Band: BASEMENT REVOLVER Who: Indie outfit producing noisy and graceful shoegaze-esque
music out of their hometown of Hamilton, Ontario since 2016
New album: EMBODY – the band’s 2nd one. Order the digital version here .
“Their sophomore LP, Embody, is explicit about these new ideas and new thoughts,
addressing them with a deeper sound and crisper production to adroitly express the
complexity of the world.
It is an album of friendship, of working out identity together and making deeply personal
art. This record, with its complex sonic landscape, sometimes lush and sometimes stark,
is of a piece with their earlier work, but it’s deeper and more self-aware. Embody is the
sound of freedom, especially in the midst of such pain, both locally and globally.”
Turn Up The Volume: The most striking instrument on the album is the angelic voice of songwriter Chrisy Hurn. Just phenomenal. To my avid ears, she may join the female vocal likes of stars such as Angel Olsen, Sharon Van Etten, The Sundays‘ Harriet Wheeler, Belly‘s Tanya Donelly, and Mazzy Star‘s Hope Sandoval.
Yes that good, that special. Check ballad beauties Slow / Blackhole / Storm / Tired and my two favorites Skin and Long Way and you’ll hear why Chrisy’s voice is the band’s shining star. And when they rock out (Be Okay / Dissolve / Tunnel Vision) multi-layered shoegaze guitars take over and create a burning wall-of-sound that blows you away.
Overall this high-quality second LP encourages young people to be confident to be themselves, to be proud of who they are, and proud of how they look. It’s a vulnerable
and heartwarming, a passional and human, a tender and longing piece of work for heart and soul. Album of the month!
Disco-freak stomper of the month, hands down. This new punky-funky corker follows
the previous 2 shared crackers Wild Flowers and Fatso. They will all be on their upcoming album At the Hot Spot, out tomorrow, 1 April (no joke).
It’s a bangin’ beast with a screamin’ chorus. A perfect pick-me-up tune for all the weirdos
who are always in the kitchen at parties waiting for Warmduscher to kick their lazy asses.
Compared to this Japanese red-hot-bloody fury the Ramones sound like choirboys. Otobeke Beaver‘s race and rush in an overwhelming overdrive. No brakes, no breaks.
Their rabidity rolls like a tsunami through your ears. These perky punkettes produce
moshpit madness on the spot. The average song length is 2 minutes, 120 seconds
of clamorous pandemonium.
3. ‘Territorial Call Of The Female’ by BODEGA (Brooklyn, NY)
The New Yorkers still operate on Parquet Courts’ playground with their new,
2nd full-length Broken Equipment. But they supersized their jangly beats
and they turned up the temperature.
Territorial Call Of The Female is my favorite cut. It activates
every muscle and every nerve in my itching body.
Scott Kirkland (the remaining member of Las Vegas dance act The Crystal Method)
invited icon Iggy Pop (you can hear him almost any day on a new collaboration, the
past few years) and his British buddy, composer/DJ Hyper in his studio.
The raving result is a techno boom boost, bursting all the way, with Pop‘s voice
strangled by a blender. Sounds spooky, sounds wicked, sounds like lust for life.
Breaking news: Iggy says he’s not a punk anymore!
“I don’t want to be a punk
I don’t want to belong to any of it
I just want to be”
Busy blues-rock bee Jack White canned two new longplayers for this year, titled Fear Of The Dawn (out 8 April 2022) and Entering Heaven Alive (out 22 July 2022)
The hottest cut I heard so far is Hi-De-Ho (from ‘Fear Of The Dawn’ LP) featuring Q.Tip.
The by now legendary passion rockers from Cincinnati, Ohio with mastermind
Greg Dulli in control are back from being away for 5 years. Their last album In Spades came out in 2017.
I’ll Make You See God a striking steamroller, a red-hot-heated stunner, an unstoppable
cannonball going everywhere fast. It will feature in the upcoming PlayStation game Gran Turismo 7.
7. ‘Nothing Comes Good Easy’ by DEAD LEVEE (Canada)
Wowzer! This sickly uplifting belter (from upcoming EP Rise-Up) elevates your state of mind with fired-up dynamism from the get-go. Rapid-fire rawk and roll riffs switch on a fervent feel of euphoria. It did it in the past, it does it in the present and it will do it in
the future.
Despite all the BS we have to endure (pandemic, Ukraine, natural disasters,
and other threats) it’s never too late to get back on track and why not start
with 4 and a half minutes of heart-warming guitar-fueled boogie-woogie
that breathes hope and assurance.
Once I learned that this startling uppercut is about the horrible
exploitation of human beings by ferocious money sharks this
jagged jackhammer blew my mind even harder than I heard it
the first time before knowing about the band’s inspiration
for this standout.
Expect rabid guitars, doom and gloom vocals, and frantic twists and turns
until the chaotic finale. Post-punk at its razorblade best. Think fierce Canadian
turbine Metz and London‘s up-and-coming gunslingers Crows.
This fiery crackerjack goes forth and back with
turbulent velocity. Imagine the full of vim and vigor
intenseness and puissant vocality of The Afghan Whigs.
Anxious, unyielding, and ablaze.
Breaking Grounds races like a rush of blood to the head with
screaming guitars and propelling drum muscularity.
The first taster from the upcoming debut full-length Dancing On A Volcano.
Imagine the fervid fuzz of punchy guitar pop legends Buzzcocks, with The Stranglers’ Jean-Jacques Burnel on bass, combined with the cutting
verbality of today’s post-Brexit-punk rebirth and you know a frisky doozy
is coming your way.
Add some American-dream girls of the City of Angles on your imaginary
mind-screen and you’re about to start a champagne party in your head.
The combination of a nasty Gang Of Four bass riff,
frenzied Keith Levene guitars here and there and Skinner
hip-hop-rapping like Beck used to do, works like an ecstatic
upper.
This funk-punk stonker has an immediate intensifying impact on all of your
limbs and your bloodstream’s flow. Add some sexy sax thrills to the mix and
you’ll have all you need to jump out of your slump. Capice?
Cut from their sophomore album
‘Moon Reflections’, out on June 24
A rotating synth riff echoes British electro legends New Order and
is the beating heart of this new piece, yet the mood is meditative
and musing, strengthened by the near-whispering and eager vocals.
This darksome and soul-searching reverie gets under your skin after
a couple of spins.
This impassioned hard-luck story grows slowly but surely into a soul-stirring and mesmerising heartbreaker with an epic finale. Glowing guitars, a steady drumbeat,
and mixed emotions vocals all come together for a poignant performance.
‘Love Is Cruel / The Hurt Within’. You can feel it.
You’ll hear titillating electro-echoes of early Depeche Mode before
they became the darkwave Goth-esque rockers we all know. But
in an eye-blink White Skin becomes an infectious nightclub earworm
with an ecstatic chorus.
In a normal world (does that actually exists?) this adrenaline-infused
and hip-swinging spark should top the dance charts around the globe.
The musical project of singer/songwriter Jordan Speare
assisted by guitarist/bassist and friend Andrew Billone.
After a couple of EPs the pair’s canned their first longplayer
called Silhouettes. Release at the end of the year.
I don’t know if it’s the world-famous and historic museum in Paris
they want to burn, that wouldn’t be so nice. What I do know is that their
brisk and spirited sound is infectious and captivating with an immediate
impact on your body’s movements. Expect guitar pop electricity, extra
pushed by lively vocals.
16. ‘Life And Lies’ by LEE ROGERS (Northern Ireland)
The Americana voice of Northern Ireland releases
his new album Gamebloodon 13 May.
Ahead of it came this mixed emotions single with Rogers‘ sky-reaching voice as the star, once again.
It’s a bluesy goosebumps reflection. Wurlitzer jukeboxes should be reinvented
for these heartbreakers so moody minds can cry their eyes out (or cry in their beer)
at night in a downtown bar where lonely ones gather and chat about life and lies.
A poppy synth trip with a floating flow and near-whispering vocals. Both eerie and affecting, both dizzy and hypnotic with a frenetic guitar attack coming out of nowhere around the 3-minute mark.
It’s an epic ballad with a country feel. If this melancholic gem was written
in the 60s it would have been sung by Linda Rondstadt, Tammy Waynette
or Dolly Parton, anyway, by an angelic voice like Olsen‘s magnific one.
Band: BASEMENT REVOLVER Who: Indie outfit crafting both noisy and graceful shoegaze-esque
tracks out of their hometown of Hamilton, Ontario since 2016
“Their sophomore LP, Embody, is explicit about these new ideas and new thoughts,
addressing them with a deeper sound and crisper production to adroitly express the
complexity of the world. It is an album of friendship, of working out identity together and making deeply personal art. Coming out in the middle of pandemic means that embodiment has to take new forms, and this album is one of those ways forward. This record, with its complex sonic landscape, sometimes lush and sometimes stark, is of a piece with their earlier work, but it’s deeper and more self-aware. Embody is the sound of freedom, especially in the midst of such pain, both locally and globally. Trading tracks virtually, missing the camaraderie of weekly rehearsals, and the isolation of that means that the album is full of hopeful waiting: to tour, of course, but also to engage these new understandings together, on the road.”
Turn Up The Volume: The most striking instrument on the album is the angelic voice of songwriter Chrisy Hurn. Just phenomenal. To my avid ears, she may join the female vocal likes of stars such as Angel Olsen, Sharon Van Etten, The Sundays’ Harriet Wheeler, Belly‘s Tanya Donelly, and Mazzy Star‘s Hope Sandoval. Yes that good, that magical. Check ballad beauties Slow / Blackhole / Storm / Tired and my two favorites Skin and Long Way and you’ll hear why Chrisy’s voice is the band’s shining star. And when they rock out (Be Okay / Dissolve / Tunnel Vision) multi-layered shoegaze guitars take over and create a burning wall-of-sound that blows you away.
Overall this high-quality second LP encourages young people to be confident to be themselves, to be proud of who they are, and proud of how they look. It’s a vulnerable
and heartwarming, a passional and human, a tender and longing piece of work for heart and soul. Hats off.
1. Any light, simple song, especially one of sentimental
or romantic character, having two or more stanzas all
sung to the same melody. 2. A simple narrative poem of folk origin, composed
in short stanzas and adapted for singing. 3. Any poem written in a similar style. 4. A sentimental or romantic popular song.
Okay, I just wanted to check if I picked the right songs here.
Below you find TUTV’s Ballads Of 2021 Spotify playlist with
a total of 30 beauties that I picked from the past 12 months.
The late Suicide legend had a lost album out this year
called Mutator. One of those rare lost albums that are
actually really good. Samurai is one of the dark
highlights.
The passion-driven Danish outfit finally hit the bull’s eye
with their fifth longplayer Seek Shelter. A near-perfect
opus with this slow-burning torch…
Stand out track from these young Texans’ debut album Survivors.
The lyrics are crystal clear. America is not what Hollywood tells you. It has become
a dangerously divided country where racism and far-right rebirth stimulated by
charlatan Trump and his ruthless entourage are frighteningly realistic (again).
Alarming feelings expressed with heavy-heartedness…
A brave and affecting pop pearl. An inspiring encouragement for
the countless girls/women and boys/men worldwide, struggling with
the looks of their body when it doesn’t correspond with society’s
everlasting sexist perception of how a body should look like, as
we all know.
Singer/songwriter Chrisy Hurn sounds as if she’s
related to The Sundays‘ grand voice Harriet Wheeler.
8. ‘Weeping Willow’ by MODERN MOXIE (South-Carolina)
This nostalgic gem has that melancholic and magical feel we, adults,
are familiar with. Looking back at good times gone. This wistful lullaby
brings tears to your eyes.
An infectious ditty, bouncing in your head before it ends. If this, simply irresistible, tune doesn’t do anything for you, you gotta go to your shrink. From Barnett’s new, upcoming album Takes Time, Take Time, out 12th November.
Catchy as hell…
Summer is only over when it’s over. Still time to move and groove to this disco
stomper from the recently released lost Prince album Welcome To America.
Why don’t we all get a tattoo, suggests Frank. I think he’s right, it’s
the only way to really go nuts to this bangtastic jackhammer. From
the band’s 4th longplayer called Sticky, arriving in October.
“I’m not looking for trouble, I’m looking for love / Let me in your hard heart Let me in your pub” sings Amyl over and over again with fervency and tons of gusto, while flamed-up guitars go mental. A blast from new album Comfort To Me, out 10th September.
A queer five-piece from London who play fun, fuzzy garage rock. Their songs are a mishmash of influences all pulled together by a love of loud noises, pop tunes, and
having a good time. ‘Soap And Cigarettes‘ is a stand-out knockout from their brand
new album Hedge Fun.
This ardent 4-piece flames with force on this new riff-roaring ripper. They operate somewhere between Green Day and Weezer, with peppery panache, gusty guitars,
vivid vocals, and a cracking chorus.
Darkwave electricity from Belgium. Haunting and ominous. You can smell Doomsday waiting around the corner. It’s 2021, folks, we need to fix our problems now. This sickly sticky roller coaster is a call to arms.
‘Highway To Hell’ by TOM MORELLO feat. Eddie Vedder and Bruce Springsteen
Rage Against The Machine guitarist Tom Morello launches his new album titled The Atlas Underground Fire on 15 October. He invited several friends, like Springsteen and Vedder for a bombastic version of AC/DC’s classic headbanger.
The speedy and steamy title track is one of the fired-up highlights of the new album of this punked-up Brooklyn squad. A zigzagging collection of amplified belters to start and end post-lockdown parties with. More info here.
Wham bam, bloody bam! From the kick-off Money Song booms, bangs and batters. Hefty guitars blare in between and raise your blood pressure on the spot. And when the blissful chorus pops up it’s time to leave your cocoon and let your body do its thing. Don’t wait to boost your stream of adrenalin.
A stunning and shadowy top piece from this duo’s equally stunning
album Participation Mystique. And Tomorrow sounds cinematic,
atmospheric and spacey. Join Lore City on their journey.
Wurlitzer jukeboxes were invented for these 60s inspired humdingers, so they could be played in dark bars downtown were broken hearts gather at midnight. One more thing:
do not mess with SHE/BEAST, she’s not in the mood for fucking assholes and psychos.
And she’s absofuckinglutly right.
Press play…
‘Popstar’s Daughters’ by SHAUN RYDER (Manchester, UK)
The Happy Mondays frontman’s brand new solo album Visits From Future Technology is hip-shaking proof
that he still can fill dance floors. Here’s the trippy and poppy single…
‘All Nations’ by NADINE GAGNE and The Star Nation Collective (British Columbia)
This resonates as a bright sonic light at the end of our troubled world tunnel. Only with togetherness, friendship, mutual respect, equality, harmony and tolerance, humankind can have hope for the future. This tremendously catching chant reflects all that. It’s a joyful, anthem that should be played on radios all over the planet.
“We are all stars, all stars come on now. Rise, rise and shine, gotta stay proud!”
We need songs like these in the restless times we live in. Songs of hope, songs of consolation, songs of inspiration. Shauna wants humankind to fight to see the light
(at the end of the tunnel) again. Her thoughts are embedded in a starry-eyed and
instantly enthralling groove that hops from dreamy pop to hip-swaying rap and back.
Nowhere sounds like a desperation song, but one that has a deeply felt effect on your psyche, on your state-of-2021-mind. This spellbound jam is driven by melancholic guitar lines, reminding me of Interpol‘s electrically-charged drive. Affecting and soul-stirring fever.
An inspiring reverie for the countless girls/women and boys/men worldwide, struggling with the looks of their body when it doesn’t correspond with society’s everlasting sexist perception of how a body should look like, as we all know. Skin is an instantly heartfelt
slo-mo musing, turning after a distorted guitar intro, into a vocal and musical pearl, with touching piano play. I’m sure The Sundays‘s Harriet Wheeler would love it.
‘You Are A Runner And I Am My Father’s Son’ by PORRIDGE RADIO (Brighton, UK)
Porridge Radio‘s leading Amazon Dana Margolin is a fan of Canadian rockers Wolf Parade. Here’s her terrifically gripping rendition of the band’s 2005 composition.
Band: BASEMENT REVOLVER Who: Indie outfit crafting both noisy and graceful shoegaze-esque
tracks out of their hometown of Hamilton, Ontario since 2016
New single: SKIN – cut from their upcoming album Embody
Chrisy Hurn (singer/songwriter/guitarist): “This song has helped me to love the parts
of my body that have often been scrutinized in the mirror. Ahead of getting married, I felt terrified about the vulnerability that it would bring. It was the first time I had ever explicitly written about my body, and my struggle with it, creating a slow burn of a track.”
Skin is a brave pop pearl, sonically and lyrically. An inspiring humdinger for the
countless girls/women and boys/men worldwide, struggling with the looks of their
body when it doesn’t correspond with society’s everlasting sexist perception of how
a body should look like, as we all know.
Skin is an instantly affecting slo-mo musing, turning after a distorted guitar intro, into
a vocal and musical beauty, with touching piano play. I’m sure The Sundays‘s Harriet
Wheeler would love it.
The accompanying video clip is a magnificent revelation…
Canadian daydreamers BASEMENT REVOLVER led by singer/songwriter Chrisy Hurn
and her touchingly fragile voice released their wholehearted and emotive debut album HEAVY EYES back in Augustus 2018.
The band returns now with new work. They announced a 6-track EP titled WAX AND DIGITAL. It will be out 18th October.
The first taster is the elevating title track. Chrisy Hurn revealed in a press statement that the song “is about me and my husband, the music that we love together, and how that music has shaped our relationship. In a broader sense it is about how culture informs our lives – even though culture changes rapidly and is temporary, we will always have certain things to hold on to, like music, to look back on and feel sentimental about.”
‘Wax And Digital‘ has indeed a stimulating tone and an elated sonority with Hurn‘ s characteristic vox shining along the glimmering guitar sound Interpol is so famous for. Capture the avid fervency here…
Lots of hair-splitting havoc and flaming pop firework this year.
Here’s TURN UP THE VOLUME‘s 2018 ALL STAR TRACKS TEAM
21 Knockouts, 21 standoouts, 21 big ones right here, right now…
. 1. ‘Liberty Belle’ by FONTAINES D.C. (Dublin, Ireland)
Up and coming Irish punk idols impress with catchy ramshackle punk force…
2. ‘Dust On Trial’ by SHAME (London, UK)
Razor-sharp rage from South London from their cutting debut album ‘Songs Of Praise’…
3. ‘Danny Nedelko’ by IDLES “Fear leads to panic, panic leads to pain / Pain leads to anger, anger leads to hate”…
4. ‘Isolation’ by TUBELIGHT (Belgium)
Belgian garage rockers sneer and spit with poise…
5. ‘Lately’ by TERRA PINES (Queensland, Australia)
A tornado of multi-layered guitars rollin’ all over you…
6. ‘User Guide’ by IT IT ANITA (Belgium)
Primal screams getting way deep under your skin…
7. ‘How Did This Happen?’ by BODEGA (New York, NY, US)
Irresistible jingle jangle electricity from one of the most thrilling new acts around…
8. ‘Paradox’ by SEXTILE (Los Angeles, California, US)
Inflammatory firecracker thundering like electronica pioneers Suicide on speed…
9. ‘Odyssey’ by MIEN (UK/US/Canada)
Like minded spirits from different bands coming together for a psych-y trip…
10. ‘Shiny One’ by BELLY (Boston, US)
A glowing return in grand style with Tanya Donnelly‘s touching vox in the middle…
11. ‘The Bluebirds Are Singing’ by EERIE GLUE
Ongoing bluesy psych groove with a spellbinding impact on your soul…
12. ‘Turn The Knife’ by PALM GHOSTS (Nashville, US)
Mesmerizing make or break love song with glimmering guitars and vivid duet vocals…
13. ‘You Don’t Walk Away From Love’ by PEACE (UK)
Euphoric guitar pop at its very best…
14. ‘When We Left’ by SOMEDAYS (London, UK)
Glowing drive, tenacious pace, confident dynamic and instantly infectious. Strike!…
15. ‘Dark Stains’ by EXPLODED VIEW
Mysterious, magnetizing and masterful…
16. ‘Subsonic Dream’ by THE DARTS (Phoenix, CA, US)
Fuzzy garage banger hittin’ and kickin’ relentlessly…
17. ‘Faith & Science’ by MODERATE REBLS
The addictive power of repetition combined with a catchy boowie woogie piano…
18. ‘Under The Moon’ by REBECCA LOU (Denmark)
Vigorous, dynamic and highly brisk pop standout…
19. ‘Human Child’ by BELLY (Boston, US)
A gripping human pearl…
20. ‘Wayne’ by RICH GIRLS (New York, NY, US)
This is how authentic sensitivity resonates like…
21. ‘Knocking’ by BASEMENT REVOLVER (Hamilton, Canada)
Singer Chrisy Hurn‘s breathtaking voice will make you silent.
Canadian three-piece BASEMENT REVOLVER led by heartwarming singer/songwriter Chrisy Hurn released their emotive debut LP Heavy Eyes last Augustus with KNOCKING as one of the standout tracks. Hurn‘s breathtaking voice on this marvelous song’s live rendition will make you silent. Sheer splendor…
BASEMENT REVOLVER is a Canadian indie trio led by winsome songwriter and striking vox Chrisy Hurn. The band just released their gripping debut LP entitled HEAVY EYES. A highly captivating collection of mixed emotions musings drenched in a turbulent bath of stirring guitar fuzz. Here are songs many of us feel/felt familiar to in one way or another. Intense reflections about being grief-stricken and sorrowful, hurt and confused, lost and puzzled. Amplified and soul-stirring pop heartbreakers you’ll love to have as sonic companions when feeling down and melancholic. This is deeply human music that has the healing force to set your troubled mind free in the end. Comforting music for the twilight hours.
It’s truly a great pleasure for Turn Up The Volume! to have Chrisy here revealing
the artists who influenced Heavy Eyes, track by track. Here we go…
The songs
. The inspiring artists,
track by track, with Chrisy…
1. BABY
“When I wrote Baby I was heavy into Turnover. I had just watched them open for mewithoutYou in Las Vegas at the Brooklyn Bowl. I think I was just trying to capture
a similar emotion that their music made me feel. It is almost a nostalgic feeling but
like, a sad nostalgia.”
2. JOHNNY
“Johnny was written a few years back, almost three years ago actually, and it was whenArchie, Marry Me by Alvvays was playing EVERYWHERE. And what a good, good song to be playing everywhere, may I add. When I heard that song for the first time, I remember thinking, “this is what I have been looking for!”
3. DANCING
“Dancing is a newer song for the band. For a long time we called it Joy Division because we thought the bassline could be from a Joy Division song. We also wrote this one starting from the bassline, it is what shaped the song. I think I was also watching a lot of Stranger Things because it was when the second season came out on Netflix, and yes, I think that is very relevant!.”
Joy Division‘s legendary bass player Peter Hook
4. FRIENDS
“Definitely a Frankie Cosmos inspired song. I was listening to her music
pretty much exclusively at the time and wanted everything to sound like her.”
5. Knocking
“I think when I wrote this song I was going for a Big Thief‘s Marykind of vibe.
That song is so freaking beautiful.”
Arresting live rendition. Awesome voice
6. JOHNNY PT. 2
“I don’t know if I can pin down who inspired this song. I honestly forget a lot of the
time surrounding its conception because I was very, very sad. I will say that on the
“Sunday drive downtown” where “Johnny” and I broke up, we were randomly listening
to an Adele CD because it was the only CD in my parents’ car. So maybe the memory
of the breakup brought out Adele-like sentiments?”
7. WORDS
“Mmmm… Words was my first venture into writing music with guitar pedals and vocal effects. At the time I was listening to a lot of Youth Lagoon and Wild Nothing. Maybe that somehow got in there?”
Youth Lagoon effects
8. WAIT
“I think Wait was probably somehow inspired by Diet Cig. It is also in drop D
tuning which consequently makes me feel like a badass. I don’t know why, but
it makes me feel a tiiiiny bit metal. I think we just wanted to write a song that
sounded a little bit darker and heavier.”
9. TREE TRUNKS
“Manchester Orchestramost definitely inspired this song. Most definitely.”
Basement Revolver Orchestra live
10. YOU’RE OKAY
“A little bit of Frankie Cosmos, a little bit of The Weakerthans, and very much cheese went into this song. Also very much crippling self-doubt. We wrote it in a band practice – and the thing I like the most about it is the breakdown that happens in the second chorus. You can thank my days spent as a scene kid, and every hardcore band I used to listen to in high school for that.”
11. HEAVY EYES
“I am gonna say that Dilly Dally inspired me to be a little bit heavier for this one
and to throw on that overdrive. I like playing this song, because the sentiment of
being very tired is very real most of the time for me, and it also makes me feel
tough. I don’t feel like I have to be anything other than myself when we play it live.”
Dilly Dally’s Katie – energetic impact
12. DIAMONDS
“Diamonds was written many moons ago when I was deep into the folk music scene. I was listening to a lot of Valley Maker– please everyone go listen to Valley Maker – and Right Away, Great Captain! at the time. I was a young 19 years old, and unrequited love was the most painful feeling I had ever experienced.”
Thank you Chrisy Hurn!
May the road rise with Basement Revolver!
