London‘s guitar pop stars WOLF ALICE got better and more famous with every
longplayer. Last year they released their 4th one, named The Clearing and started
touring the globe.
A couple of days ago they were in Sydney, Australia. Charismatic frontwoman Ellie Rowsell is more than ever, the goddess in the middle, vocally and visually.
Artist: MAVIS STAPLES Who: Legendary soul/blues/rock voice who, along with family, had a long and
greatly accomplished career under the name ofThe Staple Singers (1948-1994).
She’s 86 now, singing and swinging like a 36-year-old.
Band: CHARM SCHOOL Who: The latest project from singer-songwriter Andrew Sellers
who, originally from Louisville, has paid his dues in both the
NYC and LA DIY music scenes.
NME: ‘Again’feels like Belair Lips Bomb
are auditioning to be the biggest band
in the world.”
TUTV: Just one spin and I knew this LP was a winner. Ace tune, after ace tune, after
ace tune. Guitar pop at its most move ‘n groove exciting. In the middle, vocalist and
guitarist Maisie Everett draws all attention. Wonderful voice, striking performance.
She’s backed by a well-oiled rock turbo. Hype or not, these
revved-up Aussies are going places, all around the globe
that is.
Press info: “The album explores themes of unnecessary hatred and
division. It’s political, but ultimately personal. More Genet or Kafka
than Orwell or Huxley.
TUTV: Without a shadow of a doubt, the perfect soundtrack for Doomsday.
Sledgehammer after sledgehammer, drone after drone, brainfucker after
brainfucker. Always tension in the air.
Any track would work in a zombie horror movie. And we know all
about horror, right? Just take a look outside the window, and you
see a lot of it. For free.
Cal Francis‘s spoken word performances are bone-chilling. Their primal screams
send shivers down the spine. Lyrically, they operate in a space where reality and
surreality meet. No room for birds and bees.
Cal Francis – Pukkelpop Fest 2025 – Photo by TUTV
Never Exhale is an other-worldly Götterdämmerung experience.
It smells like something is alive and kicking here. No regression,
only progression.
Sprints about the LP: “While the world is literally burning down around us there are voices that seem hell bent on pointing the finger at anyone but those actually responsible. There’s no need to dream-up dystopia, we’re living in it. And somehow, while the world has never seemed uglier, our life has never been more beautiful.”
TUTV: Their riff-ripping quiet/loud/quiet formula works again, big time. Their sucker-punches hit you, piece by piece, hard in the teeth while Karla Chubb‘s hepped-up vocals rule again. Here and there, her unbridled explosiveness brings young Courtney Love‘s borderline cry-outs to mind. Only the 6 last cooking/boiling/bloodcurdling haymakers
are already worth a full album.
Band: LAMBRINI GIRLS Who: Two razorblade riot girrrrlzz – vox/guitarist Phoebe Lunny
and bassist Lilly Macieira – from Brighton (UK), with an insatiable
appetite for mass moshpits.
NME said: “Lambrini Girls prove punk is alive and kicking. They’re unapologetically amplifying chaos, calling out societal wrongs, and daring us all to feel something. This record is loud, raw, and impossible to ignore.”
TUTV:
Faster than a Formula One Ferrari.
Louder than a supersonic jet.
Punkier than any punks around.
Press info: Inspired entirely by the life and mythos of actor Dennis Hopper, Mike Scott
and The Waterboys created this expansive album as tribute to one of American popular culture’s most compelling public figures.
TUTV: This a remarkable piece of work. It could be the soundtrack for a yet to be made Dennis Hopper documentary. Hats off to Mike Scott for his boldness, imaginativeness, and ingenuity to score this musical movie, constructed marvellously with its sonically cinematic versatility.
Pop, rock, blues, country, bar-room jazz, and musing balladry take turns and puzzle
a most coherent and highly entertaining whole together, spiced with magnificent vocal contributions by Fiona Apple, Steve Earle and others. Never a dull moment with its varied stream of entertaining songs and Scott‘s awe-inspiring vocality throughout.
TUTV: Trois is one of the most balanced, the most arousing and the most vitalizing
noise rock records I heard in a very long time. Heisa grab you by the throat for 40 wicked minutes, and you won’t protest for one second. The cliché all killers, no fillers is so accurate here.
No arty farty tricks, no unnecessary overdubs, no useless volume exaggerations.
The production is flawless, and is an instrumental factor for the overall organic
resonance of this expressive exploit.
TUTV: Loudmouths Andrew Falkous and Damien Sayell still spit and sneer their 4 lungs
out and rip politicians to shreds while they wield their razor-sharp axes. Chainsaw guitars everywhere, backed by a hellacious drum/bass duo. And they’re still maddening masters when it comes to search and destroy punk havoc.
Press info: An intense and raw reflection
of grief, trauma, and the desire for healing.
‘A Mass In The Water’ roughly describes the last day of Wolf Vanwymeersch‘s father,
who took his own life during a psychotic episode. The album balances between
mockery, anger, powerlessness, grief, understanding, compassion, and love.
TUTV: It’s both a scary and flabbergasting opus that takes a lot of courage to make and share with the world. The album’s ominous dynamics, distorted vocals, and riff-roasting razzmatazz resonate like if you are listening to the soundtrack of a modern day horror movie.
Vanwymeersch and Wholes created their own Dante’s Inferno.
Bloodcurdling, pitch-black, and bone-chilling. Helter-skelter.
TUTV: Nele Janssen bewitches with her crystalline voice and enchanting piano play. Intimate, passional and heartfelt. From a Peuk scream to a solo whisper. A beautiful,
soul-stirring record that silences you from start to finish.
Eleven bittersweet reveries for the midnight hours. Stony Beds is an ideal companion
for cold winter nights, while relaxing with dimmed light on your couch and your favourite drink at hand.
Band: THE NEW EVES Who: Must hear/see indies from Brighton (where everybody is in a band).
They cruise from folk to punk, using, besides traditional instruments (guitar,
bass and drums) also cello, flute, violin and other classical gear.
NME: “A record that mines the unpredictable free-spiritedness of freak
folk, the loose, louche nature of rock’n’roll and the no-rules attitude of punk.”
TUTV: Eccentricity is the new normal. Poetic, medieval music is among us. The New Eves are something special, really special. Next to drum/bass/guitar
they use more untraditional instruments such as cello, flute, violin and other
classical music gear.
At their core, musically, they’re a folk punk rock band, an outlandish one, that is.
One of those that play gloriously out of tune at times, enthuse up with splendacious chants and have your bewildering attention for the full 40 baffling minutes. One of
the most innovative full-lengths of the year. Hands down.
TUTV: TAP funk and punk, buzz and fuzz, move and groove on this voltaic
record. They shoot a series of titanic tunes from their hips with a hair-raising
impact.
Avalanche Party have become masterly songwriters who know exactly how to construct adrenalized knockout killers with the right combination of roasting riffs, jagged hooks, bang-on licks, powerhouse drumming, effervescent synths and sultry horns here and there. Stupendous record.
TUTV: With The Clearing, the changing, musical process since their debut LP is complete. It’s now more ELLIE + THE WOLF (yes, FLORENCE + THE MACHINE territory) than before. Pop music in all its seducing and alluring ways. It’ll make them superstars in and outside the UK.
Laurenne: “The songs were written in the style of vintage jazz standards, but are then drenched with Rhodes piano and sparkling horn parts, with upright bass and triphop beats holding down a groovy, downtempo feel underneath. The vocals are the polar opposite of my garage rock sound in The Darts – in Black Viiolet, I am quietly telling you secrets in the dark.
TUTV: After You is delectable music for the midnight hours that massages
your ears for 40 minutes. The most sensual record I heard in a long time.
It transfers you to a place where you can dream away, far from today’s
depressing outside world.
Artist: PREWN Who: The moniker of Massachusetts‘ born, LA-based chilling
singer-songwriter Izzy Hagerup. She released her debut album Through The Window in 2023.
Hagerup: “I need to tap into my grief and sadness and stuff because it’s there. And when
you don’t live in it then you’re just numb. You can’t see the beauty and you are running from
the pain. It’s this Groundhog Day feeling. I feel that’s the antithesis to art, love, and connection, and giving a shit about the world.”
TUTV: The combination of creepy violins, ominous cello shadow play, and last but
not least Hagerup‘s wailing voice dominate this record causing bone-chilling sensations.
Her laments evoke moments of uncomfortableness, but her grip is so overwhelming
that you just can’t get away of her sonic exorcism. Like watching a traumatic thriller
you can’t escape from without knowing the end of the story.
Press Info: “This album, was born from the difficult experience of the floods that hit Valencia on October 29, 2024. During this time, the duo lost part of their studio and actively participated in the cleanup efforts in their city.
The Valencian duo offers six tracks (plus two digital bonus tracks) to remind us that despite
the difficulties we may face, we must always fight to get ahead, get back on our feet, and not
be swept away by the current.”
TUTV: Eight titanic techno thrills, eight 90s inspired trance tunes. Think Chemical Brothers, The Orb and The Prodigy. The pair’s Mire Chronicles have a hammering impact on their post-drama demons. At the end of the traumatic tunnel there’s a Spammerheads light that
illuminates a healing future.
Album: LOVE CHANT
Their first in 19 years,
their 11th overall.
TUTV: Dando has resurrected himself and his band gloriously. Now and then he touches turbulent memories from the past and does some soul-searching again, but you can feel he’s truly happy, healthy and excited to be here in great artistic shape. A welcome reaffirmation of The Lemonheads‘ riveting pop mastery.
TUTV: Writing songs is Doherty‘s oxygen. He has music running through his veins.
Enter this new solo album. A collection of daily life tunes that puts a smile on your
face. The man entertains, charms and shows his inspiring skills once again. It’s clear
that the French air stimulates his productivity. Poetry in motion.
Artist: MARK STEWART Who: One of the most adventurous/inventive/original post-punk & dub artists/performers
ever. He was a founding member of genre-bending new wave group The Pop Group and released lots of solo and collaborative records. Unfortunately, he passed away 2 years ago,
only 62.
As a prolific solo artist, he scored 7 LPs, collaborated with countless
other artists, and caused poignant waves with his Mafia outfit.
Album: THE FATEFUL SYMMETRY
His 8th solo LP, released posthumously
by Mute Records.
Album artwork
TUTV:Stewart expresses again his mixed emotions about humanity and its messy planet. Both pessimistic and optimistic reflections, but always with sparks of hope. Musically, it’s
a very accessible pop work with several crooning musings.
His characteristic, captivating voice, both heartrending and heartwarming at the same time, feels so real, so close, and as always, engaged and genuine. Mark Stewart was one
of a kind and will always be in my book.
TUTVTalkin To The Trees brings Young‘s 1975 masterwork Tonight’s The Night instantly
to mind, sonically that is. Raw and rough, as if the LP was recorded live in one take, in
a garage with lots of echo and plenty of ramshackle guitars, buzzing electricity and Young‘s characteristic, ardent vocals. Very familiar, very entertaining.
It’s vintage Young, musically and thematically, wondering about the world’s future, warning for environmental pollution dramas, difficult times to come for our children, and the need of a big positive change.
They met in 2022 at the SXSW festival. They met again while exhibiting visual
and conceptual art pieces in London and began recording together early
last year.
Album: LIMINAL
The duo’s third in only 5 months.
Talking about a fertile collaboration
TUTV: I always loved and embraced Eno‘s sonic ambient paintings, his chimerical and fanciful synth symphonies with its calming impact and starry-eyed radiance. Liminal is another Eno opus I added to my headphone music playlist for psychological relaxation.
An invitation to ease your mind and ears in their
phantasmagorical universe. A record to cherish.
Artist: PREWN Who: The moniker of Massachusetts‘ chilling singer-songwriter Izzy Hagerup. She released her debut album Through The Window
in 2023.
Track: SYSTEM
First new piece and title track from her
2nd LP, coming our way on October 3rd.
TUTV: What a brilliant torch song. Feverish tension all the way, drawing you into a mesmerizing trance you want to last like forever. Weeping guitars come and go while Hagerup‘s heart-stopping vocals are immensely soul-stirring and a galvanic guitar solo causes a spine-tingling finale.
Band: KID KAPICHI Who: From 4 to 2 party punk rockers from Hastings, UK.
They have, so far, 3 albums on their résumé, so far, with
last year’s There Goes The Neighbourhood as the most
recent one.
TUTV: Beth said she wanted to make a LOUD record. And she
definitely did. High Resolution Sadness is one hell of a brain-breaking,
industrial sledgehammer example. Hyperkinetic drums, clashing and
crashing percussion and creepy vocals. Bang-on!
Band: WIJF. (WIFE. in English)
Who: Hungry hit team from Belgium,
ready to take on the world.
Track:LIAR
Only their 2nd single, following last
year’s unhinged debut Hysterical.
Single artwork
TUTV: The 4-piece grab you by the throat from the kick-off and never lose their firm grip. Liar is a titanic motherrocker that pulverizes the Richter scale in just 250 seconds. Queens Of The Stone Age would label this jiving juggernaut a ‘song for the deaf‘.
Vociferous vocalist Marie De Graeve is seemingly on an exorcistic trip again.
Her one-of-a-kind vocal cords have a ruthless impact on your petrified stereo.
Helter-skelter. Hail! Hail!
Band: AFI (abbreviation for A Fire Inside) Who: Weathered high-volume veteran rockers from Ukiah, California who started to turn up the sonic heat
in 1991.
Artist: BAMBIE THUG Who: Moniker for Irish screamo diva Cuntry Ray Robinson. A self-described queer,
‘ouija popstar’, who uses the non-binary personal pronouns they and them. She
released her cacophonous debut LP Cathexis in 2023.
“It’s political, it’s anti-war, it’s a ‘rebel cry’ for the LGBTQIA community and for everyone
who is fed up with living in this disconnected world. All I can offer to these turbulent times
is my art and hope it wakes people up.”
Band: SNÕÕPER Who:Nashville‘s kamikaze pop punk combo SNÕÕPER shook the world
2 years ago, with their rapid-fire debut LP Super Snõõper. 14 songs in
22 minutes, like in the good old Ramones days.
Last June, they dropped a 4-track EP, titled Unknown Caller.
Track: GUARD DOG.
New piece from their upcoming, sophomore album,
titled Worldwide. it will see the day of light on Oct 3rd
via Jack White’s Third Man Records.
Photo by Turn Up The Volume – Brussels, May 18, 2025
TUTV: If this supersonic punk missile won’t wake
you up, I don’t know what will. Get up on your pogo
stick and bounce like a ping pong ball.
Track: HEY YOU
New single from their upcoming 2nd LP,
called Again, out on October 31st.
TUTV: A titillating tune that thrives on high-speed guitar riffs, a fast-track
drum beat, sharply-etched vocals and last but not least, a stream of adrenalin.
Artist: VINCE BELLO Who: Oshawa-based indie singer-songwriter rocker Vince Bello shared his newest single “Small Town Princess”, on Friday, August 8th, the title track of his upcoming EP of the same name, releasing in November 2025.
Track: SMALL TOWN PRINCESS
The title track of his upcoming EP,
that will land in November 2025.
A bold new chapter for Bello – one that captures the push and pull
between chasing your dreams and remembering where you came from.
TUTV: This instantly sticking guitar-synth pop earworm puts a smile on your face right away. Its bewitching and delighting flow gets you hooked after one spin. Sonic pearl.
The song distills the previous years’ experience and truly steps into themselves and their sound as a band. The song brings together the band’s vast array of influences pulling from the emo-pop of Paramore to the indie hip sway groove of Two Door Cinema Club to the post-hardcore energy of Movements.
TUTV: Layers of shoegazy guitars, a steadfast beat, intense and
highly impassionate, alternating vocals combine for a captivating
and febrile jam. Wowzers.
Band: SOULWAX Who: Belgian brothers David and Stephen Dewaele‘s outfit for 30 years
now, next to their other projects. They DJed the world around as 2manydjs,
had their own Radio Soulwax, and produced/remixed countless other artists.
A heartfelt tribute to real love, written with
his wife and creative partner, Frances.
TUTV: Winsome love songs like this one are so welcome in these intolerant times,
so we won’t forget there are also great things happening every day when love is
involved. Feet On The Ground has an irresistible funky bass groove and is juiced with
a soulful orchestration.
Add Thomaz‘s warmhearted voice, and the inspiring, sonic
picture is complete. Jaunty tune, frolicsome vibe, feel-good
sentiments.
Band:MY MORNING JACKET Who: Louisville‘s veteran rockers who will celebrate the 20th anniversary of their fourth full-length, called Z on October 4th. The day before, they will release a deluxe anniversary.
Artwork Z
Track: WHERE TO BEGIN
A previously unreleased song from
the anniversary album Z.
TUTV: A ballad that breathes melancholia at its most gripping,
with warm pedal steel play. One of the most heart-and-soul touching reveries
I heard all year long.
Leandra Earl (guitars, keyboards, songwriter) “It’s about the shame I felt coming out later in life and the pressure of trying to live up to ‘Lesbian Of The Year,’ a title given to me by my sweet fans. I feel regret for not knowing myself sooner, but this song is also about the journey of self discovery & sexual identity and accepting that everyone is on their own timeline and we’ll get there when we get there.”
TUTV: This stirring reverie has a 60s romantic retro feel, both
ardent and cathartic, carried by emotive vocals. Gorgeous.
NME says: “After the chaos of your twenties, over the threshold of your thirties, you’ll
often find a sense of calm. You’ve spent a decade of adulthood figuring out who you are
and what you want from life through trial and messy error. Now, more settled in your sense
of self, you get to take a breather and enjoy what you’ve happened upon through the madness.
‘The Clearing’, Wolf Alice’s sublime fourth album, represents that moment of clarity and peace, and leaving your youthful turmoil behind – even if you know there’s more disorder to come before you pop your clogs. Fittingly, it’s a record that builds on everything the four-piece have done so far on their musical journey and moves it forward in an assured, accomplished way that can only be achieved with time and experience.
TUTV: With their previous album, 2021’s Blue Weekend, the band already moved
on from indie guitar pop and glitzy rockers to more orchestral, singer-songwriter compositions, which fit vocalist Ellie Rowsell wonderfully well.
With The Clearing, the changing, musical process is complete. It’s now more
ELLIE + THE WOLF (yes, FLORENCE + THE MACHINE territory) than before.
The quartet operates here in the stylistic modern-day pop world of artists such
as Chapelle Roan, Suki Waterhouse, Horsegirl, Lucy Dacus, and yes, even the sugary The Last Dinner Party.
Overall, the British press applauds the change as if WA invented the genre. Nope,
they just decided to join the immensely and globally successful pop universe of the past
10 years, putting glamorous Ellie Rowsell in the middle, more than ever. Not really what I hoped for, but in a bigger market, they’ll become bigger stars than they already were.
London‘s guitar pop stars WOLF ALICE revealed details of their new,
4th longplayer 2 months ago. It’s named The Clearing and will show
up on August 29th.
Following the peppy lead single Boom Baby Boom
we get a second appetizer with the introspective power
ballad THE SOFA.
Ellie Rowsell (frontwoman) “It’s about not trying so hard to figure everything out,
reflecting on getting older and trying not to agonize over things that have or haven’t
happened in your life. It’s also about trying to get to grips with the polarizing aspects
of one’s life when you’re in a band.
You’ve just played a huge tour and you come home, and you have your dinner on the sofa.
For me, it’s summed up in how I treat TV. I used to never watch the same thing twice because
I thought I’ve got so much to discover! And now I’m like, It’s OK if I just want to rewatch Peep Show for the 13th time.”
London’s guitar pop stars WOLF ALICE announced their return with their new,
4th full length. It’s called The Clearing and hits the streets on August 29th.
Frontwoman Ellie Rowsell about the lead single BOOM BABY BLOOM: “I wanted
a rock song, to focus on the performance element of a rock song and sing like Axl Rose,
but to be singing a song about being a woman.”
“I’ve used the guitar as a shield in the past, playing it has perhaps been some way to reject
the ‘girl singer in band’ trope, but I wanted to focus on my voice as a rock instrument so it’s been freeing to put the guitar down and reach a point where I don’t feel like I need to prove
that I’m a musician.”
Bloom Baby Bloom is a jazzy/brassy/classy banger you can
tap your feet to. Roswell never sang this way. Special.
British guitar pop combo WOLF ALICE worked their way up, since 2010, to one
of the best bands in the UK. In 2018 they won the prestigious Mercury Prize with
their 2nd album Visions Of A Life and their third longplayer Blue Weekend,
released in June 2021, is their most successful one, so far.
WOLF ALICE worked their way up to the British indie
top over the past 12 years with 3 notable albums.
This year they join the long queue of artists who cover a Xmas carol classic.
They picked the 1872 poem, titledIN THE BLEAK MIDWINTER by Christina
Rossetti, put to music in 1906 by composer Gustav Holst put music to it.
Countless versions of Holst‘ composition were recorded/performed afterward.