Lead-single from their umpteenth album, baptized Abomination Revealed At Last, showing up on
August 8th. Tracklist and more details here.
New album artwork
John Dwyer: “Well this album just channelled out of the mist of atrocities swirling
around the planet right now. AI empathy, genocides, social media data collection and
addiction, the alignment of tech billionaires with the fascist overlords and their armada
of dogs, civilians being kidnapped by bootlicking thugs, the death of due process…the list
goes on and on. It’s been a long year already.”
Wake-up people, Osees will riff your sleepy head off
faster than you can say holy molly, this reckless speedball
drives me meshuga.
Cave: “There’s no fucking around with this record. When it hits, it hits. It lifts you. It moves
you. I love that about it. I hope the album has the effect on listeners that it’s had on me. It bursts out of the speaker, and I get swept up with it. It’s a complicated record, but it’s also deeply and joyously infectious. There is never a master plan when we make a record. The records rather reflect back the emotional state of the writers and musicians who played
them. Listening to this, I don’t know, it seems we’re happy.”
Press photo
Rolling Stone says: “Here’s a sense of abandon and play to Wild God that’s infectious. Produced by Cave and long-time collaborator Warren Ellis, the record continues their
constant conversation, confidently proclaiming that better times are ahead.”
TUTV: Cave is the God of melodramatic balladry. Now here’s a God I can believe in. Again he shows why he’s one of the best ever crooners in the universe. And lyrically it feels as if, after so many devastating, painful years, with the surreal loss of two sons, he lets sparks of light back in his life. God bless Nick Cave.
Uncut Magazine said: “On No Name, he’s done something special on his own terms,
delighted and surprised his audience, and provided one of the great rock moments of
the year.”
TUTV: White returns to his punk blues roots of the early days. Swipe after swipe,
blue stripe after blue stripe, kick after kick, clap after clap. A total of 13 thunder
strokes. High-wired electricity. Dope record.
NME said: “Knockout, spiritual songs for the end of time The ever-evolving five-piece enter a new phase of transformation on their arresting fourth album – their most considered and intricately crafted work yet.”
TUTV: The Irishmen have become high-quality songwriters (which they already proved on previous LP Skinty Fia– – still my favourite one). Frontman Grian Chatten‘s lyrics show (again) his observative view on the modern, gloomy world and how it affects him emotionally.
This is not their masterpiece yet to my ears, but it’s only a matter of
time that they will come up with a longplayer that will blow us all away.
The Guardian (British newspaper): “A cheerfully rocking album about global collapse”.
TUTV: After 25 albums, it sounds as if the prolific Aussies decided to simply rock out
for a change, and they do it with striking 70s-inspired juggernauts with sultry harmonica-blues echoes here and there. Conventional guitar solos pop up in every track. Listen quickly to the record, if not they will have another one out before you press play.
AllMusic said: “Punk without guitars has been done before — everything has. Few have done it with the blend of skill, imagination, and flat-out commitment that Osees exhibit on SORCS 80.”
TUTV: For the first time Osees general John Dwyer has incorporated layers of synths in
the band’s sonic, head over heels turmoil. Don’t expect top-notch tunes. This LP is about bulldozing for 38 minutes with punk velocity and schizophrenic electronics and I like it.
Californian riff maniac JOHN DWYER and his squad OSEES unleashed their
umpteenth album, called SORCS 80 and its cover is both eye-catching and
scary (as we are used to from Osees previous LP’s artwork).
And the music is astounding.
Sledgehammer after sledgehammer.
In order to not miss a beat Turn Up The Volume scans the musical
horizon daily (doing it for years now, actually) to stay in touch with
all new things sonically great and shares the results on a weekly
basis.
Track: LE RISQUE
The first taster of their 26th LP in 14 years (!!!)
baptized Flight b741. It will hit the streets on
August 8.
A pumped-up-bass & frenzied guitar-crazy stomper that rocks and rolls straight on with racy panache. Steamy stuff. It has drummer Michael Cavanagh on vocals for the first time.
“Paint It All in Blue” is the second taster from Norwegian band Mayflower Madame’s highly anticipated third album. Following the much acclaimed first single “A Foretold Ecstasy”, the new offering instantly puts a spell on you with its throbbing bass lines, motorik drums and hypnotic guitars, while midway it all opens up and leaves you drifting in a sea of dreamy melancholia. Combining the rhythmic grooves of kraut-rock and post-punk with the dazzling atmospherics of shoegaze and neo-psychedelia, the result is a profoundly dynamic song unfolding layer by layer.
Justin Case: “I want it to end upon a Driving Rock Anthem compilation.
You know,the kind of CD you’d initially pass over at a carboot sale, only to
return later,driven by a strange compulsion to buy it. We want to be that
guilty pleasure!”
I hope these weirdos give us a couple of more guilty pleasure
juggernauts we didn’t ask for, to go nuts to this summer.
Artist: SELMA HIGGINS Who: Described as “A meteor strike in Danish music” by leading culture newspaper, Politiken. She has proved herself as an artist who never limits her musical output to
a specific sound or style.
Higgins:“I wanted to make it a sensuous, sensual song, almost like Grease’s ‘Summer Nights’. The feeling of butterflies in your stomach and wanting to open yourself to someone. And the excitement, because it’s the summer, anything can happen. And that’s such a feeling.”
Don’t be fooled by her cute Pippi Longstocking freckles. Selma Higgins is
up to no good in the mad fun DIY-video for this funky and trippy summertime pop gem.
Californian riff maniac JOHN DWYER and his gang OSEES canned their
umpteenth album, and baptized it SORCS 80. It’ll land on August 9.
More info here.
Dwyer “This album was a self imposed ambitious project for us. Something
to kick in the creative flow. The last few years, having been a challenging time
in general, felt like a good time for a pivot. The last two albums were so guitar
and keyboard centric, I wanted a weird and fun set of parameters for us to
work with.”
First single, called CASSIUS, BRUTUS & JUDAS, is a rapid garage-punk
projectile with guitars, drums and a saxophone going after each other.
Tempestuous battle.
Tomorrow the riff-manic and OSEES, one of his outfits,
unleash their umpteenth LP, titled Intercepted Message.
But, promo-wise, he decided – clever move- to play the 37-minute record live
in full at The Best Show With Tom Scharpling yesterday. The performance was
recorded at the Forever Dog studio in North Hollywood, California and it’s now
shared to see and hear.
The high-powered rock energy is off the charts.
And, importantly, the sound/footage is HQ.
Following the as mad as a hatter title track comes a new piece. GOON is a riff-riot-gun assault GOON, showing once again that Dwyer can destroy your ears in just 132 seconds.