
1. WHAT DID YOU EXPECT FROM THE VACCINES? by THE VACCINES

Released: 11 March 2011 – debut LP
NME said: “By fusing elements of US pop-punk (the Ramones – not Blink 182), chillwave
(they too are obsessed with reverb) and classic good-time pop’n’roll (The Strokes, primetime Libs/KOL), The Vaccines have recorded an album that – if things continue to go their way – should serve to give British rock music a much-needed jolt in the arm.”
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2. SKYING by THE HORRORS

Released: 11 July 2011 – third LP
Pitchfork said: “While they may have started out as all glittering surfaces, the Horrors have evolved into a dependable band making wide-reaching rock music. Whether a calculated retreat or just a natural maturation, the Horrors have found a sound more content with background and atmosphere, and it suits them nicely.”
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3. NOEL GALLAGHER’S HIGH FLYING BIRDS

Released: 17 October 2011 – self-titled debut LP
The Daily Mirror: “High Flying Birds is the best collection
of Noel Gallagher tunes since his Morning Glory days.”
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4. LET ENGLAND SHAKE by PJ HARVEY

Released: 14 February 2011 – eight LP
AllMusic said: “Let England Shake’s’ songs, touching on the disastrous World War I naval strike that left more than 30,000 English soldiers dead. Her musical allusions are just as fascinating and pointed. Its complexities make it one of Harvey’s most powerful works.”
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5. SUCK IT AND SEE by ARCTIC MONKEYS

Released: 6 June 2011 – fourth LP
NME said: “Suck It and See’, then, is the band’s ‘Rubber Soul’. Much like how The Beatles spent the early part of their career penned in by commercial expectations, they broke out and proved they were much more than novelty love songs on their experimental, but concise sixth album.”
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