White stripe JACK WHITE never was and never will be a Trump supporter, rightly so, and exposes all idiots who normalize the autocratic populist and anti-democracy fanatic that Trump is. White‘s shitlist of Trump fans gets longer all the time.
The musician posted a series of photos on Instagram that picture former president Donald Trump with different celebrities, including actors Mel Gibson (also a rabid anti-Semitic) and Mark Wahlberg. White called out all the photographed parties for normalizing Donald Duck in his caption.
“Anybody who ‘normalizes’ or treats this disgusting fascist, racist, con man, disgusting piece of shit Trump with any level of respect is ALSO disgusting in my book. That’s you Joe Rogan, you Mel Gibson, you Mark Wahlberg, you Guy Fieri. This is a statement from me, not a discussion/debate.”
JACK WHITE was cooking last weekend when he played on
a Woody Harrelson-hosted episode of Saturday Night Live.
He played an untamed, hot blues medley of ‘Taking Me Back’ and ‘Fear of the Dawn‘.
The opening two tracks from Fear Of The Dawn, one of his 2 LPs released last year.
I saw them myself in Belgium last August, but this version
is way better than the one I witnessed. But hey, you can’t
beat a sign-along audience of 70.000.
Where: KNEBWORTH (UK) Liam‘s massive and biblical concert at the historic
(rock) field confirmed once more that our kid still is
the man for the masses.
Bluesman JACK WHITE made a last-minute appearance at the tribute show for iconic country songstress LORETA LYNN last week in New York. She passed away on October 4th, aged 90.
He performed VAN LEAR ROSE ,
the title track of her 2004 alum.
Blue JACK WHITE still knows how to inflame a festival crowd.
Take a White Stripes classic and play it as if it was a filthy garage bombshell.
That was exactly what the Detroit hero did last June at the iconic Glastonbury
Festival in the UK.
From the first spin on, this new one struck me as the best of the two. Its mellow, smooth, yet impassioned, and poignant soulfulness touched me directly. Bluesy reveries, bluesy lullabies, and bluesy introspections, and most of all bluesy top tunes. His best solo work ever? Could be. But first, a couple of listens more, to find out.
Rolling Stone says: “Entering Heaven Alive presents him as a flesh-and-blood creature, chewing over his past and future before a full moon transforms him in a different kind of beast.”
