CHVRCHES Voice/Face Teams Up With ILDLES Voice/Face For Roasting Reinterpretation Of ‘SORRY, ETC, ETC’

Daily noise that works faster than a stream of caffeine

15 March 2025

Last year Scottish synth-pop Chvrches‘s fabulous
vocalist released her pretty magnifico solo debut longplayer Vicious Creature.

And now she truly surprises (although not unexpected for her) by teaming up with Idles‘ frontman Joe Talbot for a roasting reinterpretation of SORRY, ETC, ETC, a highlight of that solo LP.

Mayberry: “If you know me, you know how much I love IDLES, so it really is an honor to have reinterpreted this We first connected during Covid when I did his Balley TV YouTube series, and have been quietly supportive of each other from the wings since. I messaged Joe last summer about working together and this is the song we decided on.”

Talbot: “An honour and a joy to work with Lauren finally. I love the album and I’m happy to be a part of it. Fuck the king, she’s the king x.”

Wow! Wow! Wow!
Wake-up! Wake up!

Original version


.
Instagram – Vicous Creature Stream

CHVRCHES Frontwoman LAUREN MAYBERRY On The Dancefloor With Vigorous Solo Single ‘SHAME’

Daily noise that works faster than any stimulant

11 October 2023

Being on a hiatus with her band CHVRCHES, frontwoman LAUREN MAYBERRY
takes her firsts steps as a solo artist. Recently she did some gigs and released
her first solo song, piano ballad Are You Awake? last month.

And now she shared a second solo effort, titled SHAME.

Mayberry: “I had the idea for a while of a song that had the tagline of “what a shame”,
but in a sarcastic way. And the word “shame” having a double meaning – the shame you feel and internalize, but what a shame you feel like that and can’t change it. Looking back on a lot of my life in terms of relationships, sexuality and my sense of self in the world, there is a lot of shame associated with that.

I came into my teens in the early-mid 2000s, a time period we now regard as a bit of
a shithole in terms of gender and media messages. What was deemed “attractive” for women and girls was quite disturbing in hindsight, and that’s what went into my brain at a formative time, romanticizing bargain basement, local band boy versions of Reality Bites Ethan Hawke.

But now I know better, my wiring is still to find those things attractive on a cellular level.
I know not to want those things academically, but emotionally, romantically, sexually,
I have been trained to find those things valuable and attractive.”

Shame‘s melody has more vigour and zest than any Chrvches song I ever
heard (to be honest, not that many). Think Goldfrapp and Róisín Murphy.
Think dancefloor fuel.

Tune in.

Mayberry: Instagram