2Libras

Turn Up The Volume’s 25 BEST TRACKS OF 2023

Posted on by JL

ALL TOGETHER


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TRACK-BY-TRACK

1. ‘What Are The Odds’ by DEATH VALLEY GIRLS (California)


Photo by Little Ghost/Kelsey Hart

This was the first single of their best album to date Islands In The Sky. A terrifically juiced-up power-pop chant triggering your limbs to get up and move. And when the under the spell of joy choir joins Bonnie Bloomgarden on the elated chorus you just know that this stunning tune is a winner.

We are living in a simulated world
And we are simulated girls!

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2. ‘Lads Lads Lads’ by LAMBRINI GIRLS (Brighton, UK)


(Press photo © Bridie Florence)

The unquestionable sensation of the year.

The sassy spirit of fiery Riot grrls, the primal screams of X-Ray Spex‘s late genial vox Poly Styrene, the unbridled DIY mentality of The Slits. It’s all here to get in the macho faces of all macho males. Lads Lads Lads is a loud and clear clamorous uppercut. Trash and slash punk turmoil. Holy fucking smoke!

Feel the fury.

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3. ‘Riverstone’ by DITZ (Brighton, UK)


(Photo by Turn Up The Volume – Brugge, Belgium 2023)

“The lyrics were related to whatever we were talking shit about that day.
Dirt-cheap ’baccy and annoying, invasive TikToks. It’s hard to recall.”

Riverstone is an excessive electro-industrial sledgehammer doing your head,
your ears and your mind in. Bang-bang-bang-bang. Deafening drones, psychotic
guitars, and schizophrenic vocals, it’s all here to have an electric brain-frying
chair experience.

Right here.

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4. ‘Just Shadows’ by JEEN (Canada)

All-round Canadian singer/songwriter nailed it with this efferscent swirling knockout.

This is the kind of 24-Carat gold banger that makes your day, that boosts your worried state of mind, that puts a big smile on your face, that works faster than any stimulant and most of all, that gets you on your feet, triggers your best rotating dance moves and make you embrace life. Reality is not all doom and gloom, as many (mostly politicians) want us to believe to push their own power-greedy agenda. To hell with them.

Listen/watch.

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5. ‘This Just Ain’t My Year’ by 32 TENS (UK)


(Promo photo)

These vigorous Brits hit big time with this flamboyant ripsnorter.
It’s full tilt ahead from the get-go. No brakes, no breaks, and
creeping under your skin faster than you can say this is super-duper.

A whirlwind of scorching guitars, pounding drumming, a revolving bass line
somewhere in the middle, go-getting vocals and a dynamite chorus combine
for a badass belter. 2023 was the year for 32 Tens.

Touchdown.

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6. ‘Baggio’ by MILES KANE (UK)

This contagious cracker celebrates forer Italian football star Roberto Baggio

Kane: “I was eight years old when I first saw Baggio on TV, it was during the
1994 World Cup. I was taken back by his presence, his look and his talent. It was
the first time I’d seen a man look so different and unique. Seeing Baggio led me to
e obsessed with that Italian football team for many years later.

Baggio is one of those typical Kane tunes. Immediately recognisable with its
uplifting 60s/70s beat and blissful melody. But it’s a glorious guitar fragment
and accompanying harmonious, backing vocals that lift the song to a five-star
pop level.

Goal!

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7. ‘Gorilla Guerilla’ by MANTRA OF THE COSMOS (UK)

This new supergroup features Shaun Ryder & Bez (Happy Mondays/Black Grape),
Andy Bell (Ride/Oasis) and drummer Zak Starkey, yes Ringo’s son, who actually came up with this project’s idea and describes it as “a fantastic psychedelic groove from a band of misfits, outsiders and innovators.”

First single Gorilla Guerilla is a mind-boggling techno-rock stomper
to start and end all (il)legal raves with and fill dancefloors around the
globe with. This seasoned collective is a mean groove machine.

E-tastic!

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8. ‘Right Wing Beasts’ by SLEAFORD MODS (UK)

The duo launched their 12th LP, called UK Grim last March.

This rattling piece is my absolute favorite.

It’s Sleaford Mods by – very good – numbers. The mods still spit and sneer
against Tories‘ merciless pressure and devastating regime. And they still do
it with rappin’ vibrations.


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9. ‘Foefetti’ by JODIE LANGFORD (Hull, UK)

The waterfall wordsmith from Hull (UK) released her tip-top debut EP Chaos Of Time
and followed it with this booming corker. Glittery, glammy and trashy (like the video).
Sing happy birthday to 6-year-old princess Jodie midway. Don’t worry afterward you
can continue to pogo around the table.

Whang, whang, whang.

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10. ‘Dicks In Tanks’ by MORLOCKS (Gothenborg, Sweden)


2023 photo by Krichan Wihlbor

This Swedish turbo founded by mastermind J.Strauss had
a new flabbergasting album out, named Praise The Iconoclast,
this year.

Single Dicks In Tanks features vocal efforts from Sascha Konietzko of KMFDM,
dark ambient electro queen Karin My and black metal maestro Heljarmadr
of Grá/Dark Funeral.

Morlocks‘ cynical take on war is sharp-cutting like a first-class Swiss knife

“Salute every hard on, a call to arms / this is my klaxon / sound the alarms”.

It all starts with warning war sirens and marching soldiers chants.
90 seconds later, it’s all hens on deck when this industrial rock missile
erupts with a blitzkrieg fierceness.

Think Rammstein and NIN having a fight with riot guns.

Shoot.

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11. ‘An Individual Soul’ by PRINCESS UGLY (Portland, US)

This blitz duo – J. Christopher-Rome (lyrics/vocals) and Christopher Moncrieffe (music/instruments) mix post-punk, early 80’s goth, shoegaze, and new wave
into their own brand of sound.

An Individual Soul is a multi-layered serpent of a track.

After a short shock intro, psychobilly guitars take over and riff
and roll all the way through, surrounded by glowing synths waves.

Add Christopher-Rome’s creepy whispering and you’ll feel transported
somewhere into a twilight zone where Goths party. Princess Ugly’s ominous
mind mystifies and the enigmatic she-devil in the video is a misleading
magnet.

Check in.

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12. ‘How To Replace It’ by dEUS (Belgium)

The veterans – the best Belgian band ever – dropped their 8th LP,
baptized How To Replace It last February, their first in 11 years.

The title track, also the LP’s opener is a vintage dEUS grower.
An ongoing spellbinding trip that works its way to an
explosive climax.

Watch/listen.

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13. ‘Huevos Rancheros’ by THE IRRATIONAL LIBRARY (The Netherlands)

These Dutch-American misfits have their roots firmly planted in both the regional
and international counterculture. They produce a raw, dirty groove influenced by
punk, provo and punk icons. Their poetry is packed with social criticism.

Huevos Rancheros, from their new longplayer Good Busy is a song about
seeing life clearly through all the haze and confidently strolling through the
daze.

It’s a tremendously sticky and melodic tune that mesmerises from the kick-off.
Stimulated by a sparkling and melancholic guitar riff à la Kurt Vile, a footstompin’
beat and word-smith Joshua Baumgarten‘s expressive storytelling it becomes an
electrifying humdinger, after a couple of spins.

Play.


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14. ‘Wild Bird’ by THE CORAL (Liverpool, UK)


(Press photo via Maintain Perspective PR)

The singular psych-folk-pop-rock wanderers released, this year,
one of their best albums ever with Sea Of Mirrors

Wild Bird is The Coral at its relaxing best. A characteristic psych-pop gem
that pleased my ears on repeat since it came out. Breezy and heartwarming,
causing an I-feel-so-much-better-now thrill in the end.

Watch/listen.

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15. ‘Now And Then’ by THE BEATLES (Liverpool, UK)

Paul McCartney, George Harrison, and Ringo Starr worked in 1979 on the demo
of this previously unreleased John Lennon beauty, but didn’t finish it at the time.

Now, using advanced technology and a curatorial touch, McCartney
and Starr have completed what they started with George, and turned
it into a fully orchestrated nugget of a love song

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16. ‘Nice To Say Hello’ by THE ROGUES (Wales)

This young outfit from Newport, Wales drew TUTV’s
attention in an eye/earblink with Nice To Say Hello.

It’s only their 3rd single, but this young team sounds as if they’ve been
around for years. Nice To Say Hello is a top-pop thrill. Irresistibly catchy
and captivatingly melodic. Layers of glimmering guitars with an endearing
resonance, that brings, yes, Noel Gallagher’s strumming play of his solo
work to mind.

The charming vocals and the infectious chorus
make the sonic picture complete. Fabulous feat.

Say hello to The Rogues.


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17. ‘Freedom’ by CHIC CHOC (NYC)

Chic Choc are three musically seasoned Amazons from NYC using drum machines,
synthesizers, guitars, voice and a variety of sound filters and pedals to make
their point.

Freedom is their crystal clear debut single that criticizes, 200% rightly so, the fact that women still have to fight for so many fundamental rights. It’s bloody 2023 and so much female injustice is still a reality.

Sonically it’s a striking EBM earworm to fill dance floors with. Brisk beats, cool chorus, sensuous vocals and a protesting choir, combine for a spirited piece. Bang-on.

Le freak, c’est chique choc.


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18. ‘You’re So Cool’ by KAT KOAN (Berlin, Germany)

This Berlin-based songstress released her arresting debut full-length
LUSTPRINZIP last year. This year, she recorded/shared three rad singles.

You’re So Cool (me?) is one of them. A sexy dance stomper with an instant impact on your hip movements. And, as usual, Koan‘s sultry voice tickles your imagination and makes you light some candlelights, and seduces you to do some shadow-dancing.

Tune in.


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19. ‘Eureka!’ by Band: THE VANITY PROJECT (London, UK)


Photo by Jamie Chapman

The Vanity Project is a London-based queer freak pop duo featuring Flora Jackson and Rob Paterson. The project is a multi-instrumented, multi-genre fever dream fusing new-wave, modern art-pop and PC Music influences with dashes of jangle pop, Latin alternative and drum and bass, dazzling hooks, and wryly humoured dystopian lyrics. All accompanied by eccentric visuals.

‘Eureka!’ was one of the standout singles on their debut album, named
We Never Should Have Come Here, that landed last September.

Combine the madcap vibrancy of Sparks‘ early days and some glamourous
Queen bombast and you’ll scream out loud Eureka!. These misfits produce
eccentric pop pleasure, sonically and lyrically, without mainstream
restrictions.

They sound kooky and look kooky, but make no mistake, this tantalizing
tandem know perfectly well how to fabricate and construct entertaining
music.

Listen/Watch.

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20. ‘103’ by THE KILLS (US/UK)

One of my all-time fav bands, on record and on stage, returned, finally,
this year with their acclaimed LP God Games and this arousing bluesy piece
is one of the highlights.

Watch/listen.

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21. ‘Dead Moon Rising’ by CACTUS FLOWERS (Houston, Texas)

Cactus Flowers is a psych-rock outfit from Houston, Texas fronted by Jessica A.M., whose mother photographed bands for Rolling Stone during the magazine’s counter-culture heyday.

With Dead Moon Rising we get a mid-tempo garage blues-rock corker fuelled
by echoing, rollicking riffs, steady drum hits and arresting Jessica A.M. vocals.
This raw cracker resonates like glorious legends The Cramps in slo-mo with a
mean machine vibe, rock-and-psycho-billy swagger and hefty dynamics. From
bad moon rising to dead moon rising.

Let’s roll.


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22. ‘Lunar Eclipse by THE VACCINES (UK)


(Photo by Turn Up the Volume – Lokerse Feesten, Belgium – 2022)

The British guitar pop idols will make their fans happy with their new, sixth
full-length, baptized Pick-Up Full Of Pink Carnations out on 12 January 2024.

This is one of the 4 singles they dropped so far. It’s The Vaccines alright.
Sickly sticky guitar euphoria. Totally crazy.

Yes.

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23. ‘Spellbinding’ by THE SMASHING PUMPKINS (US)

With this year’s three-part rock opera Atum chief
pumpkin Billy Corgan released one of his sonic dreams.

And with Spellbinding the band delivered a robust rocker infused with radiant synths, exploding now and then into a feverish haymaker on the flaming chorus and ending
with a dreamy fade out.

C’mon, Billy.


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24. ‘Heart On’ by 2LIBRAS (Seattle, WA)

2LIBRAS is a Seattle-based Cyberpunk duo that create dark, synthy beats infused with melodic guitars and vocal harmony since 2018. Their music infuses genres of industrial, dark electro, synthwave/synthpop and rock.

Heart On was one of the singles of their notable debut album World’s End.

It just was the best 2023 Valentine tune. An intoxicating mid-tempo groover. Both spicy and funky, lustful and provocative with hypnotizing vocals. Its slow-mo synth-bass beat crawls under your skin, and progresses steadily towards your restlessly pounding motor while your mind tries to figure out what is going on. Amorous communication isn’t easy, let your heart do the talking. It’s made for it.

Roll the tape.

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25. ‘‘A Feather Of A Pigeon In The Cave Of The Wisdom Of God’ by LIGHT BY THE SEA (The Netherlands)

The Dutch duo offered an intriguing pop symphony with this weirdly titled composition.

Scintillating electronic bliss, beautifully orchestrated.
And the accompanying video is a classy and subtly
sexy visualization. Top achievement.

Listen/watch.

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TUTV: Facebook – Instagram – Twitter

TURN UP THE VOLUME’s 25 Best Tracks Of 2023… So Far

Posted on by JL

Time flies. We already have six months of 2023 behind us.

Six months of listening every day to music, bad/good, very good and 24 Carat Gold.
It was hard to make a selection of the 25 most impressive pieces. But we did it.

Turn Up The Volume’s 25 Best Tracks Of 2023… So Far
Right here, right now.

ALL TOGETHER


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TRACK BY TRACK

1. ‘Lads Lads Lads’ by LAMBRINI GIRLS (UK)

These Brighton punk feminists are MENTAL and AWESOME.

They released Turn Up The Volume‘s best EP of 2023 (so far), named You’re Welcome
a couple of weeks ago. And one of the 6 Molotov cocktails on it is this in your-macho-face sucker-punch. The Lambrini girls race faster than a Ferrari bolide. Best band in the world!

Halle-fucking-lujah

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2. ‘This Just Ain’t My Year’ by 32 TENS

A vigorous young trio from the UK. On this turbulent ripsnorter, it’s full tilt ahead
from the get-go. No brakes, no breaks, no mistakes. A whirlwind of scorching guitars,
pounding drumming, a revolving bass line somewhere in the middle, go-getting vocals
and a dynamite refrain. This is gonna be the year for 32 TENS.

Here’s why.


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3. ‘Gorilla Guerilla’ by MANTRA OF THE COSMOS (UK)

This brand-new supergroup features Shaun Ryder & Bez (Happy Mondays/Black Grape), Andy Bell (Ride/Oasis) and drummer Zak Starkey, yes Ringo’s son, who played with Oasis and The Who among others and who actually came up with this project’s idea and describes it as “a fantastic psychedelic groove from a band of misfits, outsiders and innovators.”

Whatever, this first single is a Booming Blast!

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4. ‘Right Wing Beast’ by SLEAFORD MODS (UK)

Hip-shaking-hop highlight from the waterfall-punk-rap duo’s 12th LP UK GRIM.


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5. ‘Freedom’ by CHIC CHOC (NYC)

It’s an incredible shame that women still have to fight for so many fundamental rights.
It’s bloody 2023 and so much female injustice is still a reality. So, it’s great that female artists get up, stand up and fight for their right to tackle this human disease.

Chic Choc do it right away on their fantastic debut single. An electronic-booming EBM knockout to fill dance floors with. Boosting beats, catching chorus, sensuous vocals and
a protesting choir, lead to a sassy stunner. Bang-on. Le freak, c’est chic choc.

Freedom for every woman on the planet. NOW!


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6.’Beefcake Doctrine’ by CHUM (London, UK)

This 4-piece post-punk from London launched their
kick-ass debut LP Metaphysical earlier this year.

Beefcake Doctrine is driven by repetitive Krautrock dynamics.
Its trance-inducing beats create a hypnotic and puzzling razzmatazz
you can’t and you won’t escape from.

Touchdown!

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7. ‘Riverstone’ by DITZ (Brighton, UK)

After scoring the best debut LP – to TUTV’s ears – of 2023
The Great Regression, followed by a live album, they just
dropped this brain-frying hammer blow.

An electric chair experience.


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8. ‘Lose My Mind’ by THE MANIC BOYS AND GIRLS CLUB (Canada)

It’s a liberating, drum-backed anthem that allows the band to break free from any stress
or obligations in pursuit of a good night. Good times or bad times, it’s always (in)sane to lose your marbles while diving into a hot let’s have a ball night, now and then. And ‘Lose Your Mind‘ is the matching master blaster to double your adrenalin production.

Sheer euphoria.

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9. ‘Bullet Man’ by PARIS TEXAS (Los Angeles)

On this slam hip-hop dunk the duo condemn the US’s mass shootings of late in a cynical loud-and-clear way The rip-roaring rappers pretend to be murderous shooters firing at everyone and everything. Bulletman is a devastating drill, a boiling burst that cuts like a first-class Swiss knife.

Shoot.

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10. ‘Set Yourself On Fire’ by ULTRA SUNN (Brussels, Belgium)

Once again this cold/darkwave duo – Sam Huge and Gaelle Souflet – shine in the darkness. The rapturous chorus hits you from the first spin. Resounding beats, entranced synths, and echoing vocals combine for another triumph.

Shake your booty.

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11. ‘Your Death Is My Glory’ by CAMLANN (Indonesia)

A human-caring dark-disco duo Ony Godfrey and Fauzan Pratama from Indonesia.

Their newest single is a catchy-as-hell injection that accelerates your bloodstream.
An irresistible stomper to jump up and down like crazy while giving the middle
finger to all power-greedy politicians.

Score!

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12. ‘Lipstick’ by GHOST FETISH (Seattle)

What a way to debut! Expect a glorious nightclub gem with a synth-tantalizing vibe reminiscent of the starry-eyed sparks of British electro-pop heroes New Order. Lipstick
is both a sensuous and affectional tune with gripping vocals up front and melancholic
ones in the back.

Top!


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13. ‘Prophecy Of The Dragon’ by THE VOIDZ (NYC)

Julian Casablancas, the voice/face of The Strokes returns with his hobby band.

Their new single is a flabbergasting metallic corker. It goes forth and back, left and
right, slow and fast as if Casablancas and his misfits put several snippets of several
songs together and puzzled them into one stupendous stroke of a track.

Blimey.

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14. ‘What If?’ by QUIZ SHOW (Montclair, NJ)

This noizzzz jackhammer from their self-titled debut LP rocks and rolls with panache. Expect ablaze guitars buzzing in a slow/fast mode and turning up the volume, especially
on the yell-along refrain. Legends Hüsker Dü come to mind. Say no more.


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15. ‘Heart On‘ by 2LIBRAS (Seattle)

It’s the second single off of the upcoming debut album World’s End of this cyber-synth duo.

Heart On is an arousing mid-tempo groover. Both spicy and funky, shadowy and seductive, lustful and provocative with hypnotizing vocals. Its slow-mo synth-bass beat crawls under your skin from the kick-off and progresses steadily towards your restlessly pounding heart.

Groovy.

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16. ‘Night Time’ by BROKEN RECORDS (Scotland)

The first single from their new, 5th full-length,
named The Dreamless Sleep Of The 1990s.

Night Time is an ecstatic, awe-inspiring, and anthemic thrill. It has that engrossing and
afire rock swagger of Bruce Springsteen‘s melancholic Americana exploits, it’s infused with
The Edge-like guitar sparks and frontman Sutherland‘s ardent signing is a perfect match for this soul-stirring pearl.

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17. ‘Spellbinding’ by THE SMASHING PUMPKINS (US)

Billy Corgan and his combo released a rock
opera opus titled Atum: In Three Acts.

A total of 33 tracks which I reduced to a great 12-song album.

One of those 12 cuts is this flaming synth-induced haymaker.


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18. ‘Cars’ by Artists: LUNAR TWIN (Hawai/Salt Lake City)

This electro-pop duo scored an excellent album with Aurora last April.
A 30-minute sonic trip, an ambient fantasy with trancy vibrations, ataractic
effects, and near-whispering vocals.

Cars is my favorite piece. Electrifying dream pop
at its mesmerizing best with sparkling guitar play.

Home run.


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19. HRT by Band: I, DORIS (London)

This colorful collective criticize the disastrous state of health care, with the government ignoring the life-risking problems, in England with a sickly sticky riot grrrl pop tune that activates your limbs instantly.

Think Debbie Harry and Blondie playing around on their debut LP. Vibey and briskly. Frolicsome 60s organ touches, lively guitars here and there, and avid vocals.

Applause.

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20. ‘From The Start’ by LOST IN JAPAN (Canada)

The band’s new punchy stroke jumps up and down in your head and elevates your mood from the start. It’s a contagious foot-stamper with a poppy chorus vibe inviting you to play air guitar and sing along with all the force your lungs can come up with.

Wowzers!

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21. ‘Los Angeles: City Of Death’ by SWANS (NYC)

Capricious mastermind Michael Gira and his combo around for
a long time now, actually since 1982. But they still deliver impressive
goods.

New LP The Beggar is a mind-fucking feat.

And this grand jam is an ongoing, repetitive psych drone, with
saw-edged guitars Gira‘s poignant vocals adding a creepy
touch.


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22. ‘Sinatra Drive Breakdown’ by YO LA TENGO (Hoboken, NJ)

A notable psychedelic trip by the lauded indie veterans who released
one of their best longplayers (17 in total) with This Stupid World.


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23. ‘Dead And Over’ by DOWN THE LEES (Canada)

The first new music in three years from the post-punk-rock project of singer-songwriter-guitarist Laura Lee Schultz. The composition captures the raw emotions of sadness, frustration, and anxiety that permeated throughout the years since the pandemic began.

The track’s ominous mid-tempo progression and swelling structure advancing over
an ongoing hypnotic guitar riff send shivers down your spine. Second by second, like
a nervously ticking clock, the sonic poignancy and heartfelt fervidness grow with exuberance and magnitude until Schutlz’s monumental vocals go through the roof.


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24. ‘Why Did You Go?’ by CHVRLI BLVCK (London)

This is an emotive post-break-up pearl. Heartfelt reflections embedded in
a goosebump musing that resonates like a bittersweet symphony. This British
singer-songwriter’s highly passionate vox reminds me of Antony Hegarty‘s sensitive ardency. The whole-souled tristesse and mixed emotions at play here make you
silent.

Tune in.


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25. ‘A Little Bit’ by MILES FROM NOWHERE (Hamilton, Ontario)

This is the artistic moniker of Canadian songsmith Miles Evans-Branagh. He signed for
one of this year’s best albums, so far, with Slow Down. Eight musings. Eight engrossing compositions with one and the same message: get high on life with love. Craftily written, subtly arranged, and graciously orchestrated with intimate, soulful charm and stylish elegance that moves and touches.

Opener A Little Bit is one of those 8 affecting reveries.


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Pitch Black Electro-Blues For The Midnight Hours – Seattle Duo 2LIBRAS With Debut Album ‘WORLD’S END’

Posted on by JL

Splendid albums

4 April 2023

Artists: 2LIBRAS

Who: Seattle-based Cyberpunk duo – Wesley and Jewels Foster that creates dark, synthy beats infused with melodic guitars and vocal harmony since 2018. Their music infuses genres of industrial, dark electro, synthwave/synthpop and rock. Thematically, 2Libras focuses on lyrics that reflect the influence of technology, big data, and social media in our global society and how that affects interpersonal relationships while diminishing our collective outlook. So far they produced/released 9 EPs/singles, 4 music videos and now their brand new debut album.

Debut album: WORLD’S END

“We created an AI child from the pieces of ourselves that we preferred the most. We made it immune to death and out of love it found a way to keep us from dying also. For some time we were content in our prison of silicon. Eventually we started questioning everything, including a way to escape. The ghosts in the machine told us a way. Will we make it out before the World’s End?”

TUTV: 2Libras operate in a surreal-like shadowy environment where they prepare for Doomsday, where they fabricated this soul-purifying and cathartic, synth-infused darkwave album and from where they share their worrying reflections with our messed-up world.

Expect nightmarish hallucinations in slow motion (Into The Sun, Talking To Ghost, World’s), synth-overwhelming scores with angered and bone-chilling duet-vocals (Golden Age Of Isolation, We Fought The Machines And They Won, Heads Against The Wall) here and there
you hear early poppy Depeche Mode echoes but overall the mood is gloomy and sombre. Pitch-black electro-blues for the midnight hours.

But maybe, only maybe, there’s a light at the end of our miserable 2023 tunnel as I experience on their standout, both romantic and haunting, single (one of the most haunting songs I heard all year) Heart On.

Buy/stream album here.


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2LIBRAS: Website – Instagram

(Press photos via 2Libras)

TURN UP THE VOLUME’s 20 Best Tracks – Februrary 2023

Posted on by JL

ALL TOGETHER on Spotify…

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TRACK BY TRACK

1. ‘Someone Up There’ by THE WAEVE (UK)

British duo THE WAEVE feat. Graham Coxon (Blur‘s guitarist) and songstress
Rose Elinor Dougall – launched their sterling self-titled album early February.

One of the highlights is this turbulent, riff-rotating and capricious groover
named Someone Up There that works as a mesmerizing magnet.

Touchdown!

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2. ‘Casting No Light’ by NOBLE ROT (Canada)

Clamorous frontman Alex Edkins of Canadian noise engine Metz and Graham Walsh, keyboardist of dance punks Holy Fuck, got together for a project of their own, named, Noble Rot. They have their debut ‘Heavenly Bodies, Repetition, Control.‘ out next month.

They just dropped first single Casting No Light. A motorik Krautrock-like mindfucker that circles around like forever, pushed by a pumping synth/drum/guitar riff-boom-beat that grows in hypnotic intensity along the way. Fucktastic!

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3. ‘Drum’ by YOUNG FATHERS (Scotland)

This Scottish dance-funk-punk trio is on an unstoppable roll. Their new, 3rd LP Heavy Heavy is a total triumph (Turn Up The Volume‘s Album of the Month) and their swirling concert in Antwerp (Belgium) blew the roof off the building.

One of the standout tracks on the album is Drum.
A flamboyant, head-over-heels stormer.

Vibe!

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4. ‘How To Replace It’ by dEUS (Belgium)


(Photo by Turn Up The Volume)

The Belgian Gods released their new longplayer How To Replace It?,
their first in 10 years, a couple of weeks ago.

The title song is a phenomenal piece. A mid-tempo stunner, driven by big
drums and frontman Tom Barman‘s bewitching vocality. It advances with
swelling orchestration toward the grand symphonic climax.

Top!

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5. ‘Islands In The Sky’ by DEATH VALLEY GIRLS (Los Angeles, CA)


(Photo by Turn Up The Volume)

The amazing Los Angeles Amazons delivered their
best album (so far) Islands In The Sky only last Friday.

The title track is a blissful guitar-pop earworm that sticks from the get-go
with Bonnie Bloomgarden‘s spell-binding vocals inviting you to her island of joy.
I’m on my way. Join me.

You’re in charge of your perception of your life
You can choose what you keep
And what you leave behind

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6. ‘Heart On’ by 2LIBRAS (Seattle)

This Seattle-based Cyberpunk duo – Wesley and Jewels Foster – nailed it with this arousing mid-tempo, electro-drum-beat-driven knockout from their upcoming full length World’s End. It’s sexy, catchy, trippy, and makes your blood pumping through your heart.

Je T’Aime Moi Non Plus for the dancefloor.

Sonic sex.

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7. ‘Samo’ by A CERTAIN RATIO (Manchester, UK)


(Press credit)

Manchester’s vibrant dance legends A Certain Ratio
canned their 11th LP, named 1982. It lands at the end
of March.

Single SAMO is as funky as hell. Consult your doctor
if your limbs refuse to move to this nightclub corker.

Tune in.

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8. ‘Sinatra Drive Breakdown’ by YO LA TENGO (New Jersey)


(Press photo)

The imperishable indie veterans keep on doing what they do best,
releasing notable LPs, this time with fresh one titled This Stupid World.

Riveting psych-riff jam Sinatra Drive Breakdown
is the track I always go back to.

Here’s why.

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9. ‘Scatterbrain’ by FILIBUSTER (Belgium)

This Belgian 4-piece outfit is gearing up for their 2nd longplayer, baptized
Quiet Part Out Loud, out next month, on 15 March, via Fons Records and
Gazer Tapes.

Newest single Scatterbrain is a riff-roaring rocker that grows on your ears
with every spin. It has a moody, shoegazy resonance annex reflective vocals.
Striking stroke. Bring on the album.

Press play here.

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10. ‘What If?’ by QUIZ SHOW (US)


(Photo by Phil Silverberg)

This fresh high-energetic trio features members from
Shudder To Think, Guided By Voices and The Dambuilders.

Their self-titled debut LP will see the day of light on 17 March.

What If? is a freaked-out, riff-drunk sucker punch that could
easily come from a Hüsker Dü LP. Herky-jerky electricity with
a steamrollin’ sticky chorus. Wowzers.

Lit up here.


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11. ‘I Expire‘ by MALE TEARS (L.A.)

This dark-Goth-wave duo from the City of Angels look like vampires,
they sound like vampires and they fabricate vampirish stuff.

The torrid tandem unleash their
new album KRYPT on 28 April.

Ahead of the release, to get us in the right make-up mood, they hit us
with first single I Expire. A punked-up electro uppercut to set batcaves
on fire with. One listen and the brisk beats will haunt you all day long.

In the accompanying video, Male Tears get straight in
your scared face and suck you into their wicked world.

Roll the tape.

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12. ‘The Court’ by PETER GABRIEL (UK)


Press photo GB – FB

No retirement yet for the once-upon-a-time face/voice
of art-prog-rock titans Genesis. His 9th, solo album,
named i/o lands next month.

Newest single The Court is Gabriel trippin’ in synth-pop land.

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13. ‘Tiger Girl’ by TEROUZ (France)

Canadian pop noir artist Terouz, as I said before, has a midnight-hour voice, that resembles the tone and timbre of Tindersticks frontman Stuart Staples and The National‘s maestro Matt Berninger’s.

His new song is a groovy love-drunk gem featuring the sensuous voice
of his ex-partner. It gets under your skin from the kick-off. Two spins and
you’re hooked.

Beware, tiger girl is a femme fatale.


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14. ‘Death Beats’ by NECRØ (Lisboa, Portugal)

NECRØ is the latest project of Portuguese musician João Vairinhos
featuring idiosyncratic singer and keyboard player Sara Inglês,.

The title track of their 6-track EP Death Beats
is Turn Up The Volume‘s favorite.

A dark-techno-wave rumbling that stomps and whomps with intense
impetus doing your head in from the get-go. Doomed beats for twilight parties.
The tenebrous vibe at play here sends shivers down your spine, while Sara Inglês‘s
ghostly wailing is reminiscent of shadowy Siouxsie Sioux moments.

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15. ‘What A Day’ by THE MYSTERY PLAN (Charlotte, US)


(photo: Daniel Coston)

This Charlotte-based collective seduced my sensitive ears with the title track of
their 3-track EP What A Day. The harbinger for upcoming 7th LP ‘Haunted Organic Machines’.

Feel-good tunes like these are always welcome on my headphones. What A Day is
a breezy synth-scintillating vibration that triggers sensual body moves. Its featherlight tonality causes a dreamy state of mind with trancy tinglings. And when that sweet flute came on, I swear, I saw a Spring bird flutter in the blue sky.

Enjoy!

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16. ‘Lonely Town’ by GALEN & PAUL (UK)

Multi-instrumentalist and songstress GALEN AYERS and former The Clash
bassist PAUL SIMONON have a collaborative album, named Can We Do
Tomorrow Another Day? out on 19 May.

I’ll be a pretty special one as the pair wrote a collection of bilingual duets, with both of them singing in English and Spanish and explore a variety of European music cultures. First single Lonely Town is a sweet, little pop ditty. You can sing/hum/whistle along.

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17. ‘I Remember What You Said’ by Artist: DYAN VALDÉS (Cuban-American)


(Photo credit: Petra Valdimardottir)

This Cuban-American singer-songwriter, living in Berlin, played/plays
in several bands and works as a solo artist too and has now a new single
out, named I Remember What You Said.

It follows her last year’s excellent debut album Stand.

The pretty poppy song is about a nightmarish memory of a poisonous
relationship. With its agitated words-flowing drive it feels like Valdés
wants to wash away all the BS and move on. Mission accomplished.

Check it out.


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18. ‘Dust’ by SUMMIT OF THE BIG LOW (UK)

Summit Of The Big Low is the moniker of British musician Toby Uffindell-Phillips,
who was a member of the early 00s folktronica group Sound Sanctuary.

This new piece, from his self-titled album out on 19 May, is an affecting folk-pop reverie that streams as a brisk brook. Sparkling, crystal clear, and glimmering in the sun. Its wistful tone, smooth vocals, and frisky finger-picking guitar play combine for a sweet little pearl.

Stream/buy.


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19. ‘Prisoner’ by 7DESCENT (Nashville, TN)

This 4-piece from Nashville produces a mix of metal, opera & 80’s rock.

Their new single Prisoner is about being captured and trapped by someone’s love.
It’s a mid-tempo power ballad that slowly but surely infiltrates your ears with its
anthemic dynamics, impassioned vocals, and weeping guitars.

Play here.

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20. ‘Tongue Of Kalina’ EYEMOUTH (Sweden)

This musical project started in Gothenburg, Sweden in 2014 and presents a soundscape based on electronic backgrounds and a more classic rock instrumentation blended with mellotrons, vibraphone, santur, harmonium and other alluring sounding instruments. In short, atmospheric psychedelic darkness with occult undertones.

Eyemouth‘s new longplayer, titled A Headlong Fall Into The Vast Ocean Of Anxiety reverberates a cinematic synth soundtrack to an atmospheric, hallucinatory dream
movie yet to be made.

Closing track Tongue Of Kalina gives you a perfect idea of it.

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Best 2023 Valentine Serenade – Cyberpunk Duo 2LIBRAS With Shadowy Groove ‘HEART ON’

Posted on by JL

New striking strokes

13 February 2023

Artists: 2LIBRAS

Who: Seattle-based Cyberpunk duo – Wesley and Jewels Foster that creates dark, synthy beats infused with melodic guitars and vocal harmony since 2018. Their music infuses genres of industrial, dark electro, synthwave/synthpop and rock. Thematically, 2Libras focuses on lyrics that reflect the influence of technology, big data, and social media in our global society and how that affects interpersonal relationships while diminishing our collective outlook.

New single: HEART ON

“It’s the second single off of the upcoming debut album World’s End. Said to be this generation’s “I want to hold your hand“, the song innocently professes its feelings for you the only way it knows how. Growing up with the internet has left little to the imagination. How can you express yourself properly out in the real world when the words have never even left your lips? Might as well try and find out. You don’t have to be shy.”

TUTV: Best 2023 Valentine song I heard all week. Heart On is an arousing mid-tempo groover. Both spicy and funky, shadowy and seductive, lustful and provocative with hypnotizing vocals. Its slow-mo synth-bass beat crawls under your skin, and progresses steadily towards your restlessly pounding motor while your mind tries to figure out what
is going on. Amorous communication isn’t easy, let your heart do the talking. It’s made
for it.

I’ve got a heart on for you
I’ve got a heart on for you
And it’s beating
It’s beating
It’s beating
Inside you
And you can feel it
You can feel it
You can feel it
Deep inside you

Roll the tape.

2LIBRAS: Website – Instagram

(Photo on top via EPK on 2Libras’ website)