It’s a compilation of pop songs penned by Lou Reed during his mid-60s
stint as a staff songwriter for the long-defunct label Pickwick Records.
Before establishing himself as an enduringly iconic singer, songwriter, musician,
and poet, the late legend (1942-2013) was an in-house songwriter (and occasional
session guitarist/vocalist) for Pickwick Records, a label specializing in sound-alike
recordings that emulated the major pop hits of the day.
Encompassing everything from garage-rock and girl-group pop to blue-eyed soul
and teen-idol balladry. Reed’s output ultimately offers a fascinating early glimpse
at his ever-evolving and truly limitless artistry.
The original album has been restored and remastered by GRAMMY®-nominated mastering engineer John Baldwin. It features rarities, cult classics (The Primitives’
“The Ostrich”), and previously unreleased material.
Press statement: “A chaotic whirling dervish of a track that slams the visceral
expression of Minor Threat against the angular prog tweakiness of King Crimson
via the pop sensibilities of The Beatles and indie darlings, The Strokes. All providing
the landscape for an usual love song that speaks to long distance relationships
and the adoration of one’s partner.” Eh, come again!
TUTV: Garage punk rock havoc, bringing riff maniac John Dwyer and his Osees gang to mind. Butterfly cuts like a new razor blade. It’s a bang-on left/right sucker-punch cranked up by schizophrenic guitars and a frantic spitting/sneering loudmouth who just got out of his straightjacket. Lots of horsepower, lots of sonic insanity. Ballistic burst. Badass shit.
Irish superstars U2 celebrate the 20th anniversary (released 22 Nov 2004)
of their 11th LP How To Dismantle An Atomic Bomb with a deluxe reissue
edition (what else?) simply named How To Re-Assemble An Atomic Bomb. More
info here.
A couple of previously unreleased tracks will show up,
like this pepped-up banger, called HAPPINESS.
Daily noise that works faster than a stream of caffeine
26 October 2024
Former Rage Against The Machine guitar hero TOM MORELLO, his teenage
son Roman, also on guitar and roasting Canadian rapper grandson got together for
a fulminant fireball titled ONE LAST DANCE. It’s the theme song of a new superhero movie, titled Venom: The Last Dance.
You don’t see a father and his son strike hard
on the same song in the same video, every day.
Tom and grandson previously united on “Hold The Line“, which appeared on Tom‘s 2021 album “The Atlas Underground Fire“.
In order to not miss a beat Turn Up The Volume scans the musical
horizon daily (doing it for years now, actually) to stay in touch with
all new things sonically great and shares the results on a weekly
basis.
FULL JUKEBOX
(390 tracks)
.
The 10 new ones added this week
TRACK-BY-TRACK
Band: DARKSIDE Who: Alt electro trio from Rhode Island. So far 2 LPs.
Track: NO TIME TO LOSE
Cut from their upcoming, 3rd LP, called Deep Drives. It’ll invade
our ears on November 29. Pre-order info here. Trust me, I already
had it on my headphones, it’s an ace haymaker.
With No Time To Loose you can start
and finish your upcoming Halloween party.
No rest for the psycho-tic wicked.
Matt Tavano (bass/vocals) “‘Witches’ is about a road rage incident I was involved in a couple years ago that quickly escalated into a roadside robbery,” Tavano admits. “As the scenario was playing out it seemed like violence was going to be unavoidable. But with a little luck, everyone went home in one piece, even the bad guys. It was, as they say, a wicked nail biter.”
Artists: SPIRITUAL MINIMAL Who: Brand new musical project formed by Lindsay and Tim Baker
in the late summer of 2024. Taking influence and inspiration from the
likes of Slowdive, Nico, Warpaint and Unloved the duo aims to create
a true, sonically induced transcendent experience.
Band: FLYGHT CLUB Who: The musical project of Los Angeles-based Shauvik Sharan.
His music emphasizes versatility, covering a wide range of
popular genres and exploring new styles, with each song
designed to fit different moods and emotions.
“For the first time in my life I asked the band if we could just jam. Words that have
never come out of my mouth – ever! But I loved all the sounds we were getting. I was
curious – what would happen? In an hour we wrote two songs that ended up becoming
“I Can’t Imagine” and “Southern Life.”
Track: AFTERLIFE
First preview from the self-titled LP,
coming our way on 7 Feb 2025.
Vintage vocal Van Etten splendour.
Bewitching song. Longing romanticism.
Artist: STEVE HEWITT Who: Singer-songwriter from Edenbridge , Kent (England).
Track: COLD WORLD
First taster from his upcoming album Never Two Days The Same.
The song spotlights the darker side of our reality and human nature. Hewitt observes through his own eyes the pervasive existence of conflict,
distorted moral values, betrayal and personal suffering.
Americana country pop the British way.
Gloomy musing for gloomy times, as we know it. Hewitt‘s warm voice shines in the darkness.
Album: THE BATTLE OF LOS ANGELES
Their 3rd one, released 25 years ago,
on 2 November 1999. No. 1 in the US.
3 singles: Guerilla Radio, Sleep Now In
The Fire and Testify.
The hills find peace, locked armed guard posts
Safe from the screams of the children born as ghosts
Gates guns and alarms, shape the calm of the dawn
Peering down into the basin where death lives on
When young run foaming at the mouth with hate
When burning batons beat the freezing who shake
Under the toxic sunsets they dine and toast
Of walls deny the terror faced
By the children born as ghosts
Born as ghosts
A warning, you sufferers, begin to speak our word
Born as ghosts
A warning, you sufferers, begin to speak our word
Born as ghosts