TURN UP THE VOLUME’s JUKEBOX 2024 – 10 New Tracks Added Every Week

Every week 10 new rad tracks added

In order to not miss a beat Turn Up The Volume scans the musical
horizon daily (doing it for years now, actually) to stay in touch with
all new things sonically great and shares the results on a weekly
basis.

FULL JUKEBOX (so far)


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The 10 new ones added this week

TRACK-BY-TRACK

Artist: WHITEY
Who: British singer-songwriter whose music has made its mark, from rock’n’roll clubs
to electronic dance floors, fashion catwalks to movie soundtracks, television to computer games, from Breaking Bad and the Sopranos to Grand Theft Auto.

He has built a strange home in the shadows between mainstream entertainment and the vanishing underground, an outsider who celebrates his outsider ethos in his work- and yet whose music is embraced by both popular and alternative culture.

Track: LITTLE PIGGIES
Piece from his new album
Mental Radio released last
month.

A lo-fi swipe at politics and corruption.
Good old retro psych-pop at its entertaining
and catchy best.

Instagram
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Band: ELBOW
Who: Manchester’s
veteran pop unit.

Track: ADRIANA AGAIN
Following this year’s new LP Audio Vertigo the band offers this new
piece, that’ll be part of an EP, slated for release sometime next year.

Oh yes, Elbow can rock out, with this
badass belter as convincing proof.

No idea who the band in the video is.
Only Guy Garvey & Co. know.

Instagram – Spotify
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Band: ROSE FATAL
Who: Fresh Irish rioters.

Track: SO MATURE

“Great art holds a mirror up to the world; exposing its many flaws,
highlighting its beauty and screams back the question we are all too
afraid to ask. It’s this dichotomy that Rose Fatale bring to this new
single.”

This barbed wire punk
juggernaut challenges
your speakers.
Red-hot stroke.
Helter skelter.

Instagram – Spotify
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(Photo by Turn Up The Volume)

Band: PRIMAL SCREAM
Who: Scottish post-punk old-timers,
led by charismatic singer-songwriter
Bobby Gillespie.

Track: LOVE AIN’T ENOUGH

Stupendous highlight of their brand-new album
Come Ahead, out today. An orchestral rock missile.


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Instagram
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Artists: STUKA
Who: Finnish electro punks
of the 41st Millenium.

Track: SUNSET OF THE CORRUPTED
First taster of their upcoming 3rd album,
named Electronic Body Metal, out early 2025.

In the song, a female voice chanting in Latin on top of
an EBM techno beat create a moody, haunting atmosphere.
Poetic lyrics tell how corruption of the soul destroys men.

Expect a head-twisting electro-manic
trip to a nightclub galaxy.


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Instagram – Spotify
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Press

Band: DOVES
Who: English post-Britpop mavericks
who’ve been around for almost 25 years.

Track: RENEGADE
First preview of their forthcoming 6th LP, called
Constellations For The Lonely, out next year on Valentine’s Day.

“Looking at everyone’s lives over recent years, and considering the news at the moment, “Renegade” feels a lot more loaded in retrospect. We wanted to go for a dystopian feel,
thinking about Manchester itself over the next century or so. A totally imaginary thing…
Blade Runner set in our home city.”

Doves still know how to write compelling, lyrical
symphonies with a melodramatic appeal.

Instagram – Spotify
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📷 Jasmijn Slegh

Band: RATS OF RAFTS
Who: Dutch post-punk outfit who
entered the music scene in 2005.

Track: JAPANESE MEDICINE
Taster from their new, upcoming LP, titled
Deep Below that’ll land on 7 February 2025.


New album artwork

Darkwavish synths and lustrous guitar play
create a stirring Cure-esque atmosphere.

Instagram – Spotify
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Artist: CHRIS PELLNAT
Who: Musician from New York.

Track: WE ARE NOT ROBOTS


Artwork

It has a driving, energetic rock sensibility but with retro
sci-fi organ flourishes and big, fun singalong choruses.

60s psych-pop balancing somewhere
between early Pink Floyd and The Zombies.

“Sometimes I just want to be a child
Sometimes I like to get a little bit wild
Because we are not robots”

Instagram – Spotify
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Photo by Russell Whitehead

Artist: GARFIELD MAYOR
Who: Singer-songwriter crafting
heartfelt journeys to stir the soul.

Track: LIGHT THE DARK

“There’ve been times since Sony I’ve felt paralysed – like I’ve lost my voice, and can’t
honour my blessings… We’ve all got talents that define us – it’s vital we nurture them.
Light the Dark’s a call to exercise your talents no matter what… Or as Dr. King says:
‘we must keep moving’” muses Mayor”

Funky pop tune.
Steely Dan vibes.
Mixed emotions.
Emotive vocals.
Martin Luther King.

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Instagram – Spotify
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Band: LAIBACH
Who: Legendary Slovenian
avant-garde act.

Track: STRANGE FRUIT

“There’s something that’s still very radioactive about the song; it’s still relevant because race is still relevant. The impulses that Meeropol was talking about are very much still with us, on the front pages of our newspapers and across our social media every day. For us, ‘Strange Fruit’ evokes racial injustice, representing not just lynchings, but racism generally. Racism is a virus that mutates, taking on different forms as it adapts to a changing environment. Its mutation is made harder to observe by it being deeply embedded, not only in our traditions and institutions, but also in our unconscious lives.”

Minimalistic sonority.
Spooky spoken-word anger.
Fuck racism.

Spotify – Instagram

Amazing Artwork! Cover Of New LAIBACH Album

Eye-catching artwork of records

8 February 2022

Band: LAIBACH
Who: A Slovenian avant-garde music collective associated with industrial, martial,
and neo-classical genres, formed in the mining town of Trbovlje (in ex-Yugoslavia)
in 1980. ‘Laibach’ is the German historical name for the Slovenian capital Ljubljana.
Active: Since 1980 / 10 studio LPs (so far)

Artwork: The cover of new album Wir Sind Das Volk, out 25 March. Order info here.

The LP features music from the theatrical play Wir sind das Volk (“We are the People”) based upon the writings by the late German dramatist/poet/writer Heiner Müller which premiered in Berlin 2 years ago and in Slovenia last year.

Heiner Müller about the production back then: “As soon as the word ‘Volk’ (nation, people) appears, I become suspicious. I understood very well why Brecht always insisted on the word ‘population, people’ instead of ‘nation’. The rallies that chanted “We are a nation” and established themselves as a political entity in 1989, at the time of the fall of the Berlin Wall, did not sound unjustified at the time. Since then, the term “Volk/nation” has undergone profound political changes – not only in Germany, but in Europe, the United States and the world. The ethnic potential of the “nation” was revealed again, making it an instrument of nationalist and racist exclusion. In a kind of global regression, populists (right-wing, but also left-wing) united
in a phantasm of ethnic, cultural or religious homogeneity.”

Laibach: “We followed Heiner Müller’s own strategy of cutting and rearranging the material, taking his texts and putting it into another context, rebooting it with music, in order to drag the audience into it or alienate them from it. Music unlocks the emotions and is therefore a great manipulative tool and a powerful propagandistic weapon. And that’s why a combination of Heiner Müller, who saw theatre as a political institution, and Laibach, can be nothing else but
a musical.”

The album’s artwork is taken from the Epiphany series by visual Austrian-Irish artist Gottfried Helnwein. It’s one of his most famous works. The painting reflects on two
of the central themes of his work: Childhood and National Socialism.

Here’s a piece of the upcoming LP…

LAIBACH: Bio – Facebook

(Band photo: from the cover of their 2021 live album ‘We Forge The Future’)