We’re on our way, slowly but surely, to the end of 2025.
Instead of starting to think about this year’s best LPs,
let’s go back to 2024 and listen to TUTV’s 20 Best Albums
again, and look back on what I wrote about each one
of them.
Today: No. 16
Band:THE SMILE
Sort of supergroup featuring 2 radioheads, Thom
Yorke and Jonny Greenwood and drummer Tom Skinner.
Album: CUTOUTS.
Their 3rd LP in just 2 years
(Radiohead 8 in 31 years).
Pitchfork said: “The Radiohead spinoff’s looser, funkier second album in nine months is a thrilling testament to the near-telepathic chemistry the three musicians have spent the last three years developing. It offers a grim prophecy that could refer to any number of world-historical crises. We’re all going to be dirt in the ground soon enough. Might as well hurry
up and make another record.”
TUTV: By far their best to my ears. On the previous 2, they tried too hard
to not sound like Radiohead (which they did frequently anyway) and did it with
too many redundant orchestrations, too many unnecessary layers and a bit of
arty farty structures here and there.
Mind you these are good LPs but on this one they keep it far more simple resulting
in 10 very compelling pieces of mesmerizing music. Trippy fast ones alternate with slow
reflective doom and gloom ones and throughout the arrangements are subtle, direct and most entertaining with Thom Yorke sounding, yes, at ease, not forcing his compassionate voice/vocals. Bingo.
Orchestrator Robert Smith about
their supreme new opus.
TUTV: In the past 16 years Robert Smith lost his mother, father, and brother.
All these painful events led to this extraordinarily touching record. It’s one
long, emotionally layered lament that works liberating in the end.
Strong sentiments of heartache, grief, and sadness are omnipresent, but you
hear and feel frequently that Smith has accepted humankind’s inevitable destiny.
Live and die. Life and death.
Sonically, it feels like if you’re part of a funeral march that progresses in slow
motion. Almost every song starts with a long instrumental intro of waves of
mourning synths and weeping guitars, and every time when Smith‘s feverish
voice joins in, the sense of tristesse augments wondrously heavy-hearted.
5-star masterpiece!
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. Instagram – All Albums
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TUTV: Musically, tattoo artist Carter and his accomplices have left their angry punk days behind them and moved closer to classic rock on this surprising and bold longplayer.
And it’s a truly staggering result with several melodramatic power ballads that generate goosebumps, and some stoner rock ebullitions to keep balance. Carter sings his heart out with monumental vivaciousness. A vocal tour de force throughout, dealing with up and down emotions.
Lias Saoudi (voice/face/wordsmith/poet/writer): ‘Forgiveness Is Yours,’ is about life as eternal contingency… about no longer suspecting, but knowing that this shit will never get any easier… in fact, it’s about to get a whole lot worse, your body’s going to go into decay and the people you love will slowly start dropping dead around you… but somehow, you’ve smashed enough
of your expectations thus far in life, you’re sort of fine with it… you accept it.The overarching aesthetic themes at work here are torpor and further torpor still.”
TUTV: Without a shadow of a doubt their most startling, and most creative/inventive accomplishment. Sounds like FWF have written/recorded the bone-chilling soundtrack
for an entertaining Doomsday party. Enigmatic reflections, dark deliberations, distressing vibes, a John Lennon tribute and Saoudi as the foreboding messenger and sinister poet in the middle of it all. It’s the end of the world, as we know it, and it feels like Fat White Family.
Cave: “There’s no fucking around with this record. When it hits, it hits. It lifts you. It moves
you. I love that about it. I hope the album has the effect on listeners that it’s had on me. It bursts out of the speaker, and I get swept up with it.”
TUTV: Cave is the God of cloak-and-dagger balladry. Now here’s a God I can believe in. Again he shows why he’s one of the best ever crooners in the universe. And lyrically it
feels as if, after so many devastating, heart-crushing years, with the loss of two sons,
he lets sparks of light back in his life. God bless Nick Cave.
TUTV: White returns to his punk blues roots of the early days. Swipe after swipe,
blue stripe after blue stripe, kick after kick, clap after clap. A total of 13 thunder
strokes. High-wired electricity. Dope stuff.
TUTV: The charismatic Lia Metcalfe‘s singular voice, both anxious and bewitching,
is all over this new, awe-inspiring full-length. Overall the sound is even more gloomy
and spine-chilling than on their debut from 2022.
It fits Metcalfe‘s introspective reflections on her turbulent past terrifically well.
They’re embedded in arresting songs that send shivers down your spine.
But, eventually, there’s a light shining
at the end of the Mysterines tunnel.
One that illuminates their future
and your stereo.
TUTV: The star duo made an album with lots of bright pop tunes and some blues light
ones. The licks/riffs and hooks – about a thousand – haven’t that BK’s raw and rough edge as we are used to, but I don’t miss it whatsoever.
The overall sonority leans more towards power guitar pop (slow, mid-tempo and only
a couple of fast ones). I never thought that the tandem would come up after 23 (!) years with a pretty different sounding, coherent longplayer, without ignoring their blues roots that is. I played Ohio Players more than their whole catalog together. Say no more.
TUTV: The three main elements that make this album special are Jeen’s remarkable
voice, her high-quality songwriting expertise, and the heart-and-soul passion that streams throughout it. Whether Jeen rocks out, muses, or swings moods, she always holds your aural attention.
TUTV: With Interplay their shoegaze past goes into the dustbin. Ride came up here
with a multi-layered pop LP stuffed with arousing tunes, alternated with pepped-up reveries.
All songs are sublimely orchestrated and bathe in a psychedelic jacuzzi,
while vocalist Mark Gardner‘s velvet vocals match the radiant atmosphere
exquisitely. It’s a new ride, and it’s a gratifying one.
TUTV: This first Mancunian collabortion sounds as if was made about 30 years ago.
Most tunes could be leftovers from The Stone Roses‘ 2nd and final 1994 LP Second Coming, the one on which Squire played his guitar exactly the way Jimmy Page did in Led Zeppelin for years. And Liam is Liam. Arms together on his back and letting his pipes do the talking. The two heroes just did what they wanted to do, making an album together and having fun doing it.
Before I was aware of it I had played the album about 10 times in 2 days.
Mind you this is not a masterwork whatsoever, but all 10 tunes are top-entertaining
and stick faster than I can say “I want the Stone Roses support Oasis on their reunion tour”?
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. Liam Gallagher – John Squire
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TUTV: The Other Side is a concept record about a “mysterious couple” having
adventures in an otherworldly America. The by-now 76-year-old Burnett translates
their journey in lovey-dovey lullabies, heartfelt musings, and amourus ballads.
This is the perfect record for daydreaming and relaxation. Soft, mellow, and tender.
His slightly hoarse Americana voice enchants and entices all through this sepia-colored album. Pure romanticism. Pure songsmith.
Artist: JUJU (Italy)
Brainchild of Sicilian multi-instrumentalist
and producer Gioele Valenti. Album: Apocalypse Is God’s Spoiler
Photo by Turn Up The Volume
TUTV: Valenti is a jam champ and a groove master creating electrifying, trance-like vibrations that transfer you to the dark side of your mind where you can freely
fantasize and explore your own psyche.
Circling Krautrock-like psychedelia is all over the place. Choir chants and spacey percussion cause a tribal atmosphere à la The Brian Jonestown Massacre and The Dandy Warhols. Mind-bending and dream-triggering. As always.
TUTV: After the turmoil, chaos and drugs addictions (especially Doherty) of the early
years, the side-projects, solo records and getting clean and healthy the Libs are back, again. They’re not the boys in the band of yesteryear, they’re now grown-up men who
enjoy a stable life and still are obsessed by making music.
They became notable, experienced musicians who left their hedonistic lifestyle behind themselves for several years now. Not one dull moment, not one dull song on the eastern esplanade.
TUTV: The Irishmen have become first-class songwriters (which they already proved on previous LP Skinty Fia– – still my favourite one). Frontman Grian Chatten‘s lyrics show (again) his observative view on this modern-day, confused world and how it affects
his inner-self.
This is not their masterpiece yet to my ears, but it’s only a matter of
time that they will come up with a longplayer that will blow us all away.
Turn Up The Volume: Old skool punk ‘n’ roll? Absolutely. Any good? You betcha! Amyl and her loud buddies made another roasting riff-manic-monster of a hell fucking
hell yeah record. Pogo madness is back. Sturm un drang from start to finish. HOLY MOLY!
Band:THE SMILE
Sort of supergroup featuring 2 radioheads, Thom
Yorke and Jonny Greenwood and drummer Tom Skinner.
Album: Cutouts.
Their 3rd LP in just 2 years
(Radiohead 8 in 31 years).
TUTV: By far their best to my ears. On the previous 2 ones they tried too hard
to not sound like Radiohead (which they did frequently anyway) and did it with
too many redundant orchestrations, too many unnecessary layers and a bit of
arty farty structures here and there.
Mind you these are good LPs but on this one they keep it far more simple resulting
in 10 very compelling pieces of mesmerizing music. Trippy fast ones alternate with slow
musing ones and throughout the arrangements are subtle, direct and most entertaining with Thom Yorke sounding, yes, at ease, not forcing his compassionate voice/vocals. Bingo.
TUTV: Nostalgia is the keyword all over this fully devoted record. As we already know
for a long time Hawley is a romantic at heart who’s in love with his city Sheffield since
he was a child. It’s more than just his hometown.
It’s the place where he experienced all things good and bad, happy and sad. It leads
to yearning renumerations, fanciful daydreams and wistful meditations. With his soft-heartened voice and late-night stories, the late great Roy Orbison comes to mind on
several occasions.
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. Instagram – All Albums
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– 18 –
Artists:DEAD ANYWAY British duo combining the dark lyricism of Kate Arnold
against the music and soundscapes of Marc Symonds. Album: Tough, Listen
TUYV: Slow/mid-tempo/fast trip-hop tunes are wrapped in layers of
distortion and feedback, creating an eerie and at times sinister ambiance.
Massive Attack, Tricky, Arab Strap and Mike Skinner’s The Streets
and Laurie Anderson‘s latest opus Amelia come to mind.
DA resonates as EBM for people who come alive when the darkness sets in, far away
from our 24/7 suffocating life and the world’s destructive nature as we experience now, again.
Kate Arnold‘s spoken word stories evolve on waves of chilling synth soundscapes that actually ease one’s confused mind (mine, for sure) and transfer you to your space of imaginativeness. Trance massage it is. You’ll feel alive anyway.
“The singular mixture of classic punk/hardcore and electronic styles result in 12 frantic tracks of postmodern pop for the genreless future. Painted with a broad pallet of only the most extreme hues of emotion, each track is marked by a distinctive danceable mania.”
TUTV: Let your head kicked in with schizophrenic disco sledgehammers for illegal raves in batcaves where dropouts, misfits, loners, eccentrics, bohos, and other related outsiders gather to move in mysterious ways, far away from the normal world.
TUTV: It’s vintage Shellac/Steve Albini with its wayward song structures, its
capricious and minimalistic approach, its broken riffs, edgy hooks, sinewy
drumming, Albini‘s firm vocals and the raw and rough post-punk dynamics.
Absolutely weird to listen to, knowing
that the noise wizard is here no more.
He passed away on May 7, following a heart attack.
Only 10 days before the album release. Sad loss.
Artist: T BONE BURNETT Who: Legendary American songsmith and lauded producer who worked
with many greats (Elvis Costello, Robert Plant, John Mellencamp and many
more) and scored movie soundtracks all through his long career.
LET THE FLOWERS GROW
The song was originally written by Boy George with its initial message being
“one of
personal acceptance about being gay. As the song developed, it took on a more expansive and universal scope with its lyrics extending beyond sexuality and embracing race, gender, creed and religion.”
Epic.
Boy George – Peter Murphy
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Artist: PETER PERRETT Who: Former frontman of legendary British new
wavers The Only Ones (1976–1982, 2007–2017)
“The song incorporates themes of longing and desperation I felt in my own
life at the time that found a home in anecdotes of the desert and its characters
experiencing these feelings for reasons far removed from my reality.”
Artists: THE GLASS HOURS Who: American songwriters Brad Armstrong and Megan Barbera.
Their music blurs between Sunday afternoon country-folk and
the golden age of the 1970s.
“It’s about that someone you’ll never be with and that you allow to remain
inside you as a perfect unspoiled thing, yet still you measure and hold your
real relationship up against it. It’s a dream, an illusion, an unfair fantasy.
Nothing and therefore able to be perfect.”
Band:THE SMILE Who: Sort of supergroup featuring 2 radioheads, Thom
Yorke and Jonny Greenwood and drummer Tom Skinner.
Album: CUTOUTS.
Their 3rd LP in just 2 years (Radiohead 8 in 31 years).
NME says: “The Smile return for more jazz-influenced,
experimental rock and they seem to be having more fun
than ever.”
TUTV: By far their best to my ears. On the previous 2 ones they tried too hard
to not sound like Radiohead (which they did frequently anyway) and did it with
too many redundant orchestrations, too many unnecessary layers and a bit of
arty farty structures here and there.
Mind you they are good LPs but on this one they keep it far more simple resulting
in 10 very arresting pieces of mesmerizing music. Trippy fast ones alternate with slow
musing ones and throughout the arrangements are subtle, direct and most entertaining with Thom Yorke sounding, yes, at ease, not forcing his compassionate voice/vocals. It all feels tremendously natural and blithely .
Margolin: “A lot of this album is about a more frenetic and desperate kind of love.
It is about completely losing my sense of self in a relationship, and the deep residue
of insecurity and pain that lingered and clouded a new relationship. There was a lot
of love and confusion, all interspersed with exhaustion and pain. All the songs started
out as poems. I wanted to challenge myself. ”
Uncut Magazine: “Sitting somewhere between alt.rock, indie-pop and a singer-songwriter album, it’s a neat balancing act that feels personal and intimate yet also sonically ambitious.”
TUTV: Spearhead Dana Margolin (guitar/vocals/songwriter) opens her heart and soul
again on this new longplayer. Following a toxic relationship, she recovered, rediscovered her own self, and looks to the future with confidence. As in the previous 3 albums she’s
as expressive and emotive about her turbulent personal life, even more explicit.
Sonically we get the by now familiar song structure. Slow start, building up the fervency, and finishing with haunting outbursts. But this time all pieces/tracks fall more into place than before. The songs have more body, are more elaborated and display Margolin‘s growing composing skills. Yes, it’s PR’s best effort yet.
An 8-track offering that traces the transformation of Long Island City, the part of Queens that Geni calls home. Situated across the East River from Manhattan with its stunning skyline views and now booming with skyscrapers, this place is haunted by its industrial past and friends who have moved on. These recordings explore themes of change, impermanence and loss amidst the city’s constant evolution.
Photo by Alice Teeple
TUTV: I really like the idea of Cities Built Upon Cities. An universal sign’ of the modern
times. Just google old photos of your own town and compare them with today’s views. Geni seems to have it done in detail with his beloved Long Island City and wrote eight
heavy-hearted songs about it.
Romantic reveries with real/surreal images of the past, present and future of LIC. Bittersweet, richly orchestrated, symphonies with his monumental voice – think of Perfume Genius, Talk Talk’s Mark Hollis and James Bay‘s bewitching vocality – taking them to sky-high heights, up there in the clouds, while floating over the city. This is the kind of record you listen best to with headphones on, dimmed lights and far away from our daily rat race. It’ll evoke mixed emotions about the place you love the most. Well, that’s what I experienced while listening.
Band: AMYL AND THE SNIFFERS Who: The punk rock whirlwind from down
under fronted by the utterly cool Amyl Tylor.
Kerrang! writes: “Added together, it makes for an instantly irresistible album
that – just like its opening line – is frank, fearless, funny and fucking fantastic.”
Turn Up The Volume: Old skool punk ‘n’ roll? Absolutely. Any good? You betcha! Amyl and her loud buddies made another roasting riff-manic-monster of a hell fucking
hell yeah record. Pogo madness is back. Sturm un drang from start to finish. HOLY MOLY!
TUYV: Never change a winning sound. As on their previous album DA keep on
drawing your aural attention with slow/mid-tempo/fast trip-hop tunes. But this time embedded in layers of distortion and feedback, creating an eerie and at times sinister ambiance.
Massive Attack, Tricky, Arab Strap and Mike Skinner’s The Streets
and Laurie Anderson‘s latest opus Amelia.
DA resonates as EBM for people who come alive when the darkness sets in, far away
from the suffocating day life and the world’s destructive nature as we experience now, again.
Kate Arnold‘s spoken word stories evolve on waves of chilling synth soundscapes that actually relax one’s confused mind (mine, for sure) and transfer you to your space of fantasies. Trance massage it is. You’ll feel alive anyway.
Band: STRAND Who: Power pop quartet from Dublin, Ireland which
changed their group’s name from Soundstrand to just Strand.
Track: PROGRESS
Their first single as Strand, part from their
upcoming 5-track EP that’ll land early next
year.
“Progress is a song about changing places, people and times.”
TUTV: Epic. Grandiose. Staggering. Amplified guitar-pop at its mind-blowing best.
Get the exciting picture? Progress has a promptly goosebumps impact. It’s one of
those not-everyday puissant standout tunes that overwhelms your emotions from
the first listen.
TUTV: I have no clue what this vociferous punk headbutt has to do with
the late legendary jazz saxophonist John Coltrane, but this deafening
wall-of-hells-bells havoc we experience here isn’t exactly a bebop tune.
Imagine two trains coming from opposite directions at an insane
speed crashing into each other. That’s what happens here. Beware.
Band: DITZ Who: Post-punk dropouts
from Brighton, UK.
The turbulent bohemians have their sophomore LP, named Never Exhale. It’ll show up on 25 January 2025. Pre-order
info here.
Track: SPACE/SMILE
TUTV: Space/Smile is a slash/trash stormer, pushed by fulminating percussion,
schizo guitars and fronman Francis‘ spitting and sneering, fueled by his three
lungs, without breathing, for 108 seconds. DITZ is a mean raging machine.
They mess up your head, whether you like it or not.
Band: HEARTWORMS Who: Psych-pop act led by fast up-and-coming British songstress Jojo Orme.
They drew a lot of aural attention with last year’s EP A Comforting Notion.
The band have now announced details of their debut LP. It’s baptized Glutton For Punishment and will land on 25th February 2025.
Warplane is a head-over-heels missile that speeds up sky-high from the get-go, propelled by a disco-vibe infused synth/guitar/bass collaboration and Orme‘s feverish vocals rollin’ all over it. Every time the choir-like chorus comes up your adrenalin’s production doubles . Supersonic stunner.
Press info: A light-hearted, humorous, autobiographical documentation of a semi-dramatic nervous breakdown that happend when “one morning all plans went pear-shaped and patience went down the drain”. No longer feeling the need to pretend that everything is shiny and running smoothly, Koan lets rip on this catchy tongue-in-cheek art-pop tune. Influenced by her favourite artist Baxter Dury (yes, the son of).
TUTV: Koan‘s most explicit, unbridled and personal reflection/introspection
so far, bundled in a sensual bass-juiced melody with a nightclub vibe. Explicit?
Well, life itself is explicit, right? Let us dump our shit, ignore what people think,
and feel loose.
Band: GIRL TONES Who: High-energy rock duo brought to life by two sisters, Kenzie and Laila. Both classically trained musicians, Kenzie transitioned from cello to guitar and Laila from piano to drums in an effort to electrify sentient beings from this galaxy to the next.
TUTV: Who needs a Hole reunion if we have these two rock chicks who challenge your
stereo’s potency with inflammable swagger and ablaze gusto. Aggressive guitars, battering
drums, fiery vocals, and a hell-bloody-helly-yeah chorus.
Ciarán Fitz (vocalist/guitarist): “This is definitely one of the most outright punkers we have, probably. ‘Scrunched Up Fist’ was literally written in the jam room in 10 minutes. Matthew and James were just playing this thing as I was coming back from a smoke, and I knew I had lyrics
in my phone that would work with it. Added some guitar but not much, and it was donezo”
TUTV: Wham bloody wham bam. Expect a sharp-splitting punk rock juggernaut. Amps up and full steam ahead. No rest for the wicked with this razor-blade cutting, head over heels bombshell spiced with sneering vocals. Wham bloody wah-wah guitars bam. Scrunched Up Fist hits your face really hard. Hurry-scurry stroke.
Band: DHARMA GUNS Who: 4 indie rockers
from Helsinki, Finland.
Track: M.I.D.L.I.F.E. CRISIS
Third shared cut from their upcoming debut LP Ex-Generation Superstars, out November 1st.
Pete (singer): “Some guys buy fast cars and fell for younger women; others purchase expensive guitars and hang them on the wall. And some of us wish to leave a mark in history and/or do the right thing. The verse riff is a bit ‘stonesian’ whereas the chorus of the song is a classical punk rock sing-a-long.”.
TUTV: Yes! Yes! Do you need a badass booster today to get you through the outside
rat race? Here it comes. Dharma Guns offer you a noisy piece of rock’n boogie ‘roll to test your stereo’s resilience with. Think The Black Crowes with a 70s Britpunk attitude. Get the picture? You’ll never get a midlife crisis with these Finnish wackadoos. Yes! Yes!
Track: LET IT LOOSE
Cut from their debut LP Days,
out on November 20.
TUTV: This guitar/drum beat-driven groove melt Southern rock and Motown soul, with its glowing horns and backing gospel vocals. Well, that’s what my ears tell me. Anyway, this catching cracker will active several of your limbs.
Kelly: “It’s about being at the top of your game and being a human under a lot of pressure. It’s about the superficiality of the people you meet, keeping up the facade of fame in the eyes of the world and trying to relate to others… I just had Hollywood in mind for some reason and what it must be like for people who are so famous and desirable they can’t walk down the street. Then what it’s like to be the person who used to be that famous and the shit you get for not being as ‘perfect’ or ‘beautiful’ as you used to be. Washed up, if you will.”
Infectious, mixed emotions piece
that moves and grooves with a
doom and gloom sonority.
Viens: “Most of us do not want to live in a world where LGBTQ+ people are not safe;
where people of color are not safe, or have the same opportunities as whites; where children are being gunned down daily; where books and education are devalued; and where women don’t have control over their own bodies. No candidate is perfect. We must vote while we still can, especially in this election, to ensure that future generations continue to have the sacred power of their freedom, their choices, and their voices.
TUTV: This song was written about 20 years ago by a Boston musician when George W. Bush was running for re-election against Massachusetts’ own John Kerry and it’s highly relevant again.
GWAH, rockers at heart, turned the encouraging tune, into a jaunty country folk pop
gem you can hum, sing and whistle along all day long. Here in Europe, we are also waiting with anticipation for the election results. Whoever wins the White House, it’ll have an impact on the rest of the world. Here in Europe want democracy to prevail, it takes care of humanity in all aspects. While waiting for November 5 , let’s rock the boat, and vote for GWAH today.
Track: A FRAGILE THING
Gloomy piece from their 14th album, their first in 16 years, titled Songs Of A Lost World, and lands on planet Earth tomorrow, Nov 1.
“This song is a fragile thing
This song is my everything
Nothing you can do to change the end
There’s nothing you can do to change the end”
A deluxe edition, titled comes in a 2 LP set in a gatefold jacket with
an alternate cover and new sequencing. It features 18 tracks, including
4 previously unreleased ones, and will land on November 15.
This newbie features singer-songwriter,
with Mexican roots, DannyLux.
Artist: PERFUME GENIUS Who: The musical project of Michael Alden Hadreas who explores topics
including sexuality, his personal struggle with Crohn‘s disease, domestic
abuse, and the dangers faced by gay men in contemporary society.
Track: MY PLACE
A previously unreleased song added to
the 10th anniversary edition of his 3rd
album Too Bright.
Band: THE OPEN FLAMES Who: 4-piece from London who bring equal parts attitude and psychedelia
to their rough-edged, literate “pop noir”. Lead singer Dave writes songs
between aid missions in war zones
Dave Eastman (vocalist): “We wrote the song with the metaphor of paying a tithe to a blind girl sitting at the Gates of Hell to describe the hesitation before knocking on the door of your prom date, or a wedding chapel. It was inspired by the final moments of Ian Curtis of Joy Division, before he passed into another life. The song’s second half passes through the Gates
to fly over a tormented landscape of Dante-esque souls who rise up howling from the fires and boiling muds of Hell.”
Sonically it’s an easy-going guitar-pop gem with an instantly sticky impact.
Lyrically, it’s a sort of hallucinatory brain twister. All together, it’s a splendid
debut. No wonder Satan plays it on repeat on his stereo in hell.
TUTV said: “Virgins take you on a flight at supersonic speed way up into the sky
above the clouds, where reality becomes surreality, where layers of seventh heaven
shoegaze symphonies blast from the plane’s speakers. For 40 phantasy-stimulating
minutes you’ll forget all about what happens down there, on our dramatically disturbed planet.”
Now they shared gliss that initially was a bonus track on the album’s Bandcamp edition, on all platforms. I extends and finishes their debut
LP with celestial force.
The creativity of THE SMILE, featuring radioheads Thom Yorke and Jonny Greenwood and drummer Tom Skinner is pretty impressive.
With CUTOUTS the trio launch their 3rd LP in just 2 years.
Press info: “Cutouts was recorded in Oxford and at Abbey Road Studios during the same period of time as Wall Of Eyes. The album features string arrangements by the London Contemporary Orchestra and the album art was painted during the recording process by Stanley Donwood and Thom Yorke.”
NME: “The Smile return for more jazz-influenced, experimental rock and they seem to be
having more fun than ever. Eschewing any grand, overarching statement, The Smile sound – whisper it – quite comfortable within what is now their established aesthetic. But Radiohead recently entered the rehearsal studio together, which begs the question: will there be a fourth album from this curious trio? Either way, don’t be surprised if it’s now time for a total reinvention.”
TUTV: By far their best to my ears. On the previous 2 ones they tried too hard
to not sound like Radiohead (which they did frequently anyway) and did it with
too many redundant orchestrations, too many unnecessary layers and a bit of
arty farty structures here end there.
Mind you they are good LPs but on this one they keep it far more simple resulting
in 10 very arresting pieces of mesmerizing music. Trippy fast ones alternate with slow
musing ones and throughout the arrangements are subtle, direct and most entertaining with Thom Yorke sounding, yes, at ease, not forcing his compassionate voice/vocals. It all feels tremendously natural and blithely .
I played this record 5 times in a row. Say no more.
The productivity of THE SMILE featuring radioheads Thom Yorke
and Jonny Greenwood and drummer Tom Skinner is quite astonishing.
Tomorrow they’ll release their 3rd album in just 2 years with CUTOUTS.
But first the 4th and final single, named BODIES LAUGHING. At first hearing,
I thought it was a previously unreleased Radiohead reverie accompanied by
a Halloween visualizer. Check it out here, people.
