All Music: “This is hardly nostalgia, this is the sound of an artist returning to his strengths, what feels most familiar, as he accepts a traumatic situation, namely the breakdown of his marriage. This is an album alternately bitter, sorrowful, regretful, and peaceful, easily the closest he ever came to wearing his emotions on his sleeve.”
Pitchfork said: “Though far from their debut, the band’s 1975 self-titled album felt like a debut: a pop-rock statement and the unexpected intersection of two parallel spheres that offered something genuinely new.”
The record was dedicated to Danny Whitten, guitarist of Crazy Horse,
who wrote the song ‘I Don’t Want To Talk About It’ made famous by Rod
Stewart.
Rolling Stone wrote: “Tonight’s the Night finds Neil Young on his knees at the top of the heap, struggling to get back to his feet… Crying over the death of his real and imagined friends, Neil Young seems at once heroic and mock heroic, brave and absurd. Like the best of both, he leaves us as he found us, ravaged but rocking.”
Rolling Stone wrote: “Patti Smith’s debut album was a declaration of committed mutiny,
a statement of faith in the transfigurative powers of rock & roll. Horses made her the queen
of punk before it even really existed, but Smith cared more for the poetry in rock.”
The Village Voice wrote: “The music is not only simple and attractive, with the synthesizer used mostly for texture and the guitar breaks for comment, but it actually achieves some of
he symphonic dignity (and cross-referencing) that The Dark Side of the Moon simulated so ponderously.”
STREAM
. Linktree – All Albums
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Pitchfork: “Brian Eno has done everything from producing huge pop stars to creating tiny art installations to touring with rock bands to inventing ambient music. Another Green World remains his definitive album.”
Rolling Stone: “The music works best when Bowie combines his renewed interest in soul
with his knowledge of English pop, rather than opting entirely for one or the other.”
Bombastic and theatrical presence/music and an outstanding vox.
FREDDIE MERCURY is undoubtedly one of the greatest entertainers of all time.
He was born, named Farrokh Bulsara in Stone Town, Sultanate of Zanzibar on
5 September 1946. He would have celebrated his 78th birthday today.
WEMBLEY LIVE AID 1985
Unforgettable.
Mercury passed away on 24 November 1991
following HIV/AIDS complications, aged 45.
Canadian singer-songwriter Jeen launches her 5th album
later this year and Just Shadows is the first taster.
“I wrote “Just Shadows” just thinking how the darker parts of everything can snuff
out some of the best people’s light. It’s about trying to get out from under it so we
don’t just become casualties of our shittiest days.”
Just Shadows is a cast iron, drumming energy-stroke detonating with firm
puissance when the chorus hits your ears and Jeen‘s towering voice spices
all things up with flamboyant flair. The vitalizing impact of this effervescent
summer anthem is heartening.
It features The Cure drummer LOL TOLHURST (64), BUDGIE (65),
former Siouxsie and the Banshees drummer and Siouxsie‘s husband,
and Irish music producerJacknife Lee.
Los Angeles is the title track of their first, forthcoming LP.
It features LCD Soundsytem‘s mastermind/voice James Murphy
and soundwise it’s what you may expect from these musicians.
Los Angeles is a stompin’ and pumpin’ percussion burst
to stomp your feet and pump your fists like mad.
Happy mondays Shaun Ryder, and rapper Kermit (Paul Leveridge) are back.
They fabricated a new, their 4th, LP named Orange Head hitting the streets
in November.
Milk is the lead single. A pounding disco-rock blast
with the 24-party madchester vibe of the 90s.
The British post-punk mavericks announced a few weeks ago that they finished their
2nd longplayer, but first we can go gaga to this new smashing stand-alone single.
The Trench Coat Museum is an 8+ minute dancefloor filler infused with a flabbergasting bass riff, spiced with Smith‘s parlando vocals, schizo guitars and yes, cowbells. I guess that for the second half of this super-duper knockout, Smith left the studio for a cup of tea. Anyway, from there on jumbo techno-like beats take over.
I swear, when this knife-edged tune hit my ears for the first time, I thought
I pushed the wrong button and instead of these young Irish gunslingers I got
post-punk legends The Fall on my headphones.
These young Irish gunslingers’ combination of hyperkinetic drum/bass beats,
fanatic guitar riffage, Mark E Smith sneering and an overall staccato sonority
is irresistibly engrossing.
If you haven’t found your sonic twilight summer companion yet, then this new Coral tune will be the one. The Liverpool gang are experts in writing/creating hum-along, whistle-song, sing-along and dream-along pearls while you can tap your feet to the beat. Imagine sitting in a rockin’ chair on the porch of your farmhouse in a Serge Leone-directed spaghetti western. That’s the vibe.
8. ‘Do You Mind I’m A Little Late For Life?’ by BY FAR (Belgium)
Their debut single Bricks already entertained my music-addicted ears,
and this new one is a stone gold gem too. The fervent passion and the
overwhelming psychedelic resonance are nothing less than astounding.
The song’s bone-chilling progression blows you away, slowly but surely.
This is a diamond of a song. Vampire Empire is another staggering
new gem by a staggering band. Intense, dynamic, jaunty and avid
vocals by Adrianne Lenker. I love Big Thief.
Through To You is a track from the group’s sophomore album,
titled Days Are Mountains. It lands on August 11th.
It all starts with a steady, feet-activating drum beat, soon followed by an explosion
of hectic guitars. And in an eye/ear blink the whole resistlessly sonic process steamrolls over you, again and again, and riffs and grooves and moves it’s way like an electric-charged whirlwind to a sped-up climax. Frontman MacDonald wants to bang his head against a wall. That doesn’t sound like a bad idea in case you need to get rid of some demons, that is.
The energy developed here is off the charts. Meres rock their tails
off on this sinewy punk missile. Chainsaw guitars, forthright drums/bass
spanks and the both sensual and spiced vocals of Mary Shannon.
This hit-and-run uppercut will start lots of moshpits.
Clone is a lush rock ’n’ roll collage collective that fuses the sequined swagger of 70’s glam with the DIY gut punch of early punk and polishes it all off with the audacious vocals of contemporary pop.
Their new single Queen is a big wham T.Rex bang.
The British trashy 70s riffs, groovy hooks and flashy licks are all over the place. It also echoes Bowie‘s smashing 1974 hit Rebel Rebel. And I can’t but think of glam rock icon Suzy Quatro when front Amazon Juniper Watters comes on with her sensual and sultry vocals.
She’s not a clone, she’s for real, she’s the perfect queen for this firecracker. She’s extremely inspired by drag culture and is a huge supporter of the drag community.
Expect a titanic wall-of-shoegaze-layered sound that takes your breath away for almost
4 razzle-dazzle minutes. It feels as if this spectacular piece of a hallucinatory symphony comes out of space with its reverberated and tremoloed guitars, its scintillating synths,
its mystifying melodiousness and its cosmic vocals.
These British gunslingers kick-start your adrenalin production from the first chord on with this peppery pop-punk cryout fed by schizo guitars and distressed vocals. A thrill, although the song is about the wake of a breakup, an anthem of self-loathing, regret, and ultimately, forgiveness. I said it a million times before, heartache can lead to explosive catharsis in music.
Fury is an explosive cocktail of speed metal(lica), synth sketches, post-punk tumult
and dark-Goth-wave vocals. It’s a fuzz and buzz rocket that whirls forth and back. These messed-up times cause mind-madness and paranoia that leads to furious eruptions as pMAD experiences too.
Floatin’ Stone is a robust tune powered-up by a mean hard rockin’ machine.
References? Muscular Australian noisemakers Wolfmother and stoner rock
mavericks Queens Of The Stone Age. Say no more.
This must be the closest The Underground Youth come to sound like The Velvet
Underground. The repetitive jingle jangle pattern, the midnight hour vocals of Dryer, the dreary harmonies and the ongoing melodic catchiness. All ingredients
for a psych gem are in place here.
This slow-progressing musing appeals instantly with its rudimentary PJ Harvey-esque
guitar play and Abdelbarry‘s affectional voice, think Sharon Van Etten.
Birthday Cake‘s has both a romantic and wistful sonority that captivates
and moves. And halfway melancholic synths accentuate the overall ruminate
timbre in a warm way.
Love Town is a heart-warming and reflective musing about falling in love.
A romantic candlelight ballad for mind-relaxing moments. Sweet and sensitive.
Tuplin‘s vocality made me immediately think of The National‘s melancholic crooner Matt Berninger with its affectional resonance. Beautiful. Let’s follow him to Love Town,
wherever that might be.
Iconic bombast champions QUEEN, led by the greatest rock entertainer in
music history with the late theatrical Freddie Mercury, released their debut
single KEEP YOURSELF ALIVE 50 years ago today, on 6 July 1973
It was written by guitarist Brian May and was
the opener of their self-titled debut LP.
It didn’t chart until it was re-released in 1975.
In 2008, Rolling Stone Magazine rated the song 31st
on its list of ‘The 100 Greatest Guitar Songs of All Time‘.
Iconing pop-rock celebrities QUEEN filmed the video for huge hit I WANT TO BREAK FREE (more than 205 million streams on Spotify)
on this day in 1984.
Directed by David Mallet, it was a parody of the British soapCoronation Street
with the band members dressed in drag. Guitarist Brian May later said the video
ruined the band in America and was initially banned by MTV in the US.
Gi-ga-ga-ntic heroes Queen found a rediscovered track somewhere in a forgotten stockroom. It’s calledFACE ALONE and features their late frontman and one of the greatest enteratiners in rock history Freddie Mercury. It’s a distinctive Queen ballad
with the distinctive melodramatic voice of Mercury.
Roger Taylor (drummer): “It’s wonderful. Actually, it was
a real discovery. It’s from the ‘Miracle’ sessions of 1989.”
Fans can pre-order a special 7″ vinyl edition HERE.
It’s due to arrive on November 18.
British monthly music magazine Uncut has its new issue out.
By royal appointment, Queen are on the cover as we celebrate their 30 greatest songs with two collectors covers. The issue also comes with a 15-track CD of the month’s best new music, plus The Clash, Levon Helm, King Crimson, Nancy Sinatra, The Delines, Motown’s psychedelic guru, Billy Childish, Yo La Tengo and plenty more!
You can purchase a copy and let it send to your home here.
Note 1: The song was written by bass player John Deacon Note 2: It’s the best-selling Queen single ever, yes better
than ‘Bohemian Rhapsody‘, with sales of over 7 million copies.
Score: It topped the US Singles Chart on 4 October 1980,
41 years ago today. It peaked at #7 in the UK.
The story of the legendary British rock band Queen and
probably the best rock entertainer ever Freddie Mercury.
With Rami Malek, Lucy Boynton, Gwilym Lee
