Vitalizing tunes that work faster than a stream of caffeine
4 April 2026
Press photo
Only this week JACK WHITE (né John Anthony Gillis 50 years ago in Detroit) announced
an European tour, and he follows that news now with 2 new firecrackers, his first new music since his 6th solo album NO NAME, that came out in 2024.
They’re both White vintage, unbridled garage blues-rock headbangers.
It’s already been 2 years since JACK WHITE, born John Anthony Gillis
50 years ago in Detroit (MI) launched his last solo album (his 6th), the
boiling back-to-the-garage-blues-rock-roots, named, eh, NO NAME.
We know, of course, that in between recording and touring he’s busy with
his own record label Third Man Records and lately he takes time to slam
that Orange Idiot in The White House.
Now it’s time again to rock on the road, in Europe that is.
We’re on our way, slowly but surely, to the end of 2025.
Instead of starting to think about this year’s best LPs,
let’s go back to 2024 and listen to TUTV’s 20 Best Albums
again and look back on what we wrote about each one
of them.
TUTV: White returns to his punk blues roots of the early days. Swipe after swipe,
blue stripe after blue stripe, kick after kick, clap after clap. A total of 13 thunder
strokes. High-wired electricity. Dope stuff.
Daily noise that works faster than a stream of caffeine
12 February 2025
Last year rock junk JACK WHITE scored big time with his 6th and best
album to date NO NAME. A punk blues tsunami of Herculean haymakers.
He followed it with small gigs here and there, some unannounced in advance,
not really a proper tour. But this year he’ll play a bunch of them. And for all
his devoted fans who won’t have the opportunity to catch him on a blue stage
somewhere, the third man records boss has this No Name Live EP out to
comfort them.
Album artwork ‘No Name’
5 album killers, captured in
concert at 5 different shows.
Even if you are in a coma White will wake you up
with his alive and hard
kicking blues havoc.
Orchestrator Robert Smith about
their supreme new opus.
TUTV: In the past 16 years Robert Smith lost his mother, father, and brother.
All these painful events led to this extraordinarily touching record. It’s one
long, emotionally layered lament that works liberating in the end.
Strong sentiments of heartache, grief, and sadness are omnipresent, but you
hear and feel frequently that Smith has accepted humankind’s inevitable destiny.
Live and die. Life and death.
Sonically, it feels like if you’re part of a funeral march that progresses in slow
motion. Almost every song starts with a long instrumental intro of waves of
mourning synths and weeping guitars, and every time when Smith‘s feverish
voice joins in, the sense of tristesse augments wondrously heavy-hearted.
5-star masterpiece!
SINGLE
ALBUM
. Instagram – All Albums
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TUTV: Musically, tattoo artist Carter and his accomplices have left their angry punk days behind them and moved closer to classic rock on this surprising and bold longplayer.
And it’s a truly staggering result with several melodramatic power ballads that generate goosebumps, and some stoner rock ebullitions to keep balance. Carter sings his heart out with monumental vivaciousness. A vocal tour de force throughout, dealing with up and down emotions.
Lias Saoudi (voice/face/wordsmith/poet/writer): ‘Forgiveness Is Yours,’ is about life as eternal contingency… about no longer suspecting, but knowing that this shit will never get any easier… in fact, it’s about to get a whole lot worse, your body’s going to go into decay and the people you love will slowly start dropping dead around you… but somehow, you’ve smashed enough
of your expectations thus far in life, you’re sort of fine with it… you accept it.The overarching aesthetic themes at work here are torpor and further torpor still.”
TUTV: Without a shadow of a doubt their most startling, and most creative/inventive accomplishment. Sounds like FWF have written/recorded the bone-chilling soundtrack
for an entertaining Doomsday party. Enigmatic reflections, dark deliberations, distressing vibes, a John Lennon tribute and Saoudi as the foreboding messenger and sinister poet in the middle of it all. It’s the end of the world, as we know it, and it feels like Fat White Family.
Cave: “There’s no fucking around with this record. When it hits, it hits. It lifts you. It moves
you. I love that about it. I hope the album has the effect on listeners that it’s had on me. It bursts out of the speaker, and I get swept up with it.”
TUTV: Cave is the God of cloak-and-dagger balladry. Now here’s a God I can believe in. Again he shows why he’s one of the best ever crooners in the universe. And lyrically it
feels as if, after so many devastating, heart-crushing years, with the loss of two sons,
he lets sparks of light back in his life. God bless Nick Cave.
TUTV: White returns to his punk blues roots of the early days. Swipe after swipe,
blue stripe after blue stripe, kick after kick, clap after clap. A total of 13 thunder
strokes. High-wired electricity. Dope stuff.
TUTV: The charismatic Lia Metcalfe‘s singular voice, both anxious and bewitching,
is all over this new, awe-inspiring full-length. Overall the sound is even more gloomy
and spine-chilling than on their debut from 2022.
It fits Metcalfe‘s introspective reflections on her turbulent past terrifically well.
They’re embedded in arresting songs that send shivers down your spine.
But, eventually, there’s a light shining
at the end of the Mysterines tunnel.
One that illuminates their future
and your stereo.
TUTV: The star duo made an album with lots of bright pop tunes and some blues light
ones. The licks/riffs and hooks – about a thousand – haven’t that BK’s raw and rough edge as we are used to, but I don’t miss it whatsoever.
The overall sonority leans more towards power guitar pop (slow, mid-tempo and only
a couple of fast ones). I never thought that the tandem would come up after 23 (!) years with a pretty different sounding, coherent longplayer, without ignoring their blues roots that is. I played Ohio Players more than their whole catalog together. Say no more.
TUTV: The three main elements that make this album special are Jeen’s remarkable
voice, her high-quality songwriting expertise, and the heart-and-soul passion that streams throughout it. Whether Jeen rocks out, muses, or swings moods, she always holds your aural attention.
TUTV: With Interplay their shoegaze past goes into the dustbin. Ride came up here
with a multi-layered pop LP stuffed with arousing tunes, alternated with pepped-up reveries.
All songs are sublimely orchestrated and bathe in a psychedelic jacuzzi,
while vocalist Mark Gardner‘s velvet vocals match the radiant atmosphere
exquisitely. It’s a new ride, and it’s a gratifying one.
TUTV: This first Mancunian collabortion sounds as if was made about 30 years ago.
Most tunes could be leftovers from The Stone Roses‘ 2nd and final 1994 LP Second Coming, the one on which Squire played his guitar exactly the way Jimmy Page did in Led Zeppelin for years. And Liam is Liam. Arms together on his back and letting his pipes do the talking. The two heroes just did what they wanted to do, making an album together and having fun doing it.
Before I was aware of it I had played the album about 10 times in 2 days.
Mind you this is not a masterwork whatsoever, but all 10 tunes are top-entertaining
and stick faster than I can say “I want the Stone Roses support Oasis on their reunion tour”?
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. Liam Gallagher – John Squire
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TUTV: The Other Side is a concept record about a “mysterious couple” having
adventures in an otherworldly America. The by-now 76-year-old Burnett translates
their journey in lovey-dovey lullabies, heartfelt musings, and amourus ballads.
This is the perfect record for daydreaming and relaxation. Soft, mellow, and tender.
His slightly hoarse Americana voice enchants and entices all through this sepia-colored album. Pure romanticism. Pure songsmith.
Artist: JUJU (Italy)
Brainchild of Sicilian multi-instrumentalist
and producer Gioele Valenti. Album: Apocalypse Is God’s Spoiler
Photo by Turn Up The Volume
TUTV: Valenti is a jam champ and a groove master creating electrifying, trance-like vibrations that transfer you to the dark side of your mind where you can freely
fantasize and explore your own psyche.
Circling Krautrock-like psychedelia is all over the place. Choir chants and spacey percussion cause a tribal atmosphere à la The Brian Jonestown Massacre and The Dandy Warhols. Mind-bending and dream-triggering. As always.
TUTV: After the turmoil, chaos and drugs addictions (especially Doherty) of the early
years, the side-projects, solo records and getting clean and healthy the Libs are back, again. They’re not the boys in the band of yesteryear, they’re now grown-up men who
enjoy a stable life and still are obsessed by making music.
They became notable, experienced musicians who left their hedonistic lifestyle behind themselves for several years now. Not one dull moment, not one dull song on the eastern esplanade.
TUTV: The Irishmen have become first-class songwriters (which they already proved on previous LP Skinty Fia– – still my favourite one). Frontman Grian Chatten‘s lyrics show (again) his observative view on this modern-day, confused world and how it affects
his inner-self.
This is not their masterpiece yet to my ears, but it’s only a matter of
time that they will come up with a longplayer that will blow us all away.
Turn Up The Volume: Old skool punk ‘n’ roll? Absolutely. Any good? You betcha! Amyl and her loud buddies made another roasting riff-manic-monster of a hell fucking
hell yeah record. Pogo madness is back. Sturm un drang from start to finish. HOLY MOLY!
Band:THE SMILE
Sort of supergroup featuring 2 radioheads, Thom
Yorke and Jonny Greenwood and drummer Tom Skinner.
Album: Cutouts.
Their 3rd LP in just 2 years
(Radiohead 8 in 31 years).
TUTV: By far their best to my ears. On the previous 2 ones they tried too hard
to not sound like Radiohead (which they did frequently anyway) and did it with
too many redundant orchestrations, too many unnecessary layers and a bit of
arty farty structures here and there.
Mind you these are good LPs but on this one they keep it far more simple resulting
in 10 very compelling pieces of mesmerizing music. Trippy fast ones alternate with slow
musing ones and throughout the arrangements are subtle, direct and most entertaining with Thom Yorke sounding, yes, at ease, not forcing his compassionate voice/vocals. Bingo.
TUTV: Nostalgia is the keyword all over this fully devoted record. As we already know
for a long time Hawley is a romantic at heart who’s in love with his city Sheffield since
he was a child. It’s more than just his hometown.
It’s the place where he experienced all things good and bad, happy and sad. It leads
to yearning renumerations, fanciful daydreams and wistful meditations. With his soft-heartened voice and late-night stories, the late great Roy Orbison comes to mind on
several occasions.
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. Instagram – All Albums
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Artists:DEAD ANYWAY British duo combining the dark lyricism of Kate Arnold
against the music and soundscapes of Marc Symonds. Album: Tough, Listen
TUYV: Slow/mid-tempo/fast trip-hop tunes are wrapped in layers of
distortion and feedback, creating an eerie and at times sinister ambiance.
Massive Attack, Tricky, Arab Strap and Mike Skinner’s The Streets
and Laurie Anderson‘s latest opus Amelia come to mind.
DA resonates as EBM for people who come alive when the darkness sets in, far away
from our 24/7 suffocating life and the world’s destructive nature as we experience now, again.
Kate Arnold‘s spoken word stories evolve on waves of chilling synth soundscapes that actually ease one’s confused mind (mine, for sure) and transfer you to your space of imaginativeness. Trance massage it is. You’ll feel alive anyway.
“The singular mixture of classic punk/hardcore and electronic styles result in 12 frantic tracks of postmodern pop for the genreless future. Painted with a broad pallet of only the most extreme hues of emotion, each track is marked by a distinctive danceable mania.”
TUTV: Let your head kicked in with schizophrenic disco sledgehammers for illegal raves in batcaves where dropouts, misfits, loners, eccentrics, bohos, and other related outsiders gather to move in mysterious ways, far away from the normal world.
TUTV: It’s vintage Shellac/Steve Albini with its wayward song structures, its
capricious and minimalistic approach, its broken riffs, edgy hooks, sinewy
drumming, Albini‘s firm vocals and the raw and rough post-punk dynamics.
Absolutely weird to listen to, knowing
that the noise wizard is here no more.
He passed away on May 7, following a heart attack.
Only 10 days before the album release. Sad loss.
Band: DITZ Who: Unbridled post-punks from Brighton, UK (where everybody is
in a band).
Track: TAXIMAN
Piece from their forthcoming second longplayer, baptized Never Exhale. It’ll hit the streets on 25 January 2025. Pre-order
info here.
TUTV: Taximan does your head in the way we, brainbangers, like it. Bam Bang Boom.
No mercy for the wicked. Maddening mayhem as usual. You better check out if Robert ‘Travis’ De Niro is behind the wheel before taking a cab.
Last August former white stripe JACK WHITE (aged 49 now) released
one of the best LPs of the year with powerhouse record NO NAME,
his 6th solo one. A crazed punk blues LP with a total of 13 thunderous
outbursts.
TUTV: I’m quite sure that this song was recorded during the No Name
sessions. Anyway, it’s as if Jimi Hendrix woke up from the dead for a day
to play firework guitar on this blistering blow.
TUTV: Dog Dribble operates somewhere between Yard Act and Sleaford Mods.
Its limbs-activating groove is simply irresistible. Get up, stand up, and fight
for your right to move in mysterious ways.
Band: LAMBRINI GIRLS Who: A two-motor punk bulldozer from Brighton, UK who have built
a notorious reputation over the past 2 years, on record and on stage.
Track: LOVE
Piece from the duo’s upcoming debut LP Who Let The Dogs Out. Out next year, on
January 10.
TUTV: Don’t be mistaken, it’s not because the new single is titled ‘Love’
that LB wrote their first-ever song about the birds and the bees. According
to the lambrinis tandem, ‘true love is nothing more than the wrong hill to die on”.
It’s one of their best knockouts so far.
An amazeballs wall-of-flaming-guitar racket
and a manic drummer with 4 arms. Hell yeah.
Band: BILLY ZACH Who: German act described by singer/guitarist Max Zacherl as “the sandpaper of pop music”. So
far, they canned/released two albums.
Track: PAINTED NAILS
Single from their notable brand new 5-track EP, called Interferer (you can stream/buy it below via Bandcamp).
TUTV:Painted Nails is a flabbergasting post-punk tour de force, a jawdropping
psychedelic trip burning its way through a turbulent trip, fired-up by schizophrenic
guitars and bone-chilling vocals. Petrifying thrill.
The rap-punk poets teamed up with the famous synth-pop band to collect money for help organization WARCHILD. An organization that works with parents, caregivers, community members, NGOs, governments, corporations, and other partners worldwide to ensure that children have access to protection, education, and psychosocial support.
It’s an unlikely collaboration, but it’s pretty cool that they do it together
for charity. They recorded 2 tracks in London’s famed Abbey Road studios.
You can buy both here, viaBandcamp.
One of them is a frisky punk-disco stomper; called CAT BURGLAR
Band: CAMLANN Who: Intruiging Indonesian
dark disco duo.
Track: RONNY (BURN IN HELL)
The song is deeply rooted in the personal experiences of lead singer Ony Godfrey,
who candidly addresses the sexual harassment she faced as a teenager at the hands
of a middle-aged man named Ronny. Through this powerful narrative, Camlann channels
a raw and unfiltered expression of female rage that resonates with many women who
have endured similar traumas.
TUTV: Expect a knockout headbutt, an in-your-face sucker disco-punk punch.
Hells bells. A blazing blast that goes after all sexual abusers out there. Bullseye.
The message is loud and clear. To hell with all harassing predators. NOW!
“You have played with fire
And the fire’s now burning you alive
So have fun suffering
‘Cause God knows that you will be
Burn in hell forever”
TUTV: The band say they have written this energizer, they want to compete
with at the Eurovision Song Contest of 2035. Say what?. The big question, of
course, is ‘will the world still turn in 2035?‘ as devastating wars destroy lives
every single day on half of our planet and the future doesn’t look bright
whatsoever. We can only hope for peace.
Artist: SOMEBODY’S CHILD Who: Musical project led
by Irish songsmith Cian Godfrey.
Track: TIME OF MY LIFE
First taster from his upcoming 2nd album
When Youth Fades Away, out 28 March 2025.
New album artwork
TUTV: If you can resist this epic guitar/drums/piano-driven earworm
you need to change your meds and/or consult your shrink and you’ll
have the time of your life.
Band: CANYONS AND LOCUSTS Who: Two-piece garage rock act, Justin Keane (vocals, guitar) and Amy Young (drums, backing vocals), from Boston, MA. Fueled by the current chaos of the world and an urgent need to be part of the conversation, the two took the indie rock foundation they built in previous bands and upped the ante by adding new levels of noise via pervasive, edgy guitar sounds, low and thundery drumbeats, and emotional vocals.
Rowdy piece the tandem’s forthcoming
2025 concept album, The Goal Gigolo.
TUTV: Another manic motherrocker from this duo who sound as a 4-motor hit-and-run band. As usual, amps way up, and the volume to the max. Riff-o-rama all the way while bashing drums do your head in. Garage punk ‘n’ roll at its turbulent best. Call your own Anna and challenge the anti-decibels police. Sounds like far-out fun, right? You betcha.
Rabbit Hole is an invitation to explore life’s hidden corners, where desire and despair
often collide. The accompanying video clip immerses fans in distorted shadows and dramatic visuals, that perfectly mirrors the raw and introspective.
TUTV: Expect a motorized riff-ripper
with a titanic fists in the air chorus.
Steaming stuff. Punktastic!
Band: NOVANOISE Who: Italy’s rising alternative
punk rock outfit.
Track: LEVELS
It’s a fresh blend of punchy punk rock riffs, bold synth lines, and the undeniable
energy of frontwoman Luna Esmeralda Rizzi. Known for their high-voltage performances and cyberpunk flair, Novanoise delivers a track that’s both defiant and uplifting.
A shout-out to staying connected in a chaotic world.
TUTV: Levels is a high-voltage blowout,
with biting vocals, Herculean powerhouse
intensity and full-on electricity.
TUTV: It’s a heartfelt, sepia-colored musing where sparkling guitar lines
and Perrett‘s unique voice come together to shine. Moony melancholia in
motion.
Band: CMON CMON Who: Brussels/London based indie rock trio from Belgium,
who started to realize their childhood dream 5 years ago,
in their 40s.
.
New track: ALL THE OTHER KIDS
It’s the first taster from their upcoming, new EP, titled Headwind that’ll land
next year and recorded in renowked producer’s James Brown‘s studio in the
world-famous Portobello Road in London. It’ll follow CC’s 2023 debut album The Crack And The Light.
Single artwork by Belgian designer Lisa Van de Vyver
with cover images by Swedish photographer Moarlberg.
TUTV: All The Other Kids is a breezy, zippy and riff-juiced
tune that brings notorious songsmith Evan Dando and his Lemonheads to mind.
Its easy-going melody and feel-good vibe make you want to whistle,
hum, or sing na-na-na along. That’s what pop-ular music is about.
Band: NEVERLESS.AM Who: Prolific Boston trio who pulls threads from their hard
rock, psych, and funk influences to create a distinctive sound
that blurs a line between shoegaze and dream-punk.
Track: WILL I EVER?
Preview from their forthcoming
debut album, out in February.
It details a horrific personal experience vocalist and guitarist CA Newcomb endured
two years ago, as she relays the story and emotion of being hit as a pedestrian by a
drunk driver, sending her to the hospital and placing her on a long path to recovery.
TUTV: Woozy layers of fuzzy guitars and Alice-in-Wonderland vocals take you on a shoegazing trip to a place where reality and surreality meet. Btw, don’t get petrified
when you hear some freaky growling for a moment.
Artist: BLAIR GILMOUR Who: An 18-year-old multi-instrumentalist and singer/songwriter from Irvine, Scotland. Immersing himself in music at a young age, he quickly realised that performing helped suppress his Tourette’s tics. Diving into music on a sensory level, the young artist explores the secrets of songwriting, producing and performing, inviting listeners along for the journey.
The tune was written at a songwriting camp in Spain. Initially inspired by the heat of their environment, the song eventually transformed into a love song, with Blair exploring the question: “How can you love something or someone so much that you know it is bad for you and your mental health, but you’re still in it for the chase?”
TUTV: Swirling pop bliss is what you get, adrenalized amorousness is
what you feel, euphoric elation is what you hear. Touch play and enjoy.
Band: WYLDERNESS Who: Welsh shoegazers from Cardiff
with 2 full-lengths under their belt.
Track: BIG IDEA
First taster from their forthcoming new EP
entitled ‘Safe Mode‘ which will be released
in 2025.
TUTV: Glistening guitar sparks set the glistening tone
for this sonically colored rainbow, all the way through.
Woolgathering vocals and arresting melodiousness.
Peter Murphy – photo by Jolene Siana / Boy George – photo by Dean Stockings
Former Bauhaus voice/face PETER MURPHY (67) and Culture Club‘s voice/face BOY GEORGE (63) team up for a beauty of an epic reflection. A romantic ballad
titled LET THE FLOWERS GROW with another legend, Killing Joke’s Youth taking
care of the track’s production.
The song was originally written by the Boy George with its initial message being
“one of personal acceptance about being gay. As the song developed, it took on a more expansive and universal scope with its lyrics extending beyond sexuality and embracing
race, gender, creed and religion.”
TUTV: It’s a surprising, but terrificallyt gripping heart-and-soul
collaboration. Starry-eyed magic spreading gold dust.
“I’ve been changing / and mama don’t know /
let her tears fall / and make the flowers grow,”
Last August former white stripe JACK WHITE (aged 49 now) released one of
the best LPs of the year with powerhouse record NO NAME, his 6th solo one.
A crazed punk blues album with a total of 13 thunder strokes.
Rolling Stone: “The album is some of the best, most lively garage-blues crunch
he’s given us in many moons, with just the right amount of eccentricity thrown in.”
And we get more new music with fresh single YOU GOT ME SEARCHING.
I’m quite sure that this song was recorded during the No Name sessions.
Anyway, it’s as if Jimi Hendrix woke up from the dead for a day to play
firework guitar on this blazing blast.
Check it out.
To promote the album White played a series of small club
gigs, but next year he’ll fill bigger venues in North America.
