Another band that stands the test of time. These violent men got started in 1981,
had a 4-year hiatus between 2009 and 2013, and got back in business thereafter.
They gave the world 10 album so far, with 2019’s jaunty Hotel Last Resort as the
most recent one.
PRIMAL SCREAM was conceived in Scotland in 1982. That’s a looooong time ago. And it was a highly turbulent journey with good to sublime albums (with 1991’sScreamadelica as their magnum opus), chaotic gigs, and human drama (guitarist Robert Young passed away in 2014, only 49 and keyboardist Martin Duffy died in 2022 after a fatal fall at his home).
As of today, frontman/lyricist Bobby Gillespie and guitarist Andrew Innis (both 63 now) are the only original members, with awesome bassist Simone Marie Butler (since 2013) and relentless drummer Darrin Mooney (since 1997) as longtime additions.
Last November The Scream released their 12th, critically acclaimed LP,
named Come Ahead (with Gillespie‘s young father on the cover).
NME said: “Personal and political, Bobby Gillespie and co’s David Holmes-assisted first album in eight years wants us to dance our way to justice… ‘Come Ahead’ may have a whole lot of funk on its surface but still packs oodles of punk and grenades of protest in its trunk.” Score 4/5.
New album, new tour.
The band is in my Top-5 of best live ones for a very long time now, so when they
landed in The Netherlands, in the cozy city of Utrecht last Monday, I was upfront for
another spiritual Primal Scream gathering.
Yes, that’s what a PS concert is all about. It’s an euphoric and uplifting celebration of
life (oh yeah, just look around, hug your beloved family and friends, it’s not like if all in
our tormented world is shit), a festive jamboree for your heart, soul and vocal cords. Screamdelica‘s highlights Don’t Fight It Feel It, Movin’ Up, Loaded, as Come Together are
the emotive exponents of the exuberant mindset throughout the night.
The fact that a full orchestra is up there, including two soul-powered voices and a sultry saxophonist, shows the group’s determination to walk it like they talk it and give the people an all-in sonic gospel-like treatment.
The album’s singles Ready To Go Home, Love Insurrrection and The Centre Cannot Hold, fitted the fervent flow just perfectly. A couple of other newbies were integrated, but of course everybody went berserk when the aforementioned e-tastic highlights and 24 Carat firecrackers Rocks, Jailbird, Medication, and Country Girl made the sweaty venue shake to its foundations. What can I say. There’s no such thing as an expiration date for The Scream. Not on record, not on stage. Hail hail!
An idea of the live Scream spirit
SETLIST
1. Don’t Fight It, Feel It 2. Love Insurrection 3. Jailbird 4. Ready to Go Home 5. Deep Dark Waters 6. Medication 7. Innocent Money 8. Heal Yourself 9. I’m Losing More Than I’ll Ever Have 10. Love Ain’t Enough 11. The Centre Cannot Hold 12. Loaded 13. Swastika Eyes 14. Movin’ on Up 15. Country Girl
All metalheads circled the date of 5 July 2025 earlier this year. That day paranoid drill hammers BLACK SABBATH will play their final concert, with an impressive supporting cast. It sold out in no time.
Sharon Osbourne: “We had such an overwhelming demand from fans from around
the globe, who couldn’t get tickets to the show, and they took to social media, pleading
with us to broadcast a livestream of the show. Given that this is such a historic event,
we just couldn’t let them down.”
The organizers now have made a deal with Mercury Studios to stream the event live for € 26,99. If you’re not around on July 5, the stream will also be available in its entirety for 48 hours afterwards. You can buy your ticket HERE
Tom Morello (guitarist Rage Against The Machine)
says: “This will be the greatest heavy metal show ever.”
Every single time I saw THE FLAMING LIPS perform (about 10 times now) it was a special spectacle, visually and sonically. And the over the years expanding visual attractions that fit the theatrical music perfectly, make every concert, an even more spiritual and unforgettable experience.
Exactly what happened again last Friday in Antwerp, Belgium when the Lips played their magical 2002 album Yoshimi Battles the Pink Robots in full, followed by a fan favorites set.
The whole bombastic extravaganza includes two huge (plastic) pink robots, massive confetti raining, multi-colored balloons, a lasers-directed light show, gigantic eyeballs, goblins, puppets, an inflatable rainbow and lost of other bedazzling attributes. In the middle of it all, glam & glitter magician Wayne Coyne, conducts the psychedelic rock opera.
He doesn’t stop to encourage the willing audience to scream, scream and just scream.
His keyword is LOVE. “Scream it, c’mon, scream it”. Get the loud picture? I bet you have.
The Lips are all about putting on a carnival-esque, ear-and-eye catching raree-show
filled with orchestral epicness, ecstatic highs and 60s cinematic romanticism where demons and dragons get floored and love conquers all. It’s phenomenally entertaining
and extremely mind-boosting. I only saw happy faces, and adrenaline-elated, dancing people. MAGIC! PURE MAGIC! Come back soon.
The set’s fantastic closer.
Part 1 – Yoshimi Battles the Pink Robots album in full
Fight Test
One More Robot/Sympathy 3000-21
Yoshimi Battles the Pink Robots, Pt. 1
Yoshimi Battles the Pink Robots, Pt. 2
In the Morning of the Magicians
Ego Tripping at the Gates of Hell
Are You a Hypnotist??
It’s Summertime
Do You Realize??
All We Have Is Now
Approaching Pavonis Mons by Balloon (Utopia Planitia)
Part 2
She Don’t Use Jelly
Flowers of Neptune 6
The Spark That Bled
Pompeii Am Götterdämmerung
Waitin’ for a Superman
The Golden Path
(The Chemical Brothers cover)
Riding to Work in the Year 2025 (Your Invisible Now)
The Yeah Yeah Yeah Song (With All Your Power)
Encores
True Love Will Find You in the End
(Daniel Johnston cover) Race for the Prize