Frenetic Brit Force DITZ Flabbergasts With Baffling Debut Album ‘THE GREAT REGRESSION’

7 March 2022

Band: DITZ
Who: Post-punk gang from Brighton (UK)
that hit the scene back in 2015
References: Gilla Band, Shame, Metz, Crows, Lice

Debut album: THE GREAT REGRESSION
Released: CD/digital on 4 March 2022, vinyl
on 29th July, all via Alcopop! Records
Order facilities: here

“Themes of insecurity and gender pop up a lot over the course of the album, as well as lots of references to the human body breaking and being harmed in unnatural ways, although there’s no one overarching concept, simply because the songs have come together over such a long period of time. The title is not so much a reference to society going backwards, but more the band’s penchant for childish jokes. “Sitting in a van all day can get silly,” laughs Cal (frontman)”.


More info about this special vinyl edition on Dinked

Louder Than War says: “The Great Regression is about as strong as debut records get. Channelling all of its rage, sarcasm and scorn into a taut, well-honed package it’s both a
brutal assault on the senses and a window into the raw talent and unique worldview that makes Ditz one of the most interesting bands on the current UK punk scene.”

Full review here. Score: 8/10.

Turn Up The Volume: After playing opener Clocks to the max, with its Blitzkrieg grinta, it feels like the band and I are already out of breath as you can hear on the post-explosion outro. I felt wrong, as several KO Killers (Ded Würst / The Warden / I Am Kate Moss and the JAWDROPPING missile closer No Thanks, I’m Full) follow and do your head in. Ditz is a mean manic post-punk machine. The first minutes of the slower pieces (Three / Instinct / Teeth) are misleading, halfway they explode like grenades. No rest for the wicked, no rest for Ditz, no rest for your ears.

Keywords: Frenetic forcefulness, blistering British bluster, fuck Brexit fierceness,
exorcistic vocality, 10 KO killers. One of the best 2022 albums (so far)? You betcha!

Joe Talbot (Idles): “DITZ are the best band in Brighton, if not the world”.

Singles/videos: I Am Kate Moss / Ded Würst / the Warden

– I AM KATE MOSS –

“About the separation between your visual and personal identities,
particularly within the context of masculinity and femininity”.

– DED WÜRST –

“A ferocious mix of Gilla Band, Foals and a lyric bemoaning
the moral quandary of minimum-wage employment.”

– THE WARDEN –

“A song all about being too intense, ironically set to an intense
backing somewhere between Deftones and Mogwai.

Stream/buy The Great Regression here…


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DITZ: Facebook


(Ghent, Belgium – 2021 – photo by Turn Up the Volume)

Turn Up The Volume’s 20 KNOCKOUT TRACKS Of The Month – FEBRUARY 2022

A stream of rattling rippers, jagged jams, and romantic reveries

All 20 together on Spotify

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Knockout by knockout…

1. ‘Demolition Row’ by METZ (Canada)

The hard-hitting Canadian bolide is on a supersonic roll here, rockin’
their tails off. Full blast ahead, no brakes, no looking back. Holy smoke!

The track comes as a vinyl 7″ split with British
band Adulkt Life. Out 4 March, buy here.

Holy guacamole…


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2. ‘I Am Kate Moss’ by DITZ (Brighton, UK)

“The best band in the world” according to Joe Talbot (frontman of Idles).

I Am Kate Moss will be on this ace indie mavericks’ upcoming
debut LP The Great Regression, out at the end of this week.

Order info here.

If your ears are looking for some badass fireworks you really should
play Kate Moss out loud. She’ll turn the heat up the way you like it.

C’mon, Kate…

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3. ‘Room 165’ by CROWS (London, UK)

James Cox (frontman): ““I used to be quite obsessed with true crime, and this song was
kind of born out of researching H.H Holmes and the World Trades Hotel in the 1860’s where
he would murder people staying at his hotel informally called ‘The Murder Castle’. I also got quite obsessed with a faith healer from the early 1900’s called Reverend Major Jealous Divine and reading transcripts of his old sermons, so this is basically just a weird amalgamation of mad shit I read about.”

Post-punk at its psych-o-tic best…

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4. ‘Digging’ by NOTHINGHEADS (London, UK)

A wham-bloody-bam drum intro, scorching guitars, filthy grooves, angry vocals,
all in just 50 seconds. Sounds like Nick Cave and his freakish gang The Birthday Party
are back with a filthy blues-injected blast. If you like creepy doom and gloom hullabaloo from a smelly basement you’ll love this to death.

Release the bats…

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5. ‘Cream’ by BOTCHED TOE (UK)

A razorblade uppercut as intimidating as a bulldozer and
cutting as a Swiss knife. No rest for the wicked. One of the
clamorous highlights of these hardcore junks’ debut album
A False Glimmer Of Hope.

Go bonkers, folks…


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6. ‘Junk Man’ by JON SPENCER & THE HITMAKERS (US)

Garage blues-rock junk Jon Spencer is back in town.
This time with his HITmakers. This razzle-dazzle cracker
is pushed by a bouncy synth touch and, schizophrenic
guitars and, of course, Spencer‘s freaky vocals.

Turn it up…

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7. ‘Staring Into The Sun’ by 50 FOOT WAVE (USA)

The wonderful Kristin Hersh has an impressive résume.
10 albums with Throwing Muses, 10 solo albums and one
full LP and several EPs with 50 Foot Wave (trio with
Throwing Muses‘ bassist Bernard Georges).

And Hersh doesn’t think about retiring yet, she never will.
A new 7-track 50 Foot Wave album, entitled Black Pearl
comes our way on 15 April. Order info here.

Taster Staring Into The Sun is, a boisterous and metallic
slo-mo groove with a hammering beat, pumped-up guitars,
and Hersh’s manic vocals augmenting the shadowy tone of
this belter.

So what’s next for 50 Foot Wave? Playing at
metalfest Aftershock in Sacramento in October?


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8. ‘Clowns For President’ by BAD SKIN (Montreal, CA)

Think legendary gritty grrrls Bikini Kill having a ball with
Pussy Riot while kicking Russian president Putin up the ass.
These 4 steamy sisters in punchy punk crime buzz and fuzz
like a hot rod on the run.

Bad Skin storm full steam ahead with front Amazon Dope sneering
like a raging riot grrrl. Yep, Dope is dope. And this stunning stonker
is dope too!

To hell with Putin…

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9. ‘Alone Again’ by AVA VOX (Dublin, Ireland)

Sounds like Patti Smith‘s Because The Night ends in a painful break-up
for the lovers. Ava Vox‘s heartache vocality and hurt timbre emphasise
the confused state of mind of the abused one and the melodramatic
sonic boom of this emotional eruption expresses sorrow, distress,
and angst. Another gripping Vox piece.

Affecting performance…


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10. ‘This Cost Of Life’ by TIDAL WAVE (Toronto, CA)

Oh my, oh my. This sky-reaching gem left me out of breath after just one spin.

A tower of a song with an imposing impact. A masterstroke that explodes after the foreplay-intro and moves up and down like a roller coaster. Stellar tune, stellar sound, stellar guitars, stellar emotions, and a stellar chorus. Anthemically orchestrated with goosebumps arrangments. I’m quite sure their awesome fellowmen Arcade Fire would
like this grand exploit.

Here‘s why…

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11. ‘Fear Of The Dawn’ by JACK WHITE (Detroit, US)

The former white stripe plans the release of two
albums this year. Fear Of Of The Dawn, out 8 April
and Entering Heaven Alive, out 22 July.

Here comes the title track of the first LP.
Expect 120 seconds of flaming guitar
hysteria with White going totally blue…

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12. ‘Back To The Radio’ by PORRIDGE RADIO (Brighton, UK)

The lead-single of new, upcoming full-length album
Waterslide, Diving Board, Ladder To The Sky out
in May.

This is one of those songs that hypnotise from the get-go
to the eager finale. A feverish chant, one long chorus with
Marglin‘s delirious voice causing goosebumps.

Stupendous stroke…

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13. ‘Alone’ by STALKER (Sweden)

This is classic heavy metal. Huge sound, huge vocals, huge tune
with a huge chorus. If you’re a metal addict you will not mind if this
Swedish hit team stalks you. After an ominous violin intro, all burners
are on and frontman Michael Storck’s overwhelming pipes take over.

Self-titled debut longplayer comes on
11th February 2022 via WormHoleDeath.

Holy shit!

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14. ‘Colorful White Lies’ by ELECTRIC HIGH (Bergen, Norway)

After a dancey handclap intro, it’s all burners on with
a headbanging impact. Heavy boogie drones to play air
guitar to, in front of the mirror.

Echoes of muscular American motherrockers – like Van Halen,
Sammy Hagar
and Aerosmith – are all over the heated place.

Add firm Lynryd Skynyrd harmonies and you know you’ll
have this blaring beast on your speakers for quite some time.

Press the start button here…


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15. ‘Hostile Music’ by SALEM WOLVES (Boston, MA)

This boiling-hot-cooking stroke hit me and my ears from
the moment the first chord blasted out of my shaking stereo.

Ardent anxiety and edgy excitability dominate this fanatical
outburst. And when the hair-rising chorus erupts you’ll
go mental just as these wolves do.

Right here, right now…

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16. ‘Love Burns’ by ODAWIN (Italy)

A twist and turn prog-pop-rock composition bringing legends
Genesis (early years with Peter Gabriel) and YES (with voice Jon Anderson)
to mind. My favorite cut from Odawin‘s triumphant debut EP ‘Untitled.

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17. ‘Golden Apple’ by HVIRESS (Brighton, UK)

Sensual, puzzling, tempting, synth-matic,
imaginative, seductive, esoteric, and relaxing.

HVIRESS are here to stay.

The ladies have once again teamed up with Scott Chalmers
to create an unsettling music video that leaves the viewer
pondering what they’ve just seen, a perfect partner to
the song’s opening lines…

“What is it that you see? It almost seems unreal
What is responsible for all the things you feel”

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18. ‘Impossible’ by RÖYSKOPP and ALISON GOLDFRAPP (Norway / UK)

Norway’s synth heroes teamed up with the gorgeous
Alison Goldfrapp for this trippy and sultry dance thrill.

Shake your booty, ladies and gents…

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19. ‘Shallow Graves’ by THE MINIMUM WAGE (Ontario, CA)

This riff-rowdy ripper flames with fervid fervency and resonates
as if Bob Mould was invited to play guitar. Ace tune, towering
sound, impassioned vocals, and a sickly sticky chorus.

Just what you need to activate your serotonin production.
Maximum result for a minimum wage.

Be yourself, stay yourself…

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20. ‘Hello Dreamer Baby’ by THE ROYAL FOUNDRY (Canada)

This is what ecstatic pop grandeur is all about. Music that elevates
your state of mind to a titillating level. This new majestic single
generates a spellbinding buzz we all can use in these difficult
pandemic times.

When the multi-layered vocals/harmonies kick in, a gospel-like choir delight
creates an atmosphere of utter joy comparable with the euphoric drive of
The Polyphonic Spree. Vitalizing vibe, refreshing rapture.

Enjoy here…

See/hear you next month, music junkies

New Albums In 2022 – The Debut By The Best Band In The World According To JOE TALBOT (Idles)

3 February 2022

Band: DITZ
Who: Post-punk gang from Brighton (UK)
that hit the scene back in 2015
References: Irish turbo Gilla Band
and louder than war Canadians Metz

Debut album: THE GREAT REGRESSION
Out: CD/digital on 4 March 2022, vinyl
on 29th July, all via Alcopop! Records
Pre-order facilities: here

Alcopop!Records: “Even though the various lockdowns slowed the band’s
momentum for a while, they turned the situation to their advantage, using
the downtime to fine-tune this incredible debut… Abrasive but accessible,
The Great Regression is set to be one of the most important British guitar
debuts of 2022.”

Joe Talbot (Idles): “DITZ are the best band in Brighton, if not the world”.

Singles (so far shared): Ded Wûrst / The Warden / I Am Kate Moss

– DED WÜRST –
Nasty sledgehammer bulldozing from start to end…


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– THE WARDEN –
Front(wo)man Cal Francis: “It’s about the separation between
your visual and personal identities, particularly within the context
of masculinity and femininity”


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– I AM KATE MOSS –
Newest cut. A vicious snake…


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DITZ: Facebook


(Ghent, Belgium – 2021 – photo by Turn Up the Volume)

Turn Up The Volume’s 20 KNOCKOUT TRACKS Of The Month – NOVEMBER 2021

Turn Up The Volume‘s 20 Knockout Tracks for November 2021!
A stream of rattling rippers, jagged jams and romantic reveries.

All together on Spotify

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Knockout by knockout…

1. ‘Miami Lounge’ by PEEPING DREXELS (London, UK)

I discovered this brilliant post-punk turbo last month at an indoor festival in Amsterdam. The whole crowd went bananas. These motherrockers slash and trash with a burning vehemence and a flabbergasting fervency. Miami Lounge is the crackerjack opener of this year’s released 5-track EP Bad Time.

Now it’s your turn to discover this awesome London squad.

Right here, right now…


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2. ‘Ded Würst’ by DITZ (Brighton, UK)

Earlier this month this dynamite hit team blew all punters away with their jaw-dropping gig in my hometown Ghent (Belgium). They razzled and dazzled with ebullient exertion, blistering British bluster, and a fuck Brexit fierceness. The roof went off.

Ded Würst, their newest single, is nothing less
than a nasty and filthy sledgehammer. Das super!

Here’s why…


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3. ‘Traps’ by BLOC PARTY (London, UK)

Kele Okereke‘s band returns next year – 29 April 2022 – with
new LP Alpha Games, the first in 5 years.

Talking about a comeback! Traps is a stunning stormer, a killer
single, a whopping whirlwind. Supercalifragilisticexpialidocious!

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4. ‘Against The Blade’ by THE HORRORS (Southend-on-Sea, UK)

After dropping one of the best knockout blows of 2021 with Lout
The Horrors followed it up this month with new EP Against The Blade.

The title track is brutal, rough, and rowdy. Like Nine Inch Nails on acid.

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5. ‘Tsunami’ by DEAP VALLY

The Los Angeles sisters in rock crime just launched
their new LP Marriage, celebrating their 10 years of
rockin’ out together.

Tsunami is one of my favorites. A glam wham-bam
banger with a feverish impact.

Play it loud…

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6. ‘His Ilk’ by BRONSON ARM (Kalamazoo, Michigan, US)

From Michigan here come 2 Pc Noisey Slacker Psychedelic Sludge Punks.
They joined Canada-based indie label Off White House Records
this year with a big bang.

Their newest outburst is a riffin’ rollercoaster that makes the hair in
your neck stand up with its metallic resonance and relentless bass
frenzy. Add nightmarish vocals and I’m sure Santa Claus will run
away in fear.

Turn up the jingle bells here…

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7. ‘Never Ready’ by WÏLDERMAN

The alias of British singer-songwriter of Bobby Anderson.

Never Ready is a vicious droning blast. Wïlderman rankles,
rages, and has a bad taste in his mouth. Never ready for
her look and her voice. 133 seconds of sonic sex.

Hot groove, hot intensity, hot slam dunk. Fucktastic!

Get ready here…

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8. I Don’t’ Love You Anymore’ by CHATEAU CHATEAU (Tucson, Arizona, US)

Glam and glitter riot tattoo grrl Blue attracts all attention,
sonically as well as visually. She swirls and scintillates on this
new kick while cursing idiots who hate the LGBTQ+ community,
who hate tattoos, and who hate anybody who doesn’t live by
their ultra-conservative rules.

To hell with all these idiots.

Meanwhile, enjoy this jangly earworm that sticks as
first-class glue and reaches an aural orgasm every
time the chorus pops up.

Get up, stand up and move…

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9. ‘Absent Transient’ by IT’S KARMA IT’S COOL (Lincoln, UK)

One of the highlights from the group’s excellent new album
Homesick for our Future Destinations. Check TUTV’s raving
review here.

With Absent Transient they show their masterly skills of writing ear-and-mind
pleasing pop tunes charged-up with rotating riffs and dreamy vocal harmonies.

Press play here…


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10. ‘Better Than Life’ by GLASS SANDS (London, UK)

Here’s the title track of TUTV’s best album of last month.
Read the review here.

A guitar-driven ripsnorter that gets more intense along its way.
This one-man band slips under your skin without asking and
you’ll love it big time.

Roll along…


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11. ‘Let’s Stick Around’ by DJ RITON and JARVIS COCKER (UK)

When an old skool DJ teams up with Pulp’s Jarvis Cocker you
get a sizzling acid house corker to start and end all upcoming
New Year’s Eve parties with.

Hallelujah! Holy Mary!

C’mon, Jarvis

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12. ‘The Magic’ by EELS (Los Feliz, Los Angeles, California)

Mark Oliver Everett and his Eels mates plan to release their
new album Extreme Witchcraft on 28th January 2022.

Ahead of it comes this magic groover.
Eels are alive and kick with a dash.

Roll the dice here…

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13. ‘What You Keep Telling Yourself’ by DOWN WITH SPACE (Montreal, Canada)

The motorik and magnetic rhythm of this electronic exploit makes your head
turn 360°. The catching combination of near whispering vocals, scintillating David
Gilmour
guitar vibrance and cybernated elegance create an overall ear-ecstatic
vibe culminating in a dynamic finale.

Dive here into space…

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14. ‘Dissonance’ by VEDA RAYS (Brooklyn, NY)

From the Brooklyn duo’s new Crucial Fictions LP. TUTV’s review here.

Expect flashy echoes of the 80s British New Romantics movement with
this instant catching pop spark, fueled with glimmering guitar/play,
impassioned vocals, and a non-stop drum beat.

Touchdown!

Stand up and shake your pelvis…

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15. ‘Still’ by TINY DYNO (Bristol, UK)

This sugary pop bliss feels good at first, better the second time,
and the best with all other spins. Great pop-ular music is about
lifting up the listener’s mood to a euphoric level for about
3/4 minutes. Easier said than done, but not here.

Still is a glorious harmonious touchy-feely gem that appeals from
the kick-off with Gardiner‘s tantalising voice and Kuras‘ vitalizing
guitar ravishment. Add a delirious chorus and you have yourself
a 24-Carat top thrill.

Play it here…

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16. ‘Knight Of Cups’ by ODAWIN. (Italy)

This Italian singer-songwriter, born Patrizio Ottavianiiter,
produces a blend of psychedelic rock and Arabic harmonies.

Knight Of Cups is the latest single in a series of monthly releases this year.
Electric dream-pop at its tempting best. Sparkling, spirited, and seductive.

An orchestral triumph. Score!

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17. ‘Monterey’ by OCEANOGRAPHY (US)

Oceanography is the solo project of Oakland-based singer,
songwriter, and multi-instrumentalist Brian Kelly.

This sweet little pearl comes from his new album
Thirteen Songs About Driving Nowhere
in Alphabetical Order
(awesome title).

“A tribute to my big sister who I lost last year. I hope you enjoy
it and it provides some comfort for any loss you’ve experienced.”

Monterey is a heartfelt ode to a beloved one that passed away,
evoking recognizable, universal feelings of loss, mourning, and
tristesse.

Listen and watch the touching video clip…

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18. ‘The Ship Song’ by NELL SMITH and THE FLAMING LIPS (US)

Nell Smith is a 13-year old fan of Oklahoma’s eccentric stargazers Flaming Lips
(one of my all-time fav bands). Frontman Wayne Coyne spotted her at one point
as she attended several gigs with her father. They got in touch and after Coyne
found out that she’s a singer he proposed her to work with the band on a Nick
Cave
tribute album he already had in mind for some time.

They got all in the studio and the result is a 9-song Nick Cave
covers album baptized Where The Viaduct Looms with
the nightingale voice of Nell as the heroine in the middle.
You can stream the brand new record on Spotify

One of the standouts is her version of
the heart and soul ballad The Ship Song.

Special, wonderful, lovey-dovey.

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19. ‘Always Together With You’ by SPIRITUALIZED (Rugby, UK)

Jason Pierce and his orchestra have a new LP,
called Everything Was Beautiful coming on
25 February 2022

With this spellbinding symphony, he does what he does so splendidly for so long. This
first new piece is another soulful spiritual growing slowly into a gospel-like trance. Epic!

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20. ‘We Are Not Alone’ by NICK CAVE and WARREN ELLIS (Australia)

Last June mega-star-crooner Cave and his bad seed friend Warren Ellis
signed for one of the best LPs of 2021 with their astonishing Carnage opus.

And they’re not done yet. The duo releases the soundtrack they wrote for the French nature documentary Panthère Des Neiges (The Snow Leopard) on 17 December.

Here’s the magnificent taster We Are Not Alone.
A characteristic Cave humdinger. Tender and gripping.

Watch the magic, hear the magic…

See/hear you next month with the best 20 knockouts of 2021

Brighton’s Fierce Fury DITZ Hits Belgium With Flaming Moshpit Force

8 November 2021

Band: DITZ
Who: Firm post-punk gang from Brighton (UK)
that hit the scene back in 2016
References: The bulldozing Irish turbo Girl Band
and louder than war Canadians Metz
Where/when: Ghent, Belgium – 6 November
Works: Check their Bandcamp page

This dynamite post-punk hit team was unquestionably the standout winner
of the small Badlands festival in my hometown of Ghent last Saturday. They
razzled and dazzled with fervent force, blistering British bluster, and a fuck
Brexit fierceness. Cocksure frontman Cal Francis was the eager eye-catcher
and ranting ringleader inspecting his troops from within the crowd.

No brakes, no pause, no breathing space with this well-oiled, mean live machine
that worked its way, slowly but surely, towards an orgasmic finale that made the
sweaty audience go ballistic with a flaming moshpit force.

Abso-fucking-lutely blitkrieg bluster.

DITZ came, saw, conquered, and took the ferry back to England the moment they
left the heated building. They were the talk of the town for the rest of the night.

Brand new single DED WÜRST
will give you a noise-tastic idea of their jarring horsepower.

Press play and go nuts…


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DITZ: Facebook

Trash ‘N’ Crash Drone – Noiseniks DITZ Go Mental On New Single ‘ROLE MODEL’

Daily electricity to load your sonic batteries…

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25 May 2020

Brighton‘s fierce noiseniks DITZ have a new sledgehammer single out called ‘ROLE MODEL‘. Prepare your aural antenna for an ear-splitting assault of an illegal dose of
crushing decibels. Manic droning doing your head in. Merciless pounding disorienting
your blood-pressure. Madcap battering speeding up your pulse. Mental blazing messing up your mind. Mad vocals scaring the shit out of you. Sounds like metallic fun, isn’t it! You betcha!

Two minutes of thumping havoc with a rousing impact ringing in your ears long after you played this buffeting jackhammer for the umpteenth time. ‘Role Model’ is a contender for trash ‘n’ crash drone of the year. Absobloodylutely.

Turn up the heat right here, right now…

DITZ: Facebook

(photo: Facebook Ditz)