THE ROLLING STONES – 40 Candles And An Anniversary Issue For ‘TATTOO YOU’

20 August 2021

Active: Since 1962 / 23th (British) studio LPs

Birthday album: TATTOO YOU – 16th LP
Score: No 1 in the US, Canada, Australia and
several European countries, #2 in the UK
Released: 24 August 1981 – 40 years ago

The anniversary trailer

Anniversary issue: Including nine previously unreleased tracks on
a disc called ‘Lost & Found’. Other newly excavated cuts are a couple
of covers and a reggae version of ‘Start Me Up.’ On another disc comes
‘Still Life: Wembley Stadium London.’

One of the previously unreleased tracks is Living In The Heart Of Love

Start Mick Up…

Full original album…


More info here

GARBAGE Release 20th Anniversary Issue Of Their Third Album ‘BEAUTIFUL GARBAGE’ On October 1

18 August 2021

Active: 1993–2005, 2007, 2010–present
Albums: 7 studio LPs so far, including the
excellent new one No Gods No Masters

20 years ago – 1 October 2001 – ardent rockers Garbage, led by the charismatic
lady Shirley Manson, released their third triumphant LP BEAUTIFUL GARBAGE.

AllMusic wrote back then: “It’s unlikely to storm the charts like their first two records, especially since there aren’t standout singles like on the earlier albums, but overall the
record works better, perhaps their best album.”

Sorry, AllMusic, it was actually a huge commercial success. The LP topped the
UK’s independent charts, the US Dance/Electronic charts, and the Australian
charts. Rolling Stone Mag named it one of its top 10 albums of the year.

The splendid video for 2nd single ‘Cherry Lips’

On 1 October a 20th Anniversary Reissue is coming our way,
featuring B-sides, demos, and remixes. Order info here.

Shirley Manson: “We wanted to celebrate the release of our third album in the same manner as we have celebrated the 20th anniversaries of our previous two records, as we cherish this third child of ours just as much as its predecessors. Over time it has garnered more and more respect from our fans, with many of the songs remaining in rotation in our live sets to this day. We’ve always felt incredibly proud of this record and felt it was in many ways very much ahead of its time. Twenty years down the line, we are all exceedingly grateful to have such well-crafted songs in our discography and are very proud that against all the odds we are still standing and can give our beloved album the tribute it so very much deserves.”

First taster is a previously unreleased alternate
rough mix of the album’s lead single Androgyny

Full original album…

GARBAGE: Facebook

Order info here.

BIG BLASTS FROM THE PAST – 5 Knockout Albums Turning 10 In 2021


Released: 11 March 2011 – debut LP
NME said: “By fusing elements of US pop-punk (the Ramones – not Blink 182), chillwave
(they too are obsessed with reverb) and classic good-time pop’n’roll (The Strokes, primetime Libs/KOL), The Vaccines have recorded an album that – if things continue to go their way – should serve to give British rock music a much-needed jolt in the arm.”

Stream here


Released: 11 July 2011 – third LP
Pitchfork said: “While they may have started out as all glittering surfaces, the Horrors have evolved into a dependable band making wide-reaching rock music. Whether a calculated retreat or just a natural maturation, the Horrors have found a sound more content with background and atmosphere, and it suits them nicely.”

Stream here…


Released: 17 October 2011 – self-titled debut LP
The Daily Mirror: “High Flying Birds is the best collection
of Noel Gallagher tunes since his Morning Glory days.”

Stream here…


Released: 14 February 2011 – eight LP
AllMusic said: “Let England Shake’s’ songs, touching on the disastrous World War I naval strike that left more than 30,000 English soldiers dead. Her musical allusions are just as fascinating and pointed. Its complexities make it one of Harvey’s most powerful works.

Stream here…


Released: 6 June 2011 – fourth LP
NME said: “Suck It and See’, then, is the band’s ‘Rubber Soul’. Much like how The Beatles spent the early part of their career penned in by commercial expectations, they broke out and proved they were much more than novelty love songs on their experimental, but concise sixth album.”

Stream here…


BJÖRK Released Her First Supreme Solo Album ‘DEBUT’ 25 Years Ago…

Going back in sonic history looking for memorable albums…

3 July 2018

Artist: BJÖRK

Album: DEBUT – her first solo album

Released: 5 July 1993 – 25 years ago

ALL MUSIC wrote: “Freed from the Sugarcubes’ confines, Björk takes her voice and creativity to new heights on Debut, her first work after the group’s breakup. With producer Nellee Hooper’s help, she moves in an elegantly playful, dance-inspired direction, crafting highly individual, emotional electronic pop songs. Possibly her prettiest work, Björk’s horizons expanded on her other releases, but the album still sounds fresh, which is even more impressive considering electronic music’s whiplash-speed innovations. Debut not only announced Björk’s remarkable talent; it suggested she had even more to offer.”
Score: 5/5 – Full review here

TURN UP THE VOLUME says: One of the most inventive, creative and entertaining artists in pop history, blessed with an other-worldly vox and outstanding songwriting qualities. This first-class debut started a spectacular career in sound and vision.

TOP TRACKS: Human Behaviour / Venus As A Boy / Big Time Sensuality




DEBUT in full…

BJÖRK: Website – Facebook – Discography

KATE BUSH Released Her Phenomenal Debut Album ‘THE KICK INSIDE’ Forty Years Ago…

Going back in sonic history looking for memorable albums…

15 February 2018


Album: THE KICK INSIDE – debut LP

Released: 17 February 1978 – 40 years ago

BBC Music wrote (in 2008) : “The tale’s been oft-told, but bears repeating: Discovered by a mutual friend of the Bush family as well as Pink Floyd’s David Gilmour, Bush was signed on Gilmour’s advice to EMI at 16. Given a large advance and three years, ‘The Kick Inside’ was
her extraordinary debut. To this day nothing sounds like it. Using mainly session musicians,
‘The Kick Inside’ was the result of a record company actually allowing a young talent to blossom. Some of these songs were written when she was 13! Helmed by Gilmour’s friend, Andrew Powell, it’s a lush blend of piano grandiosity, vaguely uncomfortable reggae and intricate, intelligent, wonderful songs. All delivered in a voice that had no precedents. Even so, EMI wanted the dullest, most conventional track, James And The Cold Gun as the lead single, but Kate was no push over. At 19 she knew that the startling whoops and Bronte-influenced narrative of Wuthering Heights would be her make or break moment. Luckily she was allowed her head.

TURN UP THE VOLUME says: “I still remember being completely struck dumb when I
first heard this album (some years after its release, actually). That otherworldly voice. Those peculiar song structures. Those daring, mature and outspoken stories. It took
some time to fully understand the genius of this young, experimental pop phenomenon. Special then, still special now. Oh yeah, after a couple of spins yesterday and today this magnum opus sounds as spectacular and compelling as back then. Well, this is what outstanding artists are all about…

Three highlights: Wuthering Heights / Strange Phenomena / The Man With The Child In Eyes

* WUTHERING HEIGHTSunavoidable and imperishable…

* STRANGE PHENOMENAangelic and mysterious…

* THE MAN WITH THE CHILD IN HIS EYESa beauty of a different kind

The kick in full…

KATE BUSH: Website – Facebook – Discography

DINOSAUR JR Released Supreme Album ‘WHERE YOU BEEN’ 25 Years Ago…

Going back in sonic history looking for memorable albums…

8 February 2018



RELEASED: 9 February 1993 – 25 years ago

ROLLING STONE wrote: “On their second major-label album, these college-underground champs recall the shambling lope of ‘Crazy Horse-era Young’, as well as hints of minor Seventies icons from ‘Blue Oyster Cult’ to ‘Humble Pie’. But far from being derivative, leader J Mascis takes a familiar deck of cards and deals out a new game. While for Young guitar clamor signaled rage and desperation, for Mascis it’s retreat. Before a roiling torrent of distorted guitars and oceanic drum bash, Mascis sings in a laid-back croak, like a character talking calmly to the camera in the midst of a riotous crowd scene. The turmoil on Where You Been is a relationship crippled
by misunderstanding, detailed in a poignant second-person narrative that consumes virtually every song on the album. Like many of its peers, Dinosaur Jr is a musical cargo cult, turning the detritus of another culture into something that can be used — and maybe even worshiped. For one of the crowning glories of slacker culture, look no further.”

TURN UP THE VOLUME! says: to my ears one the best Dinosaur longplayers – with an arresting mix of sparkling electricity, poppy grunginess and amplified balladry

THREE HIGHLIGHTS: Get Me / Out There / Not The Same

* GET ME – galvanizing mixed emotions romanticism

* OUT THERE – crackling leccy…

* NOT THE SAME – melancholic splendour at its very best…

In full

DINOSAUR JR : Website – Facebook –  Twitter – Discography

NICK CAVE & THE BAD SEEDS – Released Heartfelt ‘NOCTURAMA’ Album 15 Years Ago…

Going back in sonic history looking for memorable albums…

1 February 2018

Released: 3 February 2003 – 15 years ago
NME wrote: “Linking up with producer Nick Launey, who first worked with Cave on The Birthday Party’s 1981 single ‘Release The Bats’, has rejuvenated the Bad Seeds’ dormant Fury Gene and what emerges is a vibrant volley between the who’s been handcuffed to a piano with a bucketful of opium since 1997 and the smack-riddled Nick Cave who’d have happily kicked your teeth in if you’d insulted his big goth quiff in 1983. Nocturama’ is one of Nick’s very finest – uniting his two dramatic alter-egos in devilish harmony. It’s what The Velvet Underground would’ve sounded like if they’d been psychopaths. With a heart.”
TURN UP THE VOLUME says: one of his finest longplayers, but barely mentioned when I read about the man’s many great achievements. An affecting work for mind, heart & soul.
Three selected highlights: Bring It On / He Wants You / Rock Of Gibraltar

* BRING IT ON – the vibrant single feat. Chris Bailey,
former frontman of Aussie punk legends The Saints

* HE WANTS YOU – heartwarming, truly heartwarming…

* ROCK OF GIBRALTAR – one of the best love songs ever…

Let me say this to you
I’ll be steadfast and true
And my love will never falter

The sea would crash about us
The waves would lash about us
I’ll be your Rock of Gibraltar

Sometimes it’s hard
And we’re both caught off guard
But there’s nothing I would ever alter

The wind could howl round our ears
For the next thousand years
I’d still be your Rock of Gibraltar

The best thing I done
Was to make you the one
Who I’d walk with down to the altar

You’d stand by me
And together we’d be
That great, steady Rock of Gibraltar

Under the big yellow moon
On our honeymoon
I took you on a trip to Malta

And all through the night
You held me so tight
Your great, steady Rock of Gibraltar

Could the powers that be
Ever foresee
That things could so utterly alter?

All the plans that we laid
Could soon be betrayed
Betrayed like the Rock of Gibraltar

The pearl in full

NICK CAVE & THE BAD SEEDS: Website – Facebook – Discography

THE POGUES Released Masterpiece ‘IF I SHOULD FALL FROM GRACE WITH GOD’ 30 Years Ago…

Going back in sonic history looking for memorable albums…

16 January 2018


ALBUM: IF I SHOULD FALL FROM GRACE WITH GOD – their 3rd and best-selling album…

RELEASED: 18 January 1988 – 30 years ago

ALL MUSIC said: “If ‘Rum Sodomy & the Lash’ captured The Pogues on plastic in all their rough-and-tumble glory, ‘If I Should Fall from Grace with God’ proved they could learn the rudiments of proper record making and still come up with an album that captured all the sharp edges of their musical personality, Frontman Shane MacGowan continued to grow as a songwriter, as his lyrics and melodies captured with brilliant detail his obsession with the finer points of Anglo-Irish culture. Brilliantly mixing passion, street smarts, and musical ambition, this LP is the best album the band would ever make with Steve Lillywhite in the producer’s chair. “

TURN UP THE VOLUME! says: one of the best bands ever in my book, on and
off stage. This exceptional longplayer is a solid gold classic. Big tunes, mythical
stories, heartwarming instrumentation, drunk moods and Shane of course…

THREE HIGHLIGHTS: Thousands Are Sailing / Fiesta / Fairytale Of New York

* THOUSANDS ARE SAILING – gripping romanticism…

* FIESTA – the one to start and finish all parties with…

*FAIRYTALE OF NEW YORK – unavoidable, imperishable, incomparable masterstroke – R.I.P. Kirsty MacColl

The diamond in full…

THE POGUES: Website – Facebook – Discography


Going back in sonic history…

12 November 2017


Album: FLOODLAND – 2nd LP

Released: 13 November 1987 – 30 years ago

ALL MUSIC wrote: “While the goth scene in England was picking up commercial steam in the mid-’80s, the “Sisters of Mercy” may have seemed quiet, but they roared back with ‘Floodland’. Opening with the driving two-part hymn “Dominion/Mother Russia,” Sisters leader Andrew Eldritch (along with bassist Patricia Morrison) creates a black soundscape that is majestic and vast. While the earlier Sisters releases were noisy, sometimes harsh affairs, ‘Floodland’ is filled with lush production (thanks to Meat Loaf writer/producer Jim Steinman and the New York Choral Society) and lyric imagery that is both scary and glorious. A definite milestone.”

Turn Up The Volum!: says: ‘Floodland’ is a massive electrifying goth pop machine…

Three Top Tracks: This Corrosion / Dominion-Mother Russia / Lucretia My Reflection

* THIS CORROSION timeless standout

* DOMINION/MOTHER RUSSIAirresistible groove

* LUCRETIA MY REFLECTIONthe goth of darkness

Full album…

SISTERS OF MERCY: Website – Facebook – Discography

LOU REED – Masterpiece Album ‘TRANSFORMER’ Came Out 45 Years Ago…

Going back in sonic history…

7 November 2017

Artist: LOU REED

Album: TRANSFORMER – his 2nd solo longplayer

Released: 8 November 1972 – 45 years ago…

All Music wrote: “David Bowie has never been shy about acknowledging his influences,
and since the boho decadence and sexual ambiguity of the Velvet Underground’s music had a major impact on Bowie’s work, it was only fitting that as Ziggy Stardust mania was reaching its peak, Bowie would offer Lou Reed some much-needed help with his career, which was stuck in neutral after his first solo album came and went. Musically, Reed’s work didn’t have too much
in common with the sonic bombast of the glam scene, but at least it was a place where his eccentricities could find a comfortable home, and on ‘Transformer’ Bowie and his right-hand man, Mick Ronson, crafted a new sound for Reed that was better fitting (and more commercially astute) than the ambivalent tone of his first solo album. While Reed occasionally overplays his hand in writing stuff he figured the glam kids wanted (like “Make Up” and “I’m So Free”), “Perfect Day,” “Walk on the Wild Side,” and “New York Telephone Conversation” proved he could still write about the demimonde with both perception and respect.”

Turn Up The Volume! says: one of his very best ever, featuring three of his outstanding, timeless classics (below). Music for the midnight hour with a top bottle of red Bordeaux at hand…

Three top tracks: Walk On The Wild Side / Satellite Of Love / Perfect Day…

* WALK ON THE WILD SIDEimperishable diamond…

* SATELLITE OF LOVEmesmeric beauty…

* PERFECT DAYmagnificent 2003 live rendition (with Antony Hegarty)

The pearl in full…

LOU REED: Website – Facebook – Discography