Artist: MAVIS STAPLES Who: Legendary soul/blues/rock voice who, along with family, had a long and
greatly accomplished career under the name ofThe Staple Singers (1948-1994).
She’s 86 now, singing and swinging like a 36-year-old.
Band: CHARM SCHOOL Who: The latest project from singer-songwriter Andrew Sellers
who, originally from Louisville, has paid his dues in both the
NYC and LA DIY music scenes.
Band: PUNCHBAG Who: A new electrifying brother-sister duo from South London
colliding the raw unfiltered energy of punk, with the overflowing
ecstasy of pop.
TUTV: If you start your musical escapade with this kind of steaming synth-pop
stormer it won’t take long before you will be the new talk of the town. Punchbag
go nuts on their first left/right uppercut, motorized by a hepped-up electro engine.
And invite you to do same and pirouette yourself dizzy.
TUTV: Blimey. A sonic brick wall of ablaze guitars, assisted by tenacious drumming
and rollin’ bass lines, dominate this spectacular debut score. There’s threatening
tension throughout.
Think Killing Joke having one of their freaky nightmares. Hazy vocals float around,
injecting this jagged jam with a ghostly vibe. These juvenile gunslingers shoot sharply
from the hip. Astounding.
Band: THE SOVEREIGNS Who: 4 indies out of Hull, UK. They want to embrace musical communities,
feeling strongly that music should never be a privilege, and believe in giving
back to grassroots venues, pedalling the importance of grassroots music and
its often-fragile infrastructure.
A song about feelings of self-doubt, gut instinct and
observations, all personified in a ‘relationship’ context.
TUTV: And a one, and a one-two-three-four, here we go. From the kick-off
jangly guitars hijack this full of vim and vigour stroke, juiced with a bass and
guitar solo, a resolute drummer and itching vocals.
Pure indie electricity, inspired by 60s punk-beat bands.
Do you wanna The Sovereigns? I’m sure you wanna.
TUTV:Gasmm hit the bullseye right away with their high-powered, rollercoaster debut. From the get-go hungry guitars, set the blazing tone. Decibels fly around the room while the singer fills the black holes in the sky with his hell-bent vocality, including a couple of creepy growls and the towering chorus puts a big cherry on their first cake.
Gallagher: “It’s just all heavy guitars. That’s my favourite tone of any song: just really chuggy chords and really fucking distorted. All my favourite songs are like that – very punk rock. It’s just an aggressive song. I want it to sound like having a freakout. The lyrics are anxious as fuck.”
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TUTV: I don’t know if Gene‘s dad is a grunge fan (as if Gene would care, he’s a damn Gallagher). Hinge echoes early Nirvana (debut album ‘Bleach‘). It has a raw and rough
indie edge. It’s cool that Gene doesn’t copy/paste Oasis. Villanelle are mad for it.
Band: ANOTHER DAY Who: Fresh 4-piece guitar-driven indie rock band from Tunbridge Wells, Kent
who made name for themselves by playing tons of exciting gigs across the UK.
The song originated from a serendipitous comment by a man named Frank,
who suggested the phrase “Doghouse Roses” as an alternative band name. With
no intention of changing the band’s solidified name, the phrase inspired the song’s
hooky chorus. It’s built around the bittersweet emotions of a friend’s breakup.
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TUTV: Expect tantalizing indie passion ignited by eager guitars, groovy percussion, evocative vocals and a captivating and hellacious chorus. Stoked tune. Stoked stunner. Stoked debut. Another Day isn’t just another band. These young dogs are going places.
Band: MONT LOSER Who: Described as a deformed creature born from the depths of
a late-night Parisian haze, half kamikaze, half blood-drunk bat.
Lol, I love that description.
TUTV: No rest for the wicked. Mont Loser attack your ears relentlessly with
schizophrenic guitars that chainsaw their way throughout this jagged jackhammer.
You’ll hear nightmarish voices trying to survive in all of the harum-scarum turmoil.
Who: A new collaborative project from John J Presley, Ben Hillier and Danielle Perry.
A musical collective drawn from mutual inspirations and a desire to create freely
and quickly with musicians on the same page.
Together, it’s a tapestry of sonics, from crunching guitars to sweeping orchestration,
death march brass to motorik drum machines, vocal interplay, and post-rock build-ups.
Presley: ‘I wrote the lyrics for ‘Flowers’ after seeing a friend in the street who had just parted ways with his partner. Moments later, I saw the ex-girlfriend with her new man, looking very much in the throes of the early days of any new relationship. “
TUTV: Creepy. Confronting. Chilling. These are the keywords for this shocking piece of intimidating Lynch-esque music. Cold-hearted spoken-word vocals add to the sinister resonance of the track. Think of the darkest moments of Dirty Three. This eruptive mindfucker will haunt you. Watch your back.
Verstegen: “The inspiration for this track came when I was looking at a box of matches
and suddenly realized that every romantic “match” is actually a bit like a real matchstick.
You only get one chance to make it ignite. Some go out quickly, others need a bit of oxygen
and sometimes you can spark a fire that will keep you warm for the rest of your life.
TUTV: Matches feels like a sonic match right away. It’s a heart-and-soul touching
reflection with a feverish drive. Near-whispering vocals and enthralling harmonies
star up front, causing goosebumps. Think Bon Iver, Ed Harcourt, and other transfixing voices.
Verstegen sounds like he’s been around for a long time.
His engrossing storytelling and evocative singing are a
revelation.
“The song portrays recognizable feelings: the creeping fear of losing someone, a goal left behind that continues to haunt… But as the title suggests, there is also hope in ‘Dreams’, because there is no life without dreams.”
TUTV: I’m pretty sure Simon and Garfunkel would like this endearing, heartrending and sepia-coloured musing. This is the kind of soulful lullaby, where acoustic ambiance and vocal healing fit each other like a glove, that connects reality and fantasy, facts and wishes.
And most of all, it proves once again the power
of silent music. You can hear yourself dreaming.
TUTV: A nasty bass riff motorizes this rollicking psych jam that seems to go on
like forever, and when the powerhouse chorus kicks in, your ears are instantly
overwhelmed.
Life Is Joy is one of those roasting riff-insane haymakers that stick after just
one spin. The repeat button was invented for mind-bending juggernauts like
this. Sun Mahshene is blistering joy. Wowzah!
Artist: FIG TREES Who: The artistic project of Belgian songsmith JJ Vroman, a former music journalist.
He’s inspired by bands such as Captain Oats, And They Spoke In Anthems and ADM.
They appear as mythical figures in his musical odyssey.
Piece from his upcoming debut
album, titled ‘Room 22‘.
TUTV: This feels good, really good. From the kick-off, you’re drawn into an electrifying guitar-juiced groove that will play on your stereo in your head all day long. No need to
look for hooks, you get a ton of them right here.
When Vroman turns up the speed for the dazzling chorus (is that a banjo I hear in the
back?) your adrenaline production will speed up too. Then again, that rotating riff bliss is the song’s magnetizing motor, and his captivating, carefree vocality completes this solid gold gem of a tune. Bingo.
Artists: PARTY DOZEN Who: Australian duo featuring saxophonist Kirsty Tickle and
percussionist Jonathan Boulet. They have released 4 albums
so far. You can discover them via Spotify.
Band: DOWN THE LEES Who: The post-rock noise project of seasoned Canadian
singer/songwriter/guitarist Laura Lee Schultz. DTL released
3 notable albums, so far.
The first taster from the film. A song that
deals with the isolation and depression of
the pandemic.
TUTV: A characteristic Down The Lees thunderstorm cranked up by blustery bass lines, monstrous guitar riffs, Herculean drumming, Schultz‘s sky-scraping vocals and a volcanic finale. My oh my. One of the best noiz rock bands around. Fact!
“It’s about noticing how quickly we get entrapped online into spending money, and spending
the latest form of currency, our attention, and questioning how to break away from it. It’s about how horrifying excess is.
The fictitious shop, Tamoo, which looks like it should come with a gamblers aware warning sign, stocks everything you’ve never wanted, and it’s not just your money it will cost you being there.”
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TUTV: The Baby Seals strike with high-powered Black Sabbath-esque thwacks on this
hellish haymaker, bucked up with eldritch guitar flashes and a slam-bang chorus. If
you’re addicted to spending money, give it all to these ear-poppping punkettes so they
can spend all that money on recording new exciting music like this. Yep, a win-win.
First single from their forthcoming 4th full-length, their
first in 4 years, slated for release in September 2026.
Press info: A song which tells the tragic story of the loss of frontman Scott Marsden‘s
uncle Tony, who sadly drowned as a child in Cyprus. It was a story Scott was told from
a very young age, staying with him his whole life, creating a fear of the water.
How living on a small Island surrounded by the sea created an anxiety he never really understood growing up. How for decades the tragedy affected the whole family with trauma and struggles with addiction which tore the family apart.
TUTV: Holy Coves are back and they don’t waste time. It’s full steam ahead from
the get-go. Eager guitars and sinewy drumming inject this sweltering steamroller with
a flaming briskness that causes a kinetic reverberation, while Marsden emotive vocals accentuate the song’s sad sentiments. His everlasting heart-and-soul distress leads
to this astonishing piece of sonic catharsis. What an impressive return.
TUTV: A raging blast of an uppercut, pro-welcoming refugees and anti-super rich
who despise the common people. Raw and rough like powerhouse proto-punks The Stooges.
Band: KNEECAP Who: Belfast‘s sharp-mouthed, notorious rap team KNEECAP – Mo Chara,
Móglaí Bap, and DJ Próvaí – hip and hop around with a knife between
their teeth since 2017. So far, they have 2 LPs on their résumé.
For the past months, the spotlight wasn’t really on their music
but more on their problems with some governments for their
support for Palestine on and off stage.
Member Mo Chara got charged for allegedly displaying a flag
in support of Hezbollah one year ago. After a long trial, he was
acquitted of all claims against him.
In the aftermath, they dropped this new chant, called NO COMMENT featuring renowned British DJ Sub Focus.
Kneecap: ‘No Comment’ is all about getting harassed by the British state.
Simple as. Us Irish are well used to it, been happening for centuries. Was
a pleasure to work with Sub Focus on this, the man is a legend.”
A song about being caught
between two life chapters.
TUTV: The Middle has that rotating rock vibe of Run Run Run by proto-punk
legends The Velvet Underground, but with even more garage buzz, straight
from a smelly basement somewhere in Stockholm. The rattling beat goes
on and on and on.
On top come anxious vocals that add a barbed edge
to this jagged jam. A bang-on debut. Don’t miss it.
TUTV: Dramatically disturbing sentiments are bottled here in this titanic juggernaut
of a song, where 80s/90s Gothwave guitar lines connect with modern-day psych-rock kingpins such as Interpol and The Strokes. We should never ever stop screaming about murderous conflicts. That’s exactly what Customs do here in sonic capitals. STOP THE KILLING.
The fierce frustration embedded in this outburst is a universal, final warning.
It’s also one of the, unfortunately, too many scary songs we posted lately in
our daily wake-up call series.
The accompanying video is a series of photos and footage that shows the
devastating horror caused by today’s inhuman war-greedy world leaders.
Band: REFLECT Who: Young indie rockers from Belfast, Ireland.
The name ‘Ocnus‘ comes from an allegorical deity in Greek
mythology personifying hesitation, delay and the wasting
of time, harking back to their debut.
TUTV: Be ready to get on Reflect‘s new soul-stirring rollercoaster, going back and forth.
Its unbridled rock and pop brio has a whopping sonic boom imprint, and the splendacious vocal performance stands out right in the middle. Think Florence + The Machine turning up the heat. Gee-whizz feat.
‘’Empathology’ is half about wanting to feel the pain of everyone around you
so they don’t have to, and half wanting to share it with them, grow closer and
connect on a deeper level. I’ve created my own subject, Empathology: the study
of empathy’.
TUTV: Empathology is a chilling, torch-burning grunge jam propelled
with jarring guitars, brawny percussion and Chelsea Andrews‘s transfixing
vocals. Empathy can lead to a connecting nirvana experience.
Artist: USI ES Who: The musical moniker of Belgian singer-songwriter Ester Weemaes. In her attic studio, she interweaves synths and samples with her distinctive, dark voice. Her music balances between darkness and dreaminess, feeling like a blanket wrapped around you: soft yet heavy, with frayed edges. She released her debut EP Mutiny.
2nd single from her upcoming debut album, expected to
be released early 2026, on which she worked again with
her coach, mentor, and mixer Dijf Sanders.
“I see it as one of the signature Usi ES songs, in a coming-of-age jacket.”
TUTV: Imagine Kate Bush and Goth queen Chelsea Wolfe doing a slo-mo duet in
a twilight universe where surreality and reality meet. Spellbinding, mysterious,
and entrancing. Dim the lights, sit down, relax, and let your thoughts run free.
Verstegen: “The inspiration for this track came when I was looking at a box of matches
and suddenly realized that every romantic “match” is actually a bit like a real matchstick.
You only get one chance to make it ignite. Some go out quickly, others need a bit of oxygen
and sometimes you can spark a fire that will keep you warm for the rest of your life.
“Matches” is the first release from my upcoming debut album, and for it, we drew some inspiration from artists such as Bon Iver, Ben Howard, Phoebe Bridgers, Marble Sounds,
and others.”
TUTV: Matches feels like a sonic match right away. It’s a heart-and-soul touching
reflection with a feverish drive. Near-whispering vocals and enthralling harmonies
star up front, causing goosebumps. Think Bon Iver, Ed Harcourt, and other transfixing voices.
Verstegen sounds like being around for a long time. His enwrapping story-telling
and evocative singing is top-tier and a real revelation. Don’t miss this notable debut.
Artists: MOON MOTHER Who: MM is the voice echoing through a starless night, music born from darkness, yet always carrying a glimmer of light. From the rural landscapes of western Sweden, the duo has built an architecture of earthy, alternative slow rock and melancholic, atmospheric folk with a Nordic touch. A sound they call månrock.
It captures the feeling of standing outside the world through a heavy
acoustic lament, where fragility slowly breaks through the darkness.
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TUTV: Intimate piano soulfulness, emotive vocals, and at times grand orchestral
arrangements combine for a mystical-like ambiance. Both transmundane and melodramatic. Moon Mother‘s musical world triggers surreal sentiments in our
grim reality on this mesmerizing trip.
Artist: MAVIS STAPLES Who: Legendary soul/blues/rock voice who, along with family, had a long and
greatly accomplished career under the name ofThe Staple Singers (1948-1994).
She’s 86 now, singing and swinging like a 36-year-old.
Artists: LOST IN SEPTEMBER Who: Musical project of Belgian singer-songwriters Alain Quateau en Renilde Gees
Press info: Alain Quateau, once a member of The Paranoid Polaroids, decided one day to build his own studio. As a producer, he had the pleasure of working with many bands and talented artists, but one encounter left a lasting impression: the one with Renilde Gees.
Now, thirty years later, she unexpectedly contacted him again to record some tracks.
He knew immediately that he had found a kindred spirit in her. The name Lost in September refers to their shared love of melancholy and imagination.
A couple of weeks ago the duo launched their magnific debut single Dreams. An endearing, heartrending and sepia-coloured musing.
And the follow-up just hit our headphones. WHAT IF I TOLD YOU is an equally soothing reverie, a reflective song “about slowing down. About realizing that happiness often hides in memories.
Sit down, relax, give your busy mind a day off and let your ears dream away.
Artists: LOST IN SEPTEMBER Who: Musical project of Belgian singer-songwriters Alain Quateau en Renilde Gees
Press info: Alain Quateau, once a member of The Paranoid Polaroids, decided one day to build his own studio. As a producer, he had the pleasure of working with many bands and talented artists, but one encounter left a lasting impression: the one with Renilde Gees.
Now, thirty years later, she unexpectedly contacted him again to record some tracks.
He knew immediately that he had found a kindred spirit in her. The name Lost in September refers to their shared love of melancholy and imagination.
Their music evokes autumnal images that float between silence and longing. Think
of the intimacy of Spain and the fragility of Sparklehorse: two-part, dreamy songs with striking sounds and profound lyrics.”
“The song portrays recognizable feelings: the creeping fear of losing someone, a goal left behind that continues to haunt… But as the title suggests, there is also hope in ‘Dreams’, because there is no life without dreams.”
TUTV: I’m pretty sure Simon and Garfunkel would like this endearing, heartrending and sepia-coloured musing. This is the kind of soulful lullaby, where acoustic ambiance and vocal healing fit each other like a glove, that connects reality and phantasy, facts and wishes.
And most of all it proves once again the power
of silent music. You can hear yourself dream.
