Last weekend KILLING JOKE‘s co-founder/guitaristGEORDIE WALKER
died following a stroke, in his home in Prague. He was 64. Founding member
and bassist of the British post-punk champs Martin ‘Youth’ Glover, paid
tribute to Walker.
NME said: “In its own terms, What’s THIS For…! is an excellent record, even if those terms are the most hopeless ones to be found in rock today. It’s the same wardance as before, slightly better realised.”
TUTV says: One of the best Apocalypse Now bands in music’s history. When Doomsday comes their wall-of-metallic-post-punk on What’s This For…! is a notable candidate to be
its hellish soundtrack.
Last year veteran post-punk bohemians KILLING JOKE (15 LPs so far)
released their first new music in 7 years with the Lord Of Chaos EP.
The Londoners with all original members back since 2008 play a huge sold-out
concert tomorrow at the famous Royal Albert Hall in the UK’s capital. They will
perform their first 2 LPs in full.
Along with this event, KJ just shared a brand new single called FULL SPECTRUM DOMINANCE. A flaming guitar-layered rocker.
Band: KILLING JOKE Who: Post-industrial-punk veterans from London Active: 1979–1996, 2002–present / 15 LPs
with Pylon as their latest, released 7 years ago.
Band: KILLING JOKE Who: Post-industrial-punk veterans from London Active: 1979–1996, 2002–present / 15 LPs
with Pylon as their latest released 7 years ago.
Jaz Coleman (frontman): “I’ve never known anything like the time
we are living in now; not since the Cuban Missile crisis but now in
comparison we have multiple flash points,” ‘Lord Of Chaos’ is about
complex systems failure when technology overloads and A.I. misreads
the enemies’ intentions.”
Lord Of Chaos resounds familiar from the get-go.
A huge wall-of-storming sound, Coleman‘s poignant
vox and a muscular chorus.
Jerry Dammers on the American tour to promote the LP:
“Vibraphone music in elevators. Obviously this was classed as
rubbish. I don’t know if it was my state of mind, because I was
so zonked, but it struck me as a really weird, psychedelic music,
which is now called lounge or exotica. It’s been rehabilitated, but
at the time, to say you actually liked that music was mad. It
completely freaked out some of the band.”
David Gilmour: “A load of rubbish. We were at a real down point.
I think we were scraping the barrel a bit at that period. ‘Atom Heart
Mother’ sounds like we didn’t have any idea between us, but we
became much more prolific after it.”
John Entwistle. “The band’s late great bassist): “The first
cover I designed. I never got paid for. We were taking it in turns
to do the covers. It was Pete’s turn before me and we did the
Quadrophenia cover, which cost about the same as a small
house back then, about £16,000. My cover cost £32.”
Stewart Copeland (drummer) about the LP’s title artwork:
“It’s the same explanation that applies to the last two. It doesn’t
have a specific meaning like ‘Police Brutality’ or ‘Police Arrest’,
or anything predictable like that. Being vague it says a lot more.
Miles (Stewart Copeland’s brother and group manager) came up
with “Trimondo Blondomina”. Very subtle. Like three blondes
and the world. Then somebody thought of “Caprido Von Renislam”.
That rolls off the tongue. It was the address of the studio.