Angus Rogers (frontman): “Rock and roll music for the empty and stunning.
A song about contempt, appetite, impotence and self-preservation through
gyration. Enjoy superficially with your body and send the reeling mind on
to hell.”
TUTV: Wham Bam! Yeah Yeah! Go Go! Oh my Oh My! Razzle Dazzle!
This is the kind of adrenaline-pumping thrills I wait impatiently for
every single day.
Get up, stand up, and fight
for your right to show off.
“‘Although it’s a big, joyous dance track, it’s about hiding deep emotional pain and trauma and how hedonistic coping mechanisms, like drugs, alcohol, and womanizing, are just temporary distractions.”
TUTV: This is what amazing pop-ular music is all about. Big melody, big emotions, big orchestration. Euphorically sticky as first-class glue despite its dramatic ‘real life‘ story. Aftermath soul-searching can work cathartically.
Who: Irish post-punk whirlwind, led by charismatic
voice/songwriter/guitarist Karla Chubb.
Track: BETTER
Along with Something’s Gonna Happen, my top fav track
on their brand new, second LP, called All That Is Over.
TUTV: Every time I play this pure punk-rock gem, I feel way better.
It’s striking swagger, superb groove, passionate duet vocals, and
high-strung guitar play mesmerize.
Who: The moniker of Massachusetts‘ chilling singer-songwriter Izzy Hagerup. She released her debut album Through The Window
in 2023.
Track: SYSTEM
First new piece and title track from her
2nd LP, coming our way on October 3rd.
Hagerup: “When I wrote ‘System’ I was supposed to be present and alive
and gracious and happy. But somehow I couldn’t escape my own internal
fears and depression that can follow me wherever I go.”
TUTV: What a brilliant torch song. Weeping guitars come and go while Hagerup‘s heart-stopping vocals cause goosebumps. And what a fuming
finale.
TUTV: Its ominous mid-tempo dynamics, its distorted vocals, and its riff-psychotic razzmatazz resonate as if you are listening to the scary theme song of a horror movie.
At the 2.30 minute mark, all hell breaks loose.
From a whisper to a scream. From planet Earth
to Dante‘s Inferno.
Track: FOUR
One of the highlights from their
brill 2nd LP Never Exhale
TUTV: Ditz operate in a very dark place. Sonically, as well as lyrically.
In the middle Cal Francis barks at the moon, while dense drones
infiltrate your shocked ears. Inhale, exhale.
TUTV: This 4-piece grab you by the throat from the kick-off and never lose their firm grip, while vociferous vocalist Marie De Graeve‘s has a crushing impact on your petrified stereo. Liar is a titanic motherrocker that pulverizes the Richter scale in just 250 seconds. Queens Of The Stone Age, Deftones and Black Sabbath come to mind.
TUTV: OMG! What a riot-gun banger. These Irishmen create suffocating havoc with
a maddening mix of nasty racket that brings illegal-decibels-producing bands such as
NIN and Metz to my cooking mind.
TUTV: Ecstasy. Elation. Euphoria. Exhilaration. This electro smack makes
you bounce and jump on your pogo-stick. They punch you in the teeth
without asking, while having fervent fun.
Who: Belgian noise rock trio whose sound draws influences from bands such
as Black Midi, Tool, Battles, and Swans, blending dissonance with a strong sense
of identity.
Track: NANDOR
Piece from their ace
3rd album Trois.
TUTV: What the fuck! From the very kick-off, chainsaw guitars do your
brain in. Electric chair electricity throughout. No way to escape. Neurotic
vocals complete this blitzkrieg assault.
Band: DOWN THE LEES Who: The post-rock noise project of seasoned Canadian
singer/songwriter/guitarist Laura Lee Schultz. DTL released
3 notable albums, so far.
Track: MIDI DORIC
First single. A song that deals with the
isolation and depression of the pandemic.
TUTV: A characteristic DTL thunderstorm, cranked up by blustery bass lines,
monstrous guitar riffs, Herculean drumming, Schultz‘s sky-scraping vocals and
a volcanic finale. One of the best noizz rock bands around.
TUTV: It’s a sublime, crystalline pop nugget, with its hypnotizing guitar riff,
the non-stop drum beat and the intertwined, spellbinding vocals of Win Butler
and his spouse, Régine Chassagne.
Band: KASABIAN Who: British star rockers from Leicester. One of the best bands
of the past 25 years on record and on stage, in my book.
Track:HIPPIE SUNSHINE.
Lead single from their forthcoming
9th LP. Details TBA.
TUTV: Expect a mega vitalizing, disco-charged haymaker.
Since co-founder/songwriter/frontman Serge Pizzorno pulls
all the band’s strings, he provides dynamite tunes you can
throw 24-hour parties with.
Who: One of the most adventurous/inventive/original post-punk & dub artists/performers
ever. He was a founding member of genre-bending new wave group The Pop Group and released lots of solo and collaborative records. Unfortunately, he passed away 2 years ago,
only 62.
Track: MEMORY OF YOU
Single from Stewart‘s solo album The Fateful Symmetry,
which was completed early 2023, not long before his passing.
TUTV: Haunting, synth-symphonic and bang-tastic,
with Mark‘s characteristically energetic voice on top.
First single from their forthcoming 4th full-length, their
first in 4 years, slated for release in September 2026.
TUTV: Holy Coves are back, and they don’t waste time. It’s full steam ahead from
the get-go. Eager guitars and sinewy drumming inject this sweltering steamroller with
a flaming briskness that causes a kinetic reverberation, while Marsden emotive vocals accentuate the song’s sad sentiments.
Who: 2-piece from Birmingham (UK) – Euan Woodman (drums/vocals) and Tom Rhodes (bass/vocals) – born in late 2023 over a shared love of noise, literature and late night shebeens. They write music about love and hate. They’re good for your soul.
TUTV: Warning. This insanely groovy punk blast will bulldoze all over your shocked speakers. Expect a superheated funky firestorm that attacks the Richter scale with a shattering impact. A manically jagged jackhammer it is. Trust me, you’ll think you like them, VERY MUCH, while you bang your head into your fridge’s door.
Who: A collective with members scattered across the UK and the Netherlands.
This group, now comprising seven members, has its roots in a trio that expanded
over the past four years.
New track: WET LEATHER
Piece from their sophomore
LP Total Technik.
TUTV: Kraut-rock and roll with an intoxicating force. A wall-of-guitar-pyrotechnics rollercoaster. An overpowering tempest of rambunctious riffs. Voltaic psychedelia
at its spine-chilling best, bombarding your ears the way you like it.
Who: The musical project of singer-songwriter-poet Jamie Cameron. Hailing from
the Scottish Borders, the music blends lo-fi beats, synths and guitars with spoken word lyrics in which he discusses subjects ranging from politics and premonitions to self help culture, and a modern society obsessed with economic thinking.
TUTV: This rattling rap ‘n’ punk roll crackerjack swings forth and back, left
and right and Jamie Cameron’s full of vim and vigour word-flow activates all
of your insatiable limbs before he relaxes towards the synthy end. Kinetic throb.
Hands up for the coach.
TUTV: A nasty bass riff motorizes this rollicking psych jam that seems to go on
like forever, and when the powerhouse chorus kicks in, your ears are instantly
overwhelmed. Life Is Joy is one of those riff-crazy haymakers that stick after just
Who: Mysterious trio with an inimitable take on
humanity’s downward spiral into a dysfunctional
entropic existence. They unleashed their punk-groovy
debut EP Like You last year.
TUTV: This arresting, melancholic song is heart-rending. Its bluesy guitar
radiance, its bass-beat-heavy cadence, and despondent vocals get under
your skin. Its melodic catchiness has irresistible written all over it.
TUTV: A razzle-dazzle steamroller that gets under your skin faster
than you can say “this is bloody superb”. Its insane, mind-bending
course doubles your serotonin production on the spot.
Who: Must hear/see indies from Brighton (where everybody is in a band).
They cruise from folk to punk, using, besides traditional instruments (guitar,
bass and drums) also cello, flute, violin and other classical gear.
TUTV: These young wolves bulldoze their way through the daily
bullshit we have to endure with a knife between their teeth. Sippy Cup
is a bruising, full of vim and vigor, uppercut hitting where it hurts.
Band: LAMBRINI GIRLS Who: Two razorblade riot girrrrlzz – vox/guitarist Phoebe Lunny
and bassist Lilly Macieira – from Brighton (UK) with an insatiable
appetite for mass moshpits.
Photo by Turn Up The Volume – Lille, France – 24 February 2024
Press info: “The album rips through a laundry list of social ills. Sirens blare over a heavy distorted bass and a live drum breakbeat. The band dance between upbeat poppunk, dirty grunge tones and discordant post-punk. There’s even some noise-popcheer for putting yourself first, whether it’s having an autistic meltdown or doing apoo at your mate’s house.
With instrumentals that inhale you like a Level 5 tornado and sentiments that make you want to kick the nearest door through, it’s a take-no-prisoners debut from one of the UK’s most fun and fearless bands.”
TUTV said:
Faster than a Formula One Ferrari.
Louder than a supersonic jet.
Punkier than any punks around.
Press info: “The album explores themes of unnecessary hatred and
division, Space/Smile and It smells like something died in here, aging, Senor Siniestro
and the separation of the physical from reality, The Body As A Structure. It’s political,
but ultimately personal. More Genet or Kafka than Orwell or Huxley.
Album artwork
TUTV: Without a shadow of a doubt, the perfect soundtrack for Doomsday.
Sledgehammer after sledgehammer, drone after drone, brainfucker after
brainfucker. Always tension in the air.
Any track would work in a zombie horror movie. And we know all
about horror, right? Just take a look outside the window and you
see a lot of it. For free.
Cal Francis‘s spoken word performances are bone-chilling. His primal screams
send shivers down the spine. Lyrically, he operates in a space where reality and
surreality meet. No room for birds and bees.
Cal Francis – Belgium 2024 – Photo by TUTV
Sonically Ditz produce a volcanic and bombastic wall-of-helter-skelter havoc.
Blood-curdling emo-punk exorcism. Chainsaw chaos. Flabbergasting and
jaw-dropping are the keywords.
Never Exhale is an other-worldly Götterdämmerung experience.
It smells like something is alive and kicking here. No regression,
only progression.
Press info: “HEISA embarks on a new chapter with the release of their third
album. This album showcases an evolution in their sound, keeping the bombastic
drums, droning guitars, and dynamic vocals, but pushing further into melody and
experimentation.
On this new record, Heisa brings their emotions to the forefront, revealing a raw, edgy
intensity in tracks like “Lazar” and “Sad Dancer,” where vulnerability and tension intertwine.”
TUTV: Trois is without a shadow of a doubt the most balanced, the most arousing and
the most vitalizing noise rock record I heard in a very long time. No, never a dull moment. Heisa grab you by the throat for 40 wicked minutes, and you won’t protest for one second. The cliché all killers, no fillers is so accurate here. In a normal world this should be a hit record.
Les trois singles (Nandor / Flowers / The Harmonist) were the harbinger for something really special. Which we experience now. Every song stands as tall as the Eiffel Tower. There’s always an enigmatic anxiousness in the air that tests your nerves and boggles your mind.
On several occasions (Flowers / After Hours / Shifting / Sad Dancer) Heisa tease you with voltaic foreplay riffs before heading towards an orgastic burst of demonic hullabaloo. Primal screams out of the darkness, schizophrenic guitars and raw and rough post-punk dynamics work together to create a hell-raising turbulence. Think Fugazi and The Jesus Lizard .
No arty farty tricks, no unnecessary overdubs, no useless volume exaggerations.
The production is flawless, and is an instrumental factor for the overall organic
resonance of this expressive exploit. I’m quite sure that the late great Steve Albini
would have loved it.
Heisa is going places. Don’t miss them.
Embrace them. Join them. Love them.
Band: MCLUSKY Who: Welsh notorious noiseniks featuring Andrew Falkous, made
a loud and clear mark on the indie list of decibels-producing acts between
1993 and 2004 with three ear-piercing and politically loaded albums.
In 2015 Mclusky suddenly returned for a benefit gig in London and played
some more here and there. In 2023, they released a new 4-track EP, called Unpopular Parts Of A Pig / The Digger You Deep to fund a delayed US tour.
Press info: “Having formed in the late nineteen-nineties and releasing music, if that
is what it was, from 2000-2004, Mclusky disbanded soon afterwards in a slow motion
farce of not enough drama to get much press off the back of it.
Falkous with Mclusky – Brussels, 9 May 2025 – photo by Turn Up The Volume
TUTV: The world is still spinning and Mclusky decided to come back after 21 years
to see what’s going on and let us know what they experienced/experience in their
own tumultuous way. To be honest, it’s Mclusky by numbers, but their furious
numbers still slice and slash as a set of first class Swiss knifes.
Loudmouths Falkous and Damien Sayell‘s immense, clamorous, badass voices rip
politicians to shreds while wielings their razor-sharp axes. Chainsaw guitars everywhere,
backed by a hellacious drum/bass duo. They’re masters when it comes to search and destroy punk havoc.
Press info: Inspired entirely by the life and mythos of actor Dennis Hopper, Mike Scott
and The Waterboys created this expansive album as tribute to one of American popular culture’s most compelling public figures.
Deeply conceptual, this album of all original songs brings together high-profile
featured artists like Bruce Springsteen, Fiona Apple, and Steve Earle to musically
weave through Hopper’s life, including a song for each of Hopper’s wives.
Ghent, Belgium – 5 July 2025 – photo by Turn Up The Volume
TUTV: This an amazing piece of work. Could be the soundtrack for a yet to be made Dennis Hopper documentary. Hats off to Mike Scott for his boldness, imaginativeness, and ingenuity to score this musical movie, constructed marvellously with its sonically cinematic versatility.
Pop, rock, blues, country, bar-room jazz, and musing balladry take turns and puzzle
a most coherent and highly entertaining whole together, spiced with magnificent vocal contributions by Fiona Apple, Steve Earle and others. Never a dull moment with its varied stream of top-tier songs and Scott‘s awe-inspiring vocality throughout.
Movie shots from Hopper‘s parts in doom and gloom films such as Blue Velvet, Apocalypse Now, True Romance, Speed and, of course, counterculture classic Easy Rider pop up on the screen in your head. He was at his best when he played psychotic characters. And Scott is here at its best too. Supreme accomplishment.
Band: THE MOONLANDINGZ Who: English electro-pop combo started by the Eccentronic Research Council
duo, featuring Adrian Flanegan and Dean Honor back in 2015. Lias Saoudi (Fat
White Family, Decius, author, modern day, philosopher) joined them, as well as
different guests.
Press info: “No Rocket Required delivers brassy squawks, motorik convulsions and
sinister soothing vocals from a righteous line-up of guest singers and ranters: Nadine
Shah, Iggy Pop, Jessica Winter and Ewen Bremner. Plus, of course, there’s The Moonlandingz’ own front man, Johnny Rocket aka Lias Saoudi.
What to do, as we potter and fret, as we watch bodies, homes and lives destroyed every day while our elected leaders, so forensic and so sensible, use their weasel words, shrug their coward shoulders and saunter off to raise our bus fares. Dancing of course and togetherness, looking out for each other, and that’s not enough. What kind of fight are we bringing? We will always need to organise, to fight, to collaborate, to connect and to dance dance dance. And that is what The Moonlandingz do.”
TUTV: Where the first album was a 24-hour party affair, this 2nd one is musically a
sonic melting pot of 70s disco (like Sign Of A Man that clearly is inspired by 1978 classic Born To Be Alive by Patrick Hernandez) and 80s house uppers (like Yama Yama) and midnight hour downers (like Roustabout, and the romantic ballad It’s Where I’m From with perfectly matching vocals by the one and only Iggy Pop) that messes with your mind, body and soul.
To make sure that you hit the (dance)floor in the end, Flanegan and Honor knock you
out with the 9-minute hyperkinetic brainbreaker The Knack Drought Suite (Pts 1-3) that hammers your head in relentlessly and gives the last word to film-noir crooner Lias
Saoudi. Lyrically, NRR echoes Twin Peaks‘ unhinged stories from the dark side of the
human psyche. Everybody happy now? I definitely am.
This project blends his iconic Madchester groove with fresh, infectious energy,
delivering music that’s both raw and transcendent, and also features the irrepressible vocals of Rowetta making the sounds of 1990 come alive again in glorious fashion.
Gaz: “Yogi-G and The Family Tree are not hippies, we give a fuller human experience that
is more devolved from the punk experience, where you never quite know if you’re going to
get a hug or a headbutt. Life is filled with peace and love but equally excitement and pain.
I got fed up waiting around to try to agree to write a new Mondays album. When it
became apparent, we couldn’t agree, I decided to do my own. I think it’s bloody great
and the support has been outstanding and for all the good ones we’ve lost along the way
like Gil Scott Heron, Tony Wilson and more recently my bandmate Paul Ryder, this is for
them and for all those who just love to get off on good music.”
TUTV: Madchester 2025? Absolutely. And why not? ‘Show Me The Truth‘ is the Happy Mondays album, that should have been the perfect follow-up to their 1990 masterpiece Pills ‘n’ Thrills and Bellyaches rather than the mediocre Yes Please!. It’s an album that activates your hips, and makes you ignore our daily rat race, for at least 40 minutes
This dance-and-turn-around-inviting record with several vocal guests, doubles your adrenalin production. From happy-7-days-a-week gospel stimulants The Blind Man And
The Monkey, Shine On Brother and Show Me The Truth to groovy-orchestral musings Black Symphony, and The Return Of Apollo Creed (be ready Rocky) from the special(s) ska vibes
of The Ballad Of David Bowie to the closing sing-hum-whistle chant We The Peaceful.
Yep, there’s way more sonic versatility than on any Happy Mondays longplayer. There’s
no way to delete today’s grim reality, but look around and you’ll find a lot of love, peace, happiness, family and friends too. That’s the hopeful spirit that Yogi-G And The Family Tree celebrate. Join them. Embrace their soul-uplifting gusto. Shake your booty.
Press info: “Talkin To The Treesis a personal and powerful album featuring
ten new compositions by Young. “Big Change”, the first song from the album,
comes with a message that left no doubt where Neil Young stands in these
challenging times.
The Chrome Hearts are Spooner Oldham (Organ); Micah Nelson (Guitar and Vocal); Corey McCormick (Bass and Vocal); Anthony LoGerfo (Drums); with Neil Young (Guitar, Harp, Piano, Vibes). The album is co-produced by Lou Adler and Young, and recorded at Shangri La Studios in Malibu.”
TUTVTalkin To The Trees brings Young‘s 1975 masterwork Tonight’s The Night instantly
to mind, sonically that is. Raw and rough, as if the LP was recorded live in one take, in
a garage with lots of echo and plenty of ramshackle guitars, buzzing electricity and Young‘s characteristic, ardent vocals. Very familiar, very entertaining.
From riff-robust rockers (Family Life, Dark Mirage, Let’s Roll, Big Chance) to country-bluesy musings (Silver Eagle, Moving Ahead), to melancholic balladry (Talkin To The Trees, Battle Of Love, Thankful).
It’s pure Young, musically and thematically, wondering about the world’s future, warning for environmental pollution dramas, difficult times to come for our children, and the need of a big positive change. At 79, he’s still socially and climate concerned as he was in his prime and he still delivers soul-and-ear pleasing records.
Laurenne: “The songs were written in the style of vintage jazz standards, but are then drenched with Rhodes piano and sparkling horn parts, with upright bass and triphop beats holding down a groovy, downtempo feel underneath. The vocals are the polar opposite of my garage rock sound in The Darts – in Black Viiolet, I am quietly telling you secrets in the dark.
After You was recorded by nine producers on two continents with fourteen French and American jazz musicians – including Digable Planets drummer Conrad Real – and contains thirteen original tracks that I wrote all the parts for and arranged, plus one special cover song, “My Baby Just Cares For Me.” My influences include spy movie themes, Nina Simone, Portishead, Budos Band, Lovage, Nouvelle Vague, Digable Planets, Propellerheads, Sneaker Pimps, Forniquette, Nick Waterhouse, Hooverphonic, and even cartoon character Jessica Rabbit!”
TUTV: Imagine Nicole Laurenne‘s sultry alter ego coming from behind a curtain
on a stage in a smoky nightclub, leg by leg, with a bright spotlight on her and
making all spectators go ‘sigh‘.
From there on she becomes Black Viiolet. A femme fatale that entertains us with
bouncy trip-hop vibes à la Portishead (AboutA Woman / Never Know / New Day / Drop),
jazzy candlelight musings (Don’t Leave Me On The Dancefloor / Not It / Stayin / You Can’t Afford Me) and a seductive version of 1930 jazz standard My Baby Just Cares for Me
made immortal by the late great soul diva Nina Simone.
The record is subtly, yet richly orchestrated. The instrumentation at work here – contrabass, trumpet, trombone, saxophone, piano – serves the overall mood perfectly.
On top of it comes Viiolet‘s near-whispering, hoarse and sensual voice to complete the arousing sonic picture with a saucy sensuality. The ambiance is spellbinding and ravishing.
After You is delectable music for the midnight hours that massages your ears for
40 minutes. The most sexy record I heard in a long time. It transfers you to a place
where you can dream away, far from today’s depressing outside world.
Dim the lights, relax, sit down, have a bottle of your favorite wine at hand, close
your eyes and let Black Viiolet enter your spicy fantasy of choice. Trust me, you’ll
love the tantalizing trip.
Since Doherty got clean (already several years) and living in France with his wife and big dog, far away from the temptations of party cities he became quite productive releasing albums with one-time outfit Puta Madres, with French musician Frédéric Lo and with his first-and-forever band The Libertines he scored one of the best albums of 2024 with All Quiet On The Eastern Esplanade.
Press info:“Felt Better Alive is Peter Doherty’s most confident solo collection yet,
sprinkled with radiant playfulness, almost innocence at times, shot through with
Peter Doherty’s signature melodic nous, quirky poetic realism, and visual storytelling
gifts.”
Brugge, Belgium – 14 June 2025 – Photo by Turn Up The Volume
TUTV: Writing songs is Doherty‘s oxygen. He has music running through his veins.
Enter this new solo album. A collection of daily life tunes that puts a smile on your
face. The man entertains, charms and shows his alluring skills once again. It’s clear
that the French air stimulates his productivity. Poetry in motion.
“‘Although it’s a big, joyous dance track, it’s about hiding deep emotional pain and trauma and how hedonistic coping mechanisms, like drugs, alcohol, and womanizing, are just temporary distractions. They ultimately fuel a self-destructive cycle. There’s a deliberate contrast between the euphoria of the music and the melancholy of the lyrics, capturing the subject’s duality of light and darkness.”
TUTV: This is what great pop-ular music is all about. Big tune, big emotions, big orchestration. Euphorically cacthy despite its dramatic ‘real life‘ story. Aftermath
soul-searching can work cathartically, and here it sounds pretty boosting.
TUTV: These utterly cool Welsh punkettes drive you bonkers with
this bass-insane punk ‘n’ roll uppercut. Kick-ass band, kick-ass attitude,
kick-ass blast.
Band: PUNCHBAG Who: A new brother-sister party duo, from South London colliding the raw unfiltered energy of punk, with the overflowing ecstasy of pop. With fierce tempos and ferocious energy, their music is an explosively cathartic release of raw intensity and unapologetic fun.
TUTV: Ecstasy. Elation. Exhilaration. This flamboyant electro-slam makes
you bounce and jump like mad. Punchbag kick you in the teeth without
asking while having uppercut fun. And they’ve only just started.
“I wrote this one when I was feeling stuck and stagnant, but when I finally
brought it to the band they really breathed new life into it and made it feel
magic again!!”
TUTV: This sickly sticky steam-riff-roller drives me crazy. Head-twisting stonker.
Band: BOB VYLAN Who: Controversial hip-punk-hop
duo from London.
Track: DREAM BIGGER.
A re-worked, re-named jackhammer single from
their 3rd album, Humble As The Sun released
last April.
TUTV: It features roasting vocals by the fantastic Australian punk
daredevil Amyl Taylor from Amyl And The Sniffers. She’s the perfect
sharp-mouthed match for this fierce flametrohwer.
Band: KNEECAP Who: Belfast‘s sharp-mouthed, notorious rap team KNEECAP – Mo Chara,
Móglaí Bap, and DJ Próvaí – hip & hop around with a knife between their
teeth since 2017.
So far they released 2 albums.
Lately, they make headlines with their loud and clear, ongoing support for Palestine.
They got heavily critiqued for it when they played Coachella Festival in Indo, California
last April.
Then the UK’s right wing politicians jumped into it, and prosecuted Mo Chara after allegedly displaying a flag in support of Hezbollah last November (no verdict yet), and tried to get them banned from playing Glastonbury Festival next week. It gained them, rightly so, countless support from musical colleagues and fans.
To emphasize the whole political charade, the band just released a new single, named THE RECAP, going after Tory politician, business and trade minister Kemi Badenoch who started to hunt them back in 2023 when he withdrew an arts grant awarded to the band.
The trio brought a discrimination case against the U.K. government
and won, donating the proceeds to Belfast community groups. Yes!
Beth: “We’re living in a dark time, full of drama and barbarous tragedy.
It became clear to me that, in these times, we either learn how to scream
really well, or we learn how to whisper.”
TUTV: With this savage industrial shocker it’s crystal clear what Beth meant
when she talked about her amadant intention to make an agressive sound
on her new record. Obsession is a nine inch nails bombshell. Volcanic
2025 gloom and doom eruption.
TUTV: Post-punk aggression at its Mclusky‘s sharp-biting best,
gas-powered by a cast iron bass/drum tandem, schizo guitars
and Falkous‘s intimidating sneering.
Band: WHOLES Who: A fresh, rowdy hit team led by Belgian musical chameleon Wolf Vanwymeersch.
Track: MODERN DAY DRAMA
Single from their upcoming debut LP ‘A Mass In The Water, which lands
on 14 November.
Single artwork by Maxime Rouquart
TUTV: This hellraiser’s ominous mid-tempo dynamics, distorted vocals, and
riff-roasting razzmatazz resonate like if you are listening to the goosebumps
theme song of a horror movie.
Creepy tension in the air, melodrama about to happen. Yes, at the 2.30 minute
mark all hell breaks loose. Decibels up, amps up, temperature up. From a whisper
to a scream. From planet Earth to Dante‘s inferno.
Band: ARCADE FIRE Who: The famous pop-rock
collective from Canada.
Track:YEAR OF THE SNAKE
First single from their forthcoming 7th album, named Pink Elephant ready for release on May 9th. 2025 is
the ‘year of the snake‘ in the Chinese Zodiac.
TUTV: It’s a sublime, crystalline pop nugget, with its hypnotizing guitar riff,
the non-stop banging drum beat and the intertwined, spellbinding vocals of Win Butler and his spouse Régine Chassagne.
Band: THE IRRATIONAL LIBRARY Who:The Irrational Library is a Dutch-American rock band with its roots
firmly planted in both the regional and international counterculture. The Dutch-American band produces a raw, dirty groove influenced by punk,
provo and punk icons. Their poetry is packed with social criticism.
Track: TRUTH SERUM
First single from the quartet’s new, upcoming
5th LP ‘The Saying Of It All’. More details TBA.
Artwork by political cartoonistTRIK
TUTV: TIL is back in town. And they move and groove again with brio and gusto
motorized by a striking drum/bass tandem, while a 60s psychedelic flute flutters
like a butterfly throughout the song. Frontman Joshua Baumgarten draws your
aural attention (as usual) with his near-rapping phrasing of the clear-cut lyrics.
TUTV: An Artist Is An Artist is a sizzling sledgehammer
pushed by a mind-boggling speedy velocity, Skin‘s
hyperactive vocals, a paranoid sax and a flabbergasting chorus.
Artist:LAURA JANE GRACE Who: Chicago‘s notorious singer-songwriter who’s around since the 90s.
She makes a lot of noise with her punk group Against Me! (7 albums so far)
and solo (2 albums so far).
Grace: “Does God have a dick? Is that what those of the faith believe when they refer to their Lord as “he” & “him” & “father”? Well, imagine that! Oops, I think I may have imagined a little too hard and gone and written a song about it. He lord’s heavenly hammer must swing mighty! And away we go!”
TUTV: This is both a hilarious and punktastic choir chant reminiscent
of scream and shout Celtics Dropkick Murphys with a blustering storm
of surf riffs chainsawing your stereo into pieces.
Band: THE NEW EVES Who: Must hear/see indies from Brighton (where everybody is in a band).
They cruise from folk to punk, using, besides traditional instruments (guitar,
bass and drums) also cello, flute, violin, and other classical gear.
It’s a darkly-energised, female-first retelling of
writer/poet Alfred Noyes classic 1906 romantic
poem.
TUTV: These four musical mavericks don’t care about rock ‘n’ roll rules. They do what they want, the way they want to do it, annex unseen visual presence on stage and in video clips. On Highwayman they rattle and brattle full speed ahead motorized by restless drum/bass teamwork.
Here and there the tune, goes, eh, out of tune, and it sounds totally perfect for this emotional belter. No arty farty production for TNE. Winder-Lind‘s awesomely agitated vocals put a spell on you. My, oh my.
TUTV: A razzle-dazzle steamroller that gets under your skin faster
than you can say “this is bloody superb”. Its insane, mind-bending
course doubles your serotonin production on the spot.
Artist: MARK STEWART Who: One of the most adventurous/inventive/original post-punk & dub artists/performers
ever. He was a founding member of genre-bending new wave group The Pop Group and released lots of solo and collaborative records. Unfortunately, he passed away 2 years ago,
only 62.
Track: MEMORY OF YOU
Single from Stewart‘s solo album The Fateful Symmetry,
that was completed early 2023, not long before his passing.
TUTV: Haunting, synth-symphonic and boom-tastic,
with Mark‘s characteristically energetic voice on top.
Band: THE LIVING PINS Who: Indie outfit featuring, Carrie Clark and Pam Peltz, who found each other on
the edge of the delicately ramshackle playground of the 1990s Austin (Texas)
music scene. They released their 4-track debut EP Let It Be So in 2023.
TUTV: Gold is a bluesy, foot-tapping garage ripper that has an instant impact on your greedy ears with its solid swagger, its gloriously cracking guitars, with a feverish solo somewhere in the middle, and its cool duet vocals.
Artist: LIFE COACH Who: The musical project of singer-songwriter-poet Jamie Cameron. Hailing from
the Scottish Borders, the music blends lo-fi beats, synths and guitars with spoken word lyrics in which he discusses subjects ranging from politics and premonitions to self help culture, and a modern society obsessed with economic thinking.
TUTV: Life Coach are on fire, again. This new rattling rap ‘n’ punk roll crackerjack
swings forth and back, left and right and Jamie Cameron’s full of vim and vigour
word-flow activates all of your insatiable limbs before he relaxes towards the
synthy end. Kinetic kick. Hands up for the coach.
Tim Baker (founder and creative director): “The best of what we do in one song,
it’s a tune that really carries the soul of everything good we have stood for over the
last ten years”.
TUTV: Expect electrifying energy from the kick-off. Delirious guitars set
the haywire tone and hyperventilating vocals augment the buzzing fuzz.
A modern-day post-punk roller coaster.
Berlin-based artist KAT KOAN offers her first music of
the year with a new, jaunty little gem, called COCOON.
Koan: “It’s a little circus themed escape world. I wanted to create a bit of a dreamy
break from daily worries. It’s pretty crafty and full of cool instruments. It also features
my daughter for a brief moment. It’s my favourite song I’ve made so far.”
TUTV: Leave your own cocoon and move to Koan‘s one where she will treat
you with this lighthearted tune that swings in mid-tempo from left to right
and back.
It relaxes your mind, triggers you to set your busy plans on a hold, and invites
your body to have a waltz-y dance that transfers you to a utopian circus
place for a while, far away from our daily, suffocating rat race.
Band: MCLUSKY Who:Welsh notorious post-punk noiseniks featuring future of the left iconoclast Andrew Falkous, who made a loud and clear mark on the indie list of max decibels
producing acts between 1993 and 2004 with three ear-piercing and politically loaded albums. The it was time for other projects.
In 2015 Mclusky suddenly returned for a benefit gig in London and played
some more here and there. In 2023, they released a new 4-track EP, called Unpopular Parts Of A Pig / The Digger You Deep to fund a delayed US tour.
Kerrang says: “The highlights are plentiful, from the misanthropic maelstrom of ‘People Person‘, to the lolloping ‘The Digger You Deep’ and the Pixies-esque ‘Hate The Polis’, but you don’t need to pan for gold when there’s so much of it. When The World Is Still Here And So Are We was announced last year, it came as a surprise to many; that the resulting opus is such a remarkably consistent collection after 21 years probably should be too, but somehow isn’t, as mclusky always offered a safe – and strange – pair of hands.”
Andrew Falkous, Mclusky in Brussels – May 18, 2025 – Photo by Turn Up The Volume
TUTV: The world is still spinning and Mclusky decided to come back after 21 years
to see what’s going on and let us know what they experienced/experience in their
own tumultuous way. To be honest, it’s Mclusky by numbers, but their numbers still
slice and slash as a first class Swiss knife. And that is what matters.
Primal screamers, guitarist Andrew Falkous and bassist Damien Sayell spit and sneer
their 4 lungs out while they rip puppet politicians to shreds with razor-sharp axes. Chainsaw guitars everywhere, backed by a hellacious drum/bass duo. They’re maniacal
masters when it comes to search and destroy punk havoc.
And they still come up with daft song titles like ‘unpopular parts of a pig’, ‘kafka-esque novelist franz kafka’, ‘the competent horse thief‘ and ‘autofocus on the prime directive‘. Welcome back, noizz freakz.
Furman: “Twelve songs, twelve variations on the experience of completely losing control, whether by weakness, illness, mysticism, BDSM, drugs, heartbreak or just living in a sick society with one’s eyes open. These songs are vivid with overwhelm. They’re not about someone going off the rails, they are inside that person’s heart.
The songwriting here is a revision to William Wordsworth’s famous proclamation that “Poetry
is the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquility.” I can agree with that, except for the tranquility part. This poetry, my poetry, arrived in the midst of the storm. It was written as I teetered toward the edge.”
DIY Magazine says: “It’s a textured tapestry of overwhelm that’s as desperate as it is defiant. She employs a string section across much of the record, and yet also dabbles in sampling for the first time; with its skittish drums, eulogic cello, and haunting vocals, ‘You Mustn’t Show Weakness’ is the potent pinnacle of this new frontier. Lyrically, too, ‘Goodbye Small Head’ is some of her finest work.”
TUTV: Furman‘s records are all soaked in emotional tenseness and troubled sensitiveness, lyrically and sonically. Her all-consuming voice is the perfect instrument to emphasize all her ardent eagerness.
And it works thoroughly on expressive highlights Jump Out, Power Of The Moon, You Hurt
Me I Hate You, A World Of Love And Care and closer I Need The Angel. Ezra Furman puts all of her heart and soul in her mesmerizing music. It makes Goodbye Small Head a formidable accomplishment.
Kerrang‘s verdict: “The Painful Truth sounds eye-openingly fresh for a band with such
history. Everything about this is new, except its heart-on-sleeve honesty. They’ve never
released an album that embraces creativity this openly. My Greatest Moment, for example,
is full of ear-catchingly extracurricular sounds – the sort of thing artists in the NIN-to-Starset bracket specialise in, but without sounding like either. Life’s truth might be painful sometimes, but it’s rarely sounded better.”
TUTV: SA return less raw, rough and heavy as usual, even poppy at times. Mind you,
there’s still enough sonic vehemence and inflamed volume to challenge the decibels police, especially when Skin‘s voice reaches for the sky. As always she put all of her heart and soul into her performances. Overall, there’s more emphasis on melody and harmony than before, resulting in a top drawer record.
Artist: PETER MURPHY Who: Former Bauhaus‘ goth
icon, now aged 67.
Album: SILVER SHADE.
It’s produced by renowned producer Youth (Pink Floyd, The Verve, Crowded
House, member of Killing Joke, The Orb, The Firemen w/Paul McCartney).
SPIN Magazine: “Artists age differently, it comes through in their work. Some turn contemplative, some opt for acceptance, some even refuse to admit they’re getting older (looking at you, Rolling Stones). On Silver Shade, famed Bauhaus vocalist and post-punk
pioneer Peter Murphy reveals how he chooses to face his golden years: with an album of
grand, baroque defiance you can dance to.
TUTV: Murphy solo is as relevant as Bauhaus was. He’s still as rhapsodic, motivated and
ambitious as he ever was. Silver Shade is stuffed with big, bombastic and melodramatic tunes to draw goth fans to gloomy discos with. Banger after banger, stompers after stomper. Gloriously orchestrated, anthemically constructed. His phenomenal vocal performance lifts this remarkable record to an astonishing level. Class!
AllMusic: “Radio Armageddon is intended for an audience who has been listening to Public Enemy for most of its life, but the album continues in the group’s tradition of delivering timely, empowering messages with dense, confrontational barrages of revolutionary noise.”
TUTV: Chuck D is at his razor blade sharp best when he fulminates against the rotten powers that be. And with that egomaniacal idiot Trump back in the White House there’s
a lot to get furious about. America wasn’t as divided as it is right now because of that deranged hate-preacher who normalizes sexism, racism, and overall intolerance.
Chuck D hips and hops, raps and claps, with knife-edged rhymes and riot-gun tirades, forth and back, left and right. He turns 65 in August, but he will never shut up and mouth off when it comes to expose all sorts of injustices. With or without Public Enemy he will always speak out against the oppressors in charge.
British notorious post-punk bulldozers MCLUSKY, featuring diabolic loudmouth Andrew Falkous, made a loud and clear mark on the indie list of decibels-producing
acts between 1993 and 2005 with three ear-piercing and politically outspoken albums.
The break-up wasn’t clearly a happy one.
Falkous told the world: “The three piece rock band known as mclusky have disbanded,
as of Friday 7 January 2005. The reason for this parting is private, though probably not
as entertaining as you’d imagine. Personally, I would like to thank all the people, places and times that occurred on or near us. I’m grateful for the love and to a lesser degree, the hate. There’ll be more music soon, from all of us.”
Then Falkous formed another significant, blaring group, named Future Of The Left,
including his wife on bass. They shook the planet with 5 full CDs (so far).
In between, in 2014 Mclusky returned with new bassist/vocalist Damien Sayell for a benefit gig in London and played some more here and there. In 2023, they released a new 4-track EP, called Unpopular Parts Of A Pig / The Digger You Deep to fund a delayed US tour.
And only 2 weeks ago, they launched brand-new LP THE WORLD IS STILL HERE AND SO ARE WE. A splendiferous chop-chop-chop record, which they’re now about to present to half of the world on an extensive tour.
last Sunday, they landed in Brussels atLes Nuits Botanique
festival inBrussels and they smashed it big time.
Andrew goes Aaaaaarrgghhhh
They were greeted with rapturous cheers by their old and new fans as
heroes who suddenly and unexpectedly came back from what seemed like
an eternity.
And the trio were, clearly, impressed and entranced with the ecstatic reception. In return, they delivered a bloodcurdling set stuffed with old and new sucker-punches that came out of the gigantic speakers as exploding Molotov cocktails. They produce an amount of illegal decibels that cause a sort of electric chair experience.
Bass/voice freak Damien
Mclusky is one of those noizz bullies that wield their bass/guitar/drums battleaxes with a fearless ferocity that makes your body and mind go ballistic and out-of-control. They have no mercy. They slash, trash and crash, and aim for your brain and your psyche.
Most of the crowd screamed the old and the new words along with well-oiled vocal
cords that almost matched Falkous and Damien Sayell‘s immense, clamorous, badass voices. Gloriously deafening. Everybody, all ears included, was extremely over the
moon with this exorcistic happening. One of those rare reunions that feels/sounds
totally relevant and AWESOME. They did Brussels instead of Dallas this time.
SETLIST
1.Lightsabre Cocksucking Blues 2. Without MSG I Am Nothing 3. Collagen Rock 4.What We’ve Learned 5.Unpopular Parts of a Pig 6.Falco vs. The Young Canoeist 7.She Will Only Bring You Happiness 8.Autofocus on the Prime Directive 9.You Should Be Ashamed, Seamus 10.Kafka‐Esque Novelist Franz Kafka 11.The Battle of Los Angelsea 12.Alan Is a Cowboy Killer 13. Chases 14.People Person 15.Whoyouknow 16. To Hell With Good Intentions
Welsh notorious post-punk noiseniks MCLUSKY, fronted by Andrew Falkous,
made a loud and clear mark on the indie list of decibels-producing acts between
1993 and 2004 with three ear-piercing and politically loaded albums.
Then Falkous formed another blaring group, named Future Of The Left,
including his wife on bass. They fabricated 5 full CDs and then went silent.
In 2015 Mclusky suddenly returned for a benefit gig in London and played
some more here and there. In 2023, they released a new 4-track EP, called Unpopular Parts Of A Pig / The Digger You Deep to fund a delayed US tour.
Press info: “Having formed in the late nineteen-nineties and releasing music, if that is what it was, from 2000-2004, Mclusky disbanded soon afterwards in a slow motion farce of not enough drama to get much press off the back of it. Now they are back fuelled initially by spite but now enjoying it too much not to do it, and playing to crowds in the UK, US and Australia which are much bigger – and more hygienically inclined – than in their so-called heyday. So far nobody has complained, except for one guy in Leeds (and he was clearly on ketamine).”
Kerrang says: “It all sounds remarkably fresh. So while some of the reference points
might give away the age of its authors. ‘Way Of The Exploding Dickhead’ is a twist on
the title of a computer game from 1985 – its frantic, eccentric energy feels timeless.
The highlights are plentiful, from the misanthropic maelstrom of ‘People Person‘, to the lolloping ‘The Digger You Deep’ and the Pixies-esque ‘Hate The Polis’, but you don’t need to pan for gold when there’s so much of it. When The World Is Still Here And So Are We was announced last year, it came as a surprise to many; that the resulting opus is such a remarkably consistent collection after 21 years probably should be too, but somehow isn’t, as mclusky always offered a safe – and strange – pair of hands.”
Andrew Falkous raging with Future Of The Left in Brussels – 2017, photo by TUTV
TUTV: The world is still spinning and Mclusky decided to come back after 21 years
to see what’s going on and let us know what they experienced/experience in their
own tumultuous way. To be honest, it’s Mclusky by numbers, but their numbers still
slice and slash as a first class Swiss knife.
Loudmouth Andrew Falkous still spits and sneers his 4 lungs out as he always did
and rips politicians to shreds while he wields with a razor-sharp axe. Chainsaw guitars everywhere, backed by a hellacious drum/bass duo. They’re masters when it comes to search and destroy punk havoc.
Falkous still comes up with daft song titles like ‘unpopular parts of a pig’, ‘kafka-esque novelist franz kafka’, ‘the competent horse thief‘ and ‘autofocus on the prime directive‘. Welcome back, noizz freaks.
TUTV: Post-punk aggression at its Mclusky‘s sharp-biting best,
gas-powered by a cast iron bass/drum tandem, schizo guitars
and Falkous‘s intimidating sneering.
“‘Politics on the Internet’ is about caring for yourself enough not to engage in the beast battle
all the time. You can talk to your brothers, parents, and friends. Prioritize your family and fight locally. Flinging verbal excrement at a screen isn’t the way. Love yourself, love others. Love, sex, being strong through kindness, the weight of political turmoil and technology on what is human in humanity.”
TUTV: Blimey. This pyrotechnics juggernaut has a knockout vehemence
that floors you in 150 seconds. To hell with shitty politics on the Internet,
these motherrockers are the real riff-raging deal.
Artist: MARK STEWART Who: One of the most adventurous/inventive/original post-punk & dub artists/performers
ever. He was a founding member of genre-bending new wave group The Pop Group and released lots of solo and collaborative records. Unfortunately, he passed away 2 years ago,
only 62.
Track: MEMORY OF YOU
First shared taster from Stewart‘s solo album The Fateful Symmetry,
that was completed early 2023, not long before his passing.
TUTV: Haunting, synth-symphonic and boom-tastic
with Mark‘s characteristically energetic voice on top.
Band: THE NEW EVES Who: Must hear/see indies from Brighton (where everybody is in a band).
They cruise from folk to punk, using, besides traditional instruments (guitar,
bass and drums) also cello, flute, violin, and other classical gear.
It’s a darkly-energised, female-first retelling of
writer/poet Alfred Noyes classic 1906 romantic
poem.
TUTV: These four musical mavericks don’t care about rock ‘n’ roll rules. Only 4 singles in, and it’s clear they do what they want, the way they want, annex unseen visual presence on stage and in video clips. On Highwayman they rattle and brattle full speed ahead motorized by restless drum/bass teamwork.
Here and there the tune, goes, eh, out of tune, and it sounds totally perfect for this emotional belter. No arty farty production for TNE. Winder-Lind‘s awesomely agitated vocals put a spell on you. Pure present-day punk. I want more.
The accompanying, eye-catching video is quite special too.
Band: WHOLES Who: A fresh, rowdy hit team led by Belgian, musical chameleon Wolf Vanwymeersch,
who played with several bands (pop, rock, sludge metal) and released a pure singer-songwriter pearl with solo debut album The Early Years back in 2022. Wholes are what remains after a soul has been detonated, what struck those around it, what could no longer be contained.
TUTV: Stoner rock dynamics and spiky garage blues disturbance work together to inject your eager ears with doom and gloom disturbance. Like dark clouds predicting a storm, like demons challenging each other, eye to eye, face to face. Wolf’s near-whispering, Josh Homme-esque vocals complete the ominous sonic picture.
Band: ARCADE FIRE Who: The famous pop-rock
collective from Canada.
Track:YEAR OF THE SNAKE
First single from their forthcoming 7th album, named Pink Elephant ready for release on May 9th. 2025 is
the ‘year of the snake‘ in the Chinese Zodiac.
TUTV: It’s a sublime, crystalline pop pearl, with its hypnotizing guitar riff, the non-stop
banging drum beat and the intertwined, spellbinding vocals of Win Butler and his spouse Régine Chassagne.
Artist:ANDY BELL Who: Best known as vocalist of British synth-pop duo Erasure with
former Depeche Mode/Yazoo keyboardist/songwriter Vince Clarke.
Track: HEART’S A LIAR
Newest single from his upcoming 3rd solo album Ten Crows,
which lands this Friday, on May 2nd. It features Blondie icon Debbie Harry.
TUTV: Two glamourous voices, one glamourous disco
tune. It’s a fervid break-up pop gem to fill dance floors
with.
Artist: LIFE COACH Who: The musical project of singer-songwriter-poet Jamie Cameron. Hailing from
the Scottish Borders, the music blends lo-fi beats, synths and guitars with spoken word lyrics in which he discusses subjects ranging from politics and premonitions to self help culture, and a modern society obsessed with economic thinking.
Track: SQUADDIES IN HAIR NETS
Piece taken from the upcoming 2nd album, named ‘A Love Letter To Your Yearning Heart’, which is due for
release on May 30th.
TUTV: Life Coach are on fire, again. This new rattling rap ‘n’ punk roll crackerjack
swings you forth and back, left and right and Jamie Cameron’s adrenalizing word-flow
energizes all of your insatiable limbs before he relaxes towards the synthy end. Another kinetic kick. Hands up for the coach.
Tim Baker (founder and creative director): “The best of what we do in one song,
it’s a tune that really carries the soul of everything good we have stood for over the
last ten years”.
TUTV: Expect electrifying energy from the kick-off. Delirious guitars set the haywire tone and hyperventilating vocals augment the buzzing fuzz. A modern-day post-punk roller coaster.
TUTV: Only two singles in, and it’s already clear that Salvia‘s songwriting skills,
and her impressive vocal performance will bring her musical journey pretty far.
You And Me is an entrancing jam with a rotating guitar riff that gets under your skin
from start to finish. Salvia‘s seductive vocals match the trancy vibe perfectly well.
Today Ghent, next week Belgium, next month the world.
Artists: peach I melba Who: Queer femme indie duo,
half Brighton and half Los Angeles.
Track: WORST TRIMESTER
With blistering lyrics delivered at a rapped pace, the riot grrrl duo
explore the gender politics of pregnancy, in their style of both members
singing every word together over minimalist bass guitar and driving drums.
TUTV: There’s good news and bad news. Bad news first? World peace is an illusion.
From the moment Adam & Eve fucked up, shit started to happen and dirty wars are
still fought, its part of human nature.
The good news? These two DIY Amazons swear to release a new song every six weeks until world peace has been fully achieved. So, we’re ready for a looooong wild and rough ride, starting with this fun, outspoken and catchy 100% indie thrill. Don’t miss their bus, all you music junkies out there.
TUTV: Frontwoman Hannah Vandenbussche‘s voice is the heartbeat of this fresh
act, composed of experienced musicians. With Shadow they released their 4th single.
A spellbinding and haunting piece of captivating music, moving around a bewitching
guitar riff. Tension in the air throughout. Compelling tune. Sugarbunny is going places.
Band: LEDHER BLUE Who: The product of two distinctively different individuals, Zé and Pedro,
that the waves of life comically decided to beach in a northern town of Portugal – Guimarães.
Track: CRAIC
Piece from their brand new, excellent debut
album, titled Fait Divers. Stream it here
TUTV: What starts as a both moody and amplified reflection, explodes
on the let’s all sing together chorus, like if this cracking anthem was recorded
at a Premier League football game. It sticks after one spin. Score!
TUTV: When I just say that my excited ears hear jangly Parquet Courts echoes, you already should get excited too. The sharp-edged riffage, explosive eruptions now and then, and fidgety vocals will drive your mind and stereo mad.
Band: VIRGINS Who: Belfast-based shoegaze band who transcend that reductive tag to deliver a noise which is thrillingly loud and weightily light. Last year they released their notable debut album nothing hurt and everything was beautiful.
TUTV: Heavenly melodiousness, edged layers of shoegazing guitars, forceful
drumming, crystalline vocals, and a non-stop bass riff pushing the pace
throughout combine for a breathtaking score.
TUTV: From the first chord on Donat takes you on a head-twisting and power-driven
trip. No brakes, no breaks. Always pedal to the metal. Raise your voice and absorb
this flat-out ripper. Bingo.
TUTV: Never a dull guitar-pop moment with this seasoned Swedish combo. This lazy tune, for lazy days is one that Scottish melancholic heroes Teenage Fanclub would be proud of. It feels as if Spring invites you to have a feel-good Summer.
In order to not miss a beat TURN UP THE VOLUME scans the musical
horizon daily, for 10 years now, to pick ace tracks and add 5 new ones
twice per week, to the one and only JUKEBOX playlist that matters.
TUTV: Mclusky still is a hard-slamming drone machine. Falkous still rages and
rampages in a scary and sharp-teethed way, as we hear/saw (and soon again)
him doing it for a long time now.
Band: MOB WIFE Who: Irish noiseniks who entered the scene back in 2018 and who draw influences from the American underground by way of Metz, Fugazi, Protomartyr and of course, Kiss. They released their debut LP Eat With Your Ears in 2022.
The lyrical inspiration for the song comes from an ill-advised foray into the world of TikTok and the uneasy myriad of anti-feminist, racist and misogynistic content that was being presented as a default on the platform. Written as a satire on the influencer culture being peddled to the masses, written from their viewpoint, particularly basing it around one local influencer.
TUTV: Prepare your ears for an emotive eruption of fiery frustration with so-called influencers on Tik Tok and other socials. It chops over and over again like a sharp-cutting battleaxe, crushing misleading social media shit along the way. Wham bloody wham bam. A sonic sledgehammer to haunt maddening mobs with on the Internet.
Band: PROPAGANDHI Who: Veteran grunge-metal
trashers from Canada.
Track: CAT GUY
Piece from their upcoming, 8th album,
titled At Peace, out May 2.
Chris Hannah (vocalist/guitarist): “From my songwriting perspective, the thing I was thinking of was capturing a little bit of Judas Priest’s 2018 album Firepower as if SNFU vocalist Chi-Pig was writing the lyrics.”
TUTV: I don’t know if this metallic hammer blow is one to crush moronic vice-president JD Vance, who stigmatized women without children as ‘cat ladies’, with. But the very thought makes my day. Fuck you, sexist.
Artist: LEXYTRON Who: “Half Greek, half Persian and half English” – as this musician described herself age 5 – the Manchester-born Lexy found her identity in music early on as a pianist and violinist.”
She’s now based in Auckland, New-Zealand.
TUTV: Lexytron returns as a happy mother with this entrancing power-pop musing.
Her crystalline voice leads the orchestral glow at work here, and the kiss me quick chorus makes
you stick to this song.
Artist: MATTHEW NOWHERE Who: Vocalist, multi-instrumentalist, and producer based in Nevada, who blends vintage inspired sounds from the best eras of music, he shares deeply authentic and soulful music that speak to power of love to overcome all obstacles.
TUTV: Ambient pop atmospherics calm your busy mind, away from the outside rat race world. This is mind-massage music for relaxing moments. I wonder if you also think that Peter Gabriel is, incognito, on vocals.
