbulent past terrifically well.
They’re embedded in arresting songs that send shivers down your spine.
But, eventually, there’s a light shining
at the end of the Mysterines tunnel.
One that illuminates their future
and your stereo.
TUTV: The star duo made an album with lots of bright pop tunes and some blues light
ones. The licks/riffs and hooks – about a thousand – haven’t that BK’s raw and rough edge as we are used to, but I don’t miss it whatsoever.
The overall sonority leans more towards power guitar pop (slow, mid-tempo and only
a couple of fast ones). I never thought that the tandem would come up after 23 (!) years with a pretty different sounding, coherent longplayer, without ignoring their blues roots that is. I played Ohio Players more than their whole catalog together. Say no more.
TUTV: The three main elements that make this album special are Jeen’s remarkable
voice, her high-quality songwriting expertise, and the heart-and-soul passion that streams throughout it. Whether Jeen rocks out, muses, or swings moods, she always holds your aural attention.
TUTV: With Interplay their shoegaze past goes into the dustbin. Ride came up here
with a multi-layered pop LP stuffed with arousing tunes, alternated with pepped-up reveries.
All songs are sublimely orchestrated and bathe in a psychedelic jacuzzi,
while vocalist Mark Gardner‘s velvet vocals match the radiant atmosphere
exquisitely. It’s a new ride, and it’s a gratifying one.
TUTV: This first Mancunian collabortion sounds as if was made about 30 years ago.
Most tunes could be leftovers from The Stone Roses‘ 2nd and final 1994 LP Second Coming, the one on which Squire played his guitar exactly the way Jimmy Page did in Led Zeppelin for years. And Liam is Liam. Arms together on his back and letting his pipes do the talking. The two heroes just did what they wanted to do, making an album together and having fun doing it.
Before I was aware of it I had played the album about 10 times in 2 days.
Mind you this is not a masterwork whatsoever, but all 10 tunes are top-entertaining
and stick faster than I can say “I want the Stone Roses support Oasis on their reunion tour”?
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TUTV: The Other Side is a concept record about a “mysterious couple” having
adventures in an otherworldly America. The by-now 76-year-old Burnett translates
their journey in lovey-dovey lullabies, heartfelt musings, and amourus ballads.
This is the perfect record for daydreaming and relaxation. Soft, mellow, and tender.
His slightly hoarse Americana voice enchants and entices all through this sepia-colored album. Pure romanticism. Pure songsmith.
Artist: JUJU (Italy)
Brainchild of Sicilian multi-instrumentalist
and producer Gioele Valenti. Album: Apocalypse Is God’s Spoiler
Photo by Turn Up The Volume
TUTV: Valenti is a jam champ and a groove master creating electrifying, trance-like vibrations that transfer you to the dark side of your mind where you can freely
fantasize and explore your own psyche.
Circling Krautrock-like psychedelia is all over the place. Choir chants and spacey percussion cause a tribal atmosphere à la The Brian Jonestown Massacre and The Dandy Warhols. Mind-bending and dream-triggering. As always.
TUTV: After the turmoil, chaos and drugs addictions (especially Doherty) of the early
years, the side-projects, solo records and getting clean and healthy the Libs are back, again. They’re not the boys in the band of yesteryear, they’re now grown-up men who
enjoy a stable life and still are obsessed by making music.
They became notable, experienced musicians who left their hedonistic lifestyle behind themselves for several years now. Not one dull moment, not one dull song on the eastern esplanade.
TUTV: The Irishmen have become first-class songwriters (which they already proved on previous LP Skinty Fia– – still my favourite one). Frontman Grian Chatten‘s lyrics show (again) his observative view on this modern-day, confused world and how it affects
his inner-self.
This is not their masterpiece yet to my ears, but it’s only a matter of
time that they will come up with a longplayer that will blow us all away.
Turn Up The Volume: Old skool punk ‘n’ roll? Absolutely. Any good? You betcha! Amyl and her loud buddies made another roasting riff-manic-monster of a hell fucking
hell yeah record. Pogo madness is back. Sturm un drang from start to finish. HOLY MOLY!
Band:THE SMILE
Sort of supergroup featuring 2 radioheads, Thom
Yorke and Jonny Greenwood and drummer Tom Skinner.
Album: Cutouts.
Their 3rd LP in just 2 years
(Radiohead 8 in 31 years).
TUTV: By far their best to my ears. On the previous 2 ones they tried too hard
to not sound like Radiohead (which they did frequently anyway) and did it with
too many redundant orchestrations, too many unnecessary layers and a bit of
arty farty structures here and there.
Mind you these are good LPs but on this one they keep it far more simple resulting
in 10 very compelling pieces of mesmerizing music. Trippy fast ones alternate with slow
musing ones and throughout the arrangements are subtle, direct and most entertaining with Thom Yorke sounding, yes, at ease, not forcing his compassionate voice/vocals. Bingo.
TUTV: Nostalgia is the keyword all over this fully devoted record. As we already know
for a long time Hawley is a romantic at heart who’s in love with his city Sheffield since
he was a child. It’s more than just his hometown.
It’s the place where he experienced all things good and bad, happy and sad. It leads
to yearning renumerations, fanciful daydreams and wistful meditations. With his soft-heartened voice and late-night stories, the late great Roy Orbison comes to mind on
several occasions.
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Artists:DEAD ANYWAY British duo combining the dark lyricism of Kate Arnold
against the music and soundscapes of Marc Symonds. Album: Tough, Listen
TUYV: Slow/mid-tempo/fast trip-hop tunes are wrapped in layers of
distortion and feedback, creating an eerie and at times sinister ambiance.
Massive Attack, Tricky, Arab Strap and Mike Skinner’s The Streets
and Laurie Anderson‘s latest opus Amelia come to mind.
DA resonates as EBM for people who come alive when the darkness sets in, far away
from our 24/7 suffocating life and the world’s destructive nature as we experience now, again.
Kate Arnold‘s spoken word stories evolve on waves of chilling synth soundscapes that actually ease one’s confused mind (mine, for sure) and transfer you to your space of imaginativeness. Trance massage it is. You’ll feel alive anyway.
“The singular mixture of classic punk/hardcore and electronic styles result in 12 frantic tracks of postmodern pop for the genreless future. Painted with a broad pallet of only the most extreme hues of emotion, each track is marked by a distinctive danceable mania.”
TUTV: Let your head kicked in with schizophrenic disco sledgehammers for illegal raves in batcaves where dropouts, misfits, loners, eccentrics, bohos, and other related outsiders gather to move in mysterious ways, far away from the normal world.
TUTV: It’s vintage Shellac/Steve Albini with its wayward song structures, its
capricious and minimalistic approach, its broken riffs, edgy hooks, sinewy
drumming, Albini‘s firm vocals and the raw and rough post-punk dynamics.
Absolutely weird to listen to, knowing
that the noise wizard is here no more.
He passed away on May 7, following a heart attack.
Only 10 days before the album release. Sad loss.
Band:THE SMILE Who: Sort of supergroup featuring 2 radioheads, Thom
Yorke and Jonny Greenwood and drummer Tom Skinner.
Album: CUTOUTS.
Their 3rd LP in just 2 years (Radiohead 8 in 31 years).
NME says: “The Smile return for more jazz-influenced,
experimental rock and they seem to be having more fun
than ever.”
TUTV: By far their best to my ears. On the previous 2 ones they tried too hard
to not sound like Radiohead (which they did frequently anyway) and did it with
too many redundant orchestrations, too many unnecessary layers and a bit of
arty farty structures here and there.
Mind you they are good LPs but on this one they keep it far more simple resulting
in 10 very arresting pieces of mesmerizing music. Trippy fast ones alternate with slow
musing ones and throughout the arrangements are subtle, direct and most entertaining with Thom Yorke sounding, yes, at ease, not forcing his compassionate voice/vocals. It all feels tremendously natural and blithely .
Margolin: “A lot of this album is about a more frenetic and desperate kind of love.
It is about completely losing my sense of self in a relationship, and the deep residue
of insecurity and pain that lingered and clouded a new relationship. There was a lot
of love and confusion, all interspersed with exhaustion and pain. All the songs started
out as poems. I wanted to challenge myself. ”
Uncut Magazine: “Sitting somewhere between alt.rock, indie-pop and a singer-songwriter album, it’s a neat balancing act that feels personal and intimate yet also sonically ambitious.”
TUTV: Spearhead Dana Margolin (guitar/vocals/songwriter) opens her heart and soul
again on this new longplayer. Following a toxic relationship, she recovered, rediscovered her own self, and looks to the future with confidence. As in the previous 3 albums she’s
as expressive and emotive about her turbulent personal life, even more explicit.
Sonically we get the by now familiar song structure. Slow start, building up the fervency, and finishing with haunting outbursts. But this time all pieces/tracks fall more into place than before. The songs have more body, are more elaborated and display Margolin‘s growing composing skills. Yes, it’s PR’s best effort yet.
An 8-track offering that traces the transformation of Long Island City, the part of Queens that Geni calls home. Situated across the East River from Manhattan with its stunning skyline views and now booming with skyscrapers, this place is haunted by its industrial past and friends who have moved on. These recordings explore themes of change, impermanence and loss amidst the city’s constant evolution.
Photo by Alice Teeple
TUTV: I really like the idea of Cities Built Upon Cities. An universal sign’ of the modern
times. Just google old photos of your own town and compare them with today’s views. Geni seems to have it done in detail with his beloved Long Island City and wrote eight
heavy-hearted songs about it.
Romantic reveries with real/surreal images of the past, present and future of LIC. Bittersweet, richly orchestrated, symphonies with his monumental voice – think of Perfume Genius, Talk Talk’s Mark Hollis and James Bay‘s bewitching vocality – taking them to sky-high heights, up there in the clouds, while floating over the city. This is the kind of record you listen best to with headphones on, dimmed lights and far away from our daily rat race. It’ll evoke mixed emotions about the place you love the most. Well, that’s what I experienced while listening.
Band: AMYL AND THE SNIFFERS Who: The punk rock whirlwind from down
under fronted by the utterly cool Amyl Tylor.
Kerrang! writes: “Added together, it makes for an instantly irresistible album
that – just like its opening line – is frank, fearless, funny and fucking fantastic.”
Turn Up The Volume: Old skool punk ‘n’ roll? Absolutely. Any good? You betcha! Amyl and her loud buddies made another roasting riff-manic-monster of a hell fucking
hell yeah record. Pogo madness is back. Sturm un drang from start to finish. HOLY MOLY!
TUYV: Never change a winning sound. As on their previous album DA keep on
drawing your aural attention with slow/mid-tempo/fast trip-hop tunes. But this time embedded in layers of distortion and feedback, creating an eerie and at times sinister ambiance.
Massive Attack, Tricky, Arab Strap and Mike Skinner’s The Streets
and Laurie Anderson‘s latest opus Amelia.
DA resonates as EBM for people who come alive when the darkness sets in, far away
from the suffocating day life and the world’s destructive nature as we experience now, again.
Kate Arnold‘s spoken word stories evolve on waves of chilling synth soundscapes that actually relax one’s confused mind (mine, for sure) and transfer you to your space of fantasies. Trance massage it is. You’ll feel alive anyway.
Band: STRAND Who: Power pop quartet from Dublin, Ireland which
changed their group’s name from Soundstrand to just Strand.
Track: PROGRESS
Their first single as Strand, part from their
upcoming 5-track EP that’ll land early next
year.
“Progress is a song about changing places, people and times.”
TUTV: Epic. Grandiose. Staggering. Amplified guitar-pop at its mind-blowing best.
Get the exciting picture? Progress has a promptly goosebumps impact. It’s one of
those not-everyday puissant standout tunes that overwhelms your emotions from
the first listen.
TUTV: I have no clue what this vociferous punk headbutt has to do with
the late legendary jazz saxophonist John Coltrane, but this deafening
wall-of-hells-bells havoc we experience here isn’t exactly a bebop tune.
Imagine two trains coming from opposite directions at an insane
speed crashing into each other. That’s what happens here. Beware.
Band: DITZ Who: Post-punk dropouts
from Brighton, UK.
The turbulent bohemians have their sophomore LP, named Never Exhale. It’ll show up on 25 January 2025. Pre-order
info here.
Track: SPACE/SMILE
TUTV: Space/Smile is a slash/trash stormer, pushed by fulminating percussion,
schizo guitars and fronman Francis‘ spitting and sneering, fueled by his three
lungs, without breathing, for 108 seconds. DITZ is a mean raging machine.
They mess up your head, whether you like it or not.
Band: HEARTWORMS Who: Psych-pop act led by fast up-and-coming British songstress Jojo Orme.
They drew a lot of aural attention with last year’s EP A Comforting Notion.
The band have now announced details of their debut LP. It’s baptized Glutton For Punishment and will land on 25th February 2025.
Warplane is a head-over-heels missile that speeds up sky-high from the get-go, propelled by a disco-vibe infused synth/guitar/bass collaboration and Orme‘s feverish vocals rollin’ all over it. Every time the choir-like chorus comes up your adrenalin’s production doubles . Supersonic stunner.
Press info: A light-hearted, humorous, autobiographical documentation of a semi-dramatic nervous breakdown that happend when “one morning all plans went pear-shaped and patience went down the drain”. No longer feeling the need to pretend that everything is shiny and running smoothly, Koan lets rip on this catchy tongue-in-cheek art-pop tune. Influenced by her favourite artist Baxter Dury (yes, the son of).
TUTV: Koan‘s most explicit, unbridled and personal reflection/introspection
so far, bundled in a sensual bass-juiced melody with a nightclub vibe. Explicit?
Well, life itself is explicit, right? Let us dump our shit, ignore what people think,
and feel loose.
Band: GIRL TONES Who: High-energy rock duo brought to life by two sisters, Kenzie and Laila. Both classically trained musicians, Kenzie transitioned from cello to guitar and Laila from piano to drums in an effort to electrify sentient beings from this galaxy to the next.
TUTV: Who needs a Hole reunion if we have these two rock chicks who challenge your
stereo’s potency with inflammable swagger and ablaze gusto. Aggressive guitars, battering
drums, fiery vocals, and a hell-bloody-helly-yeah chorus.
Ciarán Fitz (vocalist/guitarist): “This is definitely one of the most outright punkers we have, probably. ‘Scrunched Up Fist’ was literally written in the jam room in 10 minutes. Matthew and James were just playing this thing as I was coming back from a smoke, and I knew I had lyrics
in my phone that would work with it. Added some guitar but not much, and it was donezo”
TUTV: Wham bloody wham bam. Expect a sharp-splitting punk rock juggernaut. Amps up and full steam ahead. No rest for the wicked with this razor-blade cutting, head over heels bombshell spiced with sneering vocals. Wham bloody wah-wah guitars bam. Scrunched Up Fist hits your face really hard. Hurry-scurry stroke.
Band: DHARMA GUNS Who: 4 indie rockers
from Helsinki, Finland.
Track: M.I.D.L.I.F.E. CRISIS
Third shared cut from their upcoming debut LP Ex-Generation Superstars, out November 1st.
Pete (singer): “Some guys buy fast cars and fell for younger women; others purchase expensive guitars and hang them on the wall. And some of us wish to leave a mark in history and/or do the right thing. The verse riff is a bit ‘stonesian’ whereas the chorus of the song is a classical punk rock sing-a-long.”.
TUTV: Yes! Yes! Do you need a badass booster today to get you through the outside
rat race? Here it comes. Dharma Guns offer you a noisy piece of rock’n boogie ‘roll to test your stereo’s resilience with. Think The Black Crowes with a 70s Britpunk attitude. Get the picture? You’ll never get a midlife crisis with these Finnish wackadoos. Yes! Yes!
Track: LET IT LOOSE
Cut from their debut LP Days,
out on November 20.
TUTV: This guitar/drum beat-driven groove melt Southern rock and Motown soul, with its glowing horns and backing gospel vocals. Well, that’s what my ears tell me. Anyway, this catching cracker will active several of your limbs.
Kelly: “It’s about being at the top of your game and being a human under a lot of pressure. It’s about the superficiality of the people you meet, keeping up the facade of fame in the eyes of the world and trying to relate to others… I just had Hollywood in mind for some reason and what it must be like for people who are so famous and desirable they can’t walk down the street. Then what it’s like to be the person who used to be that famous and the shit you get for not being as ‘perfect’ or ‘beautiful’ as you used to be. Washed up, if you will.”
Infectious, mixed emotions piece
that moves and grooves with a
doom and gloom sonority.
Viens: “Most of us do not want to live in a world where LGBTQ+ people are not safe;
where people of color are not safe, or have the same opportunities as whites; where children are being gunned down daily; where books and education are devalued; and where women don’t have control over their own bodies. No candidate is perfect. We must vote while we still can, especially in this election, to ensure that future generations continue to have the sacred power of their freedom, their choices, and their voices.
TUTV: This song was written about 20 years ago by a Boston musician when George W. Bush was running for re-election against Massachusetts’ own John Kerry and it’s highly relevant again.
GWAH, rockers at heart, turned the encouraging tune, into a jaunty country folk pop
gem you can hum, sing and whistle along all day long. Here in Europe, we are also waiting with anticipation for the election results. Whoever wins the White House, it’ll have an impact on the rest of the world. Here in Europe want democracy to prevail, it takes care of humanity in all aspects. While waiting for November 5 , let’s rock the boat, and vote for GWAH today.
Track: A FRAGILE THING
Gloomy piece from their 14th album, their first in 16 years, titled Songs Of A Lost World, and lands on planet Earth tomorrow, Nov 1.
“This song is a fragile thing
This song is my everything
Nothing you can do to change the end
There’s nothing you can do to change the end”
And today the sizzling Aussies announced the upcoming release of their 3rd longplayer, named Cartoon Darkness. It’ll hit the streets on October 25th. Pre-order info here.
Amyl: The adversity of life is desire never fulfilled. Doing the dishes cleaning, but never the one eating the meal, so close but it’s never enough, and trying to celebrate the ignorance of youth despite it being robbed away, so choosing ignorance, choosing to be dumb and choosing love, despite everything, choosing bad decisions for love, for life, because it is short, or is it long?