Artist: MAVIS STAPLES Who: Legendary soul/blues/rock voice who, along with family, had a long and
greatly accomplished career under the name ofThe Staple Singers (1948-1994).
She’s 86 now, singing and swinging like a 36-year-old.
Band: CHARM SCHOOL Who: The latest project from singer-songwriter Andrew Sellers
who, originally from Louisville, has paid his dues in both the
NYC and LA DIY music scenes.
Angus Rogers (frontman): “Rock and roll music for the empty and stunning.
A song about contempt, appetite, impotence and self-preservation through
gyration. Enjoy superficially with your body and send the reeling mind on
to hell.”
TUTV: Wham Bam! Yeah Yeah! Go Go! Oh my Oh My! Razzle Dazzle!
This is the kind of adrenaline-pumping thrills I wait impatiently for
every single day.
Get up, stand up, and fight
for your right to show off.
“‘Although it’s a big, joyous dance track, it’s about hiding deep emotional pain and trauma and how hedonistic coping mechanisms, like drugs, alcohol, and womanizing, are just temporary distractions.”
TUTV: This is what amazing pop-ular music is all about. Big melody, big emotions, big orchestration. Euphorically sticky as first-class glue despite its dramatic ‘real life‘ story. Aftermath soul-searching can work cathartically.
Who: Irish post-punk whirlwind, led by charismatic
voice/songwriter/guitarist Karla Chubb.
Track: BETTER
Along with Something’s Gonna Happen, my top fav track
on their brand new, second LP, called All That Is Over.
TUTV: Every time I play this pure punk-rock gem, I feel way better.
It’s striking swagger, superb groove, passionate duet vocals, and
high-strung guitar play mesmerize.
Who: The moniker of Massachusetts‘ chilling singer-songwriter Izzy Hagerup. She released her debut album Through The Window
in 2023.
Track: SYSTEM
First new piece and title track from her
2nd LP, coming our way on October 3rd.
Hagerup: “When I wrote ‘System’ I was supposed to be present and alive
and gracious and happy. But somehow I couldn’t escape my own internal
fears and depression that can follow me wherever I go.”
TUTV: What a brilliant torch song. Weeping guitars come and go while Hagerup‘s heart-stopping vocals cause goosebumps. And what a fuming
finale.
TUTV: Its ominous mid-tempo dynamics, its distorted vocals, and its riff-psychotic razzmatazz resonate as if you are listening to the scary theme song of a horror movie.
At the 2.30 minute mark, all hell breaks loose.
From a whisper to a scream. From planet Earth
to Dante‘s Inferno.
Track: FOUR
One of the highlights from their
brill 2nd LP Never Exhale
TUTV: Ditz operate in a very dark place. Sonically, as well as lyrically.
In the middle Cal Francis barks at the moon, while dense drones
infiltrate your shocked ears. Inhale, exhale.
TUTV: This 4-piece grab you by the throat from the kick-off and never lose their firm grip, while vociferous vocalist Marie De Graeve‘s has a crushing impact on your petrified stereo. Liar is a titanic motherrocker that pulverizes the Richter scale in just 250 seconds. Queens Of The Stone Age, Deftones and Black Sabbath come to mind.
TUTV: OMG! What a riot-gun banger. These Irishmen create suffocating havoc with
a maddening mix of nasty racket that brings illegal-decibels-producing bands such as
NIN and Metz to my cooking mind.
TUTV: Ecstasy. Elation. Euphoria. Exhilaration. This electro smack makes
you bounce and jump on your pogo-stick. They punch you in the teeth
without asking, while having fervent fun.
Who: Belgian noise rock trio whose sound draws influences from bands such
as Black Midi, Tool, Battles, and Swans, blending dissonance with a strong sense
of identity.
Track: NANDOR
Piece from their ace
3rd album Trois.
TUTV: What the fuck! From the very kick-off, chainsaw guitars do your
brain in. Electric chair electricity throughout. No way to escape. Neurotic
vocals complete this blitzkrieg assault.
Band: DOWN THE LEES Who: The post-rock noise project of seasoned Canadian
singer/songwriter/guitarist Laura Lee Schultz. DTL released
3 notable albums, so far.
Track: MIDI DORIC
First single. A song that deals with the
isolation and depression of the pandemic.
TUTV: A characteristic DTL thunderstorm, cranked up by blustery bass lines,
monstrous guitar riffs, Herculean drumming, Schultz‘s sky-scraping vocals and
a volcanic finale. One of the best noizz rock bands around.
TUTV: It’s a sublime, crystalline pop nugget, with its hypnotizing guitar riff,
the non-stop drum beat and the intertwined, spellbinding vocals of Win Butler
and his spouse, Régine Chassagne.
Band: KASABIAN Who: British star rockers from Leicester. One of the best bands
of the past 25 years on record and on stage, in my book.
Track:HIPPIE SUNSHINE.
Lead single from their forthcoming
9th LP. Details TBA.
TUTV: Expect a mega vitalizing, disco-charged haymaker.
Since co-founder/songwriter/frontman Serge Pizzorno pulls
all the band’s strings, he provides dynamite tunes you can
throw 24-hour parties with.
Who: One of the most adventurous/inventive/original post-punk & dub artists/performers
ever. He was a founding member of genre-bending new wave group The Pop Group and released lots of solo and collaborative records. Unfortunately, he passed away 2 years ago,
only 62.
Track: MEMORY OF YOU
Single from Stewart‘s solo album The Fateful Symmetry,
which was completed early 2023, not long before his passing.
TUTV: Haunting, synth-symphonic and bang-tastic,
with Mark‘s characteristically energetic voice on top.
First single from their forthcoming 4th full-length, their
first in 4 years, slated for release in September 2026.
TUTV: Holy Coves are back, and they don’t waste time. It’s full steam ahead from
the get-go. Eager guitars and sinewy drumming inject this sweltering steamroller with
a flaming briskness that causes a kinetic reverberation, while Marsden emotive vocals accentuate the song’s sad sentiments.
Who: 2-piece from Birmingham (UK) – Euan Woodman (drums/vocals) and Tom Rhodes (bass/vocals) – born in late 2023 over a shared love of noise, literature and late night shebeens. They write music about love and hate. They’re good for your soul.
TUTV: Warning. This insanely groovy punk blast will bulldoze all over your shocked speakers. Expect a superheated funky firestorm that attacks the Richter scale with a shattering impact. A manically jagged jackhammer it is. Trust me, you’ll think you like them, VERY MUCH, while you bang your head into your fridge’s door.
Who: A collective with members scattered across the UK and the Netherlands.
This group, now comprising seven members, has its roots in a trio that expanded
over the past four years.
New track: WET LEATHER
Piece from their sophomore
LP Total Technik.
TUTV: Kraut-rock and roll with an intoxicating force. A wall-of-guitar-pyrotechnics rollercoaster. An overpowering tempest of rambunctious riffs. Voltaic psychedelia
at its spine-chilling best, bombarding your ears the way you like it.
Who: The musical project of singer-songwriter-poet Jamie Cameron. Hailing from
the Scottish Borders, the music blends lo-fi beats, synths and guitars with spoken word lyrics in which he discusses subjects ranging from politics and premonitions to self help culture, and a modern society obsessed with economic thinking.
TUTV: This rattling rap ‘n’ punk roll crackerjack swings forth and back, left
and right and Jamie Cameron’s full of vim and vigour word-flow activates all
of your insatiable limbs before he relaxes towards the synthy end. Kinetic throb.
Hands up for the coach.
TUTV: A nasty bass riff motorizes this rollicking psych jam that seems to go on
like forever, and when the powerhouse chorus kicks in, your ears are instantly
overwhelmed. Life Is Joy is one of those riff-crazy haymakers that stick after just
Who: Mysterious trio with an inimitable take on
humanity’s downward spiral into a dysfunctional
entropic existence. They unleashed their punk-groovy
debut EP Like You last year.
TUTV: This arresting, melancholic song is heart-rending. Its bluesy guitar
radiance, its bass-beat-heavy cadence, and despondent vocals get under
your skin. Its melodic catchiness has irresistible written all over it.
TUTV: A razzle-dazzle steamroller that gets under your skin faster
than you can say “this is bloody superb”. Its insane, mind-bending
course doubles your serotonin production on the spot.
Who: Must hear/see indies from Brighton (where everybody is in a band).
They cruise from folk to punk, using, besides traditional instruments (guitar,
bass and drums) also cello, flute, violin and other classical gear.
TUTV: These young wolves bulldoze their way through the daily
bullshit we have to endure with a knife between their teeth. Sippy Cup
is a bruising, full of vim and vigor, uppercut hitting where it hurts.
Band: LAMBRINI GIRLS Who: Two razorblade riot girrrrlzz – vox/guitarist Phoebe Lunny
and bassist Lilly Macieira – from Brighton (UK) with an insatiable
appetite for mass moshpits.
Photo by Turn Up The Volume – Lille, France – 24 February 2024
Press info: “The album rips through a laundry list of social ills. Sirens blare over a heavy distorted bass and a live drum breakbeat. The band dance between upbeat poppunk, dirty grunge tones and discordant post-punk. There’s even some noise-popcheer for putting yourself first, whether it’s having an autistic meltdown or doing apoo at your mate’s house.
With instrumentals that inhale you like a Level 5 tornado and sentiments that make you want to kick the nearest door through, it’s a take-no-prisoners debut from one of the UK’s most fun and fearless bands.”
TUTV said:
Faster than a Formula One Ferrari.
Louder than a supersonic jet.
Punkier than any punks around.
Press info: “The album explores themes of unnecessary hatred and
division, Space/Smile and It smells like something died in here, aging, Senor Siniestro
and the separation of the physical from reality, The Body As A Structure. It’s political,
but ultimately personal. More Genet or Kafka than Orwell or Huxley.
Album artwork
TUTV: Without a shadow of a doubt, the perfect soundtrack for Doomsday.
Sledgehammer after sledgehammer, drone after drone, brainfucker after
brainfucker. Always tension in the air.
Any track would work in a zombie horror movie. And we know all
about horror, right? Just take a look outside the window and you
see a lot of it. For free.
Cal Francis‘s spoken word performances are bone-chilling. His primal screams
send shivers down the spine. Lyrically, he operates in a space where reality and
surreality meet. No room for birds and bees.
Cal Francis – Belgium 2024 – Photo by TUTV
Sonically Ditz produce a volcanic and bombastic wall-of-helter-skelter havoc.
Blood-curdling emo-punk exorcism. Chainsaw chaos. Flabbergasting and
jaw-dropping are the keywords.
Never Exhale is an other-worldly Götterdämmerung experience.
It smells like something is alive and kicking here. No regression,
only progression.
Press info: “HEISA embarks on a new chapter with the release of their third
album. This album showcases an evolution in their sound, keeping the bombastic
drums, droning guitars, and dynamic vocals, but pushing further into melody and
experimentation.
On this new record, Heisa brings their emotions to the forefront, revealing a raw, edgy
intensity in tracks like “Lazar” and “Sad Dancer,” where vulnerability and tension intertwine.”
TUTV: Trois is without a shadow of a doubt the most balanced, the most arousing and
the most vitalizing noise rock record I heard in a very long time. No, never a dull moment. Heisa grab you by the throat for 40 wicked minutes, and you won’t protest for one second. The cliché all killers, no fillers is so accurate here. In a normal world this should be a hit record.
Les trois singles (Nandor / Flowers / The Harmonist) were the harbinger for something really special. Which we experience now. Every song stands as tall as the Eiffel Tower. There’s always an enigmatic anxiousness in the air that tests your nerves and boggles your mind.
On several occasions (Flowers / After Hours / Shifting / Sad Dancer) Heisa tease you with voltaic foreplay riffs before heading towards an orgastic burst of demonic hullabaloo. Primal screams out of the darkness, schizophrenic guitars and raw and rough post-punk dynamics work together to create a hell-raising turbulence. Think Fugazi and The Jesus Lizard .
No arty farty tricks, no unnecessary overdubs, no useless volume exaggerations.
The production is flawless, and is an instrumental factor for the overall organic
resonance of this expressive exploit. I’m quite sure that the late great Steve Albini
would have loved it.
Heisa is going places. Don’t miss them.
Embrace them. Join them. Love them.
Band: MCLUSKY Who: Welsh notorious noiseniks featuring Andrew Falkous, made
a loud and clear mark on the indie list of decibels-producing acts between
1993 and 2004 with three ear-piercing and politically loaded albums.
In 2015 Mclusky suddenly returned for a benefit gig in London and played
some more here and there. In 2023, they released a new 4-track EP, called Unpopular Parts Of A Pig / The Digger You Deep to fund a delayed US tour.
Press info: “Having formed in the late nineteen-nineties and releasing music, if that
is what it was, from 2000-2004, Mclusky disbanded soon afterwards in a slow motion
farce of not enough drama to get much press off the back of it.
Falkous with Mclusky – Brussels, 9 May 2025 – photo by Turn Up The Volume
TUTV: The world is still spinning and Mclusky decided to come back after 21 years
to see what’s going on and let us know what they experienced/experience in their
own tumultuous way. To be honest, it’s Mclusky by numbers, but their furious
numbers still slice and slash as a set of first class Swiss knifes.
Loudmouths Falkous and Damien Sayell‘s immense, clamorous, badass voices rip
politicians to shreds while wielings their razor-sharp axes. Chainsaw guitars everywhere,
backed by a hellacious drum/bass duo. They’re masters when it comes to search and destroy punk havoc.
Press info: Inspired entirely by the life and mythos of actor Dennis Hopper, Mike Scott
and The Waterboys created this expansive album as tribute to one of American popular culture’s most compelling public figures.
Deeply conceptual, this album of all original songs brings together high-profile
featured artists like Bruce Springsteen, Fiona Apple, and Steve Earle to musically
weave through Hopper’s life, including a song for each of Hopper’s wives.
Ghent, Belgium – 5 July 2025 – photo by Turn Up The Volume
TUTV: This an amazing piece of work. Could be the soundtrack for a yet to be made Dennis Hopper documentary. Hats off to Mike Scott for his boldness, imaginativeness, and ingenuity to score this musical movie, constructed marvellously with its sonically cinematic versatility.
Pop, rock, blues, country, bar-room jazz, and musing balladry take turns and puzzle
a most coherent and highly entertaining whole together, spiced with magnificent vocal contributions by Fiona Apple, Steve Earle and others. Never a dull moment with its varied stream of top-tier songs and Scott‘s awe-inspiring vocality throughout.
Movie shots from Hopper‘s parts in doom and gloom films such as Blue Velvet, Apocalypse Now, True Romance, Speed and, of course, counterculture classic Easy Rider pop up on the screen in your head. He was at his best when he played psychotic characters. And Scott is here at its best too. Supreme accomplishment.
Band: THE MOONLANDINGZ Who: English electro-pop combo started by the Eccentronic Research Council
duo, featuring Adrian Flanegan and Dean Honor back in 2015. Lias Saoudi (Fat
White Family, Decius, author, modern day, philosopher) joined them, as well as
different guests.
Press info: “No Rocket Required delivers brassy squawks, motorik convulsions and
sinister soothing vocals from a righteous line-up of guest singers and ranters: Nadine
Shah, Iggy Pop, Jessica Winter and Ewen Bremner. Plus, of course, there’s The Moonlandingz’ own front man, Johnny Rocket aka Lias Saoudi.
What to do, as we potter and fret, as we watch bodies, homes and lives destroyed every day while our elected leaders, so forensic and so sensible, use their weasel words, shrug their coward shoulders and saunter off to raise our bus fares. Dancing of course and togetherness, looking out for each other, and that’s not enough. What kind of fight are we bringing? We will always need to organise, to fight, to collaborate, to connect and to dance dance dance. And that is what The Moonlandingz do.”
TUTV: Where the first album was a 24-hour party affair, this 2nd one is musically a
sonic melting pot of 70s disco (like Sign Of A Man that clearly is inspired by 1978 classic Born To Be Alive by Patrick Hernandez) and 80s house uppers (like Yama Yama) and midnight hour downers (like Roustabout, and the romantic ballad It’s Where I’m From with perfectly matching vocals by the one and only Iggy Pop) that messes with your mind, body and soul.
To make sure that you hit the (dance)floor in the end, Flanegan and Honor knock you
out with the 9-minute hyperkinetic brainbreaker The Knack Drought Suite (Pts 1-3) that hammers your head in relentlessly and gives the last word to film-noir crooner Lias
Saoudi. Lyrically, NRR echoes Twin Peaks‘ unhinged stories from the dark side of the
human psyche. Everybody happy now? I definitely am.
This project blends his iconic Madchester groove with fresh, infectious energy,
delivering music that’s both raw and transcendent, and also features the irrepressible vocals of Rowetta making the sounds of 1990 come alive again in glorious fashion.
Gaz: “Yogi-G and The Family Tree are not hippies, we give a fuller human experience that
is more devolved from the punk experience, where you never quite know if you’re going to
get a hug or a headbutt. Life is filled with peace and love but equally excitement and pain.
I got fed up waiting around to try to agree to write a new Mondays album. When it
became apparent, we couldn’t agree, I decided to do my own. I think it’s bloody great
and the support has been outstanding and for all the good ones we’ve lost along the way
like Gil Scott Heron, Tony Wilson and more recently my bandmate Paul Ryder, this is for
them and for all those who just love to get off on good music.”
TUTV: Madchester 2025? Absolutely. And why not? ‘Show Me The Truth‘ is the Happy Mondays album, that should have been the perfect follow-up to their 1990 masterpiece Pills ‘n’ Thrills and Bellyaches rather than the mediocre Yes Please!. It’s an album that activates your hips, and makes you ignore our daily rat race, for at least 40 minutes
This dance-and-turn-around-inviting record with several vocal guests, doubles your adrenalin production. From happy-7-days-a-week gospel stimulants The Blind Man And
The Monkey, Shine On Brother and Show Me The Truth to groovy-orchestral musings Black Symphony, and The Return Of Apollo Creed (be ready Rocky) from the special(s) ska vibes
of The Ballad Of David Bowie to the closing sing-hum-whistle chant We The Peaceful.
Yep, there’s way more sonic versatility than on any Happy Mondays longplayer. There’s
no way to delete today’s grim reality, but look around and you’ll find a lot of love, peace, happiness, family and friends too. That’s the hopeful spirit that Yogi-G And The Family Tree celebrate. Join them. Embrace their soul-uplifting gusto. Shake your booty.
Press info: “Talkin To The Treesis a personal and powerful album featuring
ten new compositions by Young. “Big Change”, the first song from the album,
comes with a message that left no doubt where Neil Young stands in these
challenging times.
The Chrome Hearts are Spooner Oldham (Organ); Micah Nelson (Guitar and Vocal); Corey McCormick (Bass and Vocal); Anthony LoGerfo (Drums); with Neil Young (Guitar, Harp, Piano, Vibes). The album is co-produced by Lou Adler and Young, and recorded at Shangri La Studios in Malibu.”
TUTVTalkin To The Trees brings Young‘s 1975 masterwork Tonight’s The Night instantly
to mind, sonically that is. Raw and rough, as if the LP was recorded live in one take, in
a garage with lots of echo and plenty of ramshackle guitars, buzzing electricity and Young‘s characteristic, ardent vocals. Very familiar, very entertaining.
From riff-robust rockers (Family Life, Dark Mirage, Let’s Roll, Big Chance) to country-bluesy musings (Silver Eagle, Moving Ahead), to melancholic balladry (Talkin To The Trees, Battle Of Love, Thankful).
It’s pure Young, musically and thematically, wondering about the world’s future, warning for environmental pollution dramas, difficult times to come for our children, and the need of a big positive change. At 79, he’s still socially and climate concerned as he was in his prime and he still delivers soul-and-ear pleasing records.
Laurenne: “The songs were written in the style of vintage jazz standards, but are then drenched with Rhodes piano and sparkling horn parts, with upright bass and triphop beats holding down a groovy, downtempo feel underneath. The vocals are the polar opposite of my garage rock sound in The Darts – in Black Viiolet, I am quietly telling you secrets in the dark.
After You was recorded by nine producers on two continents with fourteen French and American jazz musicians – including Digable Planets drummer Conrad Real – and contains thirteen original tracks that I wrote all the parts for and arranged, plus one special cover song, “My Baby Just Cares For Me.” My influences include spy movie themes, Nina Simone, Portishead, Budos Band, Lovage, Nouvelle Vague, Digable Planets, Propellerheads, Sneaker Pimps, Forniquette, Nick Waterhouse, Hooverphonic, and even cartoon character Jessica Rabbit!”
TUTV: Imagine Nicole Laurenne‘s sultry alter ego coming from behind a curtain
on a stage in a smoky nightclub, leg by leg, with a bright spotlight on her and
making all spectators go ‘sigh‘.
From there on she becomes Black Viiolet. A femme fatale that entertains us with
bouncy trip-hop vibes à la Portishead (AboutA Woman / Never Know / New Day / Drop),
jazzy candlelight musings (Don’t Leave Me On The Dancefloor / Not It / Stayin / You Can’t Afford Me) and a seductive version of 1930 jazz standard My Baby Just Cares for Me
made immortal by the late great soul diva Nina Simone.
The record is subtly, yet richly orchestrated. The instrumentation at work here – contrabass, trumpet, trombone, saxophone, piano – serves the overall mood perfectly.
On top of it comes Viiolet‘s near-whispering, hoarse and sensual voice to complete the arousing sonic picture with a saucy sensuality. The ambiance is spellbinding and ravishing.
After You is delectable music for the midnight hours that massages your ears for
40 minutes. The most sexy record I heard in a long time. It transfers you to a place
where you can dream away, far from today’s depressing outside world.
Dim the lights, relax, sit down, have a bottle of your favorite wine at hand, close
your eyes and let Black Viiolet enter your spicy fantasy of choice. Trust me, you’ll
love the tantalizing trip.
Since Doherty got clean (already several years) and living in France with his wife and big dog, far away from the temptations of party cities he became quite productive releasing albums with one-time outfit Puta Madres, with French musician Frédéric Lo and with his first-and-forever band The Libertines he scored one of the best albums of 2024 with All Quiet On The Eastern Esplanade.
Press info:“Felt Better Alive is Peter Doherty’s most confident solo collection yet,
sprinkled with radiant playfulness, almost innocence at times, shot through with
Peter Doherty’s signature melodic nous, quirky poetic realism, and visual storytelling
gifts.”
Brugge, Belgium – 14 June 2025 – Photo by Turn Up The Volume
TUTV: Writing songs is Doherty‘s oxygen. He has music running through his veins.
Enter this new solo album. A collection of daily life tunes that puts a smile on your
face. The man entertains, charms and shows his alluring skills once again. It’s clear
that the French air stimulates his productivity. Poetry in motion.
This project blends his iconic Madchester groove with fresh, infectious energy,
delivering music that’s both raw and transcendent, and also features the irrepressible vocals of Rowetta making the sounds of 1990 come alive again in glorious fashion.
Press info: The album is a genre-free zone, a collision of moods and styles that dovetails Whelan’s ragged, dark lyrical musings with soulful vocals and African rhythms. It’s the aural equivalent of lying in a warm bath in the middle of a snowstorm—where spaghetti western strings stretch from heaven, rubbing up against filthy electric guitars and punk gospel rhythm and rhyme. A hidden optimism weaves through its DNA, offering soul salvation
for the cynical, a safe haven from an ever-insane world.
Gaz: “Yogi-G and The Family Tree are not hippies, we give a fuller human experience that
is more devolved from the punk experience, where you never quite know if you’re going to
get a hug or a headbutt. Life is filled with peace and love but equally excitement and pain.
I got fed up waiting around to try to agree to write a new Mondays album. When it
became apparent, we couldn’t agree, I decided to do my own. I think it’s bloody great
and the support has been outstanding and for all the good ones we’ve lost along the way
like Gil Scott Heron, Tony Wilson and more recently my bandmate Paul Ryder, this is for
them and for all those who just love to get off on good music.”
TUTV: Madchester 2025? Absolutely. And why not? ‘Show Me The Truth‘ is the Happy Mondays album, that should have been the perfect follow-up to their 1990 masterpiece Pills ‘n’ Thrills and Bellyaches rather than the mediocre Yes Please!. It’s an album to move your mind/hips away, for at least 40 minutes, from the daily rat race and most of all our war-devastating world.
This dance-and-turn-around-inviting record with several vocal guests, activates your adrenalin production. From happy-7-days-a-week gospel stimulants The Blind Man And
The Monkey, Shine On Brother and Show Me The Truth to groovy-orchestral musings Black Symphony, and The Return Of Apollo Creed (be ready Rocky) from the special(s) ska vibes
of The Ballad Of David Bowie to the closing sing-hum-whistle chant We The Peaceful.
Yep, there’s way more sonic versatility than on any HM longplayer. There’s no way to delete today’s grim reality, but look around and you’ll find a lot of love, peace, happiness, family and friends too. That’s the hopeful spirit that Yogi-G And The Family Tree celebrate. Join them. Embrace their soul-uplifting gusto. Shake your booty.
