CAPTAIN BEEFHEART AND HIS MAGIC BAND Released ‘TROUT MASK REPLICA’ 50 Years Ago…

16 June 2019

This day 50 years ago, on 16 June 1969, the late great, eccentric and highly influential blues-rock phenomenon CAPTAIN BEEFHEART assisted by HIS MAGIC BAND released double album ‘TROUT MASK REPLICA‘. It was his third longplayer and probably the most lauded one by almost all critics, then and now.

The famous late Rolling Stone Magazine Lester Bangs wrote at the time: “It’s very gratifying to say that Captain Beefheart’s new album is a total success, a brilliant, stunning enlargement and clarification of his art. Which is not to say that it’s in any sense slick, “artistic,” or easy. This is one of the few bands whose sound has actually gotten rawer as they’ve matured—a brilliant and refreshing strategy. Again the rhythms and melodic textures jump
all over the place (in the same way that Cecil Taylor’s do), Beefheart singing like a lonesome werewolf screaming and growling in the night. The songs clatter about—given a superficial listening, they seem boring and repetitious. It’s perhaps the addition of saxophones (all played by the five men in the band) that first suggests what’s really happening here and always has been happening in this group’s music.”
– Full review here.

You can stream the FULL ALBUM here…

CAPTAIN BEEFHEART: Facebook – Biography – All Albums

Noise Junks METZ Share Another Cut From Rarities Compilation – ‘DRY UP’…

Brand new sonic impulses…

15 June 2019

Last month METZ announced a collection of non-album singles, B-sides and rarities called AUTOMAT. It will hit the streets on 12th July via Sub Pop. After sharing first cut ‘Pure Auto‘ a few weeks ago, here’s another molotov cocktail. Tune in for ‘DRY UP’ here…

METZ: Facebook

SLEATER-KINNEY Share Another Track From New LP – ‘THE FUTURE IS HERE’…

Brand new sonic impulses…

Riot grrrl legends SLEATER-KINNEY will release a new album, entitled THE CENTER WON’T HOLD pretty soon. More info here. Last month they already shared firm lead single Hurry On Home. And here’s another new cut. THE FUTURE IS HERE is a pretty poppy humdinger reflecting the sonic impact of producer St. Vincent. Listen here…

SLEATER-KINNEY: Facebook

Join British Team THE GOA EXPRESS And Jump For Joy With New Single ‘THE DAY’…

Daily fuel to load your sonic batteries…

14 June 2019

Who: “Teenagehood, brotherhood and a love for an array of alternative music, across the years led to form The Goa Express. Each contributes to a fuzzy wall of diverse sounds that become hard to pin down with their ever-changing, experimental sound.”

Pick: THE DAY – brand new track.

Score: Hell yeah! Bingo! This blistering organ injected flare-up made me scream madly and jump up and down out of pure exultation. As we all know the world has become a divided messed-up place lately so any corking moment to lose yourself in and forget about the ugly reality for a while is welcome. Oil your lungs and shout impetuously: ‘This is the day, don’t let it taken away.‘. Tune in here and capture the ebullient vibe…


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THE GOA EXPRESS: Facebook –  Twitter

OUT TODAY! New EP By NOEL GALLAGHER & His Band – Here’s ‘BLACK DANCING STAR’…

Just released…

13 June 2019

Artist: NOEL GALLAGHER’S HIGH FLYING BIRDS
EP: BLACK DANCING STAR
What: 3 new songs + 2 remixes of the title track
Score: The Chief goes dancey on the first two cuts
and as expected he’s good at it (remember him singing
with The Chemical Bros a couple of times?) / the 3rd song
‘Sail On‘ is a vintage feel good Noel tune

Stream the EP here…

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Clip of the title track…

Chicago’s Trio SHE RIDES TIGERS Tells You All About Their Debut Album ‘SCARS’ Track By Track…

14 June 2019

Chicago‘s SHE RIDES TIGERS describes themselves as a fuzz guitar riff-laden power-trio blurring the lines between psychedelic rock and power pop. They just released their debut album titled SCARS. A multifaceted work with changing tonality matching changing moods. From the lifelike human touch of ‘Scars Of Allegory’ to the jangly tension of ‘Should’ve Known Better’ and lots of other amplified sentiments in between to discover. Guitarist and vocalist Joe O’Leary will help us out and guide us through the record track-by-track…

Here are the songs…


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Here are the stories…

1. Scars of Allegory
“This song started with some big open chords and a breakneck drum beat in a basement jam. It was originally going to be a hard-hitting punk song until I accidentally hit the ‘shimmer‘ effect on one of my pedals. Suddenly there were octaves and overtones that made the melody more sad and spacious. We were led to this melancholy feeling and the lyrics ended up being centered around the challenges we go through as individuals and within relationships, where each person takes on damage throughout their lifetime. That damage becomes a defining feature of who they are, so why not feel proud about showing our scars?”

2. Perfect Crimes
“This gigantic fuzz pedal riff landed with a thud during the first or second jam we had with our then new drummer, Ryan. It just felt like us, and the timing of where the riff and drum beat met had a lot to do with our collective obsession with Led Zeppelin. The lyrics were a cathartic exercise in acknowledging some past romantic relationships and then letting them go. This song was one of the first we wrote together and, to us, it serves as a stylistic transition between the EP ‘Standing On The Edge‘ and the new album.”


Led Zep: obsessional influence…

3. Take a Bow
“We all have points in our lives where we know we weren’t at our best but we somehow achieved a kind of sloppy grace and kept going. There’s a 70’s glam feeling of debauchery in general, which we channeled with pride on this song. When you’re on a roll partying and sleeping around, it can become a spectacle to the people around you, almost as if you’re putting on a performance. This song explores the mentality of doing all the dirty things no matter who’s watching, and to drunkly yet charmingly take a bow for whomever catches the show.”

4. Heart Worth Breaking
“Here we are again with a song about relationships. It flips the idea of relationship aspirations on its head and explores the perspective of measuring the strength of your relationship with another person by way of finding out how deeply each person can break the other’s heart at any given moment. Sometimes the vulnerability we reveal when we open ourselves up to someone else can make it feel like a piece of ourselves is slipping away and being swallowed up by the other person with regards to the affection, lust, and self-disclosure that occurs.”

5. Out of My Mind
“Ryan began warming up one night at Populist Studio, where we rehearse and write, and James [Scott, bass and vocals] and I both looked up as we heard this strange drum pattern he was absentmindedly doing. We both grabbed up our instruments and just started bashing away to it. That became the verse of the song. The melody inspired a sense of longing in me and chorus lyrics began to surface about the anxiety of leaving [and being] left behind. The verse lyrics are like a character (poorly, but charmingly) pitching the reasons why they shouldn’t be left behind while also revealing a general dissatisfaction with the average “work-eat-sleep 9–5″ lifestyle many of us feel trapped within. This is my favorite song to sing on the album, and my favorite guitar solo to play live at the moment.”

6. Something to Believe In
“We grew up playing punk shows in Midwest basements, garages and VFW’s in the 90s. Each band member carries an underlying punk ethos, and this song simply let that bubble to the surface without trying to dress it up in something clever. The lyrical theme follows suit with a nostalgic look into my punk rock past as a teenager and the simple reality that it was. It’s another song about being cool with where you came from and what shaped you, and letting it go so that it no longer has any hold on who you may grow into.”

7. No Way Out
“The MC5 will always be a source of inspiration to this band, just as much as desert rock bands like Queens of the Stone Age. Sonically, we smashed these two styles together and a song about the consequences of our actions took shape. It’s another one about glorious debauchery, where you do all the wrong things even though you know it’s wrong, and you just go down in a blaze of glory. We’ve all been there.”


MC5 forever…

8. Should’ve Known Better
“This song poses a possible reality where the fanatical supporters of Donald Trump (and others like him) suddenly wake up and realize they were fooled. We didn’t want to make it sound angry, it’s quite fun to play. The instrumental section in the middle might be one of my favorite on the record.”

Thank you for the track-by-track breakdown, Joe.
May the road rise with SHE RIDES WITH TIGERS!

SHE NEEDS TIGERS: Facebook

(Photos Led Zep & MC 5: AP Press / Getty)

THE WHITE STRIPES Released Their Self-Titled Rough Blues Debut Album 20 Years Ago…

14 June 2019

20 years ago, on 15 June 1999, unknown Detroit blues rockers THE WHITE STRIPES released their self-titled debut LP. It was all about raw and rough, scream & hit DIY blues racket. Only a few critics noticed the record upon its release, but one famous one, the late great JOHN PEEL spotted it in a shop when it came out and said: “I just liked the look of it and I looked at the titles – you develop an instinct, d’you know what I mean? And it looked like the sort of record I would like, so I took it out and I did like it, and started playing it.” The rest
is history.

Here’s a perfect idea of the early The White Stripes with
a ramshackle live version of ‘Suzy Lee‘ one of the LP’s tracks…

Album in full…

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THE WHITE STRIPES: Facebook – All Albums