Press info: “Boasting the duo’s most varied and expressive musical approach so far, The Demise Of Planet X charts, critiques and satirises our times, while offering a universal cry of anger and release of energy that pushes against the encroaching cultural darkness.
Contemplating the world coming to an end not with a big bang but in slowly rising tide of irritating mundanity, The Demise Of Planet X strikes back with vivid sonics, acerbic words, enveloping atmospheres and a engaging wit across 13 tracks that will move hearts, minds and feet.’
Jason Williamson: “The Demise Of Planet X represents a life lived under immense uncertainty, shaped by mass trauma,” declares frontman Jason Williamson. “When we wrote the last album, it was about stagnation, a country that felt like a lifeless corpse.
Three years later, that corpse has been split open by war, genocide, and the lingering psychological fallout of Covid, whilst social media has mutated into a grotesque, twisted
form of digital engineering. It feels like we’re living among the ruins. A multi-layered abomination etched into our collective psyche.”
DIY Magazine says: “If not already a fan, what would one get out of ‘The Demise of Planet X’ that doesn’t already feature in their back catalogue, beside a few more timely references? Much like the state of the country they wax lyrical about, Sleaford Mods are stuck in a rut.”
TUTV: Mods by numbers, sonically and thematically. 4 out of the 5 singles (listen below)
are the LP’s highlights. The rest of the tunes vary from good to mediocre, and that’s not enough to have a memorable album for the future. Their razor-sharp way of filleting all sorts of social injustice still is spot-on, but my hungry taste for infectious hip-hop wallops
is not satisfied.
Angus Rogers (frontman): “Rock and roll music for the empty and stunning.
A song about contempt, appetite, impotence and self-preservation through
gyration. Enjoy superficially with your body and send the reeling mind on
to hell.”
TUTV: Wham Bam! Yeah Yeah! Go Go! Oh my Oh My! Razzle Dazzle!
This is the kind of adrenaline-pumping thrills I wait impatiently for
every single day.
Get up, stand up, and fight
for your right to show off.
“‘Although it’s a big, joyous dance track, it’s about hiding deep emotional pain and trauma and how hedonistic coping mechanisms, like drugs, alcohol, and womanizing, are just temporary distractions.”
TUTV: This is what amazing pop-ular music is all about. Big melody, big emotions, big orchestration. Euphorically sticky as first-class glue despite its dramatic ‘real life‘ story. Aftermath soul-searching can work cathartically.
Who: Irish post-punk whirlwind, led by charismatic
voice/songwriter/guitarist Karla Chubb.
Track: BETTER
Along with Something’s Gonna Happen, my top fav track
on their brand new, second LP, called All That Is Over.
TUTV: Every time I play this pure punk-rock gem, I feel way better.
It’s striking swagger, superb groove, passionate duet vocals, and
high-strung guitar play mesmerize.
Who: The moniker of Massachusetts‘ chilling singer-songwriter Izzy Hagerup. She released her debut album Through The Window
in 2023.
Track: SYSTEM
First new piece and title track from her
2nd LP, coming our way on October 3rd.
Hagerup: “When I wrote ‘System’ I was supposed to be present and alive
and gracious and happy. But somehow I couldn’t escape my own internal
fears and depression that can follow me wherever I go.”
TUTV: What a brilliant torch song. Weeping guitars come and go while Hagerup‘s heart-stopping vocals cause goosebumps. And what a fuming
finale.
TUTV: Its ominous mid-tempo dynamics, its distorted vocals, and its riff-psychotic razzmatazz resonate as if you are listening to the scary theme song of a horror movie.
At the 2.30 minute mark, all hell breaks loose.
From a whisper to a scream. From planet Earth
to Dante‘s Inferno.
Track: FOUR
One of the highlights from their
brill 2nd LP Never Exhale
TUTV: Ditz operate in a very dark place. Sonically, as well as lyrically.
In the middle Cal Francis barks at the moon, while dense drones
infiltrate your shocked ears. Inhale, exhale.
TUTV: This 4-piece grab you by the throat from the kick-off and never lose their firm grip, while vociferous vocalist Marie De Graeve‘s has a crushing impact on your petrified stereo. Liar is a titanic motherrocker that pulverizes the Richter scale in just 250 seconds. Queens Of The Stone Age, Deftones and Black Sabbath come to mind.
TUTV: OMG! What a riot-gun banger. These Irishmen create suffocating havoc with
a maddening mix of nasty racket that brings illegal-decibels-producing bands such as
NIN and Metz to my cooking mind.
TUTV: Ecstasy. Elation. Euphoria. Exhilaration. This electro smack makes
you bounce and jump on your pogo-stick. They punch you in the teeth
without asking, while having fervent fun.
Who: Belgian noise rock trio whose sound draws influences from bands such
as Black Midi, Tool, Battles, and Swans, blending dissonance with a strong sense
of identity.
Track: NANDOR
Piece from their ace
3rd album Trois.
TUTV: What the fuck! From the very kick-off, chainsaw guitars do your
brain in. Electric chair electricity throughout. No way to escape. Neurotic
vocals complete this blitzkrieg assault.
Band: DOWN THE LEES Who: The post-rock noise project of seasoned Canadian
singer/songwriter/guitarist Laura Lee Schultz. DTL released
3 notable albums, so far.
Track: MIDI DORIC
First single. A song that deals with the
isolation and depression of the pandemic.
TUTV: A characteristic DTL thunderstorm, cranked up by blustery bass lines,
monstrous guitar riffs, Herculean drumming, Schultz‘s sky-scraping vocals and
a volcanic finale. One of the best noizz rock bands around.
TUTV: It’s a sublime, crystalline pop nugget, with its hypnotizing guitar riff,
the non-stop drum beat and the intertwined, spellbinding vocals of Win Butler
and his spouse, Régine Chassagne.
Band: KASABIAN Who: British star rockers from Leicester. One of the best bands
of the past 25 years on record and on stage, in my book.
Track:HIPPIE SUNSHINE.
Lead single from their forthcoming
9th LP. Details TBA.
TUTV: Expect a mega vitalizing, disco-charged haymaker.
Since co-founder/songwriter/frontman Serge Pizzorno pulls
all the band’s strings, he provides dynamite tunes you can
throw 24-hour parties with.
Who: One of the most adventurous/inventive/original post-punk & dub artists/performers
ever. He was a founding member of genre-bending new wave group The Pop Group and released lots of solo and collaborative records. Unfortunately, he passed away 2 years ago,
only 62.
Track: MEMORY OF YOU
Single from Stewart‘s solo album The Fateful Symmetry,
which was completed early 2023, not long before his passing.
TUTV: Haunting, synth-symphonic and bang-tastic,
with Mark‘s characteristically energetic voice on top.
First single from their forthcoming 4th full-length, their
first in 4 years, slated for release in September 2026.
TUTV: Holy Coves are back, and they don’t waste time. It’s full steam ahead from
the get-go. Eager guitars and sinewy drumming inject this sweltering steamroller with
a flaming briskness that causes a kinetic reverberation, while Marsden emotive vocals accentuate the song’s sad sentiments.
Who: 2-piece from Birmingham (UK) – Euan Woodman (drums/vocals) and Tom Rhodes (bass/vocals) – born in late 2023 over a shared love of noise, literature and late night shebeens. They write music about love and hate. They’re good for your soul.
TUTV: Warning. This insanely groovy punk blast will bulldoze all over your shocked speakers. Expect a superheated funky firestorm that attacks the Richter scale with a shattering impact. A manically jagged jackhammer it is. Trust me, you’ll think you like them, VERY MUCH, while you bang your head into your fridge’s door.
Who: A collective with members scattered across the UK and the Netherlands.
This group, now comprising seven members, has its roots in a trio that expanded
over the past four years.
New track: WET LEATHER
Piece from their sophomore
LP Total Technik.
TUTV: Kraut-rock and roll with an intoxicating force. A wall-of-guitar-pyrotechnics rollercoaster. An overpowering tempest of rambunctious riffs. Voltaic psychedelia
at its spine-chilling best, bombarding your ears the way you like it.
Who: The musical project of singer-songwriter-poet Jamie Cameron. Hailing from
the Scottish Borders, the music blends lo-fi beats, synths and guitars with spoken word lyrics in which he discusses subjects ranging from politics and premonitions to self help culture, and a modern society obsessed with economic thinking.
TUTV: This rattling rap ‘n’ punk roll crackerjack swings forth and back, left
and right and Jamie Cameron’s full of vim and vigour word-flow activates all
of your insatiable limbs before he relaxes towards the synthy end. Kinetic throb.
Hands up for the coach.
TUTV: A nasty bass riff motorizes this rollicking psych jam that seems to go on
like forever, and when the powerhouse chorus kicks in, your ears are instantly
overwhelmed. Life Is Joy is one of those riff-crazy haymakers that stick after just
Who: Mysterious trio with an inimitable take on
humanity’s downward spiral into a dysfunctional
entropic existence. They unleashed their punk-groovy
debut EP Like You last year.
TUTV: This arresting, melancholic song is heart-rending. Its bluesy guitar
radiance, its bass-beat-heavy cadence, and despondent vocals get under
your skin. Its melodic catchiness has irresistible written all over it.
TUTV: A razzle-dazzle steamroller that gets under your skin faster
than you can say “this is bloody superb”. Its insane, mind-bending
course doubles your serotonin production on the spot.
Who: Must hear/see indies from Brighton (where everybody is in a band).
They cruise from folk to punk, using, besides traditional instruments (guitar,
bass and drums) also cello, flute, violin and other classical gear.
TUTV: These young wolves bulldoze their way through the daily
bullshit we have to endure with a knife between their teeth. Sippy Cup
is a bruising, full of vim and vigor, uppercut hitting where it hurts.
Press info: “Boasting the duo’s most varied and expressive musical approach so far, The Demise Of Planet X charts, critiques and satirises our times, while offering a universal cry of anger and release of energy that pushes against the encroaching cultural darkness.
Contemplating the world coming to an end not with a big bang but in slowly rising tide of irritating mundanity, The Demise Of Planet X strikes back with vivid sonics, acerbic words, enveloping atmospheres and a engaging wit across 13 tracks that will move hearts, minds and feet.’
Jason Williamson: “The Demise Of Planet X represents a life lived under immense uncertainty, shaped by mass trauma,” declares frontman Jason Williamson. “When we wrote the last album, it was about stagnation, a country that felt like a lifeless corpse.
Three years later, that corpse has been split open by war, genocide, and the lingering psychological fallout of Covid, whilst social media has mutated into a grotesque, twisted
form of digital engineering. It feels like we’re living among the ruins. A multi-layered abomination etched into our collective psyche.”
Angus Rogers: “Here is our song, rock and roll music for the empty and stunning.
A song about contempt, appetite, impotence and self-preservation through gyration.
Enjoy superficially with your body and send the reeling mind on to hell! “
TUTV: Wham Bam! Yeah Yeah! Go Go! Oh my Oh My! Razzle Dazzle!
This is the kind of adrenalizing tunes I wait impatiently for every single day.
Tunes that put a big smile on my face, tunes that make all of my limbs go nuts,
tunes that go straight to my best-tracks-of-the-year list. Funky buzz, vocal fuzz.
Isaac Stroud-Allen (frontman): “It’s about power, corruption and how people
are happy to watch the world burn if they’re the ones sitting on a rooftop bar sipping
on a Sex On The Beach.”
TUTV: Believe the hype. These young wolves bulldoze their way through the daily
bullshit we have to endure with a knife between their teeth. Sippy Cup is a bruising,
full of vim and vigor uppercut hitting where it hurts. If this is your first time that you
hear these rabble-rousers, you’ll be gobsmacked. Bring it on, rascals.
TUTV: One of the 5 astronomical sledgehammers of their brand-new
debut EP Alter Ego. Love Machine takes you on a hair-rising rollercoaster.
Awesome vocalist, awesome band, asewome tune.
Band: PSYCHEDELIC PORN CRUMPETS Who: The dumbfounding psych-prog rockers from
down under, who started their odyssey in 2014.
Last May they launched their volcanic 7th full-length, titled Carpe Diem, Moonman and only 2 days ago they dropped
album #8, named Pogo Rodeo.
There’s definitely something in the Australian air that makes bands over there very productive. Yes, as you may or may not know, King Gizzard & The Lizard Wizard are
also from down under.
TUTV: We know for a long time that the sharp-mouthed mods are an unstoppable
groove engine, and this one is another pulsating one. Wowza. Fucking-A. Let’s see
if you can catch up with this speedy hip-shaking trigger.
TUTV: Picture this. Aggressive guitars rage like chainsaws around a nasty mid-tempo groove, juiced-up by sinewy drum hits and when the clamorous chorus kicks in the
vocalist bellows as if he can’t get out of his straitjacket. Oh yeah, you’ll love this horrific slice of hellraising post-punk mayhem.
They look and they operate like your new favorite Halloween band. Amps up, decibels
up, heat up. I wonder if this track isn’t a hidden one on one of Fugazi‘s detonating exploits.
An in-your-face debut. Bang-on.
Band: TEST PLAN Who: Indie noizz trio from London looking for the sweet spot between
dancing and moshing. They cultivate a ferocious blend of noise-rock,
dance-punk, and post-hardcore.
Track: GONE
The beginning of a brand-new chapter, according to the band.
It’s the first of a few singles from an EP out sometime next year.
TUTV: Hells bells. Test Plan grab you by the throat from the blaring intro and never
lose their suffocating grip. They come at you, full speed, with schizophrenic guitars,
an indefatigable drummer and a psychotic vocalist who screams his four lungs out
and tries to excommunicate his eerie demons.
No rest for the wicked. No emergency exit. We’re trapped, so let’s join these
maniacal mindfuckers in their attempt to make the Richter scale go ballistic.
Track: I THINK I’M IN LOVE
Single from their upcoming album
called ‘Evil Love‘.
TUTV: So these four Polish dropouts think they’re in love.
In love or not, I guess any reason is good for these riff-shooting
punk cowboys to run amok.
Their new cacophonous sucker-punch is a piercing piece of rambunctious racket motorized by raucous guitars, a brutal drummer and a weird frontman who looks
mental and sounds mental. Hell, bloody hell, yeah.
Get on your pogo-stick and pretend
you are a kangaroo on dope.
TUTV: Ashcroft does what he does best for years now, making your hair in the back of your neck stand up. This is another stadium anthem for thousands and thousands vocal cords to sing a long out loud.
Band: ARYEL MOON Who: Fresh Irish indie outfit, fronted by Italy-born musician Donatella Camedda, who have been building a reputation on Dublin’s live circuit.
Camedda: “It carries that mix of desire, anticipation, and adrenaline you feel
in the very first stage of falling for someone. That in-between space where you’re
caught between genuine connection and the rush of limerence.”
TUTV: Expect flamboyant indie power-pop, invigorated with reverberating guitars,
pummeling drumming and penetrating vocals, intense and intrepid, and a passional
chorus. One spin and you know we have a winner. In a normal world this should be
an indie hit. Trust me, you’ll fall in love with Aryel Moon.
Linda Pardee (vocalist/songwriter): “This song has morphed into a different meaning
than what was originally intended when written. The lyrics were initially about friendships, acquaintances, people coming into your life. Being part of a community. Finding your
people. Despite differences, we can or should be able to at least co-exist.
TUTV: TCC are no strangers to Turn Up The Volume. And their back again with
this new flashy rocker. Those jangly guitars, that vital, that feverish drive. Resonates
like R.E.M. are back and teamed up with Evan Dando‘s Lemonheads. No I don’t have a
hangover whatsoever. Listen closely and your ears will experience what I experience(d).
All you shiny people out there, come on feel the Dando vibe.
Track: WHAT IF
Piece from her upcoming 3rd full-length, called A Rupture A Canyon A Birth, out October 17th.
The song is inspired by the moment that a semi truck plowed into her broken-down tour van. Nobody in the Jane Inc. touring party was hurt in that accident, and they even played their scheduled show later that night. But everyone could’ve easily been killed, and that kind of near-death experience will do something to you. That’s the key to what if.
TUTV: Bumping EBM thrumming, shimmering synths, trippy piano touches,
and vocal outpouring. Donna Summer would like this stomper. Dress up
and hurry to the discotheque.
Band: BLURT Who: Experimental post-punk combo founded in 1979 in Stroud,
Gloucestershire (UK) by poet, saxophonist and puppeteer Ted Milton,
aged 82 now.
Milton grew up in Africa, Canada and Great Britain. He started his artistic career
with poetry publications. In the mid-1960s, he began performing as a puppeteer, participating in numerous international festivals and TV performances
With Blurt he recorded/released a dozen of albums
with Beneath Discordant Skies from 2015 as their
most recent one.
They’re back in town now with a brand
new track, titled THE MECCANO GIRAFFE.
TUTV: It grooves and moves along to a non-stop drum beat, a rollin’ bass
riff, trippy guitar lines, some saxy moments and Milton’s shivering voice.
Amy (vocalist): “The Brighton Scene is buzzing at the moment and it is thrilling to be playing alongside so many other great bands. Our single launch at the venue Alphabet in Brighton is part of a great new grassroots series of gigs from Spagetti promotions that showcases emerging bands from across the city”.
TUTV: Way to start! These Brits hit bullseye
right away with their chirpy debut single.
Its lazy indie pop vibes stick on the spot. Feathers is a tremendously catchy
feel-good lullaby, juiced with sparkling guitar solos, a bouncy drum/bass
tandem, and happy-go-lucky duet vocals upfront.
Band: THE GOODS Who: American power pop band blending big guitars, huge hooks,
and sweet British Invasion-style harmonies into a fresh, distinctive
sound. Formed by singer-songwriter Rob Good, a veteran of
the Oakland underground.
TUTV: Imagine nightingale legends The Byrds eight miles high, causing a jingle jangle
spectacle at an adrenalized speed, flavored with vivid vocals. Trust me, one spin and
you’ll be hooked.
Band: DIRT ROAD SOULS Who: Roots rock band who have a story tell, not per se their own,
and not entirely yours, either. It’s universal in its truth, but specific
in its intent.
Track: HOLD ON SOUL
Single from their upcoming album named ‘(The Life and Times of) Johnny Moonshine’, an ambitious 12-track concept album and roots rock opera set for release in early 2026.
Davis Black (vocalist/guitarist) “‘Hold On Soul’ was first written many years ago when
I had left my small town and gone off to start a life in Boston. After high school and college years I’d often return to my small town to recharge – and get drunk with my friends who didn’t leave town. These lyrics come from the culture shock between the two places. The stress of the city vs. the simplicity of the small town was very real for a little while.”
TUTV: Americana at its entertaining best. Groovy and cacthy melodiousness, heart-ans-soul stirring vocals/harmonies and glowing guitar electricity combine for a galvanic chant.
Jonny Woolnough (songwriter): “It’s a character appropriation offering a lens
into a couple’s day-to-day existence. A protagonist veering off the track is reminded
of his immaterial fortune. It celebrates life, existence, and endless possibility.”
TUTV: De-stressing fuel for daydreamers. Columba feels like an Indian summer
sun ray.
It’s the 2nd preview single, following Megaton from their 13th LP,
baptized The Demise Of Planet X. It’ll land on mother Earth on
16 Jan 2016. More info here
Williamson about the song: “The Good Life talks about slagging bands off and
the joy and misery that causes me. I’m asking myself why I do it, my inner voices
are brought to life by Gwendoline and Big Special, debating that tension between
me enjoying a good life or submitting to the mayhem.”
About the forthcoming LP: “When we wrote the last one, it was about stagnation,
a country that felt like a lifeless corpse. Three years later, that corpse has been split
open by war, genocide, and the lingering psychological fallout of Covid. It feels like
we’re living among the ruins.”
TUTV: We know for a long time that the sharp-mouthed mods are an unstoppable
groove engine, and this one is another pulsating bullet. Wowza. Fucking-A. Let’s see
if you can catch up with this speedy hip-shaking trigger.
Band: MY UGLY CLEMENTINE Who: Thrilling power pop trio from Vienna, Austria.
New single: FEET UP
New piece from their upcoming album, named The Good Life,
which is set to be released on August 11 via BMG.
“Complete with rocking guitars and catchy hooks, the band adds a unique and
fresh twist to the tired old FOMO phenomenon, turning that “Fear Of Missing Out”
into an exultant “Joy Of Missing Out” – JOMO! And make no mistake: Embracing
boredom, celebrating tediousness, it’s another surefire anthem and an absolute
blast!
Whereas its nimble, highly contagious energy will certainly make you want to dance,
the lyrics focus on just the opposite – keeping your feet up. “Boredom doesn’t necessarily have to be a negative thing; sometimes it’s better to slow down and enjoy the moment. After our shows, for example, we love to just hang out in the backstage area, sipping Gin and Tonics and playing board games.”
Album artwork
TUTV: You’ll love this top tune after one listen just as I did after one listen and
you’ll love it even more after multiple spins as I did after multiple spins. My Ugly
Clementine perfectly know how to get your lazy body out of your lazy couch, and
go bonkers.
Big chant, big harmonies, big chorus, big beats, big fun. If that’s what boredom
feels and resonates like you want to get up your feet and shake your booty to
this blissful pop banger, all day long. You can rest at night.
This is how boredom looks like, the My Ugly Clementine way.
