5 BEST ALBUMS OF THE MONTH – FEBRUARY 2026

28 February 2026

Band: KULA SHAKER
Who:
British psych rock vets, fronted by charismatic
vocalist/songwriter Crispian Mills. Their 1996 debut LP,
titled K made them instant indie stars.

Album: WORMSLAYER
Their 8th one.

Press info: “Named after a 9th-century Indian poet king, the band have always existed
in an alternate reality, mixing mysticism, psychedelia, and raucous rock ‘n’ roll energy.
With Wormslayer, they continue that quest, creating a kaleidoscopic journey that feels both
timeless and urgently fresh.”


Press photo

TUTV: KS show again their passion for 60s psychedelic rock/pop flavered with
Indian sitar vibes and Lucy in the Sky with Diamonds symphonies. Think early Pink
Floyd, The Kinks
, The Pepper Beatles, Traffic and Arthur Lee’s Love.

And they are very good at it. Wormslayer is stuffed with top-flight pop-edelia tunes, elevating this 8th LP to a must-hear on repeat level. Voice/face/songwriter and vibrant guitarist Crispian Mills lifts his troops to ecstasizing heights of nostalgia. Retro delirium
at its todays best. Formidable record.

KEY SINGLE

ALBUM

Instagram – All Albums
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Band: THE NUDE PARTY
Who: North Carolina collective THE NUDE PARTY, active
since 2012, are a well-oiled 7-piece machine of choogling
rock‘n roll

Album: LOOK WHO’S BACK

Press info: “Look Who’s Back took shape in a homegrown, late-night party atmosphere, playfully debaucherous sessions ran late into the night, the cozy room as crowded with mics, cables, and recording equipment as it was with friends, pizza boxes, and beer cans.”

TUTV: This party squad keeps it simple, but oh irresistibly efficient with laid-back
melodiousness, sparkling guitar play, euphonious harmonies, and top-drawer sing along/tap along/clap along tunes with at times, a cosy country feel. It’s called pop-ular music. Instantly entertaining, chipper and ear-pleasing fun.

Trust me, the cliché, no fillers, all killers, is 100% accurate here.

SINGLE

ALBUM


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Instagram – Twitter

Artists: DEAD ANYWAY
Who: British duo who set the dark lyricism of Kate Arnold against the music
and soundscapes of Marc Symonds. They offer a mix of poetry, electronica
and guitars. A heady brew of dark, glitchy head-messing wonder.

Album: SQUEAK PIGGY SQUEAK
Their 7th one.

TUTV: Again, DA takes you on a relaxing wander, entertaining your ears, mind,
and psyche en route. They trip and hop their way through eight new pieces. Sonically,
as we experienced so many times before, Tricky, Arab Strap, and Portishead come
to mind.

Sydmonds designs a fitting, easy-listening atmosphere, flavored with scintillating guitar
sparks, shiny synth,s and bass-dipped Massive Attack-like percussion, for Arnold‘s spoken
word reflections.

Her laid-back vocals suit the whole sonic picture organically, and her hush-hush
tonality creates an inviting, intimate ambiance. Thematically, the songs are Arnold reflections on her mental issues. The overall outcome of this new LP is engrossing
once again.

SINGLE


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ALBUM


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Spotify – Instagram – Linktree
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Band: RONKER
Who: Belgian most terrifying noiz turbine,
fronted by manic demon Jasper De Petter.

Album: RESPECT THE HUSTLE, I WON’T BE YOUR DOG FOREVER
Their sophomore.

Ronker about the record: “The initial plan was to write half of the record completely sober. We mostly succeeded in that effort. Not quite. We noticed that the songs we wrote in those sober sessions had a very distinct nature compared to the more fierce banger-like
songs we hammer out when we have some sort of intoxicants in our veins.”


📸 Nathan Dobbelaere

TUTV’s impressions.

Ronker rage and race once again.
These volcanic punk hyenas develop
an earsplitting havoc that crushes
your mind, your psyche and your
shaking stereo.


Manic demon Jasper De Petter – Trix, Antwerp – Photo by Turn Up The Volume

Vociferous vocalist Kasper has 4 lungs
and iron pipes. He growls, barks, howls
and spits and sneers at a sizzling speed.

His backing crew hits hard, really hard.
Schizo riot gun riffs and a Herculean
bass/drum tandem. What you hear
is what your terrified ears get.

On the short & soft, classical piano-driven
instrumental in the middle, you can take
a breather, and the closing ballad, an
intensity-growing ballad Using Eyes is
one of my favorite pieces on the record.

This 2nd LP could easily be the soundtrack
to Quentin Tarantino‘s first horror movie.

SINGLE

ALBUM


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Album On Spotify – Instagram – Linktree – Tour Dates
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Band: GORILLAZ
Who: The brainchild of Blur’s Damon Albarn and comic book artist
Jamie Hewlett, who celebrated the 25th anniversary of their top-ranking
project this year.

Album: THE MOUNTAIN
Their 9th.

Press info: “The album is a collection of 15 new tracks featuring artists and
collaborators, living and dead, including: Ajay Prasanna, Anoushka Shankar, Asha
Bhosle, Asha Puthli, Bizarrap, Black Thought, Gruff Rhys, Idles, Jalen Ngonda, Johnny
Marr, Kara Jackson, Omar Souleyman, Paul Simonon, Sparks, Trueno and Yasiin Bey;
as well as the voices of the late Bobby Womack, Dave Jolicoeur, Dennis Hopper and
Mark E. Smith

TUTV: Gorillaz offer us the first summer record of the year. And if you’re a longtime
G fan you know what that means. Yes, a soft stream of easygoing, feel-good, and bubbly reggae-tinted tunes. But it’s not all sunlight and carefreeness.

Albarn and Hewlett both lost their fathers, in between two trips they did together to
India. Those sad happenings resonate in several melancholic musings, embedded in
Indian instrumentation (lots of sitars) and Eastern vibes, yet they obviously want to
keep up the good spirits and look to the future.

It results in one of their most entertaining longplayers in their 25-year career.

SINGLE

ALBUM


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Instagram – Spotify – All Albums

DEAD ANYWAY Trip And Hop Their Way Through Intimate Reflections On New Album ‘SQUEAK PIGGY SQUEAK’

23 February 2026

British duo DEAD ANYWAY set the dark lyricism of Kate Arnold against the music
and soundscapes of Marc Symonds. They offer a mix of poetry, electronica and guitars.
A heady brew of dark, glitchy head-messing wonder.

They now launched their 7th album, titled SQUEAK PIGGY SQUEAK.

Again, DA takes you on a relaxing wander, entertaining your ears, mind, and psyche en route. They trip and hop their way through eight new pieces. Sonically, as we experienced so many times before, Tricky, Arab Strap, and Portishead come to mind.

Sydmonds designs a fitting, easy-listening atmosphere, flavored with scintillating guitar
sparks, shiny synth,s and bass-dipped Massive Attack-like percussion, for Arnold‘s spoken
word reflections.

Her laid-back vocals suit the whole sonic picture organically, and her hush-hush
tonality creates an inviting, intimate ambiance. Thematically, the songs cover very personal, mental issues, which is why we asked Kate to guide us through them.

– WITHOUT IS A LUXURY –

“I thought I’d start with ‘Without is a Luxury’ and work back, since the last track of ‘Squeak
Piggy Squeak’ is a reflection on those which have gone before. When I’ve emerged (blinking,
like a mole) from writing for a collection, it’s always hard to work out what planet I’ve been on lyric-wise, and it takes some time for the themes to appear. And that’s what the track is about, really. Taking stock, I guess.”


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– TACKY WALLS –

“I suffer quite badly (physically and emotionally) from claustrophobia and ‘Tacky Walls’
is about having to have a brain scan, and a diagnosis that came from it. It’s that
simple, really.

As always with Dead Anyway, the album title comes from something within one of
the tracks and ‘Squeak Piggy Squeak’ (from this one) is a frankly quite sinister party
game (Google it) which I remember being terrified at the prospect of playing as a child.”


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– THE OVERLINE –

“This one covers how the internet has overtaken our lives, the way it seems to have changed basic human nature, and how grateful I am that I won’t be around to witness the way I see it playing out, if we don’t wake up and reflect.”


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– DUMB WAITER –

“The theme of claustrophobia appears again in ‘Dumb Waiter’. We all dig our own
holes, don’t we, and those holes can get way too comfortable if they’re allowed to go unrecognised. I seem to resort to using the second person (the ‘you’) when I’m being
particularly self-accusatory – so I was clearly talking about myself here.”


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– A SHIFT OF PERSPECTIVE –

“The single, ‘A Shift of Perspective’ is, sadly—but not, I’m afraid, untypically—the only vaguely optimistic track on the album. Magic Eye puzzles were popular in the UK a while ago (again, Google it) and the technique was to stare at the pattern really hard, adjusting your focus, until the 3D image (or the answer to the puzzle) suddenly appeared.

Some people, including Marc, never got the knack and he still doesn’t know what the image is in the artwork! The lyric is basically saying, ‘keep going, something will shift’. And of course, what’s not to love about a Wizard of Oz reference?”


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– NO POPCORN –

“This song is another self-beratory thing. I’ve always been gormless. Far too long spent looking out of the train window at the trees and the sky, not even considering the destination. And now look.”


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– BEYOND REPAIR –

“‘Beyond Repair’ deals with trying to contain depression, trying to crack on with life when depression hits, and recognising—and gathering the nerve to utilise—someone who might
just understand. It’s also about not wanting to be a burden to them.”


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– WHO NEEDS THE VOICE OF THE MYSTERONS –

“Stick ‘the voice of The Mysterons’ into YouTube: genuinely, is there anything more terrifying?
Is there anything more terrifying than what we’re capable of doing to ourselves in our heads, alone in the wee small hours? Another second person. I’ll leave it there.

So, there we have it. The themes have emerged. Claustrophobia,
alienation, depression. We’re not called Dead Anyway for nothing.”


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Thank you, Kate, for your clarifying insights.

STREAM/BUY ALBUM


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SQUEAK PIGGY SQUEAK on Spotify – Instagram – Linktree