5 NEW ALBUMS: GURRIERS – GILLA BAND – NOTHING BUT THIEVES – SOFT CELL – ADULT DVD

25 September 2026


Pukkelpop Fest, Belgium – 21 August 2026 – Photo by Turn Up The Volume

BAND: GURRIERS
Who: Fast-rising, voltaic
indies from Dublin, Ireland.

Album: NOBODY’S COMING TO SAVE YOU
Their 2nd.

Press info: “With Nobody’s Coming To Save You, Gurriers have sent their ambitions sky-high and come out swinging. If the band’s MO was to find a way to make the record “slap you in the face”, then consider yourself smacked.”


Album artwork

TUTV: Without a shadow of a doubt, one of the hottest records of the year. They rock,
they punk, and they punch with blood-and-guts fervour. They’re on a quest to find the
light at the end of the tunnel to replace today’s dark times. Watch your back, Fontaines, your fellow committed countrymen are coming fast.

SINGLE

ALBUM


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Band: GILLA BAND
Who: Razor-blade-cutting,
idiosyncratic Irish post-punks.

Album: PUGNELLO.
Their 4th and first in 4 years.

Press info: “Gilla Band never know where they’re going next. For over ten years now,
the Dublin quartet have been redefining what you could loosely call “rock music” in the 21st century, influencing a wide swath of similarly forward-thinking guitar acts along the way.”

TUTV: I follow/love these Irishmen since I saw them live in Belgium in 2014
as nervous snotnoses hadn’t a record out yet, as support act for Fat White
Family
. Their chainsaw hullabaloo went through bone and marrow.

And it still does. Mind you, their songs had and still have bloodcurdling body and returning, capriocious structure that’s bone-chilling and mind-blowing at times, while frontman Dara Kiely fights upfront to vomit his eccentric lyrics. If your eardrums survive
this electric-chair experience, you’re ready for some more sonic Gilla Band blitzkrieg.

ALBUM


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Band: ADULT DVD
Who: EBM punk agitators
from Leeds, UK.

Album: ADULT DVD
Debut LP

Press info: “The album fuses Adult DVD’s love of hook laden indie, with
pulsing groove, 90’s acid house influence and an undeniable humour in
their songwriting.”


Album artwork

TUTV: Think/feel this. Electro-punk mixed with industrial thumps mixed with drum/bass bashing sledgehammers mixed with sonic booms. Sounds like thunder and lightning fireworks for (il)legal raves produced by techno experts Underworld. Bonkers, right?
You wham bam betcha.

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ALBUM


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Band: NOTHING BUT THIEVES
Who: British Herculean rock squad
formed in 2012 in Essex.

Album: STRAY DOGS
Their 5th.

Press info: “Stray Dogs reconnects the Southend five-piece with their DIY roots.
The album was written in unison over a dedicated 5-month period, resulting in
the band creating their most liberating and cohesive work to date.”


Album artwork

TUTV: On 6 tracks NBT mess with your rotating head with untrammelled force,
storm-wracked noiz drills, hysterical guitars, drum/bass horsepower, and full-hearted vocals. On the other 6 tracks they go for more traditional rock sucker punches. It results
in a roller coaster record with a straightaway impact. Nothing but thrills.

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ALBUM

Tour Dates 2027
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Artists: SOFT CELL
Who: British electro-pop champs featuring vocalist
Marc Almond and the late keyboardist Dave Ball.

Album: DANCETARIA
6th and final one.

The recordings were finished before co-founder
Dave Ball passed away last year in October.

Press info: “The final album is both a love letter to early 80s New York and
a tribute to the late, great Dave Ball. The album is a big, classy and playful
farewell after.”

TUTV: It’s a Soft Cell worthy goodbye, showing their heart and soul for dancefloor
entertainment once again, but, unfortunately, for the last time. Their magnificent 1981
gem “Say Hello, Wave Goodbye” is playing in my head while writing this. Thank you for
the music, electronic dance pop champs.

SINGLE

ALBUM


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ECHO & THE BUNNYMEN Return With Strikingly Vital Album ‘APPLES FOR ISAAC’

22 September 2026


Photo Turn Up The Volume – Antwerp, Belgium

No expiration date for Liverpool‘s indestructible post-punk-pop rockers
ECHO & THE BUNNYMEN (one of my all-time fav bands, on record and
on stage), fronted by big mouth/songwriter Ian McCulloch.

They just launched their 13th longplayer, their first in 12 years,
titled APPLES FOR ISAAC. No idea who that Isaac guy is.


Album artwork

Press info: After years spent performing their immense catalog of classics to
audiences around the world, the Bunnymen have recorded an album that is as
bold as it is vulnerable, that perfectly captures the essence of what makes
the band so great.

All but one of the tracks features the late Blondie drummer
Clem Burke, who sadly passed away during its creation.

UNCUT (British music monthly magazine) says: “But elsewhere the album draws deep on Mac’s rich and strange memories of the 1970s, outside of the holy trinity of Bowie, Cohen and Reed. On an album keen not to outstay its welcome, you feel, quite reasonably, that this one should have run maybe three times as long.

‘If Apples For Isaac’ is the beginning of the descent, if it inaugurates the official start of the Bunnymen’s Late Style, this promises to be one of the great final seasons in British rock.

TUTV: Almost 50 years into their career, The Bunnymen come up with their first masterwork of the 21st Century after 4 average albums, but in the meantime, still delivering electrifying goods on their never-ending touring. It matches their 1999 LP
What Are You Gonna Do With Your Life?

Like that grand opus, this new one is a near-solo Ian McCulloch effort, musically
and lyrically. Longtime brother in arms, Will Sergeant‘s role is relatively minimal.

As the line “Is this the blues I’m singing?” goes in their 1980’s classic cracker Rescue
that sentiment is all over the place right here. At 67 McCulloch also gets gripped by melancholia, by memories of a lifetime. He translates them into his often cryptic, poetic,
and shadowy language and embeds them in a stunning series of astounding tunes enflamed by his eternally awesome voice.

The outcome is strikingly vital. Not one weak moment, and with Can’t Be Sold, Brussels Is Haunted, I’ll Be Your Sunshine, The Light That Surrounds You, Lab Rats Ran, and We Prayed In The Dark as the 24-karat gold nuggets.

At least a Top-5 album of the year. Hands down.

Singles.

– BRUSSELS IS HAUNTED –

– THE LIGHT THAT SURROUNDS YOU –

ALBUM


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SEASICK STEVE Channels His Frustration About His Country On His Perturbed Album ‘THE LAST SEASON OF AMERICA’

21 September 2026

Seasoned blues rocker SEASICK STEVE (born Steven Gene Leach 75 years ago in
Oakland, California) has his 14th LP, called THE LAST SEASON OF AMERICA out.

Press info: “In 2024, Steve and his wife Elisabeth took a road trip across America where
he witnessed the poverty and divisiveness in the context of the upcoming election that year. They were in a New Orleans club where a house band leader welcomed two Belgian musicians on stage by saying “welcome to the last season of America.”

This became the theme for the rest of their road trip and led to him writing the title track to the new album. A deeply personal, heartfelt reflection on the state of his home nation, The Last Season of America is a protest record in the truest sense.”

TUTV: The downfall of Trump’s Divided States Of Hate (“We got a criminal running this
place. He got lies written all over his face
”) makes Seasick Steve angry, confused, mournful and combative. Except for MAGA almost the whole wide world despise today’s America
for its current failure on many levels and its global, disastrous impact.

That’s the record’ main theme. Dark clouds hang all over Steve‘s doomful grooves
(Bad Things / Above Ground Boogie / Boottraps) and his brooding ballads (The Last
Season Of America / El Camino / Matilda From From Ottawa)
. He also goes after all
“useless motherfuckers and parasites in the music industry“.

Steve doesn’t rock out much. He spits and sneers on many occasions. He boils inside.
No, this is not a happy album. It reflects the ill-omened signs of this historic, damaging,
and dangerously tumultuous American era.

Yet, in the end Steve still believes in a healing metamorphosis if we all get together and make it happen, as he sings on the funky footstomper Bad Things: “There’s bad things, but we still can change. If you believe in hope, we can rearrange. I still believe in the power of love.” It’s not over yet is Steve‘s underlying belief in a redeeming turnaround.

Again, and it still puzzles me, that ominous times are often a fruitful
inspiration for musicians to write/make engrossing records. One of
the best I heard all year long, musically, thematically and lyrically.

Singles.

– THE LAST SEASON OF AMERICA –

It’s the last season of America
And we’ll never watch again
The show that we loved

– BOOTSTRAPS –

ALBUM


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BLOC PARTY – English Indie Rockers Released Their Just Okay Album ‘ANATOMY OF A BRIEF ROMANCE’

11 September 2026

London‘s top-league indie rockers BLOC PARTY, fronted by charismatic
singer-songwriter Kele Okereke have their 7th longplayer, named
ANATOMY OF A BRIEF ROMANCE out.

Okereke wrote the record in the wake
of a more than decade-long relationship.

“Every lyric you’re hearing on this record was something that
actually
happened to me. I had to tell the story, from start to
finish.”


📸 Charlie Pryor

Clash Magazine‘s verdict: “‘Anatomy Of A Brief Romance’ is a chronological account of a relationship from first glance to final goodbye. It may not be among their finest work, but ‘Anatomy Of A Brief Romance’ is surely a cathartic release for its composer and for listeners who see their own experiences reflected in it.”

TUTV: This new Bloc Party sounds like some old Bloc Party records, but not the great
ones (like the first 2) but the okay ones. Sonically, there are just not enough top-shelf tunes (except for the bright-eyed and bushy-tailed singles and a couple of other chipper ones), too many lukewarm pieces.

Lyrically, as aforementioned, all 14 songs (too many) serve to tell the story – from start
to finish – of a past Okereke relationship (so why didn’t you make it a solo one, Kele?). I always have mixed emotions about relationship albums. Does the partner like it that his/her love life goes public? What is her/his side of the story? And I’m not really interested in so many details of someone else’s romances. File this anatomy next to BC’s other just okay full-lengths.

Singles.

– COMING ON STRONGE –

– LOVE BOMBS –

– NOW WE CAN’T BE FRIENDS –

ALBUM


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ARAB STRAP – Scottish Trippy Electro Vets Rock Out And Calm Down On Their New Album ‘HALF-TOLD TALES’

10 September 2026


Photo by Luke Bovill

Artists: ARAB STRAP
Who: Trippy Scottish electro-pop vets, Aidan Moffat and
Malcolm Middleton (1995–2006, 2011, 2016–present).

Album: HALF-TOLD TALES
Their 9th.

UNCUT Magazine (UK): “Over Middleton’s fertile arrangements, Moffat’s
poetry offers the reassurance that good people still exist in the world.”

TUTV: It’s the Scots 3rd rad LP in 5 years, following 2021’s As Days Get Dark and 2024’s bizzarly titled I’m Totally Fine With It 👍 Don’t Give A Fuck Anymore 👍. Yep, they
have their musical hat trick in the pocket.

On Half-Told Stories, half of the tracks are designed to rock out and freak out while trying
to pogo your way around the dancefloor in your head. More and more, the long-serving duo’s mix of trippy electronics and bouncy rock undercurrents comes with pumped-up, pounding decibels, like you can experience, among other stompers, to the full extent on the 3 dumbfounding singles (hear below)

Then again, half the record contains laid-back breathers, letting poetic storyteller Moffat look out the window and reflect on all things weird whirling in his mind, with his trademark wit and dark humour.

Put everything – low and slow, fast and fervent – together and you know for a certified
fact that the Scots delivered another buzzworthy showpiece for end-of-the-year lists.

– YOU YOU YOU –

– GLAMOUR MAGIK –

– FIGHTING FOR YOU –

ALBUM


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INTERPOL Return With Grandeur And Mystique On New Album ‘THIS MIRROR WEIGHS A TON’

3 September 2026

Band: INTERPOL
Who: NYC’s psychedelic post-punk crusaders,
led by singer/songwriter Paul Banks, who have
drawn a lot of aural attention since 1997.

Album: THIS MIRROR WEIGHS A TON
Their 8th.

Press info: “Interpol’s first album in four years finds the band turning inward while continuing to move forward. Across the record, reflection, distortion and perception become a lens through which familiar shapes are refracted into something slightly
alien, as if seen through a different kind of light.”

Paul Banks told NME: “The drive of the record is a spirit of striving for elation,
enlightenment and clarity. I was born uncertain, that’s what keeps me intact”.


Album artwork

Mojo Magazine writes: “The results display more radio-friendly polish, while the grooves
are enhanced with percussive syncopation, and strings and woodwind are employed for
added sonic swirl.”

TUTV: Finally, after all these years, Interpol made an album that’s up there with their
first 2 outstanding ones, Turn Up The Bright Lights (2002) and Antics (2004).

This Mirror Weighs a Ton is, as the cliché goes, a return to form, stupendous form that is. The record excels because of its strong, utmost, dark romantic songs. Sterling songwriting, not one dull moment.

It feels like Paul Banks was wandering through his beloved New York City for many nights, absorbing its grandeur and also its shadowy mystique, and translating his observations and thoughts into commanding tunes, vocally, lyrically, and sonically.

The tracks’ pace shifts frequently with slow-progressing reveries (title track / Ever The Actor / Enemy / Sudden), amplified mid-tempo jams (Wounded Soldier / Darling Thoughts / Wake-up) and a couple of straight-up rockers (See Out Loud / Wings Of Fire).

Full aural ravishment for 53 minutes. A striking comeback achievement.

Singles.

– IRON CITY –

– THIS MIRROR WEIGHS A TON –

ALBUM


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YEAH YEAH YEAHS Just Shared Live Album ‘HIDDEN IN PIECES: LIVE AT THE ROYAL ALBERT HALL’

1 September 2026

NYC’s eminent guitar pop rockers YEAH YEAH YEAH’S
released their latest LP, their 5th, Cool It Down in 2022.

Now, without much ado, they shared – only digitally, so far – a live
album, titled HIDDEN IN PIECES: LIVE AT THE ROYAL ALBERT HALL.

The recordings were canned at their 2025 concert at the historic building.

Half of the 13 songs are from their 2nd LP Show Your Bones from 2006.
Massive hits Maps (2003) and Zero are included too.

A physical album, out October 23 via Secretly Canadian, will include today’s
13-track live album as well as a handful of bonus recordings from U.S. shows,
which will come to streaming the same day.

The album’s sound quality is TOP! Stream it below.

They also have a 22-minute concert film streaming now via the The Criterion Channel.
It was recorded at Los Angeles’ Orpheum Theatre and will screen in a handful of theaters around the world this month.

Some (actually many) words from the band on the live album.

ALBERT HALL ALBUM


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2 photos by Turn Up The Volume from their Amsterdam gig in 2023

WEEZER – Imperishable Nerd Rockers Have Their 20th Album Out

25 August 2026


Photo by Brendan Walte

Band: WEEZER
Who: The veteran nerd
rockers from Los Angeles.

Album: WEEZER
Their 4th self-titled one decorated with symbols,
think Led Zeppelin‘s 4th longplayer. The record
is already dubbed The Gold Album.

Rolling Stone: “Weezer’s Gold is, in fact, Weezer gold.”

Pitchfork says: “Spurred on by producer Kenneth Blume, Weezer get
back in a room together to write rock songs that wallow, reminisce, and,
very occasionally, wow.”

TUTV: Mixed critical verdicts. Weezer is one of these bands that goes back to
their (very) old recipe, to their fan-pleasing formula, over and over again, but
forget regularly, to write enough top-tier tunes to fill a full record. As usual,
the singles are catchy and fun, but the rest is mediocre for a band of their
calibre. No, I’m not impressed.

Singles.

– C.E.O. –

– WE MIGHT AS WELL BE STRANGERS –

ALBUM

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GETDOWN SERVICES – English Daft Disco-Punk Groovers Turn It Up And Get Down On 2nd LP ‘MASSIVE CHAMPION’

20 August 2026

Band: GETDOWN SERVICES
Who: Wacky disco-rap-punk duo
from Bristol, UK

Album: MASSIVE CHAMPION.
Their sophomore one.

Press info: “An odyssey of anarchic joy, seditious wit and boundless energy, the LP finds Josh Law and Ben Sadler pushing deeper into the singular world they have been building for years, while opening up new emotional and lyrical ground. The record was written in green rooms, on long car journeys and in the gaps between relentless touring.”


Album artwork

NME: “The buzzy Minehead-via-Bristol party-starters shake off the ‘joke band’ label and
face up to doubt on nuanced album number two. Getdown Services are not Sleaford Mods
for the microbrew crowd or the Yard Act fit for a stag do, they are something of their own
and something to be taken quite seriously.

We could have done with a bit more of the party to beat the pity, but they’ve at least
delivered one of the unlikeliest real pleasures of a bleak 2026, so suck on that.”

TUTV: They go up, they get down. Up again. Down again. At first I was confused by the
by now pretty famous indie duo’s changing sonic moods breaking down the record’s
flow.

Lullabies, rock outs, moony mid-tempo reflections. One tune they put you in a soothing modus with a lullaby. The next tune they plug in their amps for a couple of pelvis-shaking firecrackers. And then back to some life-reflecting/watching thoughts, daily reveries, existentialist questions, and some depressing moments. Quite something else than
their non-stop groovy fiesta debut.

But I didn’t give up, as I felt some sort of connection anyway, and I kept on listening,
and it all started to make sense. This record’s emotional fluctuations, musically, vocally
and lyrically, became one full Getdown Services picture/experience that sticks seamlessly
in the end. I wonder if you will be affected to or not, people?

– CHA CHA SLIDE –

– I CAN’T DIE LIKE THAT –

– RADIATOR –

ALBUM


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MAN/WOMAN/CHAINSAW – Wayward Brit Indies Have Bodacious Debut Album ‘CANNONBALL’ Out

19 August 2026


Credit M/W/C

Band: MAN/WOMAN/CHAINSAW
Who: Unadulterated indies
from London, UK.

Album: CANNONBALL.
Their debut. Buy here.

NME: “Arty South London upstarts evolve into an inescapable 12-legged beast on expansive album to make you dance, smile tremble and weep. Here’s a band for whom perfection is just around the corner as they fine-tune the engine to reach a cleaner and more regular lift-off, but for now enjoy one of the most accomplished debuts of the year and a surefire Mercury Prize 2027 nominee. This cannonball makes one hell of a splash.”

TUTV: Man/Woman/Chainsaw join the (new) generation of new Brit-post-punk artilleries that started sometime post Brex-shit, with innovative bands such as Black Midi (already gone), Black Country New Road, Squid, Ditz, Bdrmm and newcomers Modern Woman, Westside Cowboy, Mary In The Junkyard, and My New Band Believe.

They have one thing in common: looking for new musical angels, exciting ideas
and unconventional soundscapes, within the broad rock-pop-punk universe, without
being arty farty.

M/W/C does it now for the first time with this debut LP. Whimsical, chopped-up song structures, spine-tingling melodiousness, two perfervid vocalists, nightmarish stories, versatile violins and capricious orchestrations. Everything in place to score a bodacious firstborn. Have a bloodcurdling trip.

KEY TRACKS: Goddamm, LizardMan! / Nosedive / Flick Of The Wrist / The Thing / Still Angry

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