MATT BERNINGER – National Crooner Released His 2nd Solo Album ‘GET SUNK’

2 June 2025

The National‘s twilight dreamer MATT BERNINGER
released his 2nd solo album, named GET SUNK.

Press info: “His songwriting has long garnered praise for its poignant clarity, jagged-edged
wit and intimately emotive melodies. ‘Get Sunk’ is not an autobiographical album, but the narrator is processing how he became himself. Who is he compared to the kid on that sepia-toned farm? What is his idea of happiness? What the hell are we all searching for? Get Sunk is an ode to the infinite. The others that make us who we are; the possibilities our paths can take and the abyss of both misery and bliss.”


Press photo by Chantal Anderson

UNCUT (British music monthly): “The National frontman sails through different
waters on follow-up to 2020’s Serpentine Prison.takes. He takes an emotional deep
dive. Uncharacteristic moves brings an intriguing dimension to Berninger’s inward-
peering persona.”

TUTV: It’s Matt Berninger all right, crooning stories about his life, past and present.
His mellow and tender timbre is everywhere. All songs are stylistically polished, silkily orchestrated, while bluesy horns add a warm feel on a regular basis. Most of them could easily be The National tunes. Leonard Cohen‘s muse is omnipresent. Impassioned intimacy in motion.

KEY SINGLE

ALBUM


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Instagram – Facebook

TY SEGALL – The Californian Rock Junkie Delivers One Of His Most Coherent Albums With New One ‘POSSESION’

1 June 2025

Laguna Beach (California) born rock junkie TY SEGALL
has his 16th (solo) album, named POSSESSION.

Press info: “Ty hits the big sky trail of our good ol’ frontier empire, discovering non-stop bangers and inspired new sonics around every bend. With lyrics co-written by longtime collaborator, filmmaker Matt Yoka, Ty‘s glittering rhythm arrangements move with fresh scansion, inviting in sweeps of strings and horns to further the charge righteously. You’re invited too! Don’t miss the trip – the country inspires awe from up on Ty’s high-octane ride.”


New album artwork

AllMusic says: “It’s definitely a milestone and a career highlight, as well as a release
that anyone who likes real live, breathing and bleeding rock & roll should be glad
exists.”

TUTV: One of his most coherent, balanced, and fully satisfying albums (so far).
All 10 songs stand tall and proud, rock with flair and groove with panache. They
have body, heart and soul.

Lots of horns and strings are involved, but never in an overdrive way, rather as an integrated part of the record’s rich orchestrations. Also Segall rarely loses himself in redundant guitar solos, which happened way too often in the past. He keeps it simple
and direct, sonically and vocally. Ty rules, folks.

SINGLES

ALBUM


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Instagram – Bandcamp

GARBAGE Released Their 8th Album ‘LET ALL THAT WE IMAGINE BE THE LIGHT’ Today

30 May 2025


Press photo

After more than 30 years GARBAGE still operate with e their original line-up. Vocalist/lyricist Shirley Manson, bassist Duke Erikson, guitarist Steve Marker and
drummer Butch Vig. Quite rare.

And with the four of them they released their 8th album,
titled LET ALL THAT WE IMAGINE BE THE LIGHT today.

Press info: All the hallmarks and signatures for which they are known are present
here. Big angular guitars, precise, propulsive beats and cinematic soundscapes all
lurk beneath Shirley Manson’s expressive voice, her lyrics bristling with attitude. It is
the sound of a group at the peak of their creative powers – characteristically harnessing sonic juxtapositions and moods to create an album that thrums equally with both light
and shade.

NME says in a 5-star review: “If there is one thing Garbage have taken from the time
since their last LP, it’s that while the world can often feel like a dark place, there is a sense of empowerment that can be reached by letting in the light. Over three decades after they formed, we are now seeing the band like never before. Not only are they showcasing some of their most intriguing and impactful material, but they’re also paving the way into a hopeful new chapter.”

TUTV: My ears do not agree with the overall positive critics for this new Garbage record.
It lacks too few monumental tunes, too few chill bumps moments, too few cast iron earworms. Sonically, it’s an average affair for a band this magnitude.

KEY SINGLE

ALBUM


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Instagram – Linktree

SPORTS TEAM Offer Saxophone-Infused Power Pop On New Album ‘BOYS THESE DAYS’

25 May 2025

Band: SPORTS TEAM
Who: Lauded indie pop-rockers
from London

Album: BOYS THESE DAYS
Released: 23rd May.
Their 3rd one.

Press info: With musical pedals to the metal and saxophones at full throttle,
the Mercury-nominated six-piece bring us their third studio album. Think Prefab
Sprout
meets Roxy Music the band ally a seer-like lyrical insight with their most
dynamic musical performances to date, Sports Team are piercing the content
abyss.

This witty and insightful examination of modern life is both a critique and a celebration
of its times. ‘Boys These Days’ takes aim at everything from advertising hype to relationship dysfunction, stationed at the point where the digital tide crashes onto IRL shores, but their perspective is fuelled by immersion in that landscape as Sports Team are scrolling along with the rest of us.”


Press photo by Bartek Szmigulski

NME says: “Sonically, it’s a step up from the guitar-driven mayhem that characterised their roots, without just slapping some synths on top like many of their indie counterparts. In reality, they’ve never sounded closer to that wacky, eccentric live band down your local on a Friday night – and maybe that’s where their truest form lies.”

TUTV: ST come up with 10 orchestral, horns-infused power pop chants. Funky, punky
and hunky-dory. Effervescent and zealous Imagine Franz Ferdinand having a date with Scottish pop legends Orange Juice. Always entertaining but a bit too much of the same.

Top tracks: Boys These Days, Planned Obsolescence, Bang Bang Bang, and Head To Space.

Singles: I’m In Love (Subaru) / Bang Bang Bang

– I’M IN LOVE (SUBARU) –

– BANG BANG BANG –

ALBUM

Instagram – Linktree – Live Dates

SKUNK ANASIE Sound Refreshed On Their 7th Album ‘THE PAINFULL TRUTH’

24 May 2025

British robust veteran rockers SKUNK ANANSIE, fronted by the
fantabulous Skin have their new, 7th LPTHE PAINFUL TRUTH.

Press info : “Celebrated for their fearless approach to addressing political and social issues, Skunk Anansie has broken significant racial and gender barriers in rock, using their platform to advocate for identity, equality, and activism. Their influence extends beyond music, making them icons of both sound and social change.

Now, the legendary British rock band returns with their seventh studio album, The Painful Truth. Recorded in LA with renowned producer Dave Sitek (known for his work with Foals, Weezer, and Yeah Yeah Yeahs), this latest release sees the four-piece once again pushing creative boundaries and solidifying their place as modern pioneers in the music world.”


New album artwork

Kerrang‘s verdict: “The Painful Truth sounds eye-openingly fresh for a band with such
history. Everything about this is new, except its heart-on-sleeve honesty.
They’ve never
released an album that embraces creativity this openly. My Greatest Moment, for example,
is full of ear-catchingly extracurricular sounds – the sort of thing artists in the NIN-to-Starset bracket specialise in, but without sounding like either. Life’s truth might be painful sometimes, but it’s rarely sounded better.”

TUTV: SA return less raw, rough and heavy as usual, even poppy at times. Mind you,
there’s still enough decibels to challenge your ears, especially when Skin’s voice reaches for the sky. As always she put all of her heart and soul in her performances. But overall they sound somehow polished, in an entertaining way that is, with more emphasis on melodiousness. Top tracks: An Artist Is An Artist, Lost And Found, Cheers and Meltdown.

SINGLES.

– AN ARTIST IS AN ARTIST –

– LOST AND FOUND –

ALBUM

SLEEP TOKEN – Mega Prog Metal Rock Freaks In Repeat Modus On New Album ‘EVEN IN ARCADIA

11 May 2025


Album artwork

SLEEP TOKEN, the mysterious industrial post-metal phenomenon from London who
claim to be united in their worship of an ancient deity identified by them as ‘Sleep‘,
who appeared to the band’s ominous lead singer Vessel, and wear masks are hotter
than ever.

Since their 2019 debut album, Sundowning on, they have built a massive fan base, and their brand-new fourth LP, EVEN IN ARCADIA, will even enlarge the countless number of supporters.

Press info: “This new chapter follows Take Me Back To Eden and continues the unfolding journey, where Sleep Token further intertwines the boundaries of sound and emotion, dissolving into something otherworldly.”

NME: “Spearheaded by the piano and some of Vessel’s most human lyrics to date, the metallers’ fourth album seals their status as the overlords of their scene and generation.
‘Even In Arcadia’ shatters any pressure of expectation into oblivion, building on the bravery
of its predecessor, sonically, while its lyrics reveal the most exposed version of Vessel we’ve
seen yet. From Eden to Arcadia – and beyond – let the worship continue.”
Score: 5/5.

TUTV: I understand the huge appeal of this prog-metal rock phenomena.
Sleep Token look/sound bigger than normal life. There’s a mysterious, mythical,
medieval-goth-like, aura that surrounds them and their bombastic and theatrical
wall-of-Herculean sound is quite overwhelming.

It works for me too, but just for a couple of tunes. Problem: their songs are all
constructed the same way. The first part is melodic, meditative, spooky and the
harbinger for the second part, a tormenting death metal assault. Yes, sonically
impressive. But this process repeats itself for the full 56 minutes, which makes
me get bored halfway. The power of repetition can be imposing, but not here,
at least not for me.

KEY SINGLES

ALBUM


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Instagram – Website

PETER MURPHY Offers Melodramatic Goth Disco Anthems On New Solo LP ‘SILVER SHADE’

10 May 2025

Bauhaus‘ dark-Goth-wave icon PETER MURPHY (now 67) made a surprising return
last November with a goosebumps power pop ballad duet with Boy George, named
Let The Flowers Grow.

Now he’s back solo, with his 10th solo LP Silver Shade. It’s produced by renowned producer Youth (Pink Floyd, The Verve, Crowded House, member of Killing Joke, The Orb,
The Firemen w/Paul McCartney
).

SPIN Magazine: “Artists age differently, it comes through in their work. Some turn contemplative, some opt for acceptance, some even refuse to admit they’re getting older (looking at you, Rolling Stones). On Silver Shade, famed Bauhaus vocalist and post-punk
pioneer Peter Murphy reveals how he chooses to face his golden years: with an album of
grand, baroque defiance you can dance to.

As with time itself, the album never stops moving, relentlessly propelling listeners forward
even when they might want a break. It’s Murphy’s cry for raging back against the dying of
the light. ‘Silver Shade’ is what we can all hope to be at 67: imperfect, maybe expected, but
also loud, lively, and unapologetically ourselves. By embracing an outlook only earned by
age, Peter Murphy is still finding new shades four decades into his illustrious career.”


Live photo by Chad Kelco

TUTV: Murphy solo is as relevant as Bauhaus was. He’s still as rhapsodic, motivated and
ambitious as he ever was. Silver Shade is stuffed with big, bombastic and melodramatic tunes to draw goth fans to gloomy discos with. Banger after banger, stompers after stomper. Gloriously orchestrated, anthemically constructed. His phenomenal vocal performance lifts this remarkable record to an astonishing level. Class!

SINGLES

ALBUM


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Instagram – Linktree – All Solo Albums

SUPERHEAVEN – Philly Grungers Alive And Kicking With Self-Titled Comeback LP

18 April 2025


New album artwork

Band: SUPERHEAVEN
Who: Philly‘s veteran grungers (2008–2016, 2022–present
and a couple of reunions in between)

Album: SUPERHEAVEN
Their 3rd and first in 10 years.

Press info: The music unfolds like an unspoken conversation between the respective players (and old friends), revolving around post-hardcore grit, full-bodied and fuzzed-
out distortion, and hazy alternative melodies… After a pair of quietly influential albums, hundreds of millions of streams, and countless shows, a longstanding sonic and spiritual union underscores the band’s third full-length offering.

NME: “The power of Superheaven’s previous records came from the immediacy and tactility that nodded to the band’s punk roots. On ‘Superheaven’, it comes from this enormity. While the new style sacrifices some fire, it creates a sense of maturity: heightened stakes, and the accrued wisdom to cope with them.”

TUTV: Grunge is still alive and kicking. Enter the new album by Philly bombers
Superheaven. They are at their noizzy best when all their earthquake cylinders
and burners go nuts. Their titanic wall-of-Herculian-rock ballyhoo challenges
the scale of Richter non-stop. They produce a brisk melodiousness embedded
in a metal pool of aggressive guitars, brawny drum attacks, and layered vocals.

Key Singles: Staring At The Void / Long Gone

– STARING AT THE VOID –

– LONG GONE –

ALBUM


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US TOUR

Instagram – Facebook

AGENDER – L.A.’s Flamboyant Post-Punk Daredevils Go ‘BERSERK’ On Their 3rd Album

18 March 2025


Photo credit: Lindsey Byrnes

Band: AGENDER

Who: Initially formed in 2011 as a solo punk excursion for Melbourne-born
Romy Hoffman, Agender was born when she decided to get sober. Since then,
the queer post-punk outfit has now become a full-fledged quartet. with Hoffman,
the focal point as the primary writer in the group.

It’s hard to put Agender into any box. The L.A. four-piece make schizo, synthy, paranoid, post-punk with a dash of dysmorphic desire. And fans? They revel in their sweeping existential terror that comes with a fetish for femininity.

New album: BESERK
Their 3rd one following debut Fixations (2014)
and sophomore one No Nostalgia (2022).

Press Info: At its core, Berserk is a frenetic response to the shifting tides of life.
An album that is unapologetically queer and embodies the chaos of an era where
nothing feels stable, where the self is both the center of its own universe and being
sucked into the disorienting orbit of a hyper-connected, hyper-consumptive culture.

Fiery and fully charged, Berserk tackle themes like love addiction, abandonment wounds, consumerism and aging, as the ever-present tension between self-empowerment and capitalist exploitation permeate the tracks.

Hoffman: “Everyone’s trying to improve, to ‘do the work,’ but the conundrum is:
there’s no ethical consumption under capitalism. This album is a snapshot of that
dilemma, wrapped in something catchy enough to make you want to dance–or
scream–a solution. “

TUTV: This is, without a shadow of a doubt, one of the most exciting-striking-electrifying records I heard all year. Not one dull moment. The cliché All killers, no fillers is definitely accurate here. Hoffman‘s vivacious vision to mix post-punk, garage rock, amplified bubblegum pop, rap and roll hubbub, synth pizazz and turning it all into a non-stop rumbustious party is quite remarkable.

My ears hear echoes of Gang Of Four‘s staccato guitar riffs, early Talking Heads‘ punk funkiness, Devo‘s witty electro madness and the in-your-face flamboyance of female British indie legends The Slits. Awesomely cool, right? You betcha. Listen world, stand up and fight for your right to go berserk to Agender‘s pyrotechnics. One more thing: don’t forget to give the middle-finger to all LGBTQ haters. Fuck them.

Singles: Action Reaction / Jeans / Things Things

– THINGS THINGS THINGS –

– JEANS –

– ACTION REACTION –

STREAM/BUY ALBUM


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Instagram – Facebook – Spotify

THE VEILS Stir With Melodramatic Beauty On Their 6th LP ‘ASPHODELS’

25 January 2025

New Zealand band THE VEILS centred around singer/songwriter Finn Andrews
bagged their 6th LP, named it Asphodels and will release it on January 24th.

The album takes its name from the Ancient Greek flower of the Underworld, and lyrically, Andrews draws more from the great poets than he does from the well of more traditional rock and roll songwriters.

Andrews: “I feel as though this album is the end result of a now disconcertingly long career in music. I think after your 7th album, much like turning 40, you should really just stop counting. I’ve learned a lot along the way, which I suppose is the whole point, and I’ve really distilled it all into these 9 songs. As always, I really just write about love and death – it’s a compulsion – and that is once again the case here. But I feel as though I’ve never been able to express this stuff rattling about in my brain quite as directly until now. I have rarely felt proud of anything I’ve made for very long, but this one feels different. It’s built on a strong foundation I think.”

It’s a beautiful thing to watch this album finally seeing the light of day. It is an album obsessed with matters of love, life and death – I hope these songs help people to process these rather hefty matters in the same way they’ve helped me.”

TUTV: Andrews‘ enthrals one again with songs of love and death, songs of hope
and loss. He evokes Nick Cave and Father John Mysty atmospherics where introspection, melancholia and contemplations stir heart and soul. The tone is almost acoustic throughout. The timbre is mellow, affectional and melodramatic.

Andrews‘s vulnerable vocals are heartbreaking at times and draw your aural attention uninterruptedly. He’s blessed with a spellbound voice that fits his romantic music perfectly. 9 ruminative ballads, 9 soft-hearted feats for laid-back evenings, away from
all outside noise. A memorable 2025 accomplishment.


SINGLES
: The Ladder / O Fortune Teller / Mortal Wound

– The Ladder –

– O Fortune Teller –

ALBUM


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TOUR DATES

Jan 25
Antwerp, Belgium
Jan 26
Paris, France
Jan 27
Rotterdam, Netherlands
Jan 29
Nijmegen, Netherlands
Jan 30
Amsterdam, Netherlands
Jan 31
Groningen, Netherlands
Feb 1
Cologne, Germany
Feb 3
Copenhagen, Denmark
Feb 4
Hamburg, Germany
Feb 5
Berlin, Germany
Feb 8
Ravenna, Italy
Feb 9
Rome, Italy
Feb 10
Milan, Italy
Feb 13
Zürich, Switzerland
Feb 14
Turin, Italy
Feb 16
Manchester, UK
Feb 17
Bristol, UK
Feb 18
London, UK
Mar 21
Auckland, New Zealand
March 22
Wellington, New Zealand
March 23
Christchurch, New Zealand
April 4
Dunedin, New Zealand

Instagram – Linktree