Glamorous power pop giants THE KILLERS released a greatest hits album last year and celebrated the 20th birthday of their debut LP Hot Fuss this past June. They also toured a lot and more to come.
But first their new single BRIGHT LIGHTS.
An ode to Sin City, their hometown of Las Vegas.
Los Angeles‘ mega rock stars THE KILLERS played some big arena shows in London
last week. In between, they hit town for some fun, like creating their own version of
the artwork of OASIS‘ 2nd LP, mastertroke (What’s The Story) Morning Glory?
They went to Berwick Street in Soho, the same street
where the photo shoot for Oasis‘ album took place.
The Killers‘ charismatic frontman Brandon Flowers posted himself in
the middle of the street with the now boarded-up Selectadisc Record
Store to his left.
In the caption on their Instagram account, the band wrote: IYKYK, which stands for (If You Know) You Know (???) in the same white font as on the original LP cover.
Last night, Californian mega stars THE KILLERS played a massive concert in London
while England played against The Netherlands in the semi-finals of the EURO Football Championship 2024.
The band paused for a half hour, so the fans could watch the last 30 minutes of the game. In the last minute England scored the winning goal (2-1). This is what happened at that very moment.
This was the first single of their best album to date Islands In The Sky. A terrifically juiced-up power-pop chant triggering your limbs to get up and move. And when the under the spell of joy choir joins Bonnie Bloomgarden on the elated chorus you just know that this stunning tune is a winner.
We are living in a simulated world
And we are simulated girls!
The sassy spirit of fiery Riot grrls, the primal screams of X-Ray Spex‘s late genial vox Poly Styrene, the unbridled DIY mentality of The Slits. It’s all here to get in the macho faces of all macho males. Lads Lads Lads is a loud and clear clamorous uppercut. Trash and slash punk turmoil. Holy fucking smoke!
(Photo by Turn Up The Volume – Brugge, Belgium 2023)
“The lyrics were related to whatever we were talking shit about that day.
Dirt-cheap ’baccy and annoying, invasive TikToks. It’s hard to recall.”
Riverstone is an excessive electro-industrial sledgehammer doing your head,
your ears and your mind in. Bang-bang-bang-bang. Deafening drones, psychotic
guitars, and schizophrenic vocals, it’s all here to have an electric brain-frying
chair experience.
All-round Canadian singer/songwriter nailed it with this efferscent swirling knockout.
This is the kind of 24-Carat gold banger that makes your day, that boosts your worried state of mind, that puts a big smile on your face, that works faster than any stimulant and most of all, that gets you on your feet, triggers your best rotating dance moves and make you embrace life. Reality is not all doom and gloom, as many (mostly politicians) want us to believe to push their own power-greedy agenda. To hell with them.
These vigorous Brits hit big time with this flamboyant ripsnorter.
It’s full tilt ahead from the get-go. No brakes, no breaks, and
creeping under your skin faster than you can say this is super-duper.
A whirlwind of scorching guitars, pounding drumming, a revolving bass line
somewhere in the middle, go-getting vocals and a dynamite chorus combine
for a badass belter. 2023 was the year for 32 Tens.
This contagious cracker celebrates forer Italian football star Roberto Baggio
Kane:“I was eight years old when I first saw Baggio on TV, it was during the
1994 World Cup. I was taken back by his presence, his look and his talent. It was
the first time I’d seen a man look so different and unique. Seeing Baggio led me to
e obsessed with that Italian football team for many years later.
Baggio is one of those typical Kane tunes. Immediately recognisable with its
uplifting 60s/70s beat and blissful melody. But it’s a glorious guitar fragment
and accompanying harmonious, backing vocals that lift the song to a five-star
pop level.
This new supergroup features Shaun Ryder & Bez (Happy Mondays/Black Grape),
Andy Bell (Ride/Oasis) and drummer Zak Starkey, yes Ringo’s son, who actually came up with this project’s idea and describes it as “a fantastic psychedelic groove from a band of misfits, outsiders and innovators.”
First single Gorilla Guerilla is a mind-boggling techno-rock stomper
to start and end all (il)legal raves with and fill dancefloors around the
globe with. This seasoned collective is a mean groove machine.
The duo launched their 12th LP, called UK Grim last March.
This rattling piece is my absolute favorite.
It’s Sleaford Mods by – very good – numbers. The mods still spit and sneer
against Tories‘ merciless pressure and devastating regime. And they still do
it with rappin’ vibrations.
The waterfall wordsmith from Hull (UK) released her tip-top debut EP Chaos Of Time
and followed it with this booming corker. Glittery, glammy and trashy (like the video).
Sing happy birthday to 6-year-old princess Jodie midway. Don’t worry afterward you
can continue to pogo around the table.
10. ‘Dicks In Tanks’ by MORLOCKS (Gothenborg, Sweden)
2023 photo by Krichan Wihlbor
This Swedish turbo founded by mastermind J.Strauss had
a new flabbergasting album out, named Praise The Iconoclast,
this year.
Single Dicks In Tanks features vocal efforts from Sascha Konietzko of KMFDM,
dark ambient electro queen Karin My and black metal maestro Heljarmadr
of Grá/Dark Funeral.
Morlocks‘ cynical take on war is sharp-cutting like a first-class Swiss knife
“Salute every hard on, a call to arms / this is my klaxon / sound the alarms”.
It all starts with warning war sirens and marching soldiers chants.
90 seconds later, it’s all hens on deck when this industrial rock missile
erupts with a blitzkrieg fierceness.
Think Rammstein and NIN having a fight with riot guns.
11. ‘An Individual Soul’ by PRINCESS UGLY (Portland, US)
This blitz duo – J. Christopher-Rome (lyrics/vocals) and Christopher Moncrieffe (music/instruments) mix post-punk, early 80’s goth, shoegaze, and new wave
into their own brand of sound.
An Individual Soul is a multi-layered serpent of a track.
After a short shock intro, psychobilly guitars take over and riff
and roll all the way through, surrounded by glowing synths waves.
Add Christopher-Rome’s creepy whispering and you’ll feel transported
somewhere into a twilight zone where Goths party. Princess Ugly’s ominous
mind mystifies and the enigmatic she-devil in the video is a misleading
magnet.
These Dutch-American misfits have their roots firmly planted in both the regional
and international counterculture. They produce a raw, dirty groove influenced by
punk, provo and punk icons. Their poetry is packed with social criticism.
Huevos Rancheros, from their new longplayer Good Busy is a song about
seeing life clearly through all the haze and confidently strolling through the
daze.
It’s a tremendously sticky and melodic tune that mesmerises from the kick-off.
Stimulated by a sparkling and melancholic guitar riff à la Kurt Vile, a footstompin’
beat and word-smith Joshua Baumgarten‘s expressive storytelling it becomes an
electrifying humdinger, after a couple of spins.
The singular psych-folk-pop-rock wanderers released, this year,
one of their best albums ever withSea Of Mirrors
Wild Bird is The Coral at its relaxing best. A characteristic psych-pop gem
that pleased my ears on repeat since it came out. Breezy and heartwarming,
causing an I-feel-so-much-better-now thrill in the end.
Paul McCartney, George Harrison, and Ringo Starr worked in 1979 on the demo
of this previously unreleased John Lennon beauty, but didn’t finish it at the time.
Now, using advanced technology and a curatorial touch, McCartney
and Starr have completed what they started with George, and turned
it into a fully orchestrated nugget of a love song
This young outfit from Newport, Wales drew TUTV’s
attention in an eye/earblink with Nice To Say Hello.
It’s only their 3rd single, but this young team sounds as if they’ve been
around for years. Nice To Say Hello is a top-pop thrill. Irresistibly catchy
and captivatingly melodic. Layers of glimmering guitars with an endearing
resonance, that brings, yes, Noel Gallagher’s strumming play of his solo
work to mind.
The charming vocals and the infectious chorus
make the sonic picture complete. Fabulous feat.
Chic Choc are three musically seasoned Amazons from NYC using drum machines,
synthesizers, guitars, voice and a variety of sound filters and pedals to make
their point.
Freedom is their crystal clear debut single that criticizes, 200% rightly so, the fact that women still have to fight for so many fundamental rights. It’s bloody 2023 and so much female injustice is still a reality.
Sonically it’s a striking EBM earworm to fill dance floors with. Brisk beats, cool chorus, sensuous vocals and a protesting choir, combine for a spirited piece. Bang-on.
18. ‘You’re So Cool’ by KAT KOAN (Berlin, Germany)
This Berlin-based songstress released her arresting debut full-length LUSTPRINZIP last year. This year, she recorded/shared three rad singles.
You’re So Cool (me?) is one of them. A sexy dance stomper with an instant impact on your hip movements. And, as usual, Koan‘s sultry voice tickles your imagination and makes you light some candlelights, and seduces you to do some shadow-dancing.
The Vanity Project is a London-based queer freak pop duo featuring Flora Jackson and Rob Paterson. The project is a multi-instrumented, multi-genre fever dream fusing new-wave, modern art-pop and PC Music influences with dashes of jangle pop, Latin alternative and drum and bass, dazzling hooks, and wryly humoured dystopian lyrics. All accompanied by eccentric visuals.
‘Eureka!’ was one of the standout singles on their debut album, named We Never Should Have Come Here, that landed last September.
Combine the madcap vibrancy of Sparks‘ early days and some glamourous Queen bombast and you’ll scream out loud Eureka!. These misfits produce
eccentric pop pleasure, sonically and lyrically, without mainstream
restrictions.
They sound kooky and look kooky, but make no mistake, this tantalizing
tandem know perfectly well how to fabricate and construct entertaining
music.
One of my all-time fav bands, on record and on stage, returned, finally,
this year with their acclaimed LP God Games and this arousing bluesy piece
is one of the highlights.
21. ‘Dead Moon Rising’ by CACTUS FLOWERS (Houston, Texas)
Cactus Flowers is a psych-rock outfit from Houston, Texas fronted by Jessica A.M., whose mother photographed bands for Rolling Stone during the magazine’s counter-culture heyday.
With Dead Moon Rising we get a mid-tempo garage blues-rock corker fuelled
by echoing, rollicking riffs, steady drum hits and arresting Jessica A.M. vocals.
This raw cracker resonates like glorious legends The Cramps in slo-mo with a
mean machine vibe, rock-and-psycho-billy swagger and hefty dynamics. From bad moon rising to dead moon rising.
(Photo by Turn Up the Volume – Lokerse Feesten, Belgium – 2022)
The British guitar pop idols will make their fans happy with their new, sixth
full-length, baptized Pick-Up Full Of Pink Carnations out on 12 January 2024.
This is one of the 4 singles they dropped so far. It’s The Vaccines alright.
Sickly sticky guitar euphoria. Totally crazy.
With this year’s three-part rock operaAtum chief
pumpkin Billy Corgan released one of his sonic dreams.
And with Spellbinding the band delivered a robust rocker infused with radiant synths, exploding now and then into a feverish haymaker on the flaming chorus and ending
with a dreamy fade out.
2LIBRAS is a Seattle-based Cyberpunk duo that create dark, synthy beats infused with melodic guitars and vocal harmony since 2018. Their music infuses genres of industrial, dark electro, synthwave/synthpop and rock.
Heart On was one of the singles of their notable debut album World’s End.
It just was the best 2023 Valentine tune. An intoxicating mid-tempo groover. Both spicy and funky, lustful and provocative with hypnotizing vocals. Its slow-mo synth-bass beat crawls under your skin, and progresses steadily towards your restlessly pounding motor while your mind tries to figure out what is going on. Amorous communication isn’t easy, let your heart do the talking. It’s made for it.
In order to not miss a beat Turn Up The Volume scans the musical
horizon daily (doing it for years now, actually) to stay in touch with
all new things sonically great and shares the results on a weekly
basis.
Check the 10 new rad cuts just
added to this rad 2023 playlist.
“This song was inspired by the awkward silence of passengers towards an individual visibly struggling on the tube. Is everyone too busy, or do they just not know what to say? Maybe this person wants to be left alone? Who knows. Everyone at one moment in their life at least has had their own struggles whilst on public transport.”
Tears On The Underground is not a happy piece story-wise but musically it’s a ravishing and captivating pop gem with emotive vocals, upfront and in the back, subtle piano play, riffs left and right and a big-time chorus.
Top!
Last week, the Californian power pop darlings released a ‘best of’ album, named Rebel Diamonds. A 20-track jukebox containing one new song, titled Spirit. A 24-carat killer.
This full-impassioned belter thrives on torrid emotions inflamed with
psych-crazy guitars, expressive vocals and a titanic chorus. The ongoing
vitality is overwhelming. It’s the title track of Highwayves new excellent
5-track EP
Leyton is a seasoned musician who’s been around for a while, playing
in bands and solo later on. Singerman is a supersonic projectile.
About the song: “I wanted to send a shout-out to a great friend and life-long rock ‘n roller, Robert Singerman, who I met at MIDEM and helped us out at CMW back in 2012. He used to be the manager for The Fleshtones from NYC and is just an amazing person – he deserves a song!”
Singerman is a supersonic rocket pushed by hungry guitars/drums,
fervent vocality and a roasting refrain. Near the end, Leyton takes
a breather before heading towards the blustery climax.
This Italian outfit describe themselves as instinctive and in the same time flickering,
fuzzy, aerial, groovy, bizarre and distor. And they are totally right when you’ll hear this
new mesmeric piece from their upcoming third album “Termination”, set to be released
in March 2024, is out via Little Cloud Records, clostridiumrecords, and Sister 9 Recordings.
Bartleby is a hypnotizing 5.30-minute psych jam that progresses with a puzzling
and darkwavish cadence. The color is black, the tone is sinister, and the male/female
vocals have a creepy timbre. Think British nightdreamers The Underground Youth.
7. ‘All I See Is Trouble’ by BEATOWLS(Liverpool, UK)
All I See Is Trouble is part of the band’s brand new, intriguing album Marma.
The Liverpool’s cult synth-noir outfit bewitch with this mystifying slow-moving trip. Meditative male/female vocals and cinematic synths augment the chilling trip-hop vibe. Trance-like sonority. References? Massive Attack and Portishead. I know, big names.
The Bristol indie punk mavericks have album #5, named Tangk out on 16 February 2024.
This new cut is a bittersweet ballad. Idles show their soft side here and it sounds great.
This darkwave synth duo from Glasgow-based have their
7th album out, named Worship. Stream it here.
Falling Tooth is one of the standout tracks. A synth riff rotates throughout with
an eerie resonance. It boggles your mind and psyche. The vocals accentuate the
obscure atmosphere even more. Striking score.
I love the way these New Yorkers descibe themselves: The Carpenters meet Slayer. Hilarious.
“At face value our new song “Mood Pills” simply refers to a pill one takes to enhance their mood. The song deals with what that does to a relationship – how it affects the overall dynamic of a relationship when one person is taking a mood-altering drug. Though love and drugs are common songwriting topics, I wanted to take a stab at writing about a different side of that – namely, the sexual dysfunction that comes from taking psychiatric drugs.”
And yes, on Mood Pills I hear echoes of the legendary pop duo The Carpenters‘ musings, but less sugary and them singing about taking mood-changing drugs back in the day is unthinkable. Oh, I think Slayer showed up too late to fuck up this explicit pearl.
To celebrate its 15th birthday, the Swedish mega audio streamer Spotify shared
a list of the biggest artists and tracks since its launch in October 2008.
The winners in the UK are THE KILLERS with their debut single MR. BRIGHTSIDE (released September 29, 2003). Globally the blockbuster hit has more than 1.8 billion streams, so far. Wowzers!
‘Mr Brightside’ previously broke UK chart records in 2021 by spending 260 non-consecutive weeks in the Top 100 of the UK’s singles chart. As of October 10, that figure has risen to a whopping 382 weeks – nearly seven years!!
Last weekend, THE KILLERS excited the masses at the Reading/Leeds Festival in the UK.
The Los Angeles darlings, fronted by Brandon Flowers got some help from thousands of fans. Big, very big choir.
Jealousy, turning saints into the sea
Swimming through sick lullabies
Choking on your alibis
But it’s just the price I pay
Destiny is calling me
Open up my eager eyes
‘Cause I’m Mr. Brightside