Band: SOFT CELL Who: Famous synth-dance-pop duo Marc Almond and David Ball Active: 1977–1984, 2000–2005, 2018–present / 5 LPs with last year’s
comeback one Happiness Not Included as the most recent one.
Album: THE ART OF FALLING APART Released: 16 January 1983 – 50 years ago today Score: #5 in the UK
RSRS speed up the giant 1981 Soft Cell hit (actually written by American songwriter Ed Cobb in 1964 and recorded by Gloria Jones in the same year, but with no real success),
add some Ska dynamics, and create a summer feel with a glowing 60s Booker T. & the M.G.’s organ sound, while singer Claire Liparulo signs for swinging and sunlit vocals.
Here RSRS go for a slowed-down, vintage reggae vibe version of The Cure‘s 1979 blockbuster. It’s a hip-swaying take with a tasty summer 2022 sauce and soulful
vocals by Erthe St. James
Marc Almond: “In this album I wanted to look at us as a society: a place
where we have chosen to put profits before people, money before morality
and decency, food before the rights of animals, fanaticism before fairness
and our own trivial comforts before the unspeakable agonies of others. But
in the album there is also a belief that there is a utopia if we can peel back
the layers and understand what really matters.”
The Guardian (British newspaper): “*Happiness Not Included cleverly compares t
he 80s promises of a future straight out of science-fiction (“rocket ships and monorails, electricity that never fails”) with how things have actually turned out… While these songs reference war, famine, loneliness, isolation and authoritarianism, Marc Almond’s witty lyrics and synth man David Ball’s bouncy tunes mean the mood is more wryly hopeful than bleak.” Score: 4/5.
Turn Up The Volume: 40 years after their debut LP and 20 years after their 5th
one Cruelty About Beauty, Soft Cell come back to remind us of their sharp 80s nose
for electro-pop crackers (Tainted Love / Say Hello Wave Goodbye / Bedsitter / Torch) and prove it once more here with a tantalizing trio of stellar singles (hear/see below).
But a whole retro (they sound almost exactly the same as back then) album sounds
a bit too retro in the end. But as I said they still have a musical nose for dancefloor
thrills (half of the album). Put on your blue suede glitter shoes.
Singles/clips:Heart Like Chernobyl / Bruises On All My Illusions
Marc Almond: “In this album I wanted to look at us as a society: a place
where we have chosen to put profits before people, money before morality
and decency, food before the rights of animals, fanaticism before fairness
and our own trivial comforts before the unspeakable agonies of others. But
in the album there is also a belief that there is a utopia if we can peel back
the layers and understand what really matters.”
Singles: Heart Like Chernobyl / Bruises On All My Illusions
An infectious ditty, bouncing in your head before it ends. If this, simply irresistible, tune doesn’t do anything for you, you gotta go to your shrink. From Barnett’s new, upcoming album Takes Time, Take Time, out 12th November.
Catchy as hell…
Summer is only over when it’s over. Still time to move and groove to this disco
stomper from the recently released lost Prince album Welcome To America.
Why don’t we all get a tattoo, suggests Frank. I think he’s right, it’s
the only way to really go nuts to this bangtastic jackhammer. From
the band’s 4th longplayer called Sticky, arriving in October.
“I’m not looking for trouble, I’m looking for love / Let me in your hard heart Let me in your pub” sings Amyl over and over again with fervency and tons of gusto, while flamed-up guitars go mental. A blast from new album Comfort To Me, out 10th September.
A queer five-piece from London who play fun, fuzzy garage rock. Their songs are a mishmash of influences all pulled together by a love of loud noises, pop tunes, and
having a good time. ‘Soap And Cigarettes‘ is a stand-out knockout from their brand
new album Hedge Fun.
This ardent 4-piece flames with force on this new riff-roaring ripper. They operate somewhere between Green Day and Weezer, with peppery panache, gusty guitars,
vivid vocals, and a cracking chorus.
Darkwave electricity from Belgium. Haunting and ominous. You can smell Doomsday waiting around the corner. It’s 2021, folks, we need to fix our problems now. This sickly sticky roller coaster is a call to arms.
‘Highway To Hell’ by TOM MORELLO feat. Eddie Vedder and Bruce Springsteen
Rage Against The Machine guitarist Tom Morello launches his new album titled The Atlas Underground Fire on 15 October. He invited several friends, like Springsteen and Vedder for a bombastic version of AC/DC’s classic headbanger.
The speedy and steamy title track is one of the fired-up highlights of the new album of this punked-up Brooklyn squad. A zigzagging collection of amplified belters to start and end post-lockdown parties with. More info here.
Wham bam, bloody bam! From the kick-off Money Song booms, bangs and batters. Hefty guitars blare in between and raise your blood pressure on the spot. And when the blissful chorus pops up it’s time to leave your cocoon and let your body do its thing. Don’t wait to boost your stream of adrenalin.
A stunning and shadowy top piece from this duo’s equally stunning
album Participation Mystique. And Tomorrow sounds cinematic,
atmospheric and spacey. Join Lore City on their journey.
Wurlitzer jukeboxes were invented for these 60s inspired humdingers, so they could be played in dark bars downtown were broken hearts gather at midnight. One more thing:
do not mess with SHE/BEAST, she’s not in the mood for fucking assholes and psychos.
And she’s absofuckinglutly right.
Press play…
‘Popstar’s Daughters’ by SHAUN RYDER (Manchester, UK)
The Happy Mondays frontman’s brand new solo album Visits From Future Technology is hip-shaking proof
that he still can fill dance floors. Here’s the trippy and poppy single…
‘All Nations’ by NADINE GAGNE and The Star Nation Collective (British Columbia)
This resonates as a bright sonic light at the end of our troubled world tunnel. Only with togetherness, friendship, mutual respect, equality, harmony and tolerance, humankind can have hope for the future. This tremendously catching chant reflects all that. It’s a joyful, anthem that should be played on radios all over the planet.
“We are all stars, all stars come on now. Rise, rise and shine, gotta stay proud!”
We need songs like these in the restless times we live in. Songs of hope, songs of consolation, songs of inspiration. Shauna wants humankind to fight to see the light
(at the end of the tunnel) again. Her thoughts are embedded in a starry-eyed and
instantly enthralling groove that hops from dreamy pop to hip-swaying rap and back.
Nowhere sounds like a desperation song, but one that has a deeply felt effect on your psyche, on your state-of-2021-mind. This spellbound jam is driven by melancholic guitar lines, reminding me of Interpol‘s electrically-charged drive. Affecting and soul-stirring fever.
An inspiring reverie for the countless girls/women and boys/men worldwide, struggling with the looks of their body when it doesn’t correspond with society’s everlasting sexist perception of how a body should look like, as we all know. Skin is an instantly heartfelt
slo-mo musing, turning after a distorted guitar intro, into a vocal and musical pearl, with touching piano play. I’m sure The Sundays‘s Harriet Wheeler would love it.
‘You Are A Runner And I Am My Father’s Son’ by PORRIDGE RADIO (Brighton, UK)
Porridge Radio‘s leading Amazon Dana Margolin is a fan of Canadian rockers Wolf Parade. Here’s her terrifically gripping rendition of the band’s 2005 composition.
1. ‘Soap And Cigarettes’ by NUN HABIT (London, UK)
Can’t stop playing this sickly sticky amplified pop cracker. It’s a tremendous
shot of adrenalin. The kind of tickling tune that dances in your head on repeat.
My favorite track from their excellent new albumHedge Fun.
Catch the vibe here…
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. 2. Trigger by LUNA BAY (London, UK)
Wham bloody wham bam! Firework from the kick-off. This jagged jackhammer rocks
big time and triggers your appetite for going bonkers. Ace tune, ace chorus, ace score.
3. ‘If You Ever Leave, I’m Coming With You’ by THE WOMBATS (UK)
Brisk and breezy. The Wombats do what they do best, putting a smile on
your face with easy-listening pop bliss. It’s the lead single from upcoming
LP Fix Yourself Not The World.
A tantalizing doom and gloom meditation infiltrating your mind before you realize
it. An unexpected, but truly bold and clear-cut return. First single from the duo’s
forthcoming longplayer Happiness Not Included.
This sparkling dream-pop ditty makes you forget the grim reality for a while and makes you lose yourself in your head. Light as a feather and starry-eyed vocals. If you are a fan of Mazzy Star, Beach House or Cigarettes After Sex then this sweet little gem will give you aural pleasure.
From her debut albumAdolescence, out 17th September.
Marc Almond: “In this album I wanted to look at us as a society: a place
where we have chosen to put profits before people, money before morality
and decency, food before the rights of animals, fanaticism before fairness
and our own trivial comforts before the unspeakable agonies of others. But
in the album there is also a belief that there is a utopia if we can peel back
the layers and understand what really matters.”
David Ball: “When I wrote the music to Heart Like Chernobyl it was
at the height of lockdown and I had been alone for about 6 weeks. I
was feeling a bit Joy Division and recalled their track Isolation. I played,
programmed & recorded the track digitally in my home studio – Kitchen
Sink Drama. The track title was Marc’s idea, as was the subject matter.”
Turn Up The Volume: The song’s title is the gloom and doom harbinger for a
scary, realistic reflection on the roller-coaster times we live in. Pandemic, desolate
lockdown loneliness, intolerance, racism, sexism, nature taking revenge on its
destroyer, humankind.
When you profoundly think about, it feels like Armageddon is just around the corner.
Time to act, it’s not too late. Sonically, Heart Like Chernobyl is a tantalizing tune infiltrating your mind before you realize it. An unexpected, but truly bold and clear-cut return. Welcome back.
Band: Soft Cell Song: What! Author: Written in 1965 by American musician H.B. Barnum and first performed by Melinda Marx,
daughter of Groucho Marx B-side: …So Released: 11 August 1982 Score: The single reached #3 in the UK
‘Non-Stop Erotic Cabaret’
SOFT CELL
Released: 27 Nov 1981
Debut album
ALL MUSIC wrote: “‘Non-Stop Erotic Cabaret’ originally released in Britain in the fall of 1981, contained both the band’s first hit and its follow-up, “Bedsitter,” its title referring to what in America would be called a studio apartment. At full album length, lyricist Almond’s primary preoccupation, only suggested in ‘Tainted Love’ was spelled out. This was a theme album about aberrant sexuality, a tour of a red-light district. The point was well made on ‘Sex Dwarf’ with
its oft-repeated chorus ‘Isn’t it nice/Sugar and spice/Luring disco dollies to a life of vice?’ The insistent beats taken at steady dance tempos and the chilling electronic sounds conjured by
Ball emphasized Almond’s fascination with deviance; it almost seemed as though the album
had been designed to be played in topless bars. British listeners saw through Almond’s
pretense or were amused by him, or both. More puritanical Americans tended to disapprove, which probably limited the group’s long-term success stateside. But the music was undeniably influential.”
TURN UP THE VOLUME‘s favorite track: SAY HELLO, WAVE GOODBYE