Turn Up The Volume’s 20 BEST TRACKS – NOVEMBER 2023

Best of the best of November 2023

ALL TOGETHER


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1. ‘Lunar Eclipse‘ by THE VACCINES (UK)


(Photo by Turn Up The Volume – Belgium 2022)

The British guitar pop idols have their new, sixth full-length, baptized
Pick-Up Full Of Pink Carnations out on on 12 January 2024.

Lunar Eclipse is one of the 3 singles shared so far.
Sickly sticky stuff. A vaccine we all can use.

Ace.

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2. ‘The Answer’ by JOHNNY MARR (Manchester, UK)

So far Marr has released 5 solo albums with
enough standout material to compile a best of.

Earlier this month Spirit Power – The Best Of Johnny Marr
came out to entertain bangers-greedy ears.

Marr also penned two new crackers for the compilation.

The Answer is one of them. A riff-roaring ripper
that races and rushes at a razzle-dazzle speed.

Wowzers.


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3. ‘Foefetti’ by JODIE LANGFORD (UK)

After launching her super-duper 6-track EP Chaos Of Time last March, Langford
closes the year with this rock-and-rap-punk banger. Whang, whang, whang.

Foefetti has somehow a fuller resonance than her previous pieces. And it works spot on. Glittery, glammy and trash-y (like the video). Be ready to sing happy birthday to 6-year-old princess Jodie midway. Don’t worry afterward you can continue to pogo around the table. Treat yourself, buy this present here.

Party.

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4. ‘Backstreets’ by IRKED (North East England)

Helter skelter. What a riff-deranged head-over-heels speedball.
AWESOME. Think Australian barbed wire rock generator Amyl And The
Sniffers
getting even louder and nastier than they already are. Irked
produce no-nonsense punk pandemonium with a dashing fanaticism
and crazed ruckus.

The vocalist screams her lungs out with intimidating force. MENTAL.
Don’t mess with her, don’t look for trouble with her. She’s a ragging
rapping reactor. Sharp-teethed stuff, shattering debut.

Helter skelter.

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5. ‘Robot’ by PENNYPACKER (Belgium)

These 4 motherrockers learned their craft by making noisy waves in different
bands before. They just released their cooking 4-track EP named ROBOT.

Robot artwork

The title track is a bass/guitar-riff steamroller going everywhere fast.
A fanatical flare-up that speeds towards a monstrous climax. Who needs
humans when robots kick ass this knife-edged way.

Check in.

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6. ‘He’s A Man’ by BOB VYLAN (London)

London’s inflammable grime-rap-punk turbine Bob Vylan have canned their third
album. It’s named Humble As The Sun and will see the day of light on 5 April 2024.

First single He’s A Man is a super-duper headbutt

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7. ‘Losing My Faith’ by ELECTRIC CIRCUS (Newcastle, UK)

These British mavericks rattle and rumble from the get-go on this crackerjack
blast. They don’t like a boring normal life. Who can blame them? The frustration
is accentuated by freakish guitar/bass frenzy, merciless drumming and flustered vocals.

Solid sucker-punch. Never lose faith in this band.

Check in.


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8. ‘Stop The Clock’ by CROWS ON WIRES (Germany)

Crows On Wires is the dark-dream-wave project of German artist Antje Davids-Weis.

This new single echoes previous pieces. Rotating synth beats, shadowy dynamics, darksome vocals work together and turn Stop The Clock into a terrifically catching
stomper.

Start.

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9. ‘Say It Like You Mean It’ by SLEATER-KINNEY (Seattle, WA)

Washington‘s longtime rollin’ indie-pop-punk stars SLEATER-KINNEY
who started their journey (with 3 members) back in 1994, went on a
break in 2006, reloaded their engines in 2014, became a duo – Carrie
Brownstein
and Corin Tucker – have their new, 10th LP, baptized Little
Rope
out on 19 January 2024.

2nd single Say It Like You Mean It is
edged guitar pop at its racy best.

Top-tier thrill.

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10. ‘The Sadness In You, The Sadness In Me‘ by SUEDE (UK)

Last year the glam veterans Suede released their 9th,
back to top form, album Autofiction.

An expanded edition shows up on December 8. It
includes a live LP. More info and order details here.

Along with the LP’s release came a 4-track EP that was available for
only one week. The songs will appear now on the expanded box.

The Sadness In You, The Sadness In Me will be one of them.

A vintage Suede sparkler with Anderson‘s emotional vocals going sky-high
on the chorus. Can’t understand why this stellar song wasn’t on the original
album. Anyway, it’s here now.

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11. ‘Like That’ by THE RODA LITS (Belgium)

It’s been 5 years since this Belgian garage guitar indies released
their debut album Common Specimen/Indoor Mold.

But they’re back now, and they didn’t lose their electrical mojo nor their sassy swagger. Crazed drums, afire guitars and tense vocals are what you get. Don’t miss their return.

Press play.


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12. ‘Wish It Back’ by BANDANA SONS (Toronto, CA)


Toronto rockers with Daft Punk helmets

This weird Canadian trio nails it with their new single
Wish It Back, a heartfelt tribute to times gone by.

It’s a spry rocker that swings forth and back. From harmonious tenderness to zippy discharge, from shiny guitar sparks to electrifying commotion, while poignant vocals add extra emotive energy to this splendid nugget. It’s about looking back nostalgia we all are familiar with, wrapped here in a forceful piece of music.

Bingo.

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13. ‘I Feel Nothing’ by LIONS OF DISSENT (Wolverhampton, UK)

I Feel Nothing is the first new piece of music in over 2 years from this British indie trio.

One spin and I knew we had a winner here. I Feel Nothing is a funky pop
groove, richly orchestrated with footstompin’ drums, glistening synths, wah-wah
guitar here and there, pumping bass and spacey vocals. It swings back and forth,
with a hip-shaking impact when the delirious chorus comes up. Think Tears For
Fears, Depeche Mode
and Tame Impala all rolled into one.

Feel it all here.


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14. ‘Capricorn’ by WOLF VAN WYMEERSCH (Belgium)


Photo by Lukian Hills

Following The Art Of Letting Go and Eazy Like Me this emotive
singer-songwriter scored his third single of the year with Capricorn.

Wolf: “This song delves into the complex theme of loyalty conflicts, the inner divide
between descendants and parents (us and them) and the broader social division into
‘us’ and ‘them’, (fueled by social media and war).

Capricorn is a spellbinding slow-mo musing with an ominous sonority produced
by electric bass, sober drums and eerie acoustic guitar play. It creates a trance-like atmosphere with its subtle and low-key orchestration and Van Wymeersch gloomy
vocals. Fascinating score.

One of his best songs (so far).

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15. ‘Chutpaz’ by OMBUDSMEN (Manchester, UK)

So much is happening on this crazy cut. First in, hungry guitars and footstompin’ drumming immediately joined by frolicsome synth touches that easily could be experienced as the theme of a creepy movie, depending on your (in)stable
state of mind.

Next, eerie vocals, backed by some spooky howling, check in adding a what’s going on
vibe, and zigzagging through all the sonic razzmatazz. Head-spinning stuff, folks.

Make your move.

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16. ‘Can You See Me?’ by CATHOLIC GUILT (Melbourne, Australia)

The song is a tale of lost identity and feeling at odds with yourself.

It’s feverishly rushing ripper propelled by an army of guitars, hefty drumming and
psyched vocals. This manic missile reflects frontman/songwriter’s Brenton Harris
identity issues spot-on.

Sonically as well as lyrically, Can You See Me resonates like a much-needed escape from
a troubled and confused state of mind. I guess this sounds familiar to so many of us out there. If you’re a Fall Out Boy fan you’ll definitely add this fiery emo piece to your favourite playlist.

Press play.

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17. ‘When You’re Gone’ by THE ALTER KAKERS (Toronto, CA)

The band’s name is a testament to their stature and nature – alter kaker is a Yiddish term for an old person, or as the band likes to call it, “an old fart.” That level of self-awareness helps when creating a song like “When You’re Gone.

The band’s Steve Bronstein wrote this track one year ago near the close of a relationship. But unlike the more common musical theme in breakup songs, the singer isn’t sad about the conclusion – he relishes it.

Looking for an infectious jump-for-joy post-breakup tune? Here it is.

Enjoy.

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18. ‘My Girls My Girls’ by THE KILLS (US/UK)

Finally after 7 years Alison Mosshart (vocals) and Jamie Hince returned
a couple of weeks ago with their 6th full-length, titled God Games.

Undoubtedly, one of their best achievements.
Sultry blues-pop-rock for the midnight hours.

My Girls My Girls is one of the highlights.


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19. ‘Hiding’ by HAZE (Ghent, Belgium)


📷 Gunther Liket

After playing with some bands, Belgian musician Mirabelle van de Put decided
in 2021 to go solo under the moniker of HAZE. Her excellent self-titled debut LP appeared the same year.

She’ll have her sophomore one, titled Out of Sight, out in January.

Hiding is the first single. A glinstering dream pop musing featuring sparkling guitar
and smooth bass play, and van de Put‘s enticing voice takes you on a relaxing trip that flares up now and then.

The eye-catching video is created by Naomi Kerkhove.

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20. ‘Love Again’ by LAUREN ANDERSON (Nashville, TN)

Lauren Anderson is a Chicago born and Nashville-based singer-songwriter.
She has, so far, 3 albums on her résumé. And has now new single Love Again
out.

Expect a towering voice. Zestful, vivacious and highly gripping. Classic country-blues splendor. The kind of song that send shivers down your spine with its full-hearted
passion and its overwhelming sonority.

Wurlitzer jukeboxes were invented back then to play affecting tunes like this one
in smoky bars to comfort lonely souls and melancholic hearts. This sort of music
will never lose its healing impact.

Magic.

TURN UP THE VOLUME’s JUKEBOX 2023 – 10 New Tracks Added Every Week

Every week 10 new rad tracks added

In order to not miss a beat Turn Up The Volume scans the musical
horizon daily (doing it for years now, actually) to stay in touch with
all new things sonically great and shares the results on a weekly
basis.

Check the 10 new rad cuts just
added to this rad 2023 playlist.

ALL TOGETHER

Steam to Spotify and stream


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TRACK-BY-TRACK

1. ‘Robot’ by PENNYPACKER (Belgium)

These 4 motherrockers learned their craft by making noisy waves in different
bands before. They just released their cooking 4-track EP named ROBOT.

Robot artwork

The title track is a bass/guitar-riff hammer blow going everywhere fast.
A fanatical flare-up that speeds towards a monstrous climax. Who needs
humans when robots kick ass this knife-edged way.

Check in.

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2. ‘Just Stop Oil’ by MINISTRY (Chicago)

On 1 March 2024 industrial rock hot rod Al Jourgensen and his band
Ministry drop album #16, baptized HOPIULFORTHEMASSES.

First single JUST STOP OIL is a familiar battering haymaker
about our threatened environment. Yes, Jourgensen cares and
makes a lot of noise about it.

Press play.

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3. ‘Sabretooth Monkey’ by MY OCTOPUS MIND (Bristol, UK)

Last week these English misfits released their new
turbulent album Trying To Be Normal. Stream it here.

Closer Sabetrooth Monkey is one of the highlights. A viciously funky bass-driven shocker that does your head in with its maddening mid-tempo beat. The ominous chorus with its metallic guitar aggression adds even more fervent furor to this brainbreaker. Touchdown.

I don’t wanna know
I’m a sabre-toothed monkey
So what you gonna do
now you Juiced up Flunky
Where you gonna go


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4. ‘Losing My Faith’ by ELECTRIC CIRCUS (Newcastle, UK)

EC:It’s about the trials and tribulations of modern day life and how no matter who
you are or where you come from, we all have our own personal battles that we’re fighting.
It’s ideally a message of hope, and tries to convey that no matter who you are, we’re all in
this together and we’re all just trying to hold on to our faith, and not to lose it when times
get tough or big changes come around.

Losing My Faith rumbles, rattles, and roll from the kick-off. Afire guitars,
bashing drumming, and hopped-up vocals going paranoiac on the titanic
chorus. A crackerjack stroke. Trust me, you can have faith in this band.

Tune in.


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5. ‘A Little To Well’ by DEGREES (Sweden)


Photo credit: Evelina Carbor

This Swedish duo just dropped their first album in 10 years. It’s called Pt. V

“With their love for captivating melodies and soft synths, Degrees continue
where they left off; epic, poetic melancholy with reveling pop rhythms, enriched
with a little drive from the early 80ies Synthpop and modern Shoegaze.”


Album artwork

A Little To Well is a sizzling stunner, a supersonic missile, sounding like a falbbergasting
post-punk symphony loaded with frenetic guitars, frantic synths, flaring duet vocals and
an amazeballs chorus. Yeah!

Ace.


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6. ‘Personal Jesus’ by TREVOR HORN and IGGY POP

British famous singer-songwriter-producer Trevor Horn (now 74),
who scored a No 1 UK hit in 1979 with his one-time project
Buggles
and their pop tune
Video Killed The Radio Star is about to release an
album of covers.

One of the covered songs is Personal Jesus, the 24-carat Depeche Mode classic from 1990. Horn invited eternal punk IGGY POP to do the singing. An inch-perfect decision. At the age of 76, he still bites like he wants to be your dog. His performance here is bone-chilling.

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7. ‘Kurt Cobain’ by SAM HUNN from Verticoli (Australia)

The track is about emotional turmoil, something that worked as a burden on the late great Kurt Cobain‘s psyche. Hunn translated this confused state of mind into a droning grunge sucker-punch that races with illegal speed.

It has some mind-bending boogie-woogie piano play that’s surrounded by mental guitars and Hunn‘s flipped-out vocals. The huge chorus does the rest. Smells like a bewildering Cobain tribute.

Yeah!


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8. ‘Sitcom’ by WIESINGER (Alberta, Canada)

Justin Wiesinger about Sitcom: “Sometimes life feels like a “Sitcom.” Minus the audience laugh tracks. This song is super tongue in cheek silly, but I think it has a humanity and a certain depth to it that can make you, the listener, squirm and really think deeply about your own life.”

These are the kind of frolicsome and upbeat pop tunes always welcome on my headphones in these worrying times. It’s a tremendously infectious and an inspiringly charming earworm. Sunbeams for Fall. Sing along, hum along, whistle along. Always believe in a bright light at the end of the tunnel.

Yes.

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9. ‘Now And Then’ by THE BEATLES

A previously unreleased John Lennon song, titled Now And Then,
billed as the last song by The Beatles was released last week.

Paul McCartney, George Harrison, and Ringo Starr worked on the 1979 demo while
compiling The Beatles Anthology in the mid-’90s featuring ‘new’ songs Free As A Bird
and Real Love, but didn’t finish it.

Now, using advanced technology and a curatorial touch, McCartney
and Starr have completed what they started with George, and turned
it into a fully orchestrated pearl of a love song.

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10. ‘Take It All Away’ by GISELLE AND ERIK (US)

Originally from Orlando and Gainesville, FL and currently based in Nashville, TN, Giselle and Erik are a husband-and-wife duo. Their genre-crossing style melds their roots in folk and jazz. Each of them songwriters, Giselle and Erik offer their audiences a collection of original music that pairs Giselle’s warm, lyrical voice and mellow piano with the sweet sounds of Erik’s jazz and classical guitar.

After experiencing a life-or-death medical surgery, the pair found comfort in
music with the release of their brand new affectional EP, fittingly called Healing.

Opening track Take It All The Way is my favourite. A romantic and uplifting beauty
with marvellous acoustic guitar play, subtle piano touches and blissful vocals.
Think Angel Olsen/Emmilou Harris.

Wondrous.


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See/hear you again next week, music junkies

TUTV: Facebook – Instagram – Twitter

TURN UP THE VOLUME’s 20 Best Tracks – APRIL 2023

ALL TOGETHER
on Spotify.

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TRACK BY TRACK

1. Beefcake Doctrine by CHUM (London, UK)

Chum are a pretty kooky combo that got my ears trembling with joy with their
grooves-filled debut LP a few weeks ago. Its lead single Beefake Doctrine is a
manic mind-twister with its trancy beats creating a mesmeric and puzzling
razzmatazz you can’t and you won’t run from.

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3. ‘LADS LADS LADS’ by LAMBRINI GIRLS (Brighton, UK)


(Press photo © Bridie Florence)

Who? Three don’t mess with us punk feminists from Brighton
with glam and utterly cool duo Phoebe and Lily in the middle.

They’re fiery Riot grrls wearing their feminist hearts on their sleeves.
Expect primal screams and unbridled in-your-face punk turmoil.

All male machos better hide ’cause this clamorous
uppercut will kick their asses painfully.

Hell yeah.

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3. ‘1.18’ by OPUS KINK (London)


(Photo by Turn Up the Volume)

With 1:18 these post-punk-rock misfits dropped a neurotic caterwaul that goes forth and back with burning pzazz. Monomaniacal vocalist Angus Rogers gets worked up to an almost hysterical level and sounds like a tormented and obsessed soul and the band’s horn duo blow their lungs out with nerve-racking urgency. Blimey!

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4. ‘My Illusion’ by ELECTRIC CIRCUS (Newcastle, UK)

My Illusion is a head-banging and riff-crushing jackhammer that makes
your fists pump in the air, makes your legs shake, and triggers you to check out
your vocal cords’ potential. Ignore your illusions, just get real and get out to party.

For those about to rock Electric Circus salute you.

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5. ‘Dead And Over‘ by DOWN THE LEES (Canada)

DTL’s mastermind LL Schultz‘s expresses her frustration and stressful state of mind
caused by those two claustrophobic pandemic years with this high-strung cry out. Its ominous mid-tempo progression, its swelling intensity advancing over an ongoing
hypnotic guitar riff and her sky-scraping send shivers down your spine.

Lockdown threw Schultz to the mat, but it couldn’t
knock her out and she’s back stronger than ever.

Alive and kicking!


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6. ‘The Snitching Hour’ by DEADLETTER (London)


(Promo photo)

London‘s up-and-coming young dogs DEADLETTER rattle on repeat
on this rad ripper spiced with relentless vocality, a sensuous saxophone,
a pumping bass and a sickly sticky chorus. 5-star punk funk.

Tune in.

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7. ‘Sub’ by DEEPER (Chicago)

With Sub these Chicago dudes sound like a cross between legends Gang Of Four and Parquet Courts. It’s a riff motherrocker making your head spin uncontrollably. On top of it comes the singer’s highly tense vocal performance. Don’t miss this holy smoke cracker.

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8. ‘Complain!’ by HYPOTHETICS (Bristol)


Photo credit: Holly Whittaker

These noisy indies from Bristol, UK Post-punk at its sharp-cutting best. Neurotic guitars and frenetic drums alternated with freaked-out vocals, rhythm changes that drive you nuts, an instrumental Devo-esque intermezzo and a mind-boggling climax. I have nothing whatsoever to complain about.

Listen/watch.

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9. ‘Your Death Is My Glory’ by CAMLANN

Who? A socially caring dark disco duo featuring
Ony Godfrey and Fauzan Pratama from Indonesia.

Your Death Is My Glory is about political hypocrisy
that suppresses the common people for their own
benefit.

It’s a steamed-up disco corker. A catchy-as-hell boomer that
accelerates your bloodstream. An irresistible tune to jump up
and down to like mad while giving the middle finger to all
power-greedy politicians.

The video is a DIY rapid-eye-movement tour de force.

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10. ‘All Of A Sudden’ by THE CHEMICAL BROTHERS (Manchester, UK)

All Of A Sudden is a B-side that easily could be an A-side. It features on the 12″ of
the previous single No Reason It’s a rotating beats-banger to start and end all
(il)legal raves with. It’ll make your adrenalin production go through the roof.

Dance, dance, dance.

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11. ‘Cars’ by LUNAR TWIN (US)

Lunar Twin‘s new full-length opus Aurora is an ideal
companion to relax with when the twilight sets.

One of the highlights and my favorite track Cars is a trippy dreamwave
with tingling guitars, scintillating synths, and near-whispering voice
combining for a top-notch vibration.


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12. ‘Juicy Lips ‘ by FIESTA ALBA (Rome, Italy)

This masked Italian dance act describe themselves as “losers on a planet
where nobody really wins. He who has nothing to lose cannot lose anything.”

They recently released a must-hear 5-track EP with Juicy Lips as one of the 5 highlights.
A capricious crackerjack for nightclubs where misfits, dropouts, eccentrics and other related outsiders have a ball. Wicked music for wicked people by wicked madcaps.

Feel the beat.


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13. ‘High Life’ by BLOC PARTY (UK)

Last year British post-punk combo BLOC PARTY returned with
their sixth longplayer Alpha Games, their first in six years.

They returned now with new track High Life.
A guitar-funky discotheque upper.

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14. ‘I’m Hurt’ by A PLACE TO BURY STRANGERS(NY)

Last year Brooklyn’s notorious noiseniks A PLACE TO BURY STRANGERS,
fronted by mastermind Oliver Ackermann unleashed their manic-maddening
album See Through You, their 6th one.

They decided to invite an impressive cast of musical friends to remix songs
from that album. The collection is named See Trough You: Rerealized. You
can buy it here. The digital version will be available from June 2.

Andy Bell of legendary shoegaze band Ride operating under the moniker
of GLOK is one of the remixes. He picked the psych-mind-bending piece
I’m Hurt and turned it into an ambient techno stunner with Kraut-rock-like
synth rhythms and chainsaw guitar fragments. Score!


Move and Groove.

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15. ‘Gallows’ by VAZUM (Detroit)

Deathgaze duo Zach Pliska and Emily Sturm launched
their 5th album, titled V- a couple of weeks ago.

It’s a greatest hits album consisting of
re-recorded songs from 2020-2022.

One of TUTV’s fav cuts is Gallows resonating like a slowed-down
Siouxsie and The Banshees musing. Enigmatic and haunting.

Watch/listen.

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16. ‘Nine Times Nine’ by THE CRYSTAL TEARDROP (UK)

Who? A British quartet inspired by a mutual passion for the sights,
sounds and creative experimentation of the mid to late 1960s with
its unique blend of garage rock, psychedelia and acid folk.

A 60s colored psych-pop gem that could be written by Californian legends
The Mamas & Papas
. Layered vocals, jangly guitars (playing backward at
one point. Remember The Beatles Tomorrow Never Knows song?), and an
infectious chorus. Play it 81 times.


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17. ‘What I Lost’ by COWBOY JUNKIES (Canada)

The twang country veterans Tornyo announced
the upcoming release of their 16th LP, baptized
Such Ferocious Beauty

First single WHAT I LOST is a bittersweet sparkler of a song.
Sorrowful and heavy-hearted with Margo Timmins‘s mourning
voice as entrancing as ever.

Enchanting.

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18. A Child’s Question, August’ by PJ HARVEY (UK)


Artwork new album

PJ messaged via her socials her 10th album,
baptized I Inside The Old Year Dying. It lands
on 7 July.

First single A Child’s Question, August sounds like
a stripped track from her ‘Let England Shake‘ LP.

Ominous, somber but also quite magnetic.

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19. ‘Scotch’ by TIRED KID (Canada)


Photo by Laura-Lynn Petrick

“A song inspired by my walks to coffee shops, my friends,
the band TOPS, and the scotch I like to drink!”

Easy-going tunes you can hum and whistle like this one are always welcome on my headphones after having too much noizz buzzing in my ears. Scotch is a laid-back, jaunty, and happy-go-lucky melody enriched with sunlit guitar play. Perfect for a walk in the city on a lazy Spring day. Kelly‘s mellow voice sounds like it was meant to sing devil-may-care songs like this one. Canadacana at its strolling best. Bottoms up!

Watch/listen.

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20. ‘Monkey Gone To Heaven GmBt LIFE (France)

To celebrate the first anniversary of their debut album
10 Minutes GmbtLife decided to cover a Pixies classic.

They picked one of their best-known songs, Monkey Gone To Heaven from 1989. Their take is pretty special and surprising. They decelerated it and added subtle piano play, distorted guitars, and low-pitched vocals.

TURN UP THE VOLUME JUKEBOX 2023 – 10 New Tracks Added Every Week

In order to not miss a beat Turn Up The Volume scans the musical
horizon daily (doing it for years now, actually) to stay in touch with
all new things sonically great and shares the results on a weekly
basis.

Check the 10 new rad tracks
added to this rad 2023 playlist.

1. ‘Children’ by British post-punks Opus Kink
2. ‘Jailbreak’ by post-hardcore Brits Enter Shikari
3. ‘Rescued’ by Dave Grohl’s Foo Fighters
4. ‘High Life’ by London’s rockers Bloc Party
5. ‘You’re In The Show’ by Washinghton duo The Electric Grandmother
6. ‘Veronica Lake’ by SPARKS
7. ‘Council Skies’ by Noel Gallagher’s High Flying Birds
8. ‘My Illusion’ by Newcastle upon Tyne outfit Electric Circus
9. ‘Dandelion Wish’ by 60s psych pop inspired duo The Vanity Project
10. ‘Cars’ by American electro-dreamwave duo Lunar Twin

TUTV: Blog – Facebook – Instagram

For Those About To Rock ELECTRIC CIRCUS Salute You With New Jackhammer ‘MY ILLUSION’

Daily electricity to load your batteries

21 April 2023

Band: ELECTRIC CIRCUS
Who: Noisemakers from Newcastle, UK

New single: MY ILLUSION

“The brief for this song was essentially ‘Coyote Ugly’. We wanted to create something
a little bit dirty, rough and out-law-ish. The story through the lyrics is essentially about
the cat and mouse of dating, being misled, not knowing where you stand with someone and sometimes the power struggle that short term, fiery encounters can have. It’s also about just being out there and having a good time which kind of echoes the idea of fleeting moments from AFAS [‘All for a Stranger’], I guess that’s part of our ethos really, just enjoyment in everything.”

TUTV: My Illusion is a head-banging and riff-crushing jackhammer that makes
your fists pump in the air, make your legs shake and pushes you to check out
your vocal cords’ potential. Ignore your illusion, just get real and get out to party.

For those about to rock Electric Circus salute you.

Hell yeah!


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ELECTRIC CIRCUS: Instagram – Facebook