Artist: Barry McGuire – American artist born 89 years ago in Oklahoma City (for all NBA basketball fans out there, like me,
kudos to the Oklahoma City Thunder who just won the 2025
championship).
Written by: singer-songwriter P.F. Sloan in 1964, covered
by many with McGuire’s version the most successful.
Note: The song refers to lots of social issues of the (mid)sixties,
including the Vietnam War, the threat of nuclear war, the Civil Rights
Movement, turmoil in the Middle East, and the American space
program. Some American radio stations banned it.
Released: August 1965 – 60 years ago Score: #1 in the UK and #3 in the US
“Don’t you understand, what I’m trying to say?
And can’t you feel the fears I’m feeling today?
If the button is pushed, there’s no running away,
There’ll be no one to save with the world in a grave,
Take a look around you, boy, it’s bound to scare you, boy,
And you tell me over and over and over again my friend,
Ah, you don’t believe we’re on the eve of destruction”
Los Angeles rock heroes WEEZER formed on Valentine‘s day 1992 and a month later,
on March 15th, they played their very first gig, in a small club in Hollywood, along with Dogstar, movie actor Keeanu Reeves‘s band.
BUDDY HOLLY
Their first big hit, 1994. More than 500 million streams
on Spotify. From their self-titled debut LP (The Blue Album).
2025
Still smoking their hash pipe after 33 years and 15 albums
with 2021’s Van Weezer as the most recent one.
Californian daydreamers GRANDADDY, today centred more than ever around
singer-songwriterJason Lytle, started their musical cruise back in 1992. Between
2006 and 2012 they took a long break, but are happy again together since.
Pitchfork said: “A ruminative collection of songs full of natural imagery and
acoustic strums—the sound of a man left alone with his memories and a guitar.
Soulful performance.”
NME: “A record that grapples with his own identity as much as it does the twists and turns of life. Though some fans feared this might well be an epilogue to the Bon Iver project, it comes across as more of a rebirth.”
Wayward as usual, with Vernon communicating with
the outside world from his own beloved bubble.
Band: THE SLOW READERS CLUB Who: Outfit that evolved in 2003 from a group
named Omerta. They released their self-titled
debut album in 2011.
The band underwent a number of line up changes before settling on the current
four-piece line-up of Aaron Starkie on vocals, Kurtis Starkie on guitar and backing
vocals, James Ryan on bass and David Whitworth on drums.
Press info: A kaleidoscopic collection of 10 songs spanning dark but danceable guitar pop, euphoric electro and low-fi introspective ballads. Lyrics explore themes of self-identity and the notion of truth in a bewildering world where our lives are lived increasingly online. A collection of abstract visions that question reality, celebrate love and long for connection.
Louder Than War says:“Seven albums in, ten years on from the release of their slow-burn breakthrough second album Cavalcade, five years on from their top ten debut The Joy Of The Return being cut off just as the band were about to embark on a huge tour on the crest of a wave, you’d forgive The Slow Readers Club for having jacked it all in and returned to their day jobs. Out Of A Dream though is the sound of a band that still has something to say, their steadfast belief in their music and their voice still shining through like the brightest beacon.”
TUTV: Guitar-synth pop at its vitalizing best. 10 zippy first-class tunes that perk up
your daily rat race frame of mind and have a boosting impact on your restless psyche.
5-star songwriting quality is what you get and what you hear for 38 minutes. Mighty orchestrations, gripping vocals. Not one dull moment. This is a fulfilling album you’ll
go back to quite frequently in the coming months.
SINGLE
Already on my best-tracks-of-2025 list.
Masterly pop splendour. Ecstatic gem.
Whether your a fan or not (I’m in the middle), superstar LADY GAGA
(born Stefani Joanne Angelina Germanotta, 38 years ago, in New York)
is a musical phenomenon and doesn’t need an introduction anymore.
So without further ado, let’s have a look at and listen to her debut LP
and her brand new one.
Debut album THE FAME
2008 (reissued a year later,
titled The Fame Monster)
It hit number one in the UK, Canada, South-Africa
and in several European countries. It peaked at #2 in
the US.
The Guardian (English newspaper) wrote: “An album, packing an immensely
addictive melody or an inescapable hook, virtually everything sounds like another
hit single.”
Pitchfork says: “It is among Gaga’s strongest ever full-length statements. For all its
range, there is a clear guiding vision, one both seductive and punishing. Gaga’s singular
brand of loud, soul-bearing bubblegum teeters on the edge of art and commerce, taking
big risks while seemingly unafraid of chart failure. Almost twenty years into her recording career and more famous than ever, she is right where she’s supposed to be.”
Louder Than War says: “An album that draws in the blistering power that the prolific group are now known for, brushing it with touches of pop while at the same time lashing it with the ferocity of their 2011 album, Leave Home, and the proto-psychedelia of their 2010 debut. Bringing it all together, Buyer Beware just might be their most accomplished album to date.”
TUTV: Garage punk rock racket at its sharp-teethed best.
A non-stop salvo of pyrotechnics projectiles. Pretty insane.