Pitchfork says: “J Spaceman’s latest opus is gloriously satisfying and self-referential, refining his orchestral space rock with alchemical power… You could take issue with Spiritualized for sticking so closely to the blueprint they inaugurated more than 30 years ago. But the band always felt built for repetition and refinement, a cosmic home for Jason Pierce to grow comfortably old, away from an ever-changing musical world. And if Everything Was Beautiful calls back to Ladies and Gentlemen We Are Floating in Space, it does so in a way that suggests that the fires are still burning, only slightly dimmed by the passing of time. Everything Was Beautiful is like meeting an old friend and finding new shared memories, the nostalgia not yet worn thin. It’s another glorious argument in favor of getting high on your own supply.” Full review hereScore: 7.8/10.
Turn Up The Volume: Jason Pierce operates in his same sonic cocoon for years now, making and recording (9) albums, from good to awesome (Lazer Guided Melodies / Ladies and Gentlemen We Are Floating in Space). This new one falls somewhere in the middle. Familiar (Let It Bleed / Always Together With You / Crazy) and hypnotizing (Best Thing You Never Had / The A Song)
Singles/clips: Always Together With You / The mainline Song – The Lockdown Song
– ALWAYS TOGETHER WITH YOU –
A gospel-like epic symphony.
-THE MAINLINE SONG / THE LOCKDOWN SONG –
Psych-Kraut-pop at its Pierce best.
Released: 27 April 1992 – 7th LP Charts: #29 in the UK / #41 in Australia
Rolling Stone said: At times Cave veers into melodrama, but his songs
of suffering and sin are still convincing. With the Bad Seeds serving as the
exorcists for Cave’s demons, Henry’s Dream stands as provocative – albeit
harrowing – music.” Score: 4.5
TUTV: One of my all-time favorite Bad Nick Cave Seed works
Released: 30 March 1992 – her debut LP Charts: #11 in the UK
Pitchfork wrote: “On her debut, Polly Jean Harvey matched
Patti Smith’s incandescence with Bessie Smith’s lasciviousness,
outplayed everyone on the British indie circuit, and became
an instant star.” Score: 4.5/5.
Released: 5 October 1992 – 8th LP Charts: #1 in the UK and New Zealand, #2 in the US
AllMusic: “A haunting, melancholy masterpiece… R.E.M. have
never been as emotionally direct as they are here, nor have they
ever created music quite as rich and timeless, and while the record
is not an easy listen, it is the most rewarding record in their oeuvre.”
Score: 5/5.
TUTV: They put a magnum opus
on the moon with this one.
Entertainment Weekly wrote: “Bone Machine finds Waits veering
along the midway barking his favorite themes — decadence and death,
purgatory and pain — but beneath his hellacious bellows and grotesque
arrangements lurks a caring, humanist heart.” Score: 5/5.
TUTV: I wonder if Waits still doesn’t want to grow up.
Released: 20 March 1992 – debut LP Charts: #27 in the UK
NME said: “There’s awesome, cool dignity here, a depth and
scope far beyond rock’s normal parameters, and an abiding
faith in the redemptive power of music which can embrace
both consoling murmurs and euphoric surges.” Score: 5/5.
TUTV: The start of a soul-searching
symphonic gospel adventure, still in motion.
Released: 21 May 1997 – their 3rd LP Score: No 1 in the UK, Scotland
and Belgium, #21 in the USA
Pitchfork said: “The record is brimming with genuine emotion,
beautiful and complex imagery and music, and lyrics that are
at once passive and fire-breathing. OK Computer is like tossing
David Bowie, old U2, Spacehog and lots of Pink Floyd into a
blender and pushing the ‘kill’ button.” Score: 5/5.
Released: 29 September 1997 – 3rd LP Score: #1 in the UK, Ireland, New-Zealand
and Ireland, #23 in the USA
NME wrote: “Its sheer magnificence and spirit is such that
the danger of it overwhelming anything that follows it is obvious.
This, after all, is the musical signature of the year.” Score: 4/5.
Released: 7 July 1997 Score: No 2 in the UK and Scotland
AllMusic said: “The group is still capable of creating exotic,
thoroughly entrancing sounds, which is what makes Vanishing
Point a remarkable comeback.” Score: 4.5/5.