How Was 2024 For Belgian Disco Punk Turbo THE RATS

27 December 2024

Belgian hit-and-run punks THE RATS came our way faster than a comet
out of control this past year. On record with their far-out 4-track debut EP
Disco To Disco. On stage with their unbridled gusto and sassy swagger.

Pumped-up frontman Emile is the maddening man in shorts in the middle,
backed by a bulldozing rats artillery. They produce fireworks, throw left/right
punches, and headbutt you on repeat.

If you never heard of them, it’s about time you do so.
Dr Jekyll and Mr Emile Hyde will guide you with this
end-of-the-year chat.

Hello Emile,
welcome.

When and how did the band came alive?

“The earliest Rats demos date from the summer of 2019, after deciding to go on a hiatus with London Bullet, our old band with which we mainly operated in the underground punk scene. We had done London Bullet for nearly 10 years and decided it was time for tabula rasa.

However, after those first rehearsals, the whole covid thing happened and we only started rehearsing again late 2021. We then started playing our first gigs throughout 2022 and immediately got some attention, mainly from Democrazy, the largest concert organisation in Ghent, Belgium. Thanks to them, we could support the UK art-punk band The Lounge Society in the Charlatan club.

That was only our fourth ever gig and it was already ‘bigger’ (or more ‘mainstream’)
than anything we had done with London Bullet. From there on, it all went pretty fast.
When recording those first demos in 2019, I don’t think we’d ever expected to end up
at Belgian venues such as De Vooruit, Het Depot and Trix, and festivals like Left of The Dial, Crammerock, and Boomtown. It’s been quite the journey!”

Why the name THE RATS?

“We’ve always been big fans of the UK hardcore band Gallows. They occasionally played surprise shows in small venues under the name The Rats. When London Bullet ended, we kinda wanted to keep it a secret that we were working on something new, so for that reason we jokingly used The Rats as our temporary band name.

When we were selected for Humo’s Rock Rally 2022 and our performance was well received, we figured it would be foolish to not ‘capitalise’ on that, so we stuck with
the name.

We do realise there are hundreds of bands that are called The Rats. But we don’t
really care about that! Let’s just say we want to be the best band called The Rats
ever.”

Last September you released your debut EP ‘DISCO TO DISCO’.
What’s the story behind the title, Emile?

“Well, it’s ‘disco’ in the sense of a ‘club’ – most of the songs are about going out in the city and all kinds of experiences I’ve encountered or lessons I’ve learned about myself and others while doing that. About friendship groups changing while you grow up, about relationships not working out, about getting spiked (fucking cunts!).

And then there’s obviously the reference to the disco genre. The title was decided very early on in the process, even before most of the songs had been written. The initial idea for the band was to be a bit more ‘electronic’ due to the addition of a synthesizer, so we thought the title would indicate that new direction.”

What did you want to express with the EP’s artwork?

“I love when you come across a record in a shop (or see a thumbnail from a review online) and can instantly tell that the music is going to be right up your street. I’ve always thought of it as a gut feeling, so I had never really given much thought to the exact elements that make a good cover. In an attempt to pinpoint that,

I made a list of record covers I really like to see if there’s any connection.
I learned a thing or two about making that list, and talked it through with
my bandmates.

We then presented the ideas, as well as the songs, to our good friend Charlotte Hennion, who is a graphic designer, and she made the cover. We were immediately convinced, we’re really happy with how it turned out! Now hopefully people will come across the record cover and experience that same gut instinct that the music inside is something they’ll love.”

Which is your favorite track?

“My personal favorite on the
EP is ‘Last Chance Saloon’.


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The mixing, done by our guitarist Sander, is on point for this one. I’m very pleased
with my vocal delivery, as well as with my lyrics. The repetitive hook makes the whole
track both catchy and addictive. The other guitar parts are super interesting.

And I love how after the first chorus, the bass and drum introduce the second
part. Bloody hell, I’m starting to believe it’s the best song ever written!

Footage by Wouter/KinkyStarCeSoir

My favorite track to play live is ‘Old Flames’. At our gigs, people have started to sing along to the main guitar riff as if it were a football song. Very surreal. My dream is to have actual football fans in stadiums picking up the chant. Preferably the fans of AA Gent, my favorite team.”

Recently I called you Dr Jekyll and Mr Hyde. Nice off-stage, insane on-stage.
What happens when you turn into a manic persona on the podium, Emile?

“Haha, I can see why you’d say that. It just comes naturally. From the very first guitar chord onwards, I’m very much into the performance. It’s a massive outlet for me. As mentioned before, we come from a punk background, a genre where many singers deliver intense performances.

I guess that very much influenced me. If I could change one thing, though,
it would be to sweat a lot less on stage! But you can’t have it all, can you?”

Social media? A blessing or a pain in the ass?

“A blessing, largely thanks to two very talented photographers who are also friends.
Ward Van Hooreweghe (@dailylifethroughfilm) and Gert-Jan Van Damme (@gee__jee). Their black and white pictures of our gigs are really important for our whole visual aesthetic on Instagram. We can’t thank them enough for everything they’ve done for us and other bands in our scene.

Beyond that, it’s also a great way to connect with other bands and see what they’re up to. You can learn a lot by observing other accounts – like finding places to play or seeing how they handle their album promotion campaigns.”

Which big name band would you really want to tour with and why?

“If we’re talking real big names then let’s go for IDLES. I think their fanbase would appreciate us, especially if they’d know I wrote my dissertation on their main online
fan group the AF Gang, haha.

IDLES have brought the post-punk revival to the mainstream but have seemingly stayed honest and grounded. Their on-stage energy is really inspiring and I feel like we could learn a lot from them. And maybe Joe Talbot could let me in on how to uphold that ferocious intensity for two and a half hours (and sweat a lot less).”


Next time JL/TUTV is on stage with Joe/Idles, I’ll tell him about The Rats

Suppose DISCO TO DISCO was the soundtrack of a movie.
Which one would it be?

“I’m not too good with movies! Maybe ‘Fear and Loathing in Las Vegas’?
Chaotic, surreal, full of highs and lows. It could work, no? Also, the film
is more or less name-checked in ‘Old Flames’ with a line about
experiencing ‘fear and self-loathing everywhere I go’.”


1998

Best track and album you heard this year?

“There’s too many. My favorite track was probably
Like Lovers Do’ by Iceage frontman Elias Rønnenfelt.

My favorite album is Hysterical Strength by DEADLETTER.”

“I also really, really enjoyed English Teacher, The Chisel,
High Vis, Bad Breeding, RONKER,
and Fat White Family.”

Do you have a favorite Xmas carol, Emile?

“It has to be ‘Fairytale of New York’ by The Pogues and Kirsty MacColl.
The melancholy, the vivid scene-setting, the desire to make things right
in this period of forgiveness, the unfolding argument, the grand finale,…
Simply amazing.

Did you see the rendition of that song at Shane MacGowan’s funeral?
People stood up and started dancing to it. At a funeral! That says enough,
I think.”

R.I.P. Shane MacGowan (1957-2023)

Which track do you play when the clock strikes midnight on New Year’s Eve?

“Also The Pogues! The perfect drunkard’s anthem Dirty Old Town. Hugging your friends while singing along to both the words and the melody of that song, a new year can’t start much better than that.

What’s in store for THE RATS in 2025?

“We’ve got a few super cool gigs lined up. The standout one is WE ARE OPEN,
the showcase festival in Antwerp, organised by Trix in February. It’s a massive
honour to be on that line-up.

I’m also really looking forward to a triple bill with Maria Iskariot and WIJF in our old hometown, Deinze. Then there’s Dirty Dender Fest on January 25, with our best pals RONKER, Doolhof in Kortrijk with our friends from Barno Koevoet, and a few things that haven’t been announced yet. Exciting stuff!

Thanks a bunch for this interview, Emile.
May the road rise with The Rats in 2025.

STREAM/BUY EP


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Instagram – Linktree

Live photos by Turn Up The Volume – Charlatan, Ghent, 2 October 2024

Last Episode Of TURN UP THE VOLUME’S JUKEBOX 2024 – 10 New Tracks Added Making It A Year Total Of 520

Every week 10 new rad tracks added

Last episode of 2024, last 10 new rad
tracks added, making it a total of 520.
32hr & 12min of rad music.

FULL JUKEBOX 2024


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The last 10 new ones.

TRACK-BY-TRACK

Band: IDLES
Who: Rowdy star
punks from Bristol, UK

Track: POP POP POP featuring
hip-hop celeb Danny Brown.

JUMP JUMP JUMP.

Linktree
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Band: THE SIZZOS
Who: Collaborative musical project, formed and fronted by singer-songwriter
George Zaninovich. Based in Eugene, OR the project features a host of talented
guests whose individual styles offer a distinctive sound.

Track: GOODBYE AGAIN

“While there is a full album coming out in early 2025, I wanted to get this out there as a form of catharsis. At first listen, the song sounds like a typical tale of unfaithfulness or and disloyalty, but it’s more about the complicated feelings around a relationship coming to its natural ending. There’s anger and curiosity, otherizing and intense self-reflection. Either way, there is sadness and pain to manage.”

Orchestral synth symphony
that floats forth and back.

Instagram – Spotify
________________________________________________________________________________________________

Band: JOAN OF ARKANSAS
Who: Noisy five-piece power popish band from Phoenix, Arizona,
known for their sweat-drenched live shows and endless genre bending.

Track: OMAHA, OH NOMAHA!
Piece from their brand-new
EP High Four

“We are at heart, a super Phoenix-repping band and no one writes songs about the valley.
It just doesn’t happen. This song is inspired by the mass exodus that happened in 2000s and 2010s with pretty much every arty teenager here. They spread all over the country looking for greener pastures but always came back because home is home even if it’s flawed.”

Decibels up. Amps up.
Ohmy, oh nomy!


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Instagram
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Promo picture by Riku-Pekka Lappalainen

Band: HEADPHONE JACKS
Who: Finnish indies who draw inspiration from 90’s grunge and
00’s desert rock, prog, post-punk and today’s alternative bands.

Track: SPACE GHOST

“It’s about a wild, psychedelic journey through space and time. The imagery of a “space machine” that “screams like a wolverine” and “rocks your rib cage like a raw beast” sets
the tone for an intense, high-energy experience. The song emphasizes a sense of liberation
and escape from reality.” 

Magnetizing psychedelia
at its mind-boggling best.


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Linktree
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Band: OUT RUN
Who: Sizzling synth-wave/electro-pop
trio from Florence, Italy.

Track: ANGELS

Angels weaves dreamy melodies with introspective themes,
reflecting on human fragility and the fleeting nature of life.

“Our approach to music is about embracing contrasts. With Angels, we wanted to explore the tension between melancholy and vitality, creating something that feels both timeless and alive.

Synth-pop elation.
Effervescent vibes.


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Instagram
________________________________________________________________________________________________


Artwork album by Rebecca Margescu

Band: VANARIN
Who: Anglo-Italian psych-pop outfit formed in 2016. Their style
of music is best described as a combination of psych-pop and rock.

Track: WHAT WE SAID
Title track from their brand-new album. Stream it here.

“It reflects like a mantra on what might have happened between two lovers
whose paths were however destined to part, obsessively wondering why
the partner said those very words.”

Trance-like reverie.
Intriguing and mesmeric.


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Instagram
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Artist: DREW FIVE
Who: Half of British
electro-pop duo Feral Five.

Track: RIVER JOURNEY

New solo piece that’s on the massive
A Wormhole Xmas 2024 (non-profit label)

Instrumental synth sketch.
Sounds like an early Moby piece.


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Linktree
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Artist: I AM OAK
Who: Musical project of Dutch
singer-songwriter Thijs Kuijken.

Track: THE WAY I SEE IT
New single from his upcoming LP
Time Drifts, out in April next year.


New album artwork

Daydream in sonic motion.
Enchanting and engrossing.


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Linktree
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Artist: CARLA AAKRE
Who: Songstress from
Helsinki, Finland.

Track: THESE HOURS

“The song tells the story of budding love. As in many romantic relationships, infatuation is overshadowed by fear of being hurt and uncertainty. However, there is something genuine, human, and beautiful in these feelings.”

Heavy-hearted and tender.
Starry-eyed, affecting voice.


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Instagram
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Artists: FRED AGAIN… & ANGIE McMAHON

Track: LIGHT DARK LIGHT

When stars meet for a vocal beauty.

TURN UP THE VOLUME
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MANIC STREET PREACHERS – Welsh Heroes Have Their 15th Album Out On 31 Jan 2025

Coming up

26 December 2024


Photo credit: Alex Lake

Welsh heroes MANIC STREET PREACHERS have no intention whatsoever to retire.
They’ll have their 15th longplayer, baptized CRITICAL THINKING out on 31st Jan 2025.


Album artwork

Press info: “The Manic Street Preachers return with their most urgent album in years. This is a record of opposites colliding – of dialectics trying to find a path of resolution. While the music has an effervescence and an elegiac uplift, most of the words deal with the cold analysis of the self, the exception being the three lyrics by James (Dean Bradfield) which look for and hopefully find answers in people, their memories, language and beliefs.”

Singles (shared so far): Decline & Fall / Hiding In Plain Sight

– DECLINE & FALL –
Frisky and zippy pop elation.

– HIDING IN PLAIN SIGHT –
First ever Manics single with Nick Wire
on vocals and it works damn fine.

UK Dates 2025
(More TBA)

Instagram – Website

PINK FLOYD – Legendary Psych-Rock Giants Topped The US Charts 45 Years Ago Today With Their 11th LP ‘THE WALL’

Back in time

26 December 2024

Legendary psych-rock giants PINK FLOYD topped the US Album Charts
this day 45 years ago, on 26 December 1979 with their 11th LP THE WALL.
It occupied the top seat for 15 weeks. In the UK it peaked at #3.

The Wall is a rock opera that explores abandonment, cycles of violence, and isolation, symbolized by a wall. The songs create a storyline of events in the life of Pink, a fictional rock star based on Waters and Pink Floyd‘s former frontman Syd Barrett. The first half of the album largely features events from Waters’ childhood and young adulthood, such as the death of his father in WWII, and his wife’s infidelity.

Melody Maker (UK) wrote : “Not sure whether
it’s brilliant or terrible, but it’s utterly compelling.”

SINGLE
We don’t need no education
We don’t need no thought control

ALBUM


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Linktree – All Albums

SIOUXSIE AND THE BANSHEES Celebrate The Birth Of JC In French – ‘IL EST NÉ, LE DIVIN ENFANT’

Daily electricity to load your batteries

25 December 2025

In the early eighties Goth icons SIOUXSIE AND THE BANSHEES, with
The Cure‘s Robert Smith as temporary member, covered classic French
Christmas lullaby I’l Est Né Le Divin Enfant. ‘He is born, the divine child’.

The song was published for the first time in 1874 by the organist
of the cathédrale de Saint-Dié-des-Vosges in France.

The Banshees released their version as the B-side of the single Melt.
A great piece from their excellent 1982 LP A Kiss In The Dreamhouse.

Siouxsie in French. Fantastique!

Hallelujah! Let’s all sing for peace,
tolerance, equality, love, unity and
lots of rawk ‘n roll.

Story – Discography

AMYL AND THE SNIFFERS Live In BRUSSELS – Full Concert

25 December 2024


Album artwork

AMYL TAYLOR and her SNIFFERS
were all over 2024.

The Aussie punks released their 3rd and best
album (so far) Cartoon Darkness and toured
non-stop.

On 17 November, they stopped in Brussels for a whirlwind concert.
For everybody who wants their Xmas very LOUD you can watch it in
full right here.

Instagram – Spotify