In order to not miss a beat Turn Up The Volume scans the musical
horizon daily (doing it for years now, actually) to stay in touch with
all new things sonically great and shares the results on a weekly
basis.
FULL JUKEBOX (so far)
.
The 10 new ones added this week
TRACK-BY-TRACK
Band: GETDOWN SERVICES Who: Two flamboyant
weirdos from Bristol, UK.
Dog Dribble operates somewhere between Yard Act and Sleaford Mods.
Its limbs-activating groove is simply irresistible. Get up, stand up, and fight
for your right to move in mysterious ways.
Band: PALES Who: Indie combo from Strasbourg, France.
Track: PIECE OF MEAT
Reminiscent of the best of the ’90s (Sonic Youth, The Breeders, Fugazi) while aligning with the new wave of post-punk and noise rock, Pales immerses us in a frenetic and visceral universe, sketching out the contours of their upcoming EP set for release in early 2025.
Following a long, sensuous spoken word foreplay, Piece Of Meat erupts brutally
midway and starts repeating this breathtaking process for a second time heading
to an abrupt finish. Hypnotic and bone-chilling. Awesome delivery.
First shared piece from upcoming album #3
baptized Cowards. It’ll come our way on
7 February 2025.
A bouncy and sprightly affair with its frisky piano touches, bass dynamics, but it’s the anxious vocals that set the tone. Drummer/vocalist Ollie Judge says the song is about cannibalism. Sure, why not? This is tasty stuff
Band: INFADER Who: 4-piece from Antwerp, Belgium. They skillfully combine influences from
the early 2000s with principles from classical music in a powerful, modern rock
sound. Think Muse, Dead Poet Society en Triggerfinger.
Track: HIGH & LOW
First cut from the upcoming new EP named
‘Desperately Average‘, out 21 February 2025.
High & Low is a robust slice of sharp-cutting guitar rock, embedded
in a both melodious and revved-up wall-of-sound. Splendid effort.
Play it loud. Turn it up.
Artist: BRANSON ANDERSON Who: Salt Lake City-based singer-songwriter whose music takes on major
influences from Johnny Cash, Bob Dylan, and the White Stripes to bring the
public something pleasantly unique.
Band: The Jesus Lizard
Who: Notorious noise rock
oldtimers from Austin, Texas.
Track: COST OF LIVING
An outtake of their recent
released comeback LP Rack.
Yow (songwriter/vocalist): “Simply because I wrote the words to ‘Cost Of Living’ doesn’t mean that I know exactly what it’s about. I think it has to do with the dread and self-loathing that addicts experience on a very regular basis. You can pick whichever type of addict you choose.”
Barded wire guitar hullabaloo.
Old skool racket, but efficient.
Following new incendiary album Darker White the trio fabricated this steaming shocker for an ‘adult animated steampunk action-adventure television series’ namedArcane: League of Legends.
Rabbit Hole is an invitation to explore life’s hidden corners, where desire and despair
often collide. The accompanying video clip immerses fans in distorted shadows and dramatic visuals, that perfectly mirrors the raw and introspective.
Expect a motorized riff-ripper
with a titanic fists in the air chorus.
Blazing blast.
Artist: SAM FENDER Who: British mega pop/rock star.
Track: PEOPLE WATCHING
It’s the first piece and title song of his upcoming,
3rd longplayer. It’ll land on 25 February 2025.
“A song about somebody that was like a surrogate mother to me and passed away last November. It’s kind of ironic because she was the one that gave me the confidence to go
on stage… now an entire song (and album) connects to her.”
The head-over-heels vocal vehemence at work here goes through the roof.
Band: NOVANOISE Who: Italy’s rising alternative
punk rock outfit.
Track: LEVELS
It’s a fresh blend of punchy punk rock riffs, bold synth lines, and the undeniable
energy of frontwoman Luna Esmeralda Rizzi. Known for their high-voltage performances and cyberpunk flair, Novanoise delivers a track that’s both defiant and uplifting.
A shout-out to staying connected in a chaotic world.
Levels is a high-voltage burst,
with biting vocals and a Herculean
powerhouse intensity.
TUTV: Greg Dulli‘s pipes reach for the sky throughout this new standout LP. His unique rock voice is the unwearying motor of this heart-and-soul opus. And when the songs are of supreme quality, as all 10 terrific tunes here are, and your bustling band are on a raucous roll with the vitality of young wolves you end up with the undeniable best album of 2022.
2. ‘Cave World’ by VIAGRA BOYS (Stockholm, Sweden)
Turn Up The Volume: The more our world gets fucked-up the more inspiration Viagra Boys have to write absurd, hilarious, sarcastic, crazy, monkey-ish songs about
all the related mess, embedded in their by now familiar filthy punk and roll grooves.
Never a dull moment with punk rock loser Sebastian Murphy in the middle. And they
played the best gig to my ears/eyes a couple of weeks ago in Antwerp, Belgium.
Turn Up The Volume: After playing opener Clocks to the max, with its Blitzkrieg grinta, it feels like the band and I are already out of breath as you can hear on the post-explosion outro. I felt wrong, as several KO Killers (Ded Würst / The Warden / I Am Kate Moss and the JAWDROPPING missile closer No Thanks, I’m Full) follow and do your head in. Ditz is a mean manic post-punk machine. The first minutes of the slower pieces (Three / Instinct / Teeth) are misleading, halfway they explode like grenades. No rest for the wicked, no rest for Ditz, no rest for your ears.
Turn Up The Volume: Back in 2016 Crows blew my mind when they played a small club
gig in my hometown of Ghent, Belgium. A memorable one cemented in the aural side of my
brain. The immense intensity and their frenetic furiosity were no less than jaw-dropping. On Beware Believers, their high-powered passion is still intact and its sizzling sound evolved further into a mean Herculean rock machine.
Blistering hammer blows like Garden Of England, Slowly Separate, and Room 156 are already noted in my end-of-the-year list of best 2022 knockouts. And reflective reality checks like the Joy Division-esqueHealing, Moderation, Wild Eyed & and Loathsome, and the fucktastic Meanwhile have the sonic vehemence to burn holes in your stereo.
TUTV: Musically and lyrically, this 3rd LP is moony, mellow and pensive with frontman Grian Chatten becoming a modern-day crooner who touches sensitive hearts, especially Irish ones as this album is about their Irish past/present/future identity in and outside of their beloved country.
TUTV: Weirdly exciting and capriciously inventive. This new LP resonates like a Zappa-esque rock circus. A sundry potpourri of symphonic jazz-prog-rock twists and turns, building up/breaking down constructions, forth/back and vertical/horizontal saltations with head-spinning orchestrations. Welcome to Black Midi‘s hell.
. Turn Up The Volume wrote: Prepare your ears for brawny industrial bombast (No Yes More less / Veni Vidi Vici / Feed The Wound / Taranatula), nightmares in slow-motion (Limbo / Sugar My Pill / The Judas Chair), wham-bam-glam drones (Glitz Krieg / The Dark Room) and the fantastic slow-burning gospel chant of the title track. It’s all there to have yourself a merciless head-banging pig trip. File next to Rammstein’s new opus Zeit.
TUTV: The result of the collaboration of wordsmith and poetry lover Peter Doherty and French composer Frédéric Lo who wrote the music, is a sparkling thing of beauty. This is the record to play when you’re feeling lazy, and in the mood for doing just nothing but daydreaming while lying in a green field enjoying the sun. Expect romantic lullabies with violins, piano and smooth horns, sweet little pop ditties, and sepia-colored tunes that transfer you to a place far away from our cruel reality.
9. ‘All Of Us Flames’ by EZRA FURMAN (Chicago, US)
TUTV: Definitely her most complete accomplishment to date. Majestic songwriting quality. Top-level tunes in orchestration, arrangement and vocal emotiveness. Here and there songs’ structures and Furman‘s fragile voice (Train Comes Trough / Throne / Poor Girl A Long Way From Home) bring, yes, Tom Petty to mind. Un-Americana Americana splendor with an artist who’s slowly but surely finds her way as a human being on this frightful planet.
TUTV: Disco fuel for 24-Hour misfit parties in obscure nightclubs for SM fans, physically unsatisfied individuals looking for sexual healing, gangbang addicts, nudists, lost sex workers, manic David Lynch characters, neurotic Brexit victims, acid-house junks, erotic lovers, lobotomized politicians, trashmouth artists, Andy Weatherall junks and all other messed-up souls who hate reality and want to dance/party/fuck/hallucinate to stripped-down techno beats. E-tastic.
Turn Up The Volume: Check in on a Saturday Warmduscher Fever Night, ladies and gents, at the club called The Hotspot. Feel the sultry ambiance, have a couple of cocktails at the bar, dance to some banging boosters and some funky Sly Stone vibes, and go twitchin’ in the kitchen now and then.
Turn Up The Volume: JO-JO is the flamboyant Amazon in the middle. She sings the
blues with the vigorous vitality of eternal legend Janis Joplin (We’re Just Animals / Moon Child), she rocks her multi-colored tail off with the gusto of Grace Slick on a roll (My Babe / No More Good News / Don’t Get Too Heavy), she has the groovy guts and the glamorous looks of eccentric punkette Nina Hagen and to close the show she affects with a gripping candlelight reverie for the midnight hours (Oh Brother).
Mind you, she’s not alone. Her bang-on band The Teeth know all the 60s/80s/80s
rock ‘n’ blues ‘n’ glam ‘n’ punk ‘n’ roll classics. They back Jo-Jo with a mood-and-cadence fitting firework of Jimmy Page riffs, John Lee Hooker hooks and Slash licks. Retro injected electricity.
Turn Up The Volume: As I said several times before, Samara and Animal are
adventurous architects in sound and vision (watch the singles’ spectacular videos
below / also the artwork for their releases is always a reflection of vivid visual inventiveness).
On this new, bone-and-mind chilling, longplayer both high-tech DIY artists keep
on challenging sonic and thematic boundaries. It’s also the first time we hear poetry fanatic Samara sing instead of reciting her poetic chimeras, as on psychoanalytic
discharge Shaman and on doom-punk sledgehammer Human Sacrifice.
There are so many layers, so many different directions, so many pendulum movements and so many unexpected turns at play here that you need several spins to get a grip of their poetallica world fully. This record as well as their debut are voyages of discovery.
Turn Up The Volume said: Damon Albarn was the first name that popped up in my head when The Early Years impressed my ears on first hearing. At times I thought he was a guest singer on Vanwymeersch‘s debut longplayer, with his pondering voice and his musing songs . Check Drama I, Who Can Tell, I’m Wide Awake and you’ll find out why.
Vanwymeersh also, like Albarn, is a song architect. All lullabies, reveries, and tunes at
play here stick quickly. But with every listen you discover how rich and subtly layered the musical arrangements and feel-good orchestrations (hear that playful banjo sound on Part Of Me ) are. Then again he invites you into his sonic labyrinth where he goes left, right, and back in one and the same song (When You’re Old And Grey And Full Of Sleep / Fall From Grace).
15. ‘Carrion Repeating’ by JAMES DOMESTIC (Essex/Suffolk, UK)
TUTV: Domestic is a story-telling Cockney wordsmith, tackling politics, daily life shit, gobbling business sharks, and other related mess.
Musically anything is possible. Screechy guitars and 60s sounding Hammond organs to inflame tirades such as Itchy Itchy, Faze Out, Bean Counter and Push on Trough. Saxophone and steel drums straight from Trinidad on Mañana. Soulful female voices and Le Freak C’est Chic riffs on Never Enough. A reggae vibe with xylophone touches on Is Thay You?. Dub Jah Wobble bas on Weekend Carbs and Giblets. He just does what his ears like.
Turn Up The Volume:Dim Gray float in a universe where the poignancy and
starry-eyed melodrama of Sigur Rós and the spiritual vocality of day-and-night
dreamers Fleet Foxes become one. This heart-and-soul stirring trio reverberates
like a full orchestra. They’re cinematic pop architects working with a drone flying
up high like an eagle and showing us where the ocean meets the sky.
Symphonic pop splendour. Firmament is a shiny diamond of a record.
I really can’t say more about this multi-faceted record and its from lost soul to ‘fuck it, you only live once’ author does herself.
Koan: “This record sounds like I’m schizophrenic in a way coz there are so many mad emotions in the songs. They are all very real, which took some guts to vocalize but I’m proud that we managed to bring it all across in a raw and real way. It’s not as sexually charged as my first album.
This new album COCOON was written during the lockdown, so many emotions that were pent up inside had time and space to surface and they sure came out with a vengeance. Anger, procrastination, questions about the way we C/O-exist in this society, and some new relationship issues like jealousy, infidelity, breakups. So it’s a more grown up album with more grown up topics.”
Turn Up the Volume: A striking work of top-notch tunes, written by mastermind Scott Marsden, that get under your skin slowly but surely until you see/hear the whole picture and realize that this is one of the most gripping albums of 2022 in my book. And lots to learn about Wales’ history.
Turn Up The Volume: Liam says that he is happy with his rock formula. So nothing new? No, just a bunch of new songs from good to very good. As much as I love our kid I enjoy him the most when he’s a rock ‘n’ roll star on stage. That’s his habitat. That’s what he does best. Entertaining a crowd/choir of 50.000 in a green field. See you in Belgium in August, Liam, on a green field of course.
The greatest Belgian singer-songwriter ever past away this year. A passionate chansonnier, a blues man, a rocker, a goosebumps crooner, a charismatic personality, and a one-of-a-kind live performer. I saw him about a 100 times, mostly solo, but also with his fantastic band TC Matic and one-time side projects.
Opex is his final longplayer. Vocally you hear him suffer from that deadly
disease that killed him shortly after recording the LP. I miss him, really hard.
Band: BLACK MIDI Where: Trix Venue, Antwerp, Belgium When: 1 November 2022
Band: BLACK MIDI Where: Trix Venue, Antwerp, Belgium When: 1 November 2022
If you went to this gig without ever hearing this electrical juvenile London quartet called black midi I guess your unsuspecting ears would have been impressed as never before. These adventurous youngsters sound like an experimental post-punk turbine producing ferocious Black Sabbath drones resonating actually like bombastic prog-rock firework with ever-changing, manic Frank Zappa-esque twists and turns. Yep, demonic and hypnotic 21st Century disturbance with the crushing impact of a deranged steamroller.
Their repetitive build up/break down noise pattern goes sometimes faster than your aural reception and messed-up mind can actually handle. And at times the four members – two guitarists, a bassist and an octopus drummer – seem to play each a different song as if this was a free jazz-rock gathering while main vocalist Geordie Greep‘s haunting Scott Walker like vocals tried to give the uninterrupted cacophonous havoc a voice now and then. Flabbergasting spectacle!
Band: BLACK MIDI Who: Young terrifically engrossing
indie 4-piece from London.
The British sound-digging crusadersBLACK MIDI scored one of
last year’s best longplayers with Calvacade, confirming their musical
prog-jazz-rock inspired vision of debut album Schlagenheim.
And their third one, baptized HELLFIRE is out now
Order info here.
Frontman Geordie Greep (photo by Turn Up The Volume)
NME says: “Intense first-person narratives fuel a genre-gnarling thrill ride Building on the dynamic intensity of 2021’s ‘Cavalcade’, the UK trio’s third album further expands their intrepid musical universe. Call it avant-garde if you will (and it’s a certainty that some will find the album’s frequent gear-shifts too much to bear), but listening to ‘Hellfire’ delivers more musical thrills and about-turns per minute than few other records we’ve heard this year. Sounding more assured of their creative agility than ever before, ‘Hellfire’ is the work of a very special group of alchemists.” Score: 4/5.
Turn Up The Volume: Without any doubt the most exciting, the most inventive, the most mental band of the moment (again). This new LP resonates like a Zappa-esque rock circus.
A sundry potpourri of symphonic jazz-prog-rock twists and turns, building up/breaking down constructions, forth/ back and vertical/horizontal saltations with head-spinning orchestrations. Welcome to Black Midi‘s hell. Contender for album of 2022. Hands down.
Singles/clips: Sugar/Tzu – Eat Man Eat – Welcome To Hell
Band: BLACK MIDI Who: Young terrifically engrossing
indie 4-piece from London.
The British sound-digging crusadersBLACK MIDI scored one of
last year’s best longplayers with Calvacade, confirming their musical
prog-jazz-rock inspired vision of debut album Schlagenheim.
And their third one, baptized HELLFIRE is ready
for release on 15th July. Pre-order info here.
Frontman Geordie Greep
Geordie Greep (vocalist, guitar) about the first single WELCOME TO HELL: “Almost everything I write is from a true thing, something I experienced and exaggerated and wrote down. I don’t believe in Hell, but all that old world folly is great for songs, I’ve always loved movies and anything else with a depiction of Hell. Dante’s Inferno. When Homer goes to Hell
in the Simpsons. There’s a robot Hell in Futurama. Isaac Bashevis Singer, a Jewish writer who portrays a Satan interfering in people’s lives. “
