How Was 2021 For ULTRASOUND… Voice And Face ANDREW TINY WOOD Draws Us A Picture

7 December 2021

British post-prog-punk romantics ULTRASOUND fronted by charismatic maverick
Andrew Tiny Wood showed up in 1997, thrilled and impressed many and made a tour
de force album with EVERY PICTURE (now reissued with a deluxe edition, see below)
in 1999. But just as I discovered and fell in love with the ultra-passionate London
combo they were already gone as they split shortly after the LP release.

In 2010, after the break-up wounds were healed, Ultrasound returned triumphantly
and produced two more notable longplayers (so far), Play For Today (2012) and
Real Brittania (2016). In this end-of-the-year interview, Andrew Tiny Wood
reveals that they are here to stay and have busy 2022 plans.

As usual, to get us all in the right mood, we start a Q & A with music. If you never heard of the band this live version of my favorite Ultrasound track Stay Young will open your ears and eyes. Epic, just epic…

You started your musical journey with a band called POSSESSION that produced
one album. How did this first adventure started and ended, Andrew ?

“I didn’t actually start my musical journey there. In terms of being in bands, we started
a short lived band at school which was mostly rock and Zepp inspired before I joined
forces with a post-punk band called Step TLV, which gradually became more inspired
by industrial music like Throbbing Gristle and we morphed into Possession.

I guess it ended when one of the members moved to London
and joined Coil, and I went to college.”

You used the pseudonym of ANNA VIRGINIA WAR.
A fictional name, I suppose?
Why that choice?

“I always identified quite strongly as
a woman and wanted to make a statement.”

Just before the birth of Ultrasound came POP-A-CAT-A-PETAL.
One of the weirdest band names I ever heard. Is there a story
behind it?

“It is derived from a volcano in Mexico called Popocatepetl,
which was regarded in legend as a famous warrior.”

What track would you play to introduce ULTRASOUND
to music fans who never heard of the band?

“Depends who they were and what kind of music they like. We like to think
that all styles are served here, and there is something for everyone.

For party animals I’d point in the direction of “Same Band“, goths to “Best Wishes“,
punks to “Fame Thing“, “Over There” or “Football Meat“, prog heads to “Blue Remembered
“, New Romantics to “I’ll Show You Mine”, and indies to “Floodlit World”.

After several singles, debut album EVERYTHING PICTURE came out in 1999.
Did you write all the songs or was it a team effort?

“Most of the music was written by Richard with lyric contributions coming from me. Obviously, the songs then came together via the band’s contributions so a certain
amount of team effort came into play there.”

Who developed the album’s artwork and what is it supposed to reflect?

“The cover is an ‘everything picture’ painted by the band, the idea being to create a piece of artwork using everything at your disposal. There is collage and paint, some destructive art and even some 3D elements (Richard stuck some valves into the canvas somewhere).”

What did you want to express with the LPs title EVERYTHING PICTURE?

“The title comes from a song on the album written by Richard, which advises
that even when the odds are all against you and you have failed at every turn,
pick yourself up and paint your everything picture – ‘the only strategy is action’.”

You said that the album was made with future generations in mind?
In what way and for what kind of people, Andrew?

“I was so used to discovering things from the past, and still do, and was very conscious
that people don’t always get into something until much later, an example being Nick Drake
or John Kennedy Toole, so potentially we were speaking not to the present audience, but to someone who was discovering this music at some point in the future.”

Did the band select all bonus tracks on the Deluxe Reissue edition?
And where do they all come from?

“Everything was chosen by me from our own archives.”

The group already split up in 1999? What happened?

“I don’t know. What does Wikipedia say?! I’d put it down to a breakdown of communication, and total childish idiocy. If only RuPaul could have been there
to tell us not to fuck it up!”

The reunion in 2010 started with a benefit concert.
What motivated you to restart?

Tim Smith out of them Cardiacs, who got himself into a bit of trouble, needed
help to which we responded, which started that whole ball rolling again.

Suppose you were asked to rewrite and put new music to the British Royal Anthem ‘God Save The Queen’. No restrictions whatsoever. What would be the outcome, in sound and vision?

“Well it would no doubt be anthemic and epic and be far too long and too slow(!)
and it would also no doubt contain hopeful messages for a revolution in which
the entire royal family are dragged through the streets in a wicker handcart
and pelted with rotten tomatoes in a gleeful attempt to return Britain to the
good old days.”

How’s life for a professional musician in Brexit England?

“Well I keep hearing nightmare stories from other musicians saying don’t even bother trying to tour in Europe, and many people are having to stop accepting Bandcamp orders because the postage is ridiculous, and we are covering a lot of those kinds of expenses, which most of us can barely afford.

It’s not just Brexit England either, it’s Tory England, where venues are being shut down
by tory councils due to noise complaints from landlords, and there is no funding so it’s becoming more and more difficult for people in this country to do what it does best. However, despite the hardships, we will always find a way. We have faced these things before and we will continue to fight.”

A lot of artists started covering other artists when the COVID-19 whirlwind
turned our lives upside down. Which song would you pick to cover?

“I did do a couple of numbers at the start of lockdown on my piano at home (“It’s Alright
by Black Sabbath and the Flaming Lips “Waiting For A Superman“, which I felt was rather appropriate for the times) and we did perform a couple at Richard‘s wedding too (Procul Harum’s “Whiter Shade Of Pale” and The Hollies’ “Air That I Breathe”).

I’d also love to do “Bump ‘n’ Grind” by Jackson Heights and
Michael Jackson’s “Earth Song“…I think we’d do that one justice.”

The best track and album you heard in 2021?

“Album is probably “The Mother Stone” by Caleb Landry Jones. I bought it on the strength of the cover alone which I found intriguing, and it didn’t disappoint. A sprawling, strange, psychedelic double album, which is both playful and dense. A disturbing and difficult to fathom a world that warrants many visits to discover its complexities. His follow up “Gadzooks Vol. 1” is also great.

Track is probably “It Is The Face Wish How” by Scaramanga Six from their forthcoming album “Worthless Music“, which in my opinion is their best album. This song is both huge in scope and bewilderingly strange. Scott Walker meets This Heat.”

Are you a fan of traditional Xmas carols, Andrew?
If so, which one is your favorite?

“I always liked “In The Bleak Midwinter“, which is downbeat and almost depressing.
The old classics have the best tunes but it’s a shame about all the god stuff in the lyrics,
which ruin them a bit. “O Come All Ye Faithfull” has some cracking harmonies.”

Which song will be on your stereo on 31st December at midnight?

“I guess if I was at home on my own I would want to get stoned and get involved with something long and strange, which leads me towards “A Plague Of Lighthouse Keepers” by Van Der Graaf Generator, but if I was feeling a bit more mellow it would probably be “Sea Song” by Robert Wyatt because it’s the closest thing to perfection, and inspires me to try to be as good as that.”

Three things you really love to happen in 2022 for the band and/or personally?

1. Re-issue “Play For Today” on vinyl to celebrate its 10th anniversary.

2. Tour in support of the 10th anniversary of said album.

3. Write and record a new album.

Thank you very much, Andrew for this interview.
May the road rise with Ultrasound in 2022.

You can purchase the Every Picture Deluxe Reissue
below via Bandcamp…


More info here

Never Too Late To Find A Lost Classic – Passionate Post Punks ULTRASOUND Reissued Their Debut LP ‘EVERYTHING PICTURE’

4 November 2021

Who: Emotive British glam-prog rockers
Active: 1997–99, 2010–present / 3 studio albums


The band’s (double) debut album, released in 1999,
now reissued as an extensive deluxe edition through
via One Little Independent Records.

The boxset features the original double album, an extra two records
featuring a variety of B-sides and singles, and a CD of live and session
tracks. As well, a 26-page booklet and a poster will be included.

Louder Than War: “For those of us who lived through the Britpop years, there was so much derivative crap released that no music fan in their right mind would ever want to hear again. This beautifully designed and curated album is the exact opposite, showcasing the vision and imagination of a band who may have only burned brightly for a short time, but did so on their own terms.” Full review here.

Andrew Wood (frontman): “Everything Picture was made with future generations in mind.
So it is so appropriate that it should be re-issued, in a more complete form, to be discovered and re-discovered in future times. We were aware that the post-Britpop presence of the early millennium might not “get” it. Many did, and many more grew and developed with it as it grew and developed a life of its own”.

Turn Up The Volume: Frontman Andrew Wood‘s passion, dedication, vulnerability and romantic candidness translated into a captivating vortex of psychedelic post-punk waves overwhelmed me back then and revisiting it now still generates shiverings going down my spine. It’s never too late to find a lost classic, people. You’ll file it between your Mogwai and your Crippled Black Phoenix LPs.

Recent video for highlight Aire & Calder

The brilliant single Stay Young
(Flabbergasting live version)

Stream/buy deluxe edition
of ‘Everything Picture’ here…


Great memory. In the legendary Paradiso club of Amsterdam back in 1998 or 1999.

(photo by Turn Up The Volume)

Turn Up The Volume’s 20 KNOCKOUT TRACKS Of The Month – AUGUST 2021

Turn Up The Volume‘s 20 Knockout Tracks for August 2021!
A stream of rattling rippers, jagged jams and romantic reveries.

All together on Spotify…

Knockout by knockout…

‘Before You Gotta Go’ by COURTNEY BARNETT (Australia)

An infectious ditty, bouncing in your head before it ends. If this, simply irresistible, tune doesn’t do anything for  you, you gotta go to your shrink. From Barnett’s new, upcoming album Takes Time, Take Time, out 12th November.

as hell…


‘Hot Summer’ by PRINCE (US)

Summer is only over when it’s over. Still time to move and groove to this disco
stomper from the recently released lost Prince album Welcome To America.

Make your move here, ladies and gents…


‘Go Get A Tattoo’ by FRANK CARTER & THE RATTLESNAKES feat. Lynks

Why don’t we all get a tattoo, suggests Frank. I think he’s right, it’s
the only way to really go nuts to this bangtastic jackhammer. From
the band’s 4th longplayer called Sticky, arriving in October.

Smash your TV…


‘Security’ by AMYL AND THE SNIFFERS (Australia)

“I’m not looking for trouble, I’m looking for love / Let me in your hard heart Let me in your pub” sings Amyl over and over again with fervency and tons of gusto, while flamed-up guitars go mental. A blast from new album Comfort To Me, out 10th September.

Hit hit hit, Amyl…


‘Aire & Calder’ by ULTRASOUND (UK)

These passionate British glam-prog rockers unleash a deluxe edition of their
1999 double debut LP Everything Picture on 24 September. More info here.

Here’s a new video clip for one of the album’s highlights ‘Aire And Calder‘…


‘Soap And Cigarettes‘ by Nun habit (London)

A queer five-piece from London who play fun, fuzzy garage rock. Their songs are a mishmash of influences all pulled together by a love of loud noises, pop tunes, and
having a good time. ‘Soap And Cigarettes‘ is a stand-out knockout from their brand
new album Hedge Fun.

Trust me, you can’t resist this vibrant vibe…


‘You And Me’ by THE RUDDY RUCKUS (Canada)

This ardent 4-piece flames with force on this new riff-roaring ripper. They operate somewhere between Green Day and Weezer, with peppery panache, gusty guitars,
vivid vocals, and a cracking chorus.

Scream along…


‘What’s Wrong With People?’ by PESCH (Belgium)

Darkwave electricity from Belgium. Haunting and ominous. You can smell Doomsday waiting around the corner. It’s 2021, folks, we need to fix our problems now. This sickly sticky roller coaster is a call to arms.

What’s wrong
with all of us..


‘Highway To Hell’ by TOM MORELLO feat. Eddie Vedder and Bruce Springsteen

Rage Against The Machine guitarist Tom Morello launches his new album titled
The Atlas Underground Fire on 15 October. He invited several friends, like
Springsteen and Vedder for a bombastic version of AC/DC’s classic headbanger.



‘Queen Of Swords’ by TYPHOID ROSIE (Brooklyn, US)

The speedy and steamy title track is one of the fired-up highlights of the new album of this punked-up Brooklyn squad. A zigzagging collection of amplified belters to start and end post-lockdown parties with. More info here.

your ass off here…


‘Money Song’ by ROYAL CASTLES (Canada)

Wham bam, bloody bam! From the kick-off Money Song booms, bangs and batters. Hefty guitars blare in between and raise your blood pressure on the spot. And when the blissful chorus pops up it’s time to leave your cocoon and let your body do its thing. Don’t wait to boost your stream of adrenalin.

Act now, dance now, party now.


‘And Tomorrow’ by LORE CITY (Portland, US)

A stunning and shadowy top piece from this duo’s equally stunning
album Participation Mystique. And Tomorrow sounds cinematic,
atmospheric and spacey. Join Lore City on their journey.

today and tomorrow too…


‘No Regrets’ by SHE/BEAST (Sweden)

Wurlitzer jukeboxes were invented for these 60s inspired humdingers, so they could be played in dark bars downtown were broken hearts gather at midnight. One more thing:
do not mess with SHE/BEAST, she’s not in the mood for fucking assholes and psychos.
And she’s absofuckinglutly right.



‘Popstar’s Daughters’ by SHAUN RYDER (Manchester, UK)

The Happy Mondays frontman’s brand new solo album
Visits From Future Technology is hip-shaking proof
that he still can fill dance floors.

Here’s the trippy and poppy single…


‘All Nations’ by NADINE GAGNE and The Star Nation Collective (British Columbia)

This resonates as a bright sonic light at the end of our troubled world tunnel. Only with togetherness, friendship, mutual respect, equality, harmony and tolerance, humankind can have hope for the future. This tremendously catching chant reflects all that. It’s a joyful, anthem that should be played on radios all over the planet.

“We are all stars, all stars come on now. Rise, rise and shine, gotta stay proud!”

Let’s get together…


‘Heart Like Chernobyl’ by SOFT CELL (UK)

The song’s title is the gloom and doom harbinger for
a scary, realistic vision of how we live on the edge.

Tainted love…

Lead-single from new album *Happiness Not Included,
out in the Spring of 2022.


‘See The Light’ by SHAUNA SEETEENAK (Iqaluit, Canada)

We need songs like these in the restless times we live in. Songs of hope, songs of consolation, songs of inspiration. Shauna wants humankind to fight to see the light
(at the end of the tunnel) again. Her thoughts are embedded in a starry-eyed and
instantly enthralling groove that hops from dreamy pop to hip-swaying rap and back.

See the light here…


‘Nowhere’ by THE BLACK FEVER (Toronto)

Nowhere sounds like a desperation song, but one that has a deeply felt effect on your psyche, on your state-of-2021-mind. This spellbound jam is driven by melancholic guitar lines, reminding me of Interpol‘s electrically-charged drive. Affecting and soul-stirring fever.

Check it out…


‘Skin’ by BASEMENT REVOLVER (Hamilton, Canada)

An inspiring reverie for the countless girls/women and boys/men worldwide, struggling with the looks of their body when it doesn’t correspond with society’s everlasting sexist perception of how a body should look like, as we all know. Skin is an instantly heartfelt
slo-mo musing, turning after a distorted guitar intro, into a vocal and musical pearl, with touching piano play. I’m sure The Sundays‘s Harriet Wheeler would love it.

Open your ears and eyes here…


‘You Are A Runner And I Am My Father’s Son’ by PORRIDGE RADIO (Brighton, UK)

Porridge Radio‘s leading Amazon Dana Margolin is a fan of Canadian rockers Wolf Parade. Here’s her  terrifically gripping rendition of the band’s 2005 composition.

Just beautiful…

See/hear you next month, music junkies…

ULTRASOUND – British Glam-Prog Rockers Release Deluxe Edition Of Fab Debut LP ‘EVERYTHING PICTURE’

28 July 2021

Who: Passionate British glam-prog rockers.
Active: 1997–99, 2010–present / 3 studio albums

The band’s (double) debut album, released in 1999.

Info: The reissue boxset will feature ‘Everything Picture’
the double album, an extra two records featuring a variety
of B-sides and singles and a CD of live and session tracks.
As well, a 26-page booklet and a poster will be included.

Out: 24 September 2021 via One Little Independent Records

AllMusic/Dean Carlson: “The musical and emotional collapses are
so moving, so stirring, that it sounds like the pessimistic turn to just
about every soaring, triumphant song ever found on the planet. This
reason alone serves as a singular, important experience. So while you
might feel like that poor local weatherman in a yellow slicker getting
pelted when you listen to this album, by the time the final track fades
out you realize it was worth every last, sonic droplet.”

Full interview here. Score: 4.5/5.

The announcement comes alongside a never-before-seen
video for one of the LP’s highlights ‘Aire & Calder’…

I loved (still do) that brilliant single Stay Young

And that show in Amsterdam, in the legendary Paradiso club back in 1998 or 1999
(I can’t remember the year exactly) was pretty special… and I found some pics I took
in my archives…