46-year-old blues addict JACK WHITE released his
4th solo album FEAR OF THE DAWN (another one
to come this summer) on 8 April.
A couple of nights ago he visited The Late Show with Stephen Colbert for
a sizzling live version of What’s The Trick?, one of the hot tracks of the LP.
“Fear of the Dawn is the fourth studio album from Jack White, founding member
of The White Stripes, The Raconteurs, and The Dead Weather. True to his DIY roots,
this record was recorded at White’s Third Man Studio throughout 2021, mastered
by Third Man Mastering and released by Third Man Records.
Turn Up The Volume: White is a garage bluesman at heart. He doesn’t try to reinvent the blues wheel but brings his work with seldom heard/felt panache, uppermost love, and an authentic drive. Hats off!
James Cox (frontman): ““I used to be quite obsessed with true crime, and this song was
kind of born out of researching H.H Holmes and the World Trades Hotel in the 1860’s where
he would murder people staying at his hotel informally called ‘The Murder Castle’. I also got quite obsessed with a faith healer from the early 1900’s called Reverend Major Jealous Divine and reading transcripts of his old sermons, so this is basically just a weird amalgamation of mad shit I read about.”
A wham-bloody-bam drum intro, scorching guitars, filthy grooves, angry vocals,
all in just 50 seconds. Sounds like Nick Cave and his freakish gang The Birthday Party
are back with a filthy blues-injected blast. If you like creepy doom and gloom hullabaloo from a smelly basement you’ll love this to death.
A razorblade uppercut as intimidating as a bulldozer and
cutting as a Swiss knife. No rest for the wicked. One of the
clamorous highlights of these hardcore junks’ debut album A False Glimmer Of Hope.
Garage blues-rock junk Jon Spencer is back in town.
This time with his HITmakers. This razzle-dazzle cracker
is pushed by a bouncy synth touch and, schizophrenic
guitars and, of course, Spencer‘s freaky vocals.
The wonderful Kristin Hersh has an impressive résume.
10 albums with Throwing Muses, 10 solo albums and one
full LP and several EPs with50 Foot Wave (trio with Throwing Muses‘ bassist Bernard Georges).
And Hersh doesn’t think about retiring yet, she never will.
A new 7-track 50 Foot Wave album, entitled Black Pearl
comes our way on 15 April. Order info here.
Taster Staring Into The Sun is, a boisterous and metallic
slo-mo groove with a hammering beat, pumped-up guitars,
and Hersh’s manic vocals augmenting the shadowy tone of
this belter.
So what’s next for 50 Foot Wave? Playing at
metalfest Aftershock in Sacramento in October?
8. ‘Clowns For President’ by BAD SKIN (Montreal, CA)
Think legendary gritty grrrls Bikini Kill having a ball with Pussy Riot while kicking Russian president Putin up the ass.
These 4 steamy sisters in punchy punk crime buzz and fuzz
like a hot rod on the run.
Bad Skin storm full steam ahead with front Amazon Dope sneering
like a raging riot grrrl. Yep, Dope is dope. And this stunning stonker
is dope too!
Sounds like Patti Smith‘s Because The Night ends in a painful break-up
for the lovers. Ava Vox‘s heartache vocality and hurt timbre emphasise
the confused state of mind of the abused one and the melodramatic
sonic boom of this emotional eruption expresses sorrow, distress,
and angst. Another gripping Vox piece.
10. ‘This Cost Of Life’ by TIDAL WAVE (Toronto, CA)
Oh my, oh my. This sky-reaching gem left me out of breath after just one spin.
A tower of a song with an imposing impact. A masterstroke that explodes after the foreplay-intro and moves up and down like a roller coaster. Stellar tune, stellar sound, stellar guitars, stellar emotions, and a stellar chorus. Anthemically orchestrated with goosebumps arrangments. I’m quite sure their awesome fellowmen Arcade Fire would
like this grand exploit.
This is one of those songs that hypnotise from the get-go
to the eager finale. A feverish chant, one long chorus with Marglin‘s delirious voice causing goosebumps.
This is classic heavy metal. Huge sound, huge vocals, huge tune
with a huge chorus. If you’re a metal addict you will not mind if this
Swedish hit team stalks you. After an ominous violin intro, all burners
are on and frontman Michael Storck’s overwhelming pipes take over.
Self-titled debut longplayer comes on
11th February 2022 via WormHoleDeath.
This boiling-hot-cooking stroke hit me and my ears from
the moment the first chord blasted out of my shaking stereo.
Ardent anxiety and edgy excitability dominate this fanatical
outburst. And when the hair-rising chorus erupts you’ll
go mental just as these wolves do.
A twist and turn prog-pop-rock composition bringing legends Genesis (early years with Peter Gabriel) and YES (with voice Jon Anderson)
to mind. My favorite cut from Odawin‘s triumphant debut EP ‘Untitled.
Sensual, puzzling, tempting, synth-matic,
imaginative, seductive, esoteric, and relaxing.
HVIRESS are here to stay.
The ladies have once again teamed up with Scott Chalmers
to create an unsettling music video that leaves the viewer
pondering what they’ve just seen, a perfect partner to
the song’s opening lines…
“What is it that you see? It almost seems unreal
What is responsible for all the things you feel”
This riff-rowdy ripper flames with fervid fervency and resonates
as if Bob Mould was invited to play guitar. Ace tune, towering
sound, impassioned vocals, and a sickly sticky chorus.
Just what you need to activate your serotonin production.
Maximum result for a minimum wage.
This is what ecstatic pop grandeur is all about. Music that elevates
your state of mind to a titillating level. This new majestic single
generates a spellbinding buzz we all can use in these difficult
pandemic times.
When the multi-layered vocals/harmonies kick in, a gospel-like choir delight
creates an atmosphere of utter joy comparable with the euphoric drive of The Polyphonic Spree. Vitalizing vibe, refreshing rapture.
This new single is vintage Korn. Uncomplicated nu-metal for everybody
who wants their ears to go bonkers. From their forthcoming, 14th LP Requiem, out early next month.
This comeback haymaker is” “about standing your ground against bullies, whether that
be on the playground, at work or anywhere.” I was a fan of early Muse exploits (their 2004 masterwork Absolution still gives me goosebumps). Their stardom made them go a bit too artificial and predictable for my liking. But this new one roars hard with a metallic sound as big as St Paul’s Cathedral in London. Cast-iron!
The late 70s cult post-punks (Factory Records) are back and their free-jazz-punk
firework is still intact. Led by poet/musician Ted Miltonthe mavericks groove as hell.
Message to all young bands out there: listen and take notes.
Not really a new track. It’s a previously unrealized song from their Twilight Terror
album sessions (their final LP – 1999). It will be part of a deluxe reissue edition titled ‘Terror Twilight: Farewell Horizontal’, out next April. More info here.
The Texan quartet that lives and works in the Big Apple released their new, seventh LP Sympathy For Life yesterday. Another solid work of indie masterclass with a mix of straightforward rockers and Talking Heads inspired chants. Here’s one of the highlights…
Who? A Toronto punk group that has been described as a raw garage-pop band
with virtuosic protopunk influences. Their sound falls somewhere between Warhol
pre-punk and the Toronto DIY indie that they flowered in.
New single Antisocial speaks to the mental health issues born from industry pressure
and self-destructive tendencies as one tries to make ends meet while still having fun.
Expect red-hot-blooded and untamed-explosive aggression. A walloping sucker punch,
left and right. All record label idiots should run for cover before this Canadian fury blow their money greedy egos to pieces. Bullseye shot! Holy smoke!
‘The People I Know (Don’t Like Me) by KULICK (Pennsylvania)
Who? An artistic visionary, singer-songwriter, producer, audio engineer, and lover of life, continues to mesmerize music fans with an ever-growing catalog of deeply personal, yet relatable songs that combine his roots in heavy rock music with ultra-catchy pop melodies, resulting in a sound all his own.
The new single is “about not fitting in with who you’re around and being very aware of it.”
After an edgy vocal intro, this fervent firestarter explodes into a supersonic stunner
with the iron cast punk intenseness of riff rollercoasters Green Day and Blink-182.
With this new song, White ignites the promo rollout of a newCall Of Duty game.
Feels like he wants to make some big money in between his cool work with his
record label.
I’ll be honest. It’s a notable brain-breaker. Schizophrenic synths, deranged guitars,
and the former White Stripe‘s howling voice. Sounds like a video game crashing down
like an airplane. Bingo!
‘When We Fall‘ by KOALRA (From Chicago to Portland)
Who: Dynamic gunslingers fusing the fuzz-fueled guitars and loose rhythms
of acts like Dinosaur Jr. to the experimental soundscapes of artists such as Sonic Youth and The Cure.
A melancholic musing floating sonically somewhere between Band Of Horses
and Clap Your Hands Say Yeah. Spellbinding flow, magnetizing catchiness and
perfervid vocals. A total triumph.
The urge to find passion and freedom were the main reasons for this
trio to leave their homes (in Israel, Spain, Germany, and the UK) and
resulted in creating songs together as urban and pulsing as the city
which Janis’ music is inspired by Berlin.
The new cut “is an exploration of loneliness at the point where it reaches its peak.
The point where an inner lack of love creates a vacuum. A black hole which devours
everything that happens to come too close, while pushing away those who are still
dear and important at the same time.”
This is how frustration, alienation, and lonesomeness sounds like when translated
to a nervous and fucked-up electric eruption. Biting, irascible and anxious. This jagged jackhammer is driven by dogged drum hits, anxious guitars, and strained vocals. The nervous breakdown finale doesn’t bode well. Post lockdown blues.
But I’ll be honest. The track is a notable brainbreaker.
Schizophrenic synths, deranged guitars, and Jack White’s
jagged voice. Sounds like a video game crashing down like
an airplane. Bingo!
Here’s the call of duty…
Ps: Back in 2006 he already took a lot of money
and ran after he wrote a very lucrative song for
a Coca-Cola commercial.