In a full-page advertisement on 24 July 1967, today 58 years ago, in The Times
(renowned British newspaper) The Beatles, their manager Brian Epstein and 64
of the most prominent members of British society called for the legalization of
marijuana (without success).
It was Bob Dylan who introduced The Beatles
to marijuana when he met them in a hotel during
his tour in the UK that year.
“I would not feel so all alone
Everybody must get stoned”
But the wait is over. Full-length number 11, named DIOS BENDIGA (Spanish for ‘God Bless’) is out now. An album performed entirely in Spanish that aims to highlight their Latin roots and reconnect directly with their cultural heritage.
Press info: “Hip-hop legends Cypress Hill were the first Latino-American hip-hop
group to achieve platinum and multiplatinum success. In partnership with Hybe
Latin America, they present the first, fully Spanish-language album of their career.
This is a deeply personal and spiritual project for the group that highlights
their Latin roots and reconnects directly with their cultural heritage.”
TUTV: Prepare your ears, your hips, and by extension your whole body for a hip-rap-hop summer fiesta. With Cypress Hill, cocktail-flavored fun is guaranteed. Their word-waterfall dynamism and insane-in-the-brain eurhythmics are key (once again).
MAGA idiots will probably whine again that American artists sing in Spanish (remember their Bad Bunny hate?). Que se jodan! Music doesn’t have (language) boundaries.
Once upon a time Bob Dylan sang “I would not feel so all alone / Everybody must get stoned.” Dios Bendiga has the vivid vibes to get high (with/without weed). Shake your booty, folks.
Band: EMPTY HEAD Who: Muscular noise-rock outfit, formed in 2020 in Liege. Club: Kinky Star, Ghent, Belgium
Last month, these manic motherrockers released their boiling debut LP Freak Show.
TUTV said: “Empty Head produce riff-roasting pandemonium, brutally melodic at its core,
with a merciless, tsunami of titanic tunes that challenge the flexibility of the Richter scale
when all Herculean choruses kick in.
All their banging belters are revved up by chainsaw riffs and explosive drum/bass fuel,
while the maniacal vocalist – 4 lungs and iron pipes – brings tons of kickass gusto and
sinewy ardency to the table. ”
Last Tuesday they came and conquered my hometown of Ghent. They turned a packed club into a sweaty sauna with their ear-popping roller coaster performance. Empty Head is the real punked-up deal. Their vociferous vitality ricocheted all around while all eyes were focused on fervent frontman Simon in the front.
His towering voice fuels his fast and furious troops who produce a blustery whirlwind of high-strung hurly-burly. They put up a freakin’ rock show, leaving everybody (mostly let’s-check-this-band-out attendees) stunned. The empty heads gained a lot of new fans. Trust me, they’re going places. They have cool swagger, a mean machine additude, and a series of frantic firecrackers. Don’t miss them.
The Official Charts Company controls the only official, weekly measure of what is
popular in music in the United Kingdom. They celebrated their 70 birthday yesterday.
For the festive occasion they unveiled exclusively the Official Biggest Albums of all time, based on combined UK sales and streaming data.
Who: Acclaimed psych rock outfit fronted by Rishi Dhir,
songwriter and sitarist who has spent twenty years
blurring the lines between Western psych-pop and Indian classical.
Band: RADIO FREE ALICE Who: Post-punk, art-punk, and new-wave rockers from down
under with an energetic, operatic swagger reminiscent of 1980s
bands. So far they have released 3 EPs.
Press info: “An odyssey of anarchic joy, seditious wit and boundless energy, the album finds Josh Law and Ben Sadler pushing deeper into the singular world they have been building for years, while opening up new emotional and lyrical ground. The record was written in green rooms, on long car journeys and in the gaps between relentless touring.
It stands as their boldest and most expansive statement to date, an ode to childhood, British cultural detritus and the absurd poetry of everyday life, distilling everything that has made Getdown Services one of the most exhilarating and unpredictable bands around. In the band’s words it is “about self pity and realising that maybe all of the healing your inner child stuff you hear about isn’t actually total bollocks. Musically and lyrically I think it’s about us trying to clean up our act a bit.”
The tandem gave us 3 previews, thus far. Three pelvis-shaking groovers.