NME‘s verdict: “Theft World is a violently unhinged examination of identity theft and conspiracy. A flurry of chaos, paranoia and corrosive desire. It’s brutally clear that even after your money, privacy and sense of self are taken, life in ‘Theft World’ keeps going, indifferent to whatever you’re feeling. Yet it’s that sense of twisting bleakness into something that sounds thrilling is what makes the album so effective.”
TUTV: These battering bullies mix sturm und drang techno and drum ‘n’ bass neurosis with some crackbrained hardcore paroxysm here and there, while vocalist Bret Kaser spits and sneers, thrashes and crashes like a hysterical schizophrenic. Sounds like big headbutt fun, right? You betcha.
TUTV: Wham Boom Wham Boom Bam! From the first chord on, you can stamp your feet, spin your head around, and punch your hands in the air. Lip Critic bop to the beastly beat, so does your itching body.
But as the track progresses, the funky ambiance gets ominous, aggressive, and brutal. Vocalist Bret Kaser goes nuts, the band goes bonkers, your stereo goes berserk, and
your ears go bananas. Hallelujah.
Band: TEMPLES Who: The glitzy British glam
rockers from London.
Track: JET STREAM HEART
Lead single from their forthcoming 5th full-length, the first
in 3 years, named Bliss. They will share it with the world
on June 26th.
TUTV: Frontman says James Bagshaw, the track sounds like Kylie Minogue
meets Daft Punk, meets Temples! My ears hear something a bit different,
more like good old T.Rex hanging out with Hot Chip at the disco. Most
important thing: T is back.
TUTV: Jumpy. Bouncy. Zippy. Cacophonic overtones, frolic organ blitz, sinewy vocals,
and psychobilly guitars drenched in an Eastern frenzy, blast out of your stereo. If this is what the Apocalypse will sound like, I wanna be there. Trust me, so will you.
“An energetic, confrontational track about power and the everyday things we tend
to take for granted. No preaching, but something we could all be a bit more aware of. Wouldn’t that be nice?”
TUTV: These Belgian motherrockers trigger your maddest pogo-stick moves and
your insatiable appetite for sweaty moshpits with this fervent flamethrower, fueled
by a bulldozing drum/bass artillery, schizophrenic guitars, and crackbrained vocals.
Consider it a privilege to be able to go out-of-your-mind to this punk dunk.
All together now, loud and proud, La-La-La-La-La-La-La-La-La.
TUTV: Fast forward from the kick-off with squeaky guitars, a cranky rhythm section,
and hurry-scurry vocals. Speedy punk Gonzales for all you sonic sprinters out there.
Band: VILLANELLE Who: Fresh Brit-rock trio led
by Liam Gallagher‘s son Gene.
New track: PLACEBO
Their 3rd one. It’ll feature on their
debut EP, which will land on May 6th.
TUTV: Placebo is a haywire riff wallop. Gene Gallagher doesn’t follow in
his father’s band footsteps. His motto is more like ‘tonight I’m a grunge star‘.
Yep, his band don’t look back in anger at the Nirvana days. They’re
definitely, maybe fans of Kurt Cobain‘s unpolished and unbridled
exuberance.
Band: JENNIFER TEFFT & THE STRANGE Who: A fired-up, energizing outfit who create earthy music
from its roots and breathes fresh, rock and roll life into them.
Tefft: “This song was written during a point in my relationship where I felt like it was
too one-way. Where I really wanted ‘A Little More’ from my significant other, communication, time, emotion, etc. – but I was afraid to say it out loud. I think it is a pretty common theme in relationships.”
Art by Stephen ‘Sharky’ Beccia; design by Jennifer Tefft
TUTV: If I tell you that riff-riveting blues rock duo The Kills are one of my all-time fav
bands, you’ll absolutely understand why I love this amazeballs crackerjack. Jennifer
Tefft voice matches Alison Mosshart‘s warm-blooded one. Both passional and sensual.
A Little More is a magnetic mid-tempo turn-on, energized by
a striking drum/bass artillery and sparked by anxious guitars.
Artist: PEACHES Who: The fabulous/controversial/notorious performer/producer and
feminist/gay activist born Merrill Nisker, 58 years ago in Toronto, Canada.
Artist: LEG PUPPY 2.0 Who: Seasoned techno freak from London who has released a ton
of longplayers (so far). Take a day off and move over to Spotify to
check out as many as possible.
TUTV: As my therapist once said: rich company owners are psychos. No morals,
no respect, no tolerance. Workers are tools abused to help them make even richer. Leg Puppy 2.0 translates this ongoing criminality into a brain-breaking midtempo techno club-hammer. It easily could be the theme song for George Orwell‘s yet-to-be-made
‘1984‘ movie.
Jacob Peck (frontman/lyricist): “ The song expresses our frustrations with
middle-class comforts, over-analysis without action, nimbyism, intellectual
cowardice as a stand-in for material change and all too easy deference to
business and power.
TUTV: These Manchester punk dropouts hit hard. All greedy sharks in
our collapsing society better run and hide. Hungry go on a roasting rampage,
powered by a propulsive bass/drum tandem, neurotic guitars, and cranked-up
vocals.
Band: MONT LOSER Who: A deformed creature born from the depths of a late-night Parisian haze, half kamikaze, half blood-drunk bat. ML invite you to dive headfirst into the void of a rock scene that always seems to rise from its ashes, when we sometimes wish it would stay dead.
Track: CONFESSIONAL
The title track from their upcoming
album, out on April 17th.
“It’s only reality tv confessionals — people alone in a booth, crying to
the camera, saying things they probably never meant to say out loud.”
TUTV: Ballistic guitars, chaotic screams, mindbending verve and head-twisting changes of speed combine for a roasting 5-minute rollercoaster. Be ready for a dizzying experience.
Band: GERECKI Who: Art rock ensemble from Serbia, known for blending 60s- and 70s-inspired
rock’n’roll with chamber-pop intimacy, subtle psychedelic hues, and jazz-inflected
textures.
Track: IT GETS DARK
New piece from their upcoming debut album, named Athanasios (Greek word for immortal), out May 7th.
The song draws from a quiet, deeply personal memory: a family visit to the zoo.
Seen through the eyes of a three-year-old daughter — curious, overwhelmed, moved to tears by the crocodile house, then distracted by ducks flying over seemingly empty cages.
TUTV: Gerecki produce a hook-hungry groove, reminiscent of The Beatles‘s classic Get Back jam. No kidding. That’s what my experienced ears (big Beatles fans) told me immediately. A-OK, right? Far and away. It Gets Dark thrives on it and repeats its infectious throb after slowing down here and there.
After the brutal killings, in cold blood, of two American citizens – Rennée Good
and Alex Pretti last month in Minnesota, several musicians called out Trump and
his ruthless Immigration and Customs Enforcement.
So did The Boss.
“I wrote this song on Saturday, recorded it yesterday and released it
to you today in response to the state terror being visited on the city of
Minneapolis. It’s dedicated to the people of Minneapolis, our innocent
immigrant neighbors and in memory of Alex Pretti and Renee Good.”
Band: KULA SHAKER
Who: British psych rock vets, fronted by charismatic
vocalist/songwriter Crispian Mills. Their 1996 debut LP,
titled K made them instant indie stars.
KAH: “I drew a man on his family farm wading across a river toward the final living pig, knowing he had to slaughter it. You can tell he doesn’t want to do this, but sometimes the
hard thing is exactly what must be done.”
TUTV: Arresting from the start. KAH’s puissant Americana voice and the song’s rock-solid Mellencamp flow merge seamlessly together, resulting in a stem-winding gem. Both electric and absorbing.
Verstegen: “As a songwriter, I have a love-hate relationship with the “blank page.”
As long as I don’t put anything on it, anything is still possible. It’s a promise of everything
song could ever be. But I also find that emptiness intimidating. What if I mess it up?
What if I have nothing meaningful to say?
That uncertainty and doubt reminded me of how I feel after a broken relationship.
You suddenly have to turn the page and write a new chapter. A head full of doubts
and a heart full of hope. And before I knew it, I had a page full of sentences about…
a blank page.”
TUTV: Dim the lights, sit down, relax, and let your thoughts run free. Verstegen will soundtrack it all with this new restful reverie. His near-whispering vocals and acoustic, sepia-colored sonority echo Matt Berninger‘s soft, romantic touch. Candelight music for relaxing moments.
Artist: RYAN THOMAS SMELLE Who: Canadian singer/songwriter with an acoustic approach to storytelling, using
hook-laden songs in the areas of folk, alternative, North Americana and pop.
RTS: “Some songs are stories of moments from our life. As a songwriter, this short
and sweet lyrical tale is a snapshot of a love’s farewell and how we can stew in the
feelings.”
TUTV: Vocally Ryan Thomas Smelle reminds me of The National’s Matt Berninger‘s tranquillising hush-hush timbre, which benefits the heartrending emotions and
the saddening nature of NothingLeft Of My Heart downright.
Acoustic and electric guitar sparks, think Mark Knopfler, paint cloudy images.
This is a melancholic reverie for silent pondering and soul-searching reflection.
A touching and moving ballad.
One of the 23 tracks performed by big-name bands/artists on a new album,
named Help, with all benefits going to War Child. An organisation that shapes
systems that protect and support the well-being of children affected by conflict.
“Theft World is an ode to the power and pervasiveness of stealing,” says the band of the album. “It’s about taking something ugly and using it to make something cute. It’s about
eating an absurd world and falling in love with it as you digest.”
TUTV: Wham Boom Wham Boom Bam! From the first chord on, you can stamp your feet, spin your head around, and punch your hands in the air. Lip Critic bop to the beastly beat, so does your itching body.
But as the track progresses, the funky ambiance gets ominous, agressive and brutal. Vocalist Bret Kaser goes nuts, the band goes bonkers, your stereo goes berserk, and
your ears go bananas. Hallelujah. Fucktastic, right? You betcha.
We’re on our way, slowly but surely, to the end of 2025.
Instead of starting to think about this year’s best LPs,
let’s go back to 2024 and listen to TUTV’s 20 Best Albums
again, and look back on what I wrote about each one
of them.
Today: No. 19
Band: LIP CRITIC
Mental electro-punks from NY Album: Hex Dealer
“The singular mixture of classic punk/hardcore and electronic styles result in 12 frantic
tracks of postmodern pop for the genreless future. Painted with a broad pallet of only
the most extreme hues of emotion, each track is marked by a distinctive danceable mania.”
TUTV: Let your head kicked in with schizophrenic sledgehammers for illegal raves in batcaves where dropouts, misfits, loners, eccentrics, bohos, and other related outsiders gather to move in mysterious ways, far away from the normal world.
Orchestrator Robert Smith about
their supreme new opus.
TUTV: In the past 16 years Robert Smith lost his mother, father, and brother.
All these painful events led to this extraordinarily touching record. It’s one
long, emotionally layered lament that works liberating in the end.
Strong sentiments of heartache, grief, and sadness are omnipresent, but you
hear and feel frequently that Smith has accepted humankind’s inevitable destiny.
Live and die. Life and death.
Sonically, it feels like if you’re part of a funeral march that progresses in slow
motion. Almost every song starts with a long instrumental intro of waves of
mourning synths and weeping guitars, and every time when Smith‘s feverish
voice joins in, the sense of tristesse augments wondrously heavy-hearted.
5-star masterpiece!
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. Instagram – All Albums
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TUTV: Musically, tattoo artist Carter and his accomplices have left their angry punk days behind them and moved closer to classic rock on this surprising and bold longplayer.
And it’s a truly staggering result with several melodramatic power ballads that generate goosebumps, and some stoner rock ebullitions to keep balance. Carter sings his heart out with monumental vivaciousness. A vocal tour de force throughout, dealing with up and down emotions.
Lias Saoudi (voice/face/wordsmith/poet/writer): ‘Forgiveness Is Yours,’ is about life as eternal contingency… about no longer suspecting, but knowing that this shit will never get any easier… in fact, it’s about to get a whole lot worse, your body’s going to go into decay and the people you love will slowly start dropping dead around you… but somehow, you’ve smashed enough
of your expectations thus far in life, you’re sort of fine with it… you accept it.The overarching aesthetic themes at work here are torpor and further torpor still.”
TUTV: Without a shadow of a doubt their most startling, and most creative/inventive accomplishment. Sounds like FWF have written/recorded the bone-chilling soundtrack
for an entertaining Doomsday party. Enigmatic reflections, dark deliberations, distressing vibes, a John Lennon tribute and Saoudi as the foreboding messenger and sinister poet in the middle of it all. It’s the end of the world, as we know it, and it feels like Fat White Family.
Cave: “There’s no fucking around with this record. When it hits, it hits. It lifts you. It moves
you. I love that about it. I hope the album has the effect on listeners that it’s had on me. It bursts out of the speaker, and I get swept up with it.”
TUTV: Cave is the God of cloak-and-dagger balladry. Now here’s a God I can believe in. Again he shows why he’s one of the best ever crooners in the universe. And lyrically it
feels as if, after so many devastating, heart-crushing years, with the loss of two sons,
he lets sparks of light back in his life. God bless Nick Cave.
TUTV: White returns to his punk blues roots of the early days. Swipe after swipe,
blue stripe after blue stripe, kick after kick, clap after clap. A total of 13 thunder
strokes. High-wired electricity. Dope stuff.
TUTV: The charismatic Lia Metcalfe‘s singular voice, both anxious and bewitching,
is all over this new, awe-inspiring full-length. Overall the sound is even more gloomy
and spine-chilling than on their debut from 2022.
It fits Metcalfe‘s introspective reflections on her turbulent past terrifically well.
They’re embedded in arresting songs that send shivers down your spine.
But, eventually, there’s a light shining
at the end of the Mysterines tunnel.
One that illuminates their future
and your stereo.
TUTV: The star duo made an album with lots of bright pop tunes and some blues light
ones. The licks/riffs and hooks – about a thousand – haven’t that BK’s raw and rough edge as we are used to, but I don’t miss it whatsoever.
The overall sonority leans more towards power guitar pop (slow, mid-tempo and only
a couple of fast ones). I never thought that the tandem would come up after 23 (!) years with a pretty different sounding, coherent longplayer, without ignoring their blues roots that is. I played Ohio Players more than their whole catalog together. Say no more.
TUTV: The three main elements that make this album special are Jeen’s remarkable
voice, her high-quality songwriting expertise, and the heart-and-soul passion that streams throughout it. Whether Jeen rocks out, muses, or swings moods, she always holds your aural attention.
TUTV: With Interplay their shoegaze past goes into the dustbin. Ride came up here
with a multi-layered pop LP stuffed with arousing tunes, alternated with pepped-up reveries.
All songs are sublimely orchestrated and bathe in a psychedelic jacuzzi,
while vocalist Mark Gardner‘s velvet vocals match the radiant atmosphere
exquisitely. It’s a new ride, and it’s a gratifying one.
TUTV: This first Mancunian collabortion sounds as if was made about 30 years ago.
Most tunes could be leftovers from The Stone Roses‘ 2nd and final 1994 LP Second Coming, the one on which Squire played his guitar exactly the way Jimmy Page did in Led Zeppelin for years. And Liam is Liam. Arms together on his back and letting his pipes do the talking. The two heroes just did what they wanted to do, making an album together and having fun doing it.
Before I was aware of it I had played the album about 10 times in 2 days.
Mind you this is not a masterwork whatsoever, but all 10 tunes are top-entertaining
and stick faster than I can say “I want the Stone Roses support Oasis on their reunion tour”?
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. Liam Gallagher – John Squire
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TUTV: The Other Side is a concept record about a “mysterious couple” having
adventures in an otherworldly America. The by-now 76-year-old Burnett translates
their journey in lovey-dovey lullabies, heartfelt musings, and amourus ballads.
This is the perfect record for daydreaming and relaxation. Soft, mellow, and tender.
His slightly hoarse Americana voice enchants and entices all through this sepia-colored album. Pure romanticism. Pure songsmith.
Artist: JUJU (Italy)
Brainchild of Sicilian multi-instrumentalist
and producer Gioele Valenti. Album: Apocalypse Is God’s Spoiler
Photo by Turn Up The Volume
TUTV: Valenti is a jam champ and a groove master creating electrifying, trance-like vibrations that transfer you to the dark side of your mind where you can freely
fantasize and explore your own psyche.
Circling Krautrock-like psychedelia is all over the place. Choir chants and spacey percussion cause a tribal atmosphere à la The Brian Jonestown Massacre and The Dandy Warhols. Mind-bending and dream-triggering. As always.
TUTV: After the turmoil, chaos and drugs addictions (especially Doherty) of the early
years, the side-projects, solo records and getting clean and healthy the Libs are back, again. They’re not the boys in the band of yesteryear, they’re now grown-up men who
enjoy a stable life and still are obsessed by making music.
They became notable, experienced musicians who left their hedonistic lifestyle behind themselves for several years now. Not one dull moment, not one dull song on the eastern esplanade.
TUTV: The Irishmen have become first-class songwriters (which they already proved on previous LP Skinty Fia– – still my favourite one). Frontman Grian Chatten‘s lyrics show (again) his observative view on this modern-day, confused world and how it affects
his inner-self.
This is not their masterpiece yet to my ears, but it’s only a matter of
time that they will come up with a longplayer that will blow us all away.
Turn Up The Volume: Old skool punk ‘n’ roll? Absolutely. Any good? You betcha! Amyl and her loud buddies made another roasting riff-manic-monster of a hell fucking
hell yeah record. Pogo madness is back. Sturm un drang from start to finish. HOLY MOLY!
Band:THE SMILE
Sort of supergroup featuring 2 radioheads, Thom
Yorke and Jonny Greenwood and drummer Tom Skinner.
Album: Cutouts.
Their 3rd LP in just 2 years
(Radiohead 8 in 31 years).
TUTV: By far their best to my ears. On the previous 2 ones they tried too hard
to not sound like Radiohead (which they did frequently anyway) and did it with
too many redundant orchestrations, too many unnecessary layers and a bit of
arty farty structures here and there.
Mind you these are good LPs but on this one they keep it far more simple resulting
in 10 very compelling pieces of mesmerizing music. Trippy fast ones alternate with slow
musing ones and throughout the arrangements are subtle, direct and most entertaining with Thom Yorke sounding, yes, at ease, not forcing his compassionate voice/vocals. Bingo.
TUTV: Nostalgia is the keyword all over this fully devoted record. As we already know
for a long time Hawley is a romantic at heart who’s in love with his city Sheffield since
he was a child. It’s more than just his hometown.
It’s the place where he experienced all things good and bad, happy and sad. It leads
to yearning renumerations, fanciful daydreams and wistful meditations. With his soft-heartened voice and late-night stories, the late great Roy Orbison comes to mind on
several occasions.
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– 18 –
Artists:DEAD ANYWAY British duo combining the dark lyricism of Kate Arnold
against the music and soundscapes of Marc Symonds. Album: Tough, Listen
TUYV: Slow/mid-tempo/fast trip-hop tunes are wrapped in layers of
distortion and feedback, creating an eerie and at times sinister ambiance.
Massive Attack, Tricky, Arab Strap and Mike Skinner’s The Streets
and Laurie Anderson‘s latest opus Amelia come to mind.
DA resonates as EBM for people who come alive when the darkness sets in, far away
from our 24/7 suffocating life and the world’s destructive nature as we experience now, again.
Kate Arnold‘s spoken word stories evolve on waves of chilling synth soundscapes that actually ease one’s confused mind (mine, for sure) and transfer you to your space of imaginativeness. Trance massage it is. You’ll feel alive anyway.
“The singular mixture of classic punk/hardcore and electronic styles result in 12 frantic tracks of postmodern pop for the genreless future. Painted with a broad pallet of only the most extreme hues of emotion, each track is marked by a distinctive danceable mania.”
TUTV: Let your head kicked in with schizophrenic disco sledgehammers for illegal raves in batcaves where dropouts, misfits, loners, eccentrics, bohos, and other related outsiders gather to move in mysterious ways, far away from the normal world.
TUTV: It’s vintage Shellac/Steve Albini with its wayward song structures, its
capricious and minimalistic approach, its broken riffs, edgy hooks, sinewy
drumming, Albini‘s firm vocals and the raw and rough post-punk dynamics.
Absolutely weird to listen to, knowing
that the noise wizard is here no more.
He passed away on May 7, following a heart attack.
Only 10 days before the album release. Sad loss.
