NME: “Funk-pop maximalist gets her hands dirty. The genre-blending artist
emerges from a period of emotional turbulence to unearth a more grown-up,
toned-down sound.”
Press info: “Freeman writes about the fears of love nursed by catastrophe,
yet protected by the limits of its own memory. He dives well and far here into
what it costs to live through the present moment, and his band’s instrumentation
mirrors that with dense song structures and spacious improvisation.
The weirdest angel I ever saw.
Front and back cover Art and Photograph by Agata Ferrari Bravo. Art layout by Greg Freeman
HotNewHipHop says: “A mix of metal and rap vocals that will leave your head spinning. Ultimately, it is a dope project, but it may not be for everyone given just how experimental things can get. Whatever the case, the underground is in good hands.”
Original photo: Ada Duffy. Handmade mixed-media collage by Billiam
Artist: BILLIAM Who:Australian punk who says he produces Autism-core, a term he uses
to describe his deeply personal, anxiety-fuelled punk paired with irresistibly
catchy hooks.
Album: FANG THE SNIPER
His 5th. Ready for release
on October 22th.
Who: English high-volatge singer-songwriter,
multi-instrumentalist and producer, born
Roxanne Emery. She’s non-binary, and uses
she/they pronouns.
After achieving everything she’d spent her life fighting for, a UK Top 10 album
with her debut Restoration, sobriety, love, family and a second chance at music, Rory found herself confronting a darkness she thought she’d already survived.
Kerrang says: “Though different emotions are taking centre stage here, RØRY has been real, raw and affecting all over again, and it’s impossible to experience BLOODLETTING without feeling even just a prickle of everything she’s endured over the years.”
Artwork: “The cover art was painted by a hero of ours: Erin Sullivan @mr_erin
of the excellent band of the excellent band A Frames who have been have our
biggest inspiration for starting this project so it’s a full circle moment for us.”
Check the firm, bass/drum propelled, fired-up guitars
motorized, and robustly vocal jackhammer No Woods.
A deafening record about emergence, about recognizing
uncomfortable truths and finding clarity in their wake.
Artwork: “The luminous and deeply unsettling artwork of Bora Murmure,
THROAT SLAVE occupies a space somewhere between nightmare and revelation.
Like the glowing figure depicted on its cover, the record emerges from darkness transformed – beautiful, disturbing, and impossible to fully explain.”
Seabird brings the early, unpolished PJ Harvey and American songstress (Izzy Hagerup) .
She sounds like a whimsical wanderer who writes songs about the daily thoughts troubling her mind, also expressed in the abstract artwork of the album..
The album is out now on CD, and will be fully
stream on the Internet from October 2nd.