“It is a raw sound, which seeks to reproduce the sounds of the suburban factories,
among which we lived when we were children. The sound of the Great Machine of
Industry at full throttle. We are happy because we believe that the album transmits
that strange energy typical of today’s big cities, wrapped in smog, pollution and
decadence.”
The EP’s opening track is a beating steamroller propelled by a repetitive,
head-twisting Chemical Bros-like techno riff and tense vocals. It gets
under your skin without asking. It’s a pitch-black sledge-spammer.
The opening (and my fav) cut of their new rowdy 7-trackSparkle Baby 2000.
Sarkling new EP which lands somewhere between The Replacements and Nirvana.
Led by a pair of well-received singles (“Just Say So” and “Parole Board”) and a whole
lot of college rock and jangle-pop melody, the whole record is a gateway to autumn..
You can buy the EP via Bandcamp.
Just Say So has a post-grunge and slacker rock plangency that balances, sonically,
between Sebadoh and Dinosuar Jr. Infectious, bluesy, and spiked with jangly
guitars and ardent vocals.
Band: THE SPEED OF SOUND Who: Longtime rock outfit. Throughout their long journey,
they have always been idiosyncratic, counter-intuitive and
perpetually looking for something new.
After a punchy drums/haunting vocals intro this jagged jam explodes
with fervid firepower and turns into a psychedelic trip driven by feverous
guitars. Midway the roller coaster restarts heading to a sinister finale.
Ace!
. THE SPEED OF SOUND: Facebook
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Skinner: “It all started when I was let go from my shitty office job that I hated. At the time I thought “this is great, I’ll just take some time off and spend it writing loads of music then I’ll
get a new job”, but it didn’t really work out that way. I didn’t know what I was doing with my life. I invented the character of “Commander Trainwreck” as a way of embracing my situation. I wanted other people to know that it’s okay to fuck up and if you need some time, then you need some time. I think everyone needs to be Commander Trainwreck at some point in their lives.”
For all the messed-up minds out there, here’s the ideal anthem that can be a consolation for your confused reality and despairing emotions. Commander Warinwreck will show the way with this terrifically magnetic groove that turns slowly but surely into a nasty I’m looking like shit rocker. Stand up, get up and fight for your right to fuck up.
Disco-freak stomper of the month, hands down. This new punky-funky corker follows
the previous 2 shared crackers Wild Flowers and Fatso. They will all be on their upcoming album At the Hot Spot, out tomorrow, 1 April (no joke).
It’s a bangin’ beast with a screamin’ chorus. A perfect pick-me-up tune for all the weirdos
who are always in the kitchen at parties waiting for Warmduscher to kick their lazy asses.
Compared to this Japanese red-hot-bloody fury the Ramones sound like choirboys. Otobeke Beaver‘s race and rush in an overwhelming overdrive. No brakes, no breaks.
Their rabidity rolls like a tsunami through your ears. These perky punkettes produce
moshpit madness on the spot. The average song length is 2 minutes, 120 seconds
of clamorous pandemonium.
3. ‘Territorial Call Of The Female’ by BODEGA (Brooklyn, NY)
The New Yorkers still operate on Parquet Courts’ playground with their new,
2nd full-length Broken Equipment. But they supersized their jangly beats
and they turned up the temperature.
Territorial Call Of The Female is my favorite cut. It activates
every muscle and every nerve in my itching body.
Scott Kirkland (the remaining member of Las Vegas dance act The Crystal Method)
invited icon Iggy Pop (you can hear him almost any day on a new collaboration, the
past few years) and his British buddy, composer/DJ Hyper in his studio.
The raving result is a techno boom boost, bursting all the way, with Pop‘s voice
strangled by a blender. Sounds spooky, sounds wicked, sounds like lust for life.
Breaking news: Iggy says he’s not a punk anymore!
“I don’t want to be a punk
I don’t want to belong to any of it
I just want to be”
Busy blues-rock bee Jack White canned two new longplayers for this year, titled Fear Of The Dawn (out 8 April 2022) and Entering Heaven Alive (out 22 July 2022)
The hottest cut I heard so far is Hi-De-Ho (from ‘Fear Of The Dawn’ LP) featuring Q.Tip.
The by now legendary passion rockers from Cincinnati, Ohio with mastermind
Greg Dulli in control are back from being away for 5 years. Their last album In Spades came out in 2017.
I’ll Make You See God a striking steamroller, a red-hot-heated stunner, an unstoppable
cannonball going everywhere fast. It will feature in the upcoming PlayStation game Gran Turismo 7.
7. ‘Nothing Comes Good Easy’ by DEAD LEVEE (Canada)
Wowzer! This sickly uplifting belter (from upcoming EP Rise-Up) elevates your state of mind with fired-up dynamism from the get-go. Rapid-fire rawk and roll riffs switch on a fervent feel of euphoria. It did it in the past, it does it in the present and it will do it in
the future.
Despite all the BS we have to endure (pandemic, Ukraine, natural disasters,
and other threats) it’s never too late to get back on track and why not start
with 4 and a half minutes of heart-warming guitar-fueled boogie-woogie
that breathes hope and assurance.
Once I learned that this startling uppercut is about the horrible
exploitation of human beings by ferocious money sharks this
jagged jackhammer blew my mind even harder than I heard it
the first time before knowing about the band’s inspiration
for this standout.
Expect rabid guitars, doom and gloom vocals, and frantic twists and turns
until the chaotic finale. Post-punk at its razorblade best. Think fierce Canadian
turbine Metz and London‘s up-and-coming gunslingers Crows.
This fiery crackerjack goes forth and back with
turbulent velocity. Imagine the full of vim and vigor
intenseness and puissant vocality of The Afghan Whigs.
Anxious, unyielding, and ablaze.
Breaking Grounds races like a rush of blood to the head with
screaming guitars and propelling drum muscularity.
The first taster from the upcoming debut full-length Dancing On A Volcano.
Imagine the fervid fuzz of punchy guitar pop legends Buzzcocks, with The Stranglers’ Jean-Jacques Burnel on bass, combined with the cutting
verbality of today’s post-Brexit-punk rebirth and you know a frisky doozy
is coming your way.
Add some American-dream girls of the City of Angles on your imaginary
mind-screen and you’re about to start a champagne party in your head.
The combination of a nasty Gang Of Four bass riff,
frenzied Keith Levene guitars here and there and Skinner
hip-hop-rapping like Beck used to do, works like an ecstatic
upper.
This funk-punk stonker has an immediate intensifying impact on all of your
limbs and your bloodstream’s flow. Add some sexy sax thrills to the mix and
you’ll have all you need to jump out of your slump. Capice?
Cut from their sophomore album
‘Moon Reflections’, out on June 24
A rotating synth riff echoes British electro legends New Order and
is the beating heart of this new piece, yet the mood is meditative
and musing, strengthened by the near-whispering and eager vocals.
This darksome and soul-searching reverie gets under your skin after
a couple of spins.
This impassioned hard-luck story grows slowly but surely into a soul-stirring and mesmerising heartbreaker with an epic finale. Glowing guitars, a steady drumbeat,
and mixed emotions vocals all come together for a poignant performance.
‘Love Is Cruel / The Hurt Within’. You can feel it.
You’ll hear titillating electro-echoes of early Depeche Mode before
they became the darkwave Goth-esque rockers we all know. But
in an eye-blink White Skin becomes an infectious nightclub earworm
with an ecstatic chorus.
In a normal world (does that actually exists?) this adrenaline-infused
and hip-swinging spark should top the dance charts around the globe.
The musical project of singer/songwriter Jordan Speare
assisted by guitarist/bassist and friend Andrew Billone.
After a couple of EPs the pair’s canned their first longplayer
called Silhouettes. Release at the end of the year.
I don’t know if it’s the world-famous and historic museum in Paris
they want to burn, that wouldn’t be so nice. What I do know is that their
brisk and spirited sound is infectious and captivating with an immediate
impact on your body’s movements. Expect guitar pop electricity, extra
pushed by lively vocals.
16. ‘Life And Lies’ by LEE ROGERS (Northern Ireland)
The Americana voice of Northern Ireland releases
his new album Gamebloodon 13 May.
Ahead of it came this mixed emotions single with Rogers‘ sky-reaching voice as the star, once again.
It’s a bluesy goosebumps reflection. Wurlitzer jukeboxes should be reinvented
for these heartbreakers so moody minds can cry their eyes out (or cry in their beer)
at night in a downtown bar where lonely ones gather and chat about life and lies.
A poppy synth trip with a floating flow and near-whispering vocals. Both eerie and affecting, both dizzy and hypnotic with a frenetic guitar attack coming out of nowhere around the 3-minute mark.
It’s an epic ballad with a country feel. If this melancholic gem was written
in the 60s it would have been sung by Linda Rondstadt, Tammy Waynette
or Dolly Parton, anyway, by an angelic voice like Olsen‘s magnific one.
Artist: SKINNER Who: DIY slouch rock musician based in Dublin, Ireland, who writes,
records and produces songs about growing up and overcoming a
dirt-flecked 21st century existence.
References: The B52s, James Chance and the Contortions,
ESG, Pixies and Morphine Releases (so far): Gunge EP featuring his 5 first singles
Turn Up The Volume: The combination of a nasty Gang Of Four bass riff,
frenzied Keith Levene guitars here and there and Skinner hip-hop-rapping
like Beck used to do works like an ecstatic upper.
This funk-punk stunner has an immediate intensifying impact on all of your
limbs and your bloodstream’s flow. Add some sexy sax thrills to the mix and
you’ll have all you need to jump out of your slump. Capice?
