As it goes with these sorts of albums, some are good, but most of them are dud. But
here on this tribute of an (almost) uncoverable band several interpretations actually
sound damn fine. Like Sharon Van Etten turning into a ‘Femme Fatale‘, Iggy Pop & Matt Sweeney trashing ‘European Son’, Kurt Vile running, and The National‘s maestro Matt Berninger with ‘I’m Waiting For The Man‘.
My favorite: Michael Stipe doing the LP’s opening
track, the Reed/Cale classic Sunday Morning.
Sunday morning and I’m falling
I’ve got a feeling I don’t want to know
Early dawning, Sunday morning
It’s all the streets you crossed, not so long ago
C’mon, Michael…
The full tribute…
.
(photo Stipe: cover of his single ‘Your Caprious Soul’)
‘Queen Of Swords’ by TYPHOID ROSIE (Brooklyn, New York)
Rousing Riot grrrl Rosie Rebel and her riff-racing rascals go full steam ahead on
the tense title track of their smoking new album. If you want to know more about this lively gang check the recent interview Rosie Rebel did with Turn Up The Volume right here.
With this new standout, ILA reveals a total turnover in resonance. She rocks, raves, and rolls backed by steamy wall-of-towering turbulence. Mind you, the heartfelt fervency, personal turmoil and vocal vehemence are still intact. Can’t wait to find out if this is actually another page in her magical music book.
A highlight of Participation Mystique, the fourth longplayer by this most thrilling duo with Laura Mariposa Williams‘ bewitching voice as the heroine. Her psychedelic, gothic,
far-out, and at times wailing timbre magnetizes and hypnotizes while wandering in an orchestral space. Learn more about these intriguing artists in their recent interview
with Turn Up The Volume.
This Belgian quartet brings Scottish daydreamers Teenage Fanclub to mind. Combine this with the band’s slacker rock sensibility and jingle-jangle jives and what you get is a tingling tune. It’s called pop-ular music.
The alter ego of Texan prize-winning poet and guitarist Harold Whit Williams.
This is a sickly sticky dope tune, one that makes me smile from left to right
and back. One shot of this, and you’ll jump around the room like a kangaroo
on speed.
This has everything a perky pop pearl needs. Play it in the morning, in the evening and every hour in between and at the end of the day you feel so much better and most of all it’s a truly helpful way to process a breakup. So much cheaper than therapy.
Regrets floats on layers of shoegaze guitars and fervid vocals while growing to an engrossing level of electrifying epicness when the glowing chorus kicks in. Trust me,
a couple of spins and you’re addicted. Fact!
The fever of The Verve‘s urban hymns, the sassy swagger of Oasis in slo-mo
with 60s organs and the fervent flair of 90s Britpop. The final result is obvious.
A bittersweet blistering symphony. Touchdown!
The darkwave tandem is on depeche modus with this shadow-dancing single from their brand new, second EP Body Electric. Expect booming beats, doomed drones, eerie vocals, and a repetitive bass synth riff that sticks as first-rate glue. A club cracker!
Put your black leather jacket on and shake your booty…
This riveting ripper starts with a mid-tempo drum-driven intro, gliding quickly into
a swing and sway your hips chorus, followed by a moment of reflection. The whole
process repeats itself and gets slowly but surely under your skin. You’ll love every
second of this electro roller coaster.
‘I Miss It’ by JODIE LANGFORD(Hull / East Yorkshire, UK)
This young, outspoken, and observative artist – a female Mike Skinner – reflects the dreadful freedom-restricting sentiments of the past lockdown times in her new word rap waterfall jam. An intoxicating and groovetastic house stomper making you euphoric now that you can freak out again in nightclubs.
“It’s Fine” examines themes of jealousy and insecurity in open relationships.”
Not an easy issue to write a song about, but embedded in an ebullient earworm like
this, it’s fine. Impossible to resist this tremendously infectious corker spinning around like forever inviting you to pirouette yourself dizzy while duet vocals push the pace. No pause, no breathing space, no interval, always straight on.
Sonically this surreal saga wouldn’t be out of place on a Gary Numan album. Lyrically it’s like an ode to the unknown eternity. In my imagination Wytch Lych resonates like a funeral hymn, celebrating the imperishability of the soul. Stunning vocals, striking synth shadows, and an overall spellbinding impressiveness. Top stuff!
When I listened to this new little pearl on Spotify for the first time, it was followed
by the title track of the upcoming LP of The War On Drugs. I swear I thought that
it was another Lossline song. It was that melancholic guitar glow that confused
my ears. It wasn’t until Adam Granduciel‘s voice came up that I knew it wasn’t
the Manchester duo.
‘Lights In The Expanse Of The Sky’ by DREW FIVE (London)
Close your eyes, relax and imagine you’re floating into space where Spiritualized‘s mastermind Jason Pierce lives while playing this hallucinatory ambient trip on your headphones.
French songstress Héloïse Adélaïde Letissier returns with two new songs,
with this one as my favorite. A slow-burning and emotive humdinger with
a gospel-like choir.
Ex-R.E.M. frontman MICHAEL STIPE is gearing up to release his solo debut LP. So far
he shared two sensitive songs, Capricious Souland Drive To The Ocean.
And here’s another new one featuring BIG RED MACHINE, with The National’s Aaron Dessner and Bon Iver’s Jusin Vernon. NO TIME FOR LOVE LIKE NOW is a melancholic reverie bringing R.E.M. moodiest moments to mind like the brilliant ‘Everybody Hurts‘.
MICHAEL STIPE, former singer/songwriter, frontman and the face of R.E.M., one of the most successful alternative bands in history, turns 60 today. He was born on 4 January 1960 in Decatur, Georgia, US. Although it looked as if Stipe retired from making music – although he helped some musical friends here and there – after R.E.M. split in 2011, he decided to come back, on his own, solo.
He told Spin in an interview: “Eighteen songs are already ready. For five years, I’d had a clean break from music. Now I’m writing, composing, and recording all by myself and for the first time”.
His magnificent debut solo single ‘YOUR CAPRICIOUS SOUL’ came out last October.
A mostly electro, motorik driven humdinger with sensitive vocals by Stipe. A mesmeric beauty with all proceeds going to the climate activism group Extinction Rebellion.
If you missed it here’s the clip…
And today on his 60th birthday Michael Stipe launched his second solo single, called ‘DRIVE TO THE OCEAN‘. A moody and reflective ballad about driving to the ocean while enjoying what’s on the radio, wrapped in a melancholic and wistful melody.
Listen and watch here …
You can download the track on Stipe’s website right here. This time all proceeds go to Pathway To Paris, a nonprofit organization dedicated to turning the Paris Agreement into reality through finding and offering innovative and ambitious solutions for combating global climate change.
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