Band: THE JESUS LIZARD
The notorious Texas native, Chicago-based noise rock
veterans (1987–1999, 2008–2010, 2017–present, and
still with their classic line-up).
Album: RACK
Their first in 26 years
and 7th overall.
Band: BABY SCHILLACI Who: Welsh alt-act producing a raw, unfiltered sound. Rooted in post-punk
and noise, the band’s aggressive yet intricately layered compositions evoke
comparisons to seminal acts like Mclusky, At the Drive-In, and Fugazi.
Track: BLUNT FORCE TRAUMA
From their upcoming debut album
‘The Soundtrack’ out next week.
A barbed slice of mayhew. Think Sonic Youth going forth
and back, and finishing with a flabbergasting finale.
Band: BLACK DOLDRUMS Who: British synth-pop-Goth trio, with key
members Kevin Gibbard and Sophie Landers.
Track: SUMMER BREEZE
Song from their their second longplayer In Limerence which lands on October 18.
No, this is not a New Order song but it could easily be one, actually a stellar one.
It’s a pure synth-pop pearl for all seasons. Uplifting, heart-warming, and gratifying.
The high-octane rock ‘n’ roll explosion tells the darkly humorous and gripping tale of a woman who has taken drastic measures against a deceitful lover. Noanne ventures into uncharted emotional territory, portraying a dramatic shift from dependence to outright animosity—and beyond.
Band: SOME REMAIN Who: Young punk gunslingers
from Ireland.
Track: DEATH DEFYING STUNTS
The first taken from an upcoming EP
slated for release early 2025.
Not only does it defy death, it pretty much defies description as it takes you on a glorious and wild ride through early UK punk (Read About Seymour – Swell Maps) and surf rock (Miserlou – Dick Dale) with some Dr Feelgood and The Cribs thrown in for good measure.
“A hectic party tune that leaves you feeling like you’ve
just landed a sick kickflip over a tank of sharks.”
CC have that uplifting drive of the Levellers and the eurythmic catchinesss of Mumford & Sons. Wash Away The Day is a brisk pop tune going forth and back, from
low-key to vivacious and back, while ardent harmonies and energetic violins complete
the swirling sonic picture.
Band: SOFT SKIES INC Who: Philadelphia-based identical-twin duo and longtime musical confidants Ryan and Martin Rex, their shared sonic compass draws a straight line from the
classic alternative of their youth to the modern alternative and dream-pop of
today.
A song of hope, riding those tender waves of nostalgia, understanding that a loss of innocence comes with age but that we emerge from the other side with newfound perspective and awareness.
Melodic guitar pop at its Sebadoh best. Uptempo shoe-slacker-gaze
spiced with scintalling synths and ethereal vocals. Start dreaming in
overdrive. Right here.
Nicks: I wrote this song a few months after Roe v Wade was overturned. It seemed like overnight, people were saying ‘what can we, as a collective force, do about this…’ For me,
it was to write a song. It took a while because I was on the road. Then early one morning I was watching the news on TV and a certain newscaster said something that felt like she was talking to me ~ explaining what the loss of Roe v Wade would come to mean. I wrote the song the next morning and recorded it that night.”
A vehement pro-reproductive rights anthem that
overwhelms on the chorus. Nicks‘s impressive voice
lights in the middle.
The first composition of the Goth icons’ upcoming 14th LP, their first
in 16 years, titled Songs Of A Lost World. It’ll drop on planet Earth on
November 1st.
Alone is an almost 7-minute funeral march, a slowly progressing lament, layered with mourning synths. Smith only starts singing halfway and augments the sombre atmosphere all the way through. After a couple of spins the songs keeps on coming back to haunt you. Sonic cure for restless minds.
Band: JOHNNY MARR AND THE HEALERS Who: Short-lived (2001-2004) Johnny Marr project
after he left The Smiths.
Track: THE WAY THAT IT WAS
Previoulsy unreleased song from the deluxe
reissue (released last week) of their one and
only album, named Boomslang.
A sweet 18-carat pop diamond with a melancholic resonance and impassioned
and affecting Marr vocals. No idea why this gripping reverie was hidden for so long,
but happy that my ears can enjoy it today. The Way That It Was wouldn’t have been
out of place on The Verve’s 1997 classic ‘Urban Hymns‘.
Last year they released three singles, but no news of a new album.
Last February they launched another one, named All The Same Again
but no news of a new album.
Album trailer
The wait is over now. The Voidz announced that their third LP,
called Like All Before You will turn up in September.
Along with this message they shared OVERTURE. An instrumental 1.10 minute, eh, overture. Probably the opener of the new album. A weird way to attract attention,
then again The Voidz are a weird band.
Time flies. We already have six months of 2023 behind us.
Six months of listening every day to music, bad/good, very good and 24 Carat Gold.
It was hard to make a selection of the 25 most impressive pieces. But we did it.
These Brighton punk feminists are MENTAL and AWESOME.
They released Turn Up The Volume‘s best EP of 2023 (so far), named You’re Welcome
a couple of weeks ago. And one of the 6 Molotov cocktails on it is this in your-macho-face sucker-punch. The Lambrini girls race faster than a Ferrari bolide. Best band in the world!
A vigorous young trio from the UK. On this turbulent ripsnorter, it’s full tilt ahead
from the get-go. No brakes, no breaks, no mistakes. A whirlwind of scorching guitars,
pounding drumming, a revolving bass line somewhere in the middle, go-getting vocals
and a dynamite refrain. This is gonna be the year for 32 TENS.
This brand-new supergroup features Shaun Ryder & Bez (Happy Mondays/Black Grape), Andy Bell (Ride/Oasis) and drummer Zak Starkey, yes Ringo’s son, who played with Oasis and The Who among others and who actually came up with this project’s idea and describes it as “a fantastic psychedelic groove from a band of misfits, outsiders and innovators.”
It’s an incredible shame that women still have to fight for so many fundamental rights.
It’s bloody 2023 and so much female injustice is still a reality. So, it’s great that female artists get up, stand up and fight for their right to tackle this human disease.
Chic Choc do it right away on their fantastic debut single. An electronic-booming EBM knockout to fill dance floors with. Boosting beats, catching chorus, sensuous vocals and
a protesting choir, lead to a sassy stunner. Bang-on. Le freak, c’est chic choc.
This 4-piece post-punk from London launched their
kick-ass debut LP Metaphysical earlier this year.
Beefcake Doctrine is driven by repetitive Krautrock dynamics.
Its trance-inducing beats create a hypnotic and puzzling razzmatazz
you can’t and you won’t escape from.
After scoring the best debut LP – to TUTV’s ears – of 2023 The Great Regression, followed by a live album, they just
dropped this brain-frying hammer blow.
It’s a liberating, drum-backed anthem that allows the band to break free from any stress
or obligations in pursuit of a good night. Good times or bad times, it’s always (in)sane to lose your marbles while diving into a hot let’s have a ball night, now and then. And ‘Lose Your Mind‘ is the matching master blaster to double your adrenalin production.
On this slam hip-hop dunk the duo condemn the US’s mass shootings of late in a cynical loud-and-clear way The rip-roaring rappers pretend to be murderous shooters firing at everyone and everything. Bulletman is a devastating drill, a boiling burst that cuts like a first-class Swiss knife.
10. ‘Set Yourself On Fire’ by ULTRA SUNN (Brussels, Belgium)
Once again this cold/darkwave duo – Sam Huge and Gaelle Souflet – shine in the darkness. The rapturous chorus hits you from the first spin. Resounding beats, entranced synths, and echoing vocals combine for another triumph.
11. ‘Your Death Is My Glory’ by CAMLANN (Indonesia)
A human-caring dark-disco duo Ony Godfrey and Fauzan Pratama from Indonesia.
Their newest single is a catchy-as-hell injection that accelerates your bloodstream.
An irresistible stomper to jump up and down like crazy while giving the middle
finger to all power-greedy politicians.
What a way to debut! Expect a glorious nightclub gem with a synth-tantalizing vibe reminiscent of the starry-eyed sparks of British electro-pop heroes New Order. Lipstick
is both a sensuous and affectional tune with gripping vocals up front and melancholic
ones in the back.
Their new single is a flabbergasting metallic corker. It goes forth and back, left and
right, slow and fast as if Casablancas and his misfits put several snippets of several
songs together and puzzled them into one stupendous stroke of a track.
This noizzzz jackhammer from their self-titled debut LP rocks and rolls with panache. Expect ablaze guitars buzzing in a slow/fast mode and turning up the volume, especially
on the yell-along refrain. Legends Hüsker Dü come to mind. Say no more.
It’s the second single off of the upcoming debut album World’s End of this cyber-synth duo.
Heart On is an arousing mid-tempo groover. Both spicy and funky, shadowy and seductive, lustful and provocative with hypnotizing vocals. Its slow-mo synth-bass beat crawls under your skin from the kick-off and progresses steadily towards your restlessly pounding heart.
Night Time is an ecstatic, awe-inspiring, and anthemic thrill. It has that engrossing and
afire rock swagger of Bruce Springsteen‘s melancholic Americana exploits, it’s infused with The Edge-like guitar sparks and frontman Sutherland‘s ardent signing is a perfect match for this soul-stirring pearl.
18. ‘Cars’ by Artists: LUNAR TWIN (Hawai/Salt Lake City)
This electro-pop duo scored an excellent album with Aurora last April.
A 30-minute sonic trip, an ambient fantasy with trancy vibrations, ataractic
effects, and near-whispering vocals.
Cars is my favorite piece. Electrifying dream pop
at its mesmerizing best with sparkling guitar play.
This colorful collective criticize the disastrous state of health care, with the government ignoring the life-risking problems, in England with a sickly sticky riot grrrl pop tune that activates your limbs instantly.
Think Debbie Harry and Blondie playing around on their debut LP. Vibey and briskly. Frolicsome 60s organ touches, lively guitars here and there, and avid vocals.
The band’s new punchy stroke jumps up and down in your head and elevates your mood from the start. It’s a contagious foot-stamper with a poppy chorus vibe inviting you to play air guitar and sing along with all the force your lungs can come up with.
The first new music in three years from the post-punk-rock project of singer-songwriter-guitarist Laura Lee Schultz. The composition captures the raw emotions of sadness, frustration, and anxiety that permeated throughout the years since the pandemic began.
The track’s ominous mid-tempo progression and swelling structure advancing over
an ongoing hypnotic guitar riff send shivers down your spine. Second by second, like
a nervously ticking clock, the sonic poignancy and heartfelt fervidness grow with exuberance and magnitude until Schutlz’s monumental vocals go through the roof.
This is an emotive post-break-up pearl. Heartfelt reflections embedded in
a goosebump musing that resonates like a bittersweet symphony. This British
singer-songwriter’s highly passionate vox reminds me of Antony Hegarty‘s sensitive ardency. The whole-souled tristesse and mixed emotions at play here make you
silent.
This is the artistic moniker of Canadian songsmith Miles Evans-Branagh. He signed for
one of this year’s best albums, so far, with Slow Down. Eight musings. Eight engrossing compositions with one and the same message: get high on life with love. Craftily written, subtly arranged, and graciously orchestrated with intimate, soulful charm and stylish elegance that moves and touches.
Opener A Little Bit is one of those 8 affecting reveries.
These feminist girls in a band unleashed their A.W.E.S.O.M.E
6-track EP last week. Buy/stream here.
And opener Boys In A Band is a motherrockin’ standout. A ferocious punk sucker-punch
to crush male machos with. Vocalist/songwriter Phoebe Lunny has 4 lungs and uses them mercilessly and bassist Lilly Macieira-Boşgelmez plays her 4-string louder than war.
2. ‘This Just Ain’t My Year‘ by 32 TENS (Warrington, England)
This vigorous trio of young gunslingers speed full tilt ahead from the get-go.
No brakes, no breaks, no mistakes and creeping under your skin faster than you
can say ripsnorter. A whirlwind of scorching guitars, pounding drumming, a revolving
bass line somewhere in the middle, go-getting vocals, and a dynamite chorus. This is gonna be the year for 32 TENS.
“It’s a liberating, drum-backed anthem that allows the band to
break free from any stress or obligations in pursuit of a good night.”
Good times or bad times, it’s always (in)sane to lose your marbles while diving
into a hot let’s have a ball night, now and then, and go berserk. This manic master
blaster doubles your adrenalin production an make you feel flying eight
miles high while you jump from bar to bar, from club to club.
The Strokes‘ frontman Julian Casablancasand his hobby band are back with this flabbergasting metallic stunner. It goes forth and back, left and right, slow and fast as if Casablancas and his misfits put several snippets of several songs together and puzzled them into one stupendous stroke of a belter.
The UK wasn’t so divided as it is now following Brex-shit, charlatan Boris Johnson
and the ongoing suffocating acts of the Tories. Like so many (young) Brits Drella
hate what they have to endure every single day. And they let it hear loud and clear
on this new stiff-necked wallop.
The Swedish punk clowns are finally back with new stuff.
Their new LP The Death Of Randy Fitzsimmons, their first
in 11 years, lands on 11 August.
The first single Bogus Operandi starts slowly with some drum hits and some distorted guitars. But after 45 seconds the wait is over. From there on it’s full steam ahead with frontman Pele howling as we know for a long time now.
The pumpkins released their three-part rock opera Atum in Three Acts
a couple of weeks ago. A total of 36 songs. I picked the 12 best, deleted
the rest, and guess what? I have a splendid new SM album.
This two-piece alt-rock act – Kristen Goetz (vocals) and Nolan Jodes (guitar/bass/vocals)
took their name from David Bowie‘s 1974 track Diamond Dogs: “…just another future
song, lonely little kitsch.”
Monster is the duo’s 2nd single. A monstrous cannonball going everywhere fast.
A post-punk eruption that resonates like L.A.’s celebrated AmazonsL7 on speed.
A Nick Drake tribute album is coming up. Parish and Harding are part of it.
The duo picked Drake’s 1969 composition THREE HOURS from his Five Leaves
Left LP.
Their take is a Krautrock-like-spinning masterstroke. It moves and grooves along
a hypnotic bass riff and a steady drum beat with doomy synths working their way to
the front. Mesmerizing and intoxicating while duet vocals float all over it, alluring and affecting. Special, really special
Depression Breakfast follows the first cranked-up single Tension and is the title
track from their upcoming 5-track EP which will see a digital and 12″ vinyl release
next June.
The tone is poignant and disturbing in an intriguing way. As we know, artists can do great things in case of a distressed state of mind. Despite the dark lyrical context Depression Breakfast‘s guitars cut like a Swiss knife just as troubled soul Lou Barlow (Sebadoh/Dinosaur Jr.) does with flaming force when he rocks out to expel his demons. Japanese Jesus can work cathartically too for all of us who haven’t a pink view on reality these days. As we know too, sad music can work deliberating.
Spinning Plates is a piece from this British songstress’ upcoming debut album.
Carpenter:“There’s a lot to unpack in this song. From societal pressures on the roles you are meant to fulfill as a woman, alongside the struggle of keeping up a relentless positivity to being a musician – and how impossible it is to ever get the balance between the two. Our anger is justified and our stories worth sharing. ”
It’s 2023 and still a lot of male machos and sexist pigs operate in the music
industry, and not only there. Horrible. Carpenter seems to try and fight these
awful demons with this emotive power-pop stroke gem. Spinning Plates is an
infectious guitar/drum-energized stomper with her room-filling voice standing
out upfront. At one point she slows down, only to restart the magnetic groove.
When I heard this earworm for the first time, I could swear that this pop pearl
is a previously unreleased track from U2’s recording sessions for their 1987 masterpiece LP The Joshua Tree. Stand For Something has that majestic grandeur of the Irish heroes’ idiosyncratic sound with The Edge‘s magical guitar play lifting their hits to epic heights.
No, I’m not kidding. What Infinite Sonic does here is what rhapsodic pop is about. I just looked outside, it’s a beautiful day, and if you still haven’t found the tune you’re looking
for this might be the One.
“A song about not accepting the harsh truths we all need to face sometimes.
Getting lost in some other distraction to ignore the hard task of acceptance.”
Following previous punchy single From The Start these Canadian Londoners nail it again with this new avid crackerjack that turns up the ardency every time when the catching chorus crashes in after the tension is built up in the verses. Firm guitars, a fired-up rhythm section, and fiery vocals. All ingredients you need to make your ears happy.
This Belgian unit was founded in 2017 by singer-songwriter Jacob Vermeire
who needed a way to express his feelings and found it in his music.
Bricks is their debut single.
It’s an emotive introspection wrapped in a glorious melody that strikes your ears
from the kick-off. An arousing gem that resonates like a vibrant Americana song of
veteran songsmith John Mellencamp and the poppy moments of Violent Femmes. Strumming guitars, infectious flow, impassioned vocals and an uplifting chorus.
A top-notch pop thrill that elevates restless minds, by far.
Rango is the band’s debut single. A dashing slice of music. It combines a toe-tapping reggae groove with a bluesy chorus and somewhere along the way, an Eric Clapton-like guitar solo cranking up the vibe. Cool, right? Unquestionable. This is the kind of full of pep tunes that get you through the day while shaking your hips. The singer sings at one point “There’s No Space For Happines“. Don’t worry be happy, you scored a notable debut.
“The Lender‘ is a song about surviving in the city. And these days, as any urban
dweller will attest, there’s much to overcome. Armstrong‘s new song is a deceptively
joyful reflection on the struggles of living in a concrete jungle. Evocative of Springsteen’s chronicling of life on the fringes of society, “The Lender” is a track hiding hope in desperation.”
This is captivating Americana the Canadian way. Great voice, great melody, great musicality, and the vocal resonance and swagger of the late great Tom Petty. Amstrong strums his acoustic guitar the way the Eagles did it endlessly and The Lender‘s bluesy-country feel has both a melancholic and yearning sensitivity. These are tunes that stick instantly, the ones you play for a while.
19. ‘You Don’t Have A Choice’ by EASTER ISLAND (Athens, GA)
“You Don’t Have a Choice’ is an indie rock song that evokes an ethereal and moody atmosphere through its intricate instrumentation and emotive vocals. The introspective nature of the lyrics is matched perfectly with the melancholic and contemplative instrumentation, resulting in a dreamy and haunting soundscape that encapsulates the overall mood of the song.”
This a moony and radiant beauty, an amplified musing with crystal guitar sparks
reminding me of NYC darlings Interpol‘s 6-string galvanism. A gripping heart-and-soul touching reflection with mesmeric vocals for tranquilizing moments. Magic.
On 18th August these cult post-punks, led by Craig Dyer
launch release their new full length, called Nostalgia Class.
This is the first single. Pure UY. A moony meditation embedded in a gripping,
melancholic melody that rings in your yearning ears from the first spin. There’s
a sparkling rotating riff that invades your head and stays there. Magical melancholia
with, of course, frontman Dyer‘s shadowy vocals completing the darksome sonic
picture as we know it.
So far they recorded/released 2 albums, Tiranny (2014) and Virtue (2018)
They have a new single out, titled PROPHECY OF THE DRAGON.
More new music and tour dates to follow.
The band about the song.
“The track started with a very simple question… what would it feel like if God whispered into your ear “you are my most magnificent creature”. What would that feeling sound like? What would its bassline be? With that, Beardo blew The Voidz conch shell, and we assembled from the various corners of the earth to which we had been summoned for previous quests. From the deserts of the Sahara, to the truck stops of the midwest – we reunited in California to answer this question. the response?
…from the fiery bones of eternity, the dragon’s voice, awakened after millennia in waiting, spewed forth a sonic fist of impertinence in the shape of a New Pirate anthem, where nothing
is what it seems, nor is it otherwise.”
TUTV: Prophecy Of The Dragon is a flabbergasting metallic stunner. It goes forth
and back, left and right, slow and fast as if Casablancas and his misfits put several
snippets of several songs together and puzzled them into one stupendous stroke
of a track. Blimey.
While The Strokes seems to take another long vacation their charismatic frontman JULIAN CASABLANCAS continues to produce new music with his own band THE VOIDZ. Last May they dropped new song ‘The Eternal Tao‘, a pretty weird dance track and now there’s another new one called ‘DID MY BEST‘ with Casablancas in a melancholic mood singing about “the hazy good old days”. Listen to his nostalgic and wistful story right here…
