THE CLAYPOOL LENNON DELIRIUM Color Psychedelic Rainbows On Their 3rd Album ‘THE GREAT PARROT-OX AND THE GOLDEN EGG OF EMPATHY’
6 June 2026
Band: THE CLAYPOOL LENNON DELIRIUM
Who: Outlandish duo, composed of bassist/vocalist Les Claypool,
member of Primus, and guitarist/vocalist Sean Ono Lennon.
Album: THE GREAT PARROT-OX AND THE GOLDEN EGG OF EMPATHY
Their 3rd LP. A concept one with a 24-page original comic
book created with longtime collaborator Rich Ragsdale.
Story: “Set in the once-glorious land of Cliptopia, where a sentient A.I. known
as Cliptron and his army of robots are resourcing everything, then turning it all
into Clipnex brand paperclips, the album follows young artist Hippard O. Campus Jr.
as he rebels against his father, Hippard Sr. (owner of the CLIPNEX corporation and
creator of CLIPTRON).
With help from salty sea-dog Colonel O’Coren, Hipp embarks on a fantastical adventure
to stop Cliptron’s cold, chrome heart from converting the world, humans included, into paperclips.”
Hipp’s quest leads across the sea to the Isle of Lucidity, where the all-wise Ministry of Manatees guide him to the Great Parrot-Ox, whose Golden Egg of Empathy is the only
thing that can bring understanding and emotion to Cliptron.
Claypool: “The album was over three years in the making and was the most labor intensive recording I have ever been involved in. The results are something Shiner and I are very proud
of. A relevant concept piece accompanied by a colorful, phantasmic comic book.”
Lennon: “The record is a cautionary tale of what could be in store for humanity if we continue to favor machines over men. It is a tale of a technocracy eclipsed by paperclips; a young man destined to unravel the fabric of his father’s folly, and a sacred feathered Goddess (played by WILLOW), who holds the egg-shaped key to their future.”
TUTV: Lucy in the sky with diamonds? Well, sort of. This unusual pair take you on a trip where they treat you with a mix of 60s dream pop, prog-rock, and rainbow psychedelia. Mind you, it’s an accessible record to go eight miles high to, but it goes a long way, 1 hour and 2 minutes, and the fictional story in play isn’t a simple one to get hold of.
En route, this retro-addicted duo play round elaborated poppy tunes that are dressed
up with yesteryear orchestrations, and plenty of space for Claypool’s bass extravaganza.
After a couple of spins, I’m not sure yet if this is a bad, good, or very good LP (certainly not a delirium one). I know that doesn’t make sense, I suppose. But yes, I’m confused, so I’ll get back to my headphones and see what happens this time.
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