1. ‘Just Shadows’ by JEEN (Canada)
Canadian singer-songwriter Jeen launches her 5th album
later this year and Just Shadows is the first taster.
“I wrote “Just Shadows” just thinking how the darker parts of everything can snuff
out some of the best people’s light. It’s about trying to get out from under it so we
don’t just become casualties of our shittiest days.”
Just Shadows is a cast iron, drumming energy-stroke detonating with firm
puissance when the chorus hits your ears and Jeen‘s towering voice spices
all things up with flamboyant flair. The vitalizing impact of this effervescent
summer anthem is heartening.
A new supergroup has arrived.
Los Angeles is the title track of their first, forthcoming LP.
It features LCD Soundsytem‘s mastermind/voice James Murphy
and soundwise it’s what you may expect from these musicians.
Los Angeles is a stompin’ and pumpin’ percussion burst
to stomp your feet and pump your fists like mad.
3. ‘Milk’ by BLACK GRAPE (Manchester)
Happy mondays Shaun Ryder, and rapper Kermit (Paul Leveridge) are back.
They fabricated a new, their 4th, LP named Orange Head hitting the streets
Milk is the lead single. A pounding disco-rock blast
with the 24-party madchester vibe of the 90s.
4. ‘The Trench Coat Museum’ by YARD ACT (UK)
The British post-punk mavericks announced a few weeks ago that they finished their
2nd longplayer, but first we can go gaga to this new smashing stand-alone single.
The Trench Coat Museum is an 8+ minute dancefloor filler infused with a flabbergasting bass riff, spiced with Smith‘s parlando vocals, schizo guitars and yes, cowbells. I guess that for the second half of this super-duper knockout, Smith left the studio for a cup of tea. Anyway, from there on jumbo techno-like beats take over.
5. ‘Three‘ by SEARCH RESULTS (Ireland)
I swear, when this knife-edged tune hit my ears for the first time, I thought
I pushed the wrong button and instead of these young Irish gunslingers I got
post-punk legends The Fall on my headphones.
These young Irish gunslingers’ combination of hyperkinetic drum/bass beats,
fanatic guitar riffage, Mark E Smith sneering and an overall staccato sonority
is irresistibly engrossing.
6. ‘Algorithms’ by KASABIAN (Leicester)
To warm up for a hot festival summer the band invited us to sing-along
on this magnified pop lullaby. Its anthemic chorus is irresistibly infectious.
7. ‘That’s Where She Belongs’ by THE CORAL (Scotland)
If you haven’t found your sonic twilight summer companion yet, then this new
Coral tune will be the one. The Liverpool gang are experts in writing/creating hum-along, whistle-song, sing-along and dream-along pearls while you can tap your feet to the beat. Imagine sitting in a rockin’ chair on the porch of your farmhouse in a Serge Leone-directed spaghetti western. That’s the vibe.
8. ‘Do You Mind I’m A Little Late For Life?’ by BY FAR (Belgium)
Their debut single Bricks already entertained my music-addicted ears,
and this new one is a stone gold gem too. The fervent passion and the
overwhelming psychedelic resonance are nothing less than astounding.
The song’s bone-chilling progression blows you away, slowly but surely.
9. ‘Vampire Empire’ by BIG THIEF (Brooklyn, NY)
This is a diamond of a song. Vampire Empire is another staggering
new gem by a staggering band. Intense, dynamic, jaunty and avid
vocals by Adrianne Lenker. I love Big Thief.
10. ‘Through To You’ by LEBARONS (Toronto, CA)
Through To You is a track from the group’s sophomore album,
titled Days Are Mountains. It lands on August 11th.
It all starts with a steady, feet-activating drum beat, soon followed by an explosion
of hectic guitars. And in an eye/ear blink the whole resistlessly sonic process steamrolls over you, again and again, and riffs and grooves and moves it’s way like an electric-charged whirlwind to a sped-up climax. Frontman MacDonald wants to bang his head against a wall. That doesn’t sound like a bad idea in case you need to get rid of some demons, that is.
11. ‘Ocean View’ by MERES (Australia)
The energy developed here is off the charts. Meres rock their tails
off on this sinewy punk missile. Chainsaw guitars, forthright drums/bass
spanks and the both sensual and spiced vocals of Mary Shannon.
This hit-and-run uppercut will start lots of moshpits.
12. ‘Queen’ by CLONE (Canada)
Clone is a lush rock ’n’ roll collage collective that fuses the sequined swagger of 70’s glam with the DIY gut punch of early punk and polishes it all off with the audacious vocals of contemporary pop.
Their new single Queen is a big wham T.Rex bang.
The British trashy 70s riffs, groovy hooks and flashy licks are all over the place. It also echoes Bowie‘s smashing 1974 hit Rebel Rebel. And I can’t but think of glam rock icon Suzy Quatro when front Amazon Juniper Watters comes on with her sensual and sultry vocals.
She’s not a clone, she’s for real, she’s the perfect queen for this firecracker. She’s extremely inspired by drag culture and is a huge supporter of the drag community.
13. ‘No Meaning Man’ by WE MELT CHOCOLATE (Florence, Italy)
Expect a titanic wall-of-shoegaze-layered sound that takes your breath away for almost
4 razzle-dazzle minutes. It feels as if this spectacular piece of a hallucinatory symphony comes out of space with its reverberated and tremoloed guitars, its scintillating synths,
its mystifying melodiousness and its cosmic vocals.
14. ‘Nookie’ by FIDLAR (Los Angeles)
15. ‘I’m A Wreck’ by ROOMMATES (UK)
These British gunslingers kick-start your adrenalin production from the first chord on with this peppery pop-punk cryout fed by schizo guitars and distressed vocals. A thrill, although the song is about the wake of a breakup, an anthem of self-loathing, regret, and ultimately, forgiveness. I said it a million times before, heartache can lead to explosive catharsis in music.
16. ‘Fury’ by pMAD
Fury is an explosive cocktail of speed metal(lica), synth sketches, post-punk tumult
and dark-Goth-wave vocals. It’s a fuzz and buzz rocket that whirls forth and back. These messed-up times cause mind-madness and paranoia that leads to furious eruptions as pMAD experiences too.
17. ‘Floatin’ Stone’ by VOGUE VILLAINS (Canada)
18. ‘Another Country’ by THE UNDERGROUND YOUTH (UK)
This must be the closest The Underground Youth come to sound like The Velvet
Underground. The repetitive jingle jangle pattern, the midnight hour vocals of
Dryer, the dreary harmonies and the ongoing melodic catchiness. All ingredients
for a psych gem are in place here.
Run, run, run.
19. ‘Birthday Cake’ by TEEN IDLE (New Jersey, US)
This slow-progressing musing appeals instantly with its rudimentary PJ Harvey-esque
guitar play and Abdelbarry‘s affectional voice, think Sharon Van Etten.
Birthday Cake‘s has both a romantic and wistful sonority that captivates
and moves. And halfway melancholic synths accentuate the overall ruminate
timbre in a warm way.
20. ‘Love Town’ by JEREMY TUPLIN (England)
Newest piece from Tuplin‘s 4th LP Orville’s Discotheque.
Love Town is a heart-warming and reflective musing about falling in love.
A romantic candlelight ballad for mind-relaxing moments. Sweet and sensitive.
Tuplin‘s vocality made me immediately think of The National‘s melancholic crooner
Matt Berninger with its affectional resonance. Beautiful. Let’s follow him to Love Town,
wherever that might be.
See/hear you next month, music junkies
Daily noise that works faster than any stimulant
30 July 2023
At the age of 77, fabulous country superstar DOLLY PARTON
is still working longer than from 9 to 5 per day.
In a recent interview, she said: “I would never retire. I’ll just hopefully drop
dead in the middle of a song on stage someday, hopefully one I’ve written.”
And to prove her never-ending productivity, she announced her 49th (!) LP
a couple of weeks ago. It’s called Rockstar and lands on November 17.
Parton about the album: “I’m so excited to finally present my first Rock and Roll album.
I am very honored and privileged to have worked with some of the greatest iconic singers
and musicians of all time and to be able to sing all the iconic songs throughout the album
was a joy beyond measure. I hope everybody enjoys the album as much as I’ve enjoyed
putting it together!”
The album will contain no less than 30 songs and 20 covers, including collabs
with Miley Cyrus, Sheryl Crow, Lizzo, Elton John, Chris Stapleton, Stevie Nicks, Sting,
John Fogerty, and more.
Parton already shared 3 tracks and with the 4th one she pays tribute
to QUEEN, one of the biggest bands ever, with her towering version of their
1977 classic WE ARE THE CHAMPIONS that ends with We Will Rock You.
She’s a champion.
6 July 2023
Iconic bombast champions QUEEN, led by the greatest rock entertainer in
music history with the late theatrical Freddie Mercury, released their debut
single KEEP YOURSELF ALIVE 50 years ago today, on 6 July 1973
It was written by guitarist Brian May and was
the opener of their self-titled debut LP.
It didn’t chart until it was re-released in 1975.
In 2008, Rolling Stone Magazine rated the song 31st
on its list of ‘The 100 Greatest Guitar Songs of All Time‘.
Keep yourself alive, Freddy.
22 March 2023
Directed by David Mallet, it was a parody of the British soap Coronation Street
with the band members dressed in drag. Guitarist Brian May later said the video
ruined the band in America and was initially banned by MTV in the US.
C’mon, ladies, break free.
Great 7″ singles from the past
9 January 2023
Score: The masterstroke hit the top of the UK singles
chart on 9 January 1976 – 47 years ago today.
Producer Roy Thomas Baker recalled years later: “It was totally insane, but we enjoyed every minute of it. It was basically a joke, but a successful joke. [Laughs]. We had to record it in three separate units. We did the whole beginning bit, then the whole middle bit and then the whole end. It was complete madness. The middle part started off being just a couple of seconds, but Freddie kept coming in with more “Galileos” and we kept on adding to the opera section, and it just got bigger and bigger. We never stopped laughing. It started off as a ballad, but the end was heavy.”
Album: A Night At The Opera
Once again, Freddie…
17 October 2022
Gi-ga-ga-ntic heroes Queen found a rediscovered track somewhere in a forgotten stockroom. It’s called FACE ALONE and features their late frontman and one of the greatest enteratiners in rock history Freddie Mercury. It’s a distinctive Queen ballad
with the distinctive melodramatic voice of Mercury.
Roger Taylor (drummer): “It’s wonderful. Actually, it was
a real discovery. It’s from the ‘Miracle’ sessions of 1989.”
Fans can pre-order a special 7″ vinyl edition HERE.
It’s due to arrive on November 18.
One more, Freddie…
24 May 2022
British monthly music magazine Uncut has its new issue out.
By royal appointment, Queen are on the cover as we celebrate their 30 greatest songs with two collectors covers. The issue also comes with a 15-track CD of the month’s best new music, plus The Clash, Levon Helm, King Crimson, Nancy Sinatra, The Delines, Motown’s psychedelic guru, Billy Childish, Yo La Tengo and plenty more!
You can purchase a copy and let it send to your home here.
Top singles from the past
4 October 2021
Album: The Game – June 1980
Note 1: The song was written by bass player John Deacon
Note 2: It’s the best-selling Queen single ever, yes better
than ‘Bohemian Rhapsody‘, with sales of over 7 million copies.
Score: It topped the US Singles Chart on 4 October 1980,
41 years ago today. It peaked at #7 in the UK.
Shake it, Freddie…
The story of the legendary British rock band Queen and
probably the best rock entertainer ever Freddie Mercury.
With Rami Malek, Lucy Boynton, Gwilym Lee