KIM GORDON Puzzles BRUSSELS With Her Industrial Infused Trip-Hop Buzz
16 April 2026
Since Gordon started to record/release solo LPs (3 so far) she never
looked back to her unique career with Sonic Youth (1981-2011).
Not on record, not on stage.
Last month she launched her 3rd one, PLAY ME, to my ears her best yet.
And last night she landed in Brussels (3rd time in 4 years) to promote the new record. When she came on, before playing one note, she was welcomed with a big aplause and loud cheers, as a familiar shero.
From there on she focused (except for a thank you here and there, no in between talks, who needs them anyway?) on her intoxicating perfomance playing the new album Play Me in full followed by half of the previous one The Collective, a couple ones of her debut No Home Record and encoring with the unrecorded, but the well-known Cigarette musing.
Gordon produces, backed by a pretty young, efficient band, an industrial-injected
trip-hop buzz that gets you slowly but surely into an amplified Massive Attack-like
trance. It all sounds raw, unpolished, but oh so fascinating.
With her expressive and articulated, partly spoken/partly sung vocality, she infiltrates
your psyche, while telling her stories, absurd ones and politically-charged reality ones
(fuck Trump, fuck Musk).
At almost 73, she still looks gorgeous, she still is a pivotal performance artist,
holding an audience’s attention with a firm sonic grip. To be honest, there were
a couple of monotone percussion moments, but that’s actually a detail that
had no impact whatsoever on the final, puzzling result. Hats off to imperishable
shero Kim Gordon.
PLAY ME













