Nirvana‘s late legend KURT COBAIN and KIM DEAL (Pixies / Breeders) on the 1993 Xmas cover issue of British music weeklyMelody Maker (legendary British
music weekly from 1926-2000)
Unquestionable standout from the Irish indie
stars’ much applauded 4th LP Romance.
TUTV: Intense jam, rollin’ on with a bone-chilling flow and
frontman Grian Chatten raps all over it with his characteristic
uptight parlando and grasping for his breath every time the
refrain comes on.
Part of their upcoming 5-track EP
that’ll land early next year.
“Progress is a song about changing places, people and times.”
TUTV: Epic. Grandiose. Staggering. Amplified guitar-pop at its mind-blowing best.
One of those not-everyday puissant killer tracks overwhelms your emotions
from the first spin.
Piece from their forthcoming second longplayer, baptized Never Exhale. It’ll hit the streets on 25 January 2025.
TUTV: Taximan does your head in the way we, brainbangers, like it.
Bam Bang Boom. No mercy for the wicked. Manic mayhem as usual.
You’d better check out if Robert ‘Travis’ De Niro is behind the wheel
before taking a cab.
The song is about rediscovering old lovers after a night out from disco(theque) to disco(theque), with references to The Pogues’ Shane MacGowan and his excessive
drinking, and a legendary Belgian crooner.
TUTV: Full steam ahead from the get-go. All engines on. Decibels up, amps up.
The breakneck speed and the relentless synth/percussion riff make your head
spin 360°. I dare you to catch up with this missile all the way.
Band: LAMBRINI GIRLS Who: A two-motor punk bulldozer from Brighton, UK who have built
a notorious reputation over the past 2 years, on record and on stage.
Cut from the duo’s upcoming debut LP Who Let The Dogs Out. Out next year, on
January 10.
TUTV: Without a shadow of a loud doubt, one of the grrrlz’s best stormers so far.
An amazeballs wall-of-nasty-guitar/bass hullabaloo, a ruthless octopus drummer
and Phoebe‘s best vocals. Hell-tastic.
‘True love is nothing more than the wrong hill to die on”.
TUTV: The jaw-dropping vitality these volcanic Irish beatniks develop here is off the charts. They build a near-unbearable tension and explode insanely, time after time, along the rough ride. Vocalist/songwriter Karla Chubb knows terrifically well how to double your adrenalin production.
TUTV: Dog Dribble operates somewhere between Yard Act and Sleaford Mods.
Its limbs-activating groove is simply irresistible. Get up, stand up, and fight
for your right to bounce up and down like mad.
Band: FAT DOG Who:South London-based gang that made thousands
and ‘true love is nothing more than the wrong hill to die on”.
thousands of ears go bonkers with their first-rate debut
longplayer Woof.
TUTV: A ballistic disco-punk whopper to end and start all (il)legal
raves with. When the huge orchestral injections blast out of your
vibrating speakers you know that these misfits are your new
favorite dogs. Hallelujah!
One of the stellar singles from their
new, third, album Insight.
TUTV: Drums and bass team up for an incessantly beat that carries
this instantaneously infectiuos trip, along with a magnetizing Cure-esque guitar riff that gets you in a trance.
Truly hypnotizing from start to finish with velvety vocals
and darkwavish synths in the back adding a twilight tone.
TUTV: No, this is not a New Order song but it could easily be one, actually a stellar one. Summer Breeze sparkles from the very start to finish with scintillating guitar riffs, zealous percussion, shiny synths and Gibbard‘s eager vocals. It’s a pure pop pearl for all seasons.
Artists: ARROWS OF ATHENA (Boston, MA) Who: A pandemic project that found its two main players – multi-instrumentalist and producer Scott Lerner and vocalist and lyricist Jac-Lyn Gibson – reuniting after the latter spent some time away from music, Arrows of Athena are crafting a distinct sound on
their own terms, bridging usually disparate ends of the pop and rock spectrum for an illuminated sound of big dance beats, heavy riffs, and melodic intensity.
On this song the duo explores the mental and emotional work required
for a successful marriage, and how we’re often careless with love.
TUTV: I’m quite sure that Arrows Of Athena are huge fans of former Swedish glam and glitter pop duo Roxette. The bliss and blitz at play on Reckless Heart is sonically similar. Sizzling guitars, battering drums/bass grooves, sensuous vocals and a peppy chorus combine here for a power pop pearl that flames lustrously. Orchestral melodiousness, fiery 90s spirit, and musical. An invigorating joyride.
TUTV: This is a psychedelic shoegaze stunner, a multi-layered symphony
propelled by about a thousand guitars, a mindboggling bass riff, and combative
drums, while Rebecca Dow‘s ghostly vocals come from another galaxy.
TUTV: What’s in store for humankind. Nuclear war or peace and free love?
Or will we be just another brick in the wall? Whatever happens, never stop
pirouetting yourself dizzy to Leg Puppy.
We don’t need your education
We don’t need no your thought control
TUTV: The most energetic, exciting, pizzazy band around. Cooking on record and on stage. Sultry garage rock for party animals. This is my absolute favorite of this years Boomerang LP. Chipper tune.
TUTV: Think Cypress Hill fronted by Zack de la Rocha, rattling like
a rapid-fire riot-gun. An avid anthem that celebrates freedom and
invites you to shout along while pumping your fists in the air.
TUTV:Hallelujah rages against the anti-LGBTQ
haters with knives between their teeth and an
unstoppable drive.
“To express oneself, now expressly forbidden/ That’s a spiritual hell, that’s
a new prohibition/ And they’ll boil you down to reproductive function/ When
they see you as a vessel and not as a person!”
Track: Anna Save A Life
. TUTV: A manic motherrocker from a duo who sound as a 4-motor hit-and-run team. Riff-o-rama all the way while bashing drums do your head in. Garage punk ‘n’ roll at its filthy best. Call your own Anna and challenge the anti-decibels police.
TUTV: Wham bloody wham bam. Expect a sharp-splitting punk rock juggernaut. Amps up and full steam ahead. No rest for the wicked with this razor-blade cutting, head over heels bombshell spiced with sneering vocals. Wham bloody wah-wah guitars bam. Scrunched Up Fist hits your face really hard. Hurry-scurry stroke.
Band: SOFT SKIES INC Who: Philadelphia-based identical-twin duo and longtime musical confidants Ryan and Martin Rex, their shared sonic compass draws a straight line from the
classic alternative of their youth to the modern alternative and dream-pop of
today.
A song of hope, riding those tender waves of nostalgia, understanding that a loss of innocence comes with age but that we emerge from the other side with newfound perspective and awareness.
Melodic guitar pop at its Sebadoh best. Uptempo shoe-slacker-gaze
spiced with scintalling synths and ethereal vocals. Start dreaming in
overdrive.
TUTV: Just Like Everybody Else is a glorious, full-orchestrated pop gem, that transfers you in an eye/ear blink to a sonic dreamland with its affecting melodiousness, riveting chorus and warm-hearted vocals. Three highly-entertaining minutes and twenty seconds with Spielmann
Band: ILA Who: Vigorous Belgian rock quartet led by formidable singer-songwriter/guitarist,
with Turkish roots, Ilayda Cicek who’s blessed with a unique voice and shares
unadulterated emotions, sonically and lyrically.
TUTV: The imperishable cliché is totally accurate here. No fillers, all killers. Heartfelt ardency in motion. 12 heart-and-soul stirring pieces of poignant music that put you in
a feverish trance. Cicek‘s devout voice is the seductive heroine in the middle, surrounded
by a rock-solid band that got better and better over the past couple of years. You can hear/feel her genuine vocal/lyrical passion throughout this highly emotionally striking record.
Prominent artist, high-quality songwriting,
astonishing debut, very bright future.
SINGLE
ALBUM
. Instagram – Apple Music
________________________________________________________________________________________________
Band: FAT DOG Who: Five London disco-punk cowboys
who found each other during the awful
2020 lockdown year.
NME said: “Unserious, unhinged and sensational London’s must-see
live band justify the hype with a reckless and raucous debut album
pumped full of adrenaline.”
TUTV: Expect a punk disco drone machine with a, yes, Eastern music-inspired sultriness
on the orgasmic choruses. This turbulent ride will create maddening moshpits around
our messed-up planet with people who desperately want to escape their straight jackets and the exhausting rat race as we know it, at least on the weekends.
They build up their songs, then zigzag their way to a mind-blowing refrain, smack them
down afterward, and start all over again. This barking gang is chaotically awesome,
on record and on a podium.
SINGLE
ALBUM
. Instagram – Apple Music
________________________________________________________________________________________________
Pitchfork wrote: “Sprints channel rage into communal uplift Letter to Self
is a bracing, frantic record designed for both thrashing mosh pits and solo
meltdowns, best heard with the volume turned up loud.”
TUTV:‘Letter To Self’ landed on the first official album release day of 2024
and is still spinning regularly, out loud, on my headphones. These Irish
indies burst with astounding vehemence and sharp-teethed gusto. Their
high-voltage riff-rippers trash and slash along their build-up/break-down
course.
Schizo guitars, unrestrained bass/drum forcefulness, and Karla Chubb‘s
borderline vocality combine for exorcistic flare-ups. Sprints hit the scene
with a big bang on record and on stage. They’re here to stay. Fact!
Pitchfork said: “The Iceage frontman experiments with a newfound sincerity and
an Americana-inspired sound, searching for beauty in the small and insular.”
TUTV: We already knew from his work with Iceage that Elias Rønnenfelt is a genuine
singer-songwriter-performer and he confirms that status on his debut with engrossing
pop songs, slow and fast, intimate and upbeat.
He’s a romantic at heart and wraps his personal daily-life impressions, desires, demons, going-ons and anything that impacts his existence in through-and-through heart-melting stories and melodramatic melodies.
Artist: KIM DEAL Who: For those who lived on another planet the past years, Kim is best known as the utterly cool bass player of indie
icons Pixies and from her own band The Breeders, featuring
her twin sister Kelley.
MOJO (British music monthly) said: “Nobody Loves You More is a singularly
uplifting, life-affirming listen, where joy and despair, love and loss, are irrevocably
entwined, and kept afloat by Deal’s unfailing lightness of touch.”
TUTV: In the past Deal wrote/shared some of her self-made songs without any real attention from the outside. Now, finally she expresses her mixed emotions about past
and present personal experiences on a full debut LP with several meditative, moony,
and subtly orchestrated reveries. All charming songs for a quiet winter night inside.
Deal‘s slightly hoarse voice is instrumental. Its tender-hearted aura creates a relaxing ambiance, interrupted now and then by more uptempo, upbeat tracks like stand-out
vibe Crystal Breath, the vigorous guitar-frisky Disobediece and the buzzing Big Ben Beat
jam. Forget those past bands, Kim, come back solo. Nobody loves you more than TUTV.
TUTV: No pop tunes, no songs about the bees and the trees. This album is stuffed with manicial mind-fuckers and badass brain-breakers that trash and slash your poor stereo relentlessly and mercilessly. The maddening man in the middle, mental vocalist Jasper, screams and howls, and spits and sneers, with bone-chilling and psychotic horsepower.
Think Kurt Cobain with 4 lungs, fronting a hellish hardcore gang featuring 3 other ruthless punks on an ear-splitting mission. No brakes, no breaks. No rest for the wicked. Ronker is
a barbaric force, their singer is an out-of-this-normal-world performer, their debut is a flabbergasting monster. AARRGGHH!
Band: BAD RITUAL Who: Polish trio formed at the beginning of 2020 by three architects.
They play songs immersed in a dark and unsettling atmosphere. Their
music is a blend of indie-folk, swampy blues, and rock ‘n’ roll. It often
evokes associations with David Lynch‘s films, spaghetti westerns, and
film noir.
TUTV: As mentioned in their bio this trio’s music has a shadowy cinematic film noir resonance. They offer songs for the midnight hours, songs for nightclubs where misfits, loners, marginalized characters and dropouts seek some human warmth and a free drink. The tone is melancholic, the timbre is heavyhearted. Think glam legend Chris Isaak, famous crooners The National, and moody Bad Seeds moments. Splendid debut.
TUTV:Virgins take you on a flight at supersonic speed way up into the sky above the clouds, where reality becomes surreality, where layers of seventh heaven shoegaze symphonies blast from the space shuttle’s speakers. For 40 phantasy-stimulating minutes, you’ll forget all about what happens down there, on our dramatically disturbed planet.
Layers of glowing guitars, hallucinatory vocals, and an overall lyrical sonority will trigger your fantasies and will make you feel floating high(er) forgetting all about our daily, mind-boggling rat race.
NME:“The fantastic and the everyday collide on this landmark debut – an adventure in
sound and words. What you have in ‘This Could Be Texas’ is everything you want from a
debut; a truly original effort from start to finish, an adventure in sound and words, and
a landmark statement.
TUTV:English Teacher are special, their debut LP is special. It sounds indie,
but certainly not in a familiar way when it comes to the stunning creativity
and striking architecture of the songs.
Expect a mix of prog-rock dynamics, bits and pieces for a reality musical, wayward euphony and sudden, yet accessible changes of pace and flow, rhythms and moods.
You really need several spins to get into This Could Be Texas but once the mist is gone
you’ll be dazzled by its sheer ingeniousness and the impact of frontwoman Lily Fontaine, vocally and emotionally.
WHO: Seasoned American songwriters Brad Armstrong and Megan Barbera.
Their music blurs between Sunday afternoon country folk and the golden age
of the 1970s. Combining influences from Megan’s mountain roots and Brad’s
southern roots, The Glass Hours is currently based in New York’s Hudson Valley.
TUTV: This is the kind of music I love to play at the end of a busy day and after
listening to (too much) noisy stuff. The soothing mix of melancholic country, musing
folk, sepia-colored blues, some bluegrass, roots, and pop/rock influences can work magically to slow down your stressed mind, as it happens here.
The heroes of the sensitive songs here are the duo’s wholehearted voices, solo or harmonizing together. Armstrong and Barbera are both blessed with a characteristically warm, tender and yearning Americana voice.
References? Young and old(er) artists such as Angel Olsen, Sharon Van Etten, Lana Del Rey, Willie Nelson, Crystal Gayle, Gram Parsons and Emmylou Harris. Impressive, right? Definitely.
Add romanticized stories about all things good and sad, bright and
dark in life, and you have a sonic companion for relaxing moments.
Artist: T BONE BURNETT Who: Legendary American songsmith and lauded producer who worked
with many greats (Elvis Costello, Robert Plant, John Mellencamp and many
more) and scored movie soundtracks all through his long career.
LET THE FLOWERS GROW
The song was originally written by Boy George with its initial message being
“one of
personal acceptance about being gay. As the song developed, it took on a more expansive and universal scope with its lyrics extending beyond sexuality and embracing race, gender, creed and religion.”
Epic.
Boy George – Peter Murphy
________________________________________________________________________________________________
Artist: PETER PERRETT Who: Former frontman of legendary British new
wavers The Only Ones (1976–1982, 2007–2017)
“The song incorporates themes of longing and desperation I felt in my own
life at the time that found a home in anecdotes of the desert and its characters
experiencing these feelings for reasons far removed from my reality.”
Artists: THE GLASS HOURS Who: American songwriters Brad Armstrong and Megan Barbera.
Their music blurs between Sunday afternoon country-folk and
the golden age of the 1970s.
“It’s about that someone you’ll never be with and that you allow to remain
inside you as a perfect unspoiled thing, yet still you measure and hold your
real relationship up against it. It’s a dream, an illusion, an unfair fantasy.
Nothing and therefore able to be perfect.”
Album: SONGS OF A LOST WORLD
Their 14th LP, their first in 16 years.
It went to the top spot in the UK and the US.
NME says: “The album deals in darkness and death, but with
flowers on the grave… Being arguably the most personal album
of Smith’s career. “
TUTV: Sonically, it resonates as if you’re part of a funeral march that progresses in slow
motion. Every song starts with a long instrumental intro of waves of melancholic synths and weeping guitars, and every time when Smith‘s feverish voice joins in, the intensity augments wondrously captivating.
The most drastically soul-stirring record I heard all year, accentuating how sorrow
can overwhelm and hurt one’s heart and mind. It’s a universal experience that millions, and millions of people who lost loved ones – past, present and future – can relate to.
Pure masterpiece.
KEY SINGLE
ALBUM
. Instagram – All Cure Albums
________________________________________________________________________________________________
– 2 –
New album artwork
Artist: KIM DEAL
Best known as the utterly cool bass player of indie icons Pixies and from her own band The Breeders, featuring
her twin sister Kelley.
MOJO (British music monthly) says: “Nobody Loves You More is a singularly uplifting,
life-affirming listen, where joy and despair, love and loss, are irrevocably entwined, and
kept afloat by Deal’s unfailing lightness of touch.”
TUTV: Kim Deal on her own, expresses mixed emotions about past and present
personal experiences. Mostly with moony and subtly orchestrated reveries such
as the title track, Coast, Are You Mine?, Wish I Was, and Summerland. All charming
and melancholic songs for a quiet winter night in.
Deal‘s slightly hoarse voice is instrumental. Its tender-hearted aura creates a relaxing ambiance, interrupted now and then by more uptempo, upbeat tracks like stand-out
vibe Crystal Breath, the vigorous guitar-frisky Disobediece and the buzzing Big Ben Beat
jam. A formidable debut record.
Band: MAYFLOWER MADAME Who: A band from Oslo, Norway who specialize in a dark and distinctive blend
of post-punk, shoegaze, and psych-noir. Their history, so far, includes two album
releases, Observed In A Dream (2016) and Prepared For A Nightmare (2020).
MM: “Insight’ is the album we’ve always wanted to create, but at the same time it’s
the most personal and emotionally hardest we’ve made so far. Lyrically, it delves into
a wide range of emotions, from somber reflections about loss and sorrow to feverish
depictions of love, escapism and catharsis.”
TUTV: As they showed/proved us so many times before MM know mesmerically well
how to embed infectious, poppy melodies into trance-like orchestrations infused with waves of sparkling guitar lines and transfixing vocals, creating a magnetic appeal.
Best examples are the 4 top-tier singles Crippled Crow, Never Sever, Paint It All In Blue
and A Foretold Ecstasy. References? Depeche Mode, New Order, Interpol. Impressive, right? You betcha.
The Guardian (British newspaper): “Its two predecessors
were surprisingly good, this is genuinely great.”
TUTV: Lots of critical praise for PP’s new opus, deservedly so. At 72, he still excels
in writing high-quality pop/rock songs and he’s still a romantic at heart. His unique
voice and luminous guitar play combine for a splendiferously aural delight. With
20 tracks a bit too long, although there’s not one bad one on this gratifying record.
Band: THE CHRONICLES OF MANIMAL AND SAMARA Who: London-based DIY duo – Daphne Ang (Singapore) and Andrea Papi (Italy)
that fills a gap in music by bringing literature, art, and history together into a
space where rock and metal meet electronica. They released two fascinating
albums so far.
TUTV: TCOMAS have broadened their musical and lyrical boundaries again.
Mind you, their psycho-delic, metallic trademark sound, their quiet/Loud/quiet rollercoaster compositions and their intriguing sagas are still in place here, but
there’s more room for meditative moments, annex Samara‘s chill-out voice/vocals,
like on Waves, Mysterium Tremendum, with beautiful classical piano play, and Per Astra.
Their mercurial and emotional odysseys are inventively fragmented, swinging
forth and back. And then there’s the unexpected, but superb collaboration with Italian hip-hop rapper Mr Meuri on standout piece Bite The Bullet. Another rad
longplayer achievement.